Gemstones Episode 1.5: Baby Billy and Eli compete for Aimee-Leigh. Plus water sports and donkey dicks

Title: "Interlude."  The interludes, set halfway through each season, are designed to clarify the conflicts and back stories, and to keep you in suspense after a major crisis. Here we flash back to 1989. when Eli and Aimee-Leigh were rich but not mega-rich, Baby Billy was hoping for a come-back, and young Jesse was jealous of his soon-to-be-born brother Kelvin. 

A Hot Piece of Tail:  This is the golden age of televangelism, with Pat Robertson, Jimmy Swaggart, Jim and Tammy Faye Bakker, and Jerry Falwell eating up the airwaves -- and blaming homa-sekshuls for everything from teen pregnancy to hurricanes/  They were especially eager to proclaim that homa-sekshuls were trying to destroy society by infecting straight people with AIDS.  In 1989, the number of new cases peaked at 80,000. 

Before the broadcast,  Aimee-Leigh walks around, being friendly to the crew.  Very diverse crew: -- old and young, black and white, women in jobs traditionally held by men, probably gay people.  She compliments Eli as "a hot piece of tail," and he agrees: "I'm sizzling hot."This seems a little gender-transgressive.  Men aren't typically referred to in this way.  Just before the curtain rises, Aimee-Leigh tells Eli, "I'm pregnant."  How playful, and borderline mean!

Family Dinner:  Lots of gross closeups of 1980s food.  When Aimee-Leigh says that she has news to share, Jesse guesses that Judy has been put up for adoption, and she guesses that he has AIDS. In 1989 evangelicals -- and most of the general public -- thought that only gay men contracted AIDS, so she is "accusing" him of being gay. 

No, Aimee-Leigh says without disciplining them, she is actually having a baby. Jesse wishes that she has a miscarriage, again without discipline, then backtracks: : "I will never like them.  They will never be my friend."  This is a call-back to the Episode 1.1 scene where Jesse is upset with Kelvin because "we used to be friends."  

Judy hopes that it's a boy, so she can teach him how to pee standing up.  Is she accusing Jesse of being a woman?

The Misbehavin' Tour: At the office, Baby Billy tells the Gemstones about his idea for a Misbehavin' Comeback Tour this spring.  But she can't do it: she is pregnant, due in July (in Season 2, Kelvin says that his birthday is near Christmas, but never mind).

Baby Billy insists that they go on the tour anyway, but she insists that she can't.  How about waiting until after the birth?  Nope.

Billy blames Eli for ruining his come-back: "You're the one who splashed all that sperm all over her."  This is a very odd way of describing heterosexual intercourse, more accurate for guys beat ing off.  Billy seems very jealous; does he wish that Eli had splashed sperm all over him?

The screenshot shows Baby Billy in pain, behind window slats that look like bars. He is trapped, unable to move beyond his days of performing with Aimee-Leigh, blaming Eli for ruining his life. In Season 3, Eli's other brother-in-law will blame him too, with more violent results.  

The Birthday Party:  After scenes where Jesse is caught arranging little-kid fights and complains that his parents are never around, a we cut to Judy's birthday party.  Guests eating food in disgusting ways (a regular trope in this episode); riding a slip-and-slide; riding ponies.  

What Jesse is looking at after the break. Warning: Explicit.

Oliver!, the Boy with Soft Hands, and "Cocks, Glorious Cocks"

 

When I was growing up in Rock Island, Huey (not his real name) was one of my brother Kenny's friends.  Short, brown-skinned, a rarity among the pale Swedes and Germans of Rock Island, chubby, with black hair and soft black eyes, soft all over.  I especially remember his square soft hands with stubby fingers.

My brother was 2 1/2 years younger than me, and three grades below (so in 9th grade when I was in 12th).  His best friend was Todd, a sports nut with sandy brown hair and blue eyes.

Huey was in a grade below them, so three or four years younger than me, a kid who they tolerated because he was funny.

He told knock-knock jokes.

While eating orange sherbet, he stuck out his tongue to demonstrate that it had turned orange.

He made his belly talk, long before Jerry Seinfeld did it.

On cool autumn afternoons they played baseball in the school yard, and then burst into the house for snacks and sodas, sweating, laughing, gossiping.

At least once, maybe more, Huey exclaimed "Feel how cold I am!", and lifted my shirt to press an icy hand against my belly.  I jumped back, and he laughed. 

Once I tried to retaliate by tickling him.  He grabbed my hands with his hands, and we did a sort of struggling dance.   Suddenly we were rolling on the living room floor.  But the dog started barking, thinking that I was being attacked, so we had to stop.

I remember them pretending to do kung fu moves. Huey was shirtless, his belly bouncing as he jumped around yelling "Hai-ya!"   It must have been during a sleepover, but I don't remember the rest.

One spring when Kenny was in high school but Huey was still at Washington Junior High, the whole family went to see him in Oliver!  He was in the chorus of orphanage boys.  During "Food, Glorious Food," his comedic mugs and pratfalls stole the show.

Food, glorious food!  Hot sausage and mustard!

While we're in the mood, cold jelly and custard!

Peas, pudding and saveloys!

What next is the question?

Rich gentlemen have it,  boys:  Indigestion!

The whole family went to see Kenny's friend, who was just in the chorus, not even one of the stars? Why?

Was he closer to Kenny than I thought?

More after the break.  Caution: Explicit

Raphael Luce: Femme boy from a family of stunt doubles and skywalkers plays heterosexual demons, hangs out in France with male friends

 

I started researching Raphael Luce based on this photo: dude's got a physique.

And this one: dude has a femme affect, and cuddles with guys.  You could ask him to scoot over, unless you like being pressed against his butt for some reason.

Raphael has French and American citizenships and spends a lot of time in France.  Here he and his boyfriend are eating at the Five Guys in Paris.  On the Champs-Élysées, a short walk from the Arch de Triomphe?. What's next, a Burger King in the nave of Notre Dame?

"Fun times in France."  The two boyfriends playing cards?  Can't you think of anything more interesting to do on the bed?

Raphael was born in 2006 to a circus-and-stunt family. Dad Jade Kindar-Martin is a tight-rope artist specializing in skywalking (great heights) and firewalking (with the rope on fire).  He performed for the Cirque de Soleil for many years, then moved to Hollywood to follow his wife into stuntwork. 

 Dad has doubled for Joseph Gordon Levitt, Austin P. McKenzie, Sam Reid, and Hunter Douhan, and played the killer bunny Bonnie in Five Nights at Freddy's.

Mom Karine Mauffrey has stunted in over 50 movies and tv shows, from The Walking Dead to Hannah Montana.,

His sister Jophielle starred on General Hospital (2019-24)  as Violet Finn, the variously sick, kidnapped, and assumed dead daughter of the variously addicted, sick, poisoned, kidnapped, and falsely accused of murder Dr. Hamilton Finn (Michael Easton, left)

More after the break

Foundation: The top 12 hunks of the tv series based on Isaac Asimov's incredibly boring "classic" science fiction

Every three or four years since I was around 15, I've picked up Isaac Asimov's Foundation (1951), lured by assurances that it's a magnificent accomplishment, a classic, essential reading, the book that propelled science fiction from Buck Rogers-style space operas to college literature classrooms.

So I start.  And it's just so darn bo--rrrr--ing that I give up after 10 or 20 pages.  Asimov is obsessed with politics, economics, and business, three of the dullest topics imaginable.  And there are no descriptions of anything.  Ever.  

There's a Foundation tv series on Apple Plus, but from the description it seems to committing an even worse sin: rampant heteronormativity.  So I don't think I'll be watching.  Let's just look at the hunks instead.

We've seen the premise 100 times before, but I suppose that in 1951, it was brand new:  12,000 years after the beginning of the Galactic Empire, it is in decline.  Just like...um...er...the Roman Empire?   Asimov is not good at cultural changes, so people 20,000 or so years from now act exactly the way they did in 1951, smoking cigars, wearing neckties, and filling their offices with men only.  They don't even have automatic elevators.

There are five or six parts, each with different characters.  I've only read the first:  A  young man named Gael travels from the provinces to the galactic hub planet of Trantor.  En route, he explains in detail how the spaceship works, which seems ridiculous.  Do you usually spend your flight thinking about how airplanes work?

1. Alfred Enoch as Raych. There are no women in Foundation except for nondescript wives, so in the tv series Gael becomes a woman, to add gender diversity (and heterosexism).  She gets a boyfriend, Raych, her boss's son.

In the city, Gael befriends a man named Jalen or something (naturally -- there are only male characters).  I'm thinking  "Gay subtext!"  But Jalen turns out to be a spy of the Galactic Empire, trying to get the dirt on his new boss, Hari Seldom or something.

2. Jared Harris as Hari Seldon.

Hairy has invented the field of psychohistory, which can predict societal change.  Asimov obviously doesn't know anything about the social sciences -- societal change is a matter for sociology, not psychology.  He has determined that the Galactic Empire is falling apart, leading to 30,000 years of Dark Ages. 

3. Lee Pace as Brother Day, one of the three emperor clones.  I don't think he appears in the original novels.

Predicting the fall of the Empire doesn't sit well with the Galactic Bigwigs:  They think that Hogwarts is trying to bring about the downfall.  So after an inquisition and trial,  they exile Hungover, Gael, and their workers (plus wives and children) to the planet of Terminus, on the far edge of the galaxy (20,000 years, and they still revere Latin?).

4. Cassion Bilton as Brother Dawn, another of the Emperor Clones.  Don't get excited, he's with a girl.

But it turns out that Hinkley has been manipulating the Galactic Big Wigs behind the scenes.  He wanted to go to Terminus, but he didn't think that his workers would go unless they were forced.  He needs a safe space to work on the vast Encyclopedia Galactica, which will preserve human knowledge and reduce the Dark Ages from 30,000 years to 1,000 years.  

Except it's all a trick.  A distraction.  The narrative switches to many years later, and a man named Salvor Hardin, who I thought was Hari Seldom's great-great grandson, but turns out to be just someone with an equally forgettable four-syllable name.  He discovers that the real goal of the Encyclopedists to start a revolt against...well, I don't know who.  

5. Daniel MacPherson as Hugo Cranst.  In the tv series, Salvor Hardin has become a woman too, so she can fall in love with a Han Solo-type.

By this point, I'm thinking "Life is too short.  I could be reading The Hobbit."  And I understand that the tv series is nothing like the books, anyway.

6. Brandon B. Bell as Han Pritcher, who falls in love with Gael (after her first boyfriend disintegrates) and works for the Foundation, although his real allegiance is to the Second Foundation.  I don't know what that means, either.

More hunks after the break

George MacKay: The time-traveler's buddy chooses movies about endless pain, misery, and despair. Just because he has a small dick?

 

I've been watching 11.22.63: Jake (James Franco), disillusioned by how awful his life (and everything in general) is in 2016, takes a time portal to 1960 in an attempt to prevent the assassination of John F. Kennedy and make life perfect. In Episode 2, he hooks up with Bill (George MacKay), a Kentucky redneck with a standard Stephen King backstory -- abusive father, murdered sister.  

They have to live together for several years while waiting for Lee Harvey Oswald to show up, so they pass themselves off as...um... brothers.  Not much of a gay subtext--  Episode 3 is entitled Other Voices, Other Rooms, but it has nothing to do with the Truman Capote novel about gay awakening, and Bill's heterosexual identity is established very quickly, when the guys relax by going to a strip club.  But at least some people suspect that the two are a gay couple, and Bill is beaten up in what we would call a homophobic hate crime. Later he is institutionalized and given shock therapy, a common experience for gay men in the early 1960s.  And killed.

So, a queer-coded character, displayed in his underwear a lot.   Enough for me to check to see if George MacKay has played any other gay-subtext roles, or is gay in real life.

He was born in 1992, and broke into film as one of the Lost Boys in Peter Pan (2003).  Then he played a gang member in The Thief Lord (2006), which I recall as having a gay-subtext romance.

Next came a long string of angst dramas :

The Boys are Back (2009): man with a dying wife and estranged sons.

Private Peaceful (2012): Tommo (George) has a brain-damaged brother, sees his father being crushed by a tree, loses the Girl of His Dreams to his other brother (Jack O'Connell).  They go to war together, and Bro disobeys an order to abandon the wounded Tommo, and is executed.  Sounds delightful.  

How I Live Now (2013): Daisy, who has a dead mother (of course), survives a nuclear war, sees her friends massacred, finds her boyfriend (George) severely injured, and nurses him back to health.  Lovely.

 The Outcast (2015), a two-part tv movie: Lewis (George) sees his mother drown (of course), and grows up feeling responsible, so he self-harms and sets a church on fire.  He spends time in prison, then confronts his toxic family members (hint: every man is bullying and abusive),  and confesses his love for The Girl of His Dreams before...you guessed it...going to War. Ugh!  Or as one reviewer notes, a "relentlessly emotional, heart-tugging story of tragedy."

Does every single one of George's movie and tv roles involve crying over the endless misery of life?  I'm surprised someone doesn't start singing "Have Yourself a Merry Little Christmas."

Let's check his gay and gay-subtext roles:

I  already reviewed 1917 (2019).  The tragedies piled on World War I soldier George and his gay subtext boyfriend (Richard Madden) were laughably unyielding.  The darn thing was too grim even for torture porn. But the gay subtext lasted until the last scene, with a last-minute tacked-on reference to a girlfriend back home.  I can hear the writers panicking: "Wait, we forgot to establish that he's straight! Quick, add a line about a girl!"

Left: Richard Madden in Sirens. He's playing the gay Ashley Greenwick (stereotyped name, that) caught in the act.  I don't know who the disgusted buddy is. 

Pride (2014): Members of the gay group LGSM are raising money for the families affected by the British Miners' Strike (1984).  Joe (George) is so closeted that his out-and-proud boyfriend dumps him, and dies of AIDS two years later.  Bummer, but at least it's a gay role.

True History of the Kelly Gang (2019): George plays the notorious Australian bushranger (outlaw), who has a gay friend (Nicholas Hoult) and likes to hang out affectionately with his male crew, but also gets a girlfriend.  It ends badly.

In Femme (2023), George plays Preston, a homophobic gang member  who beats up and then starts hooking up with a drag queen.  But she gets revenge by filming their encounters and showing his friends, so they suspect him of being gay.  Preston gets angry and beats her to a pulp, but doesn't kill her.

OMG, George, what is this, Hee-Haw?

Gloom, despair, and agony on me
Deep, dark depression, excessive misery
If it weren’t for bad luck, I’d have no luck at all
Gloom, despair, and agony on me

More after the break

Modern Family, Episode 11.4: A pool full of muscle hunks, a future hunkoid thief, and a gay realtor. With some twinks and 7 dicks

 

We've been watching Modern Family from the beginning.  Even at an episode almost every night, sometimes two, it's taken over eight months.  Now we're in Season 11, and continuing just out a sense of duty.  The characters are getting flanderized, there are too many maudlin "misty water-colored memories" scenes, and the plotlines are reeking of desperation from the writers' room.  Haley and Dylan have twins.  Gloria becomes a realtor.  Alex moves to Antartica?  Mitchell and Cam move to Missouri?

Besides, Luke (Nolan Gould) has bulked up, but never takes his shirt off.

Episode 11.4, "The Pool Party," is silly, but offers some excellent beefcake.  In the A Plot, Gloria, wife of family patriarch Jay Pritchett,  suddenly developed an interest in becoming a realtor, so Jay's son-in-law Phil -- who owns a magic store and a parking lot, teaches realty at the community college, runs a food podcast, and still has time to work as a realtor -- has hired her as his intern.  She's pushing to be hired full-time, but Phil isn't sure.

They work on the mystery of who is stealing the "For Sale" signs from the homeowners, to keep people from buying the house (don't they usually search online instead of driving by?).  Phil interrogates his rival Gil Thorpe (Rob Riggle), but he says that he's gay now, so he doesn't have time for a petty vendetta.  

Meanwhile, Gloria attaches the tracker for her husband Jay's dog to the sign, and follows it to catch the thief: Sam, played by Hunter J. Mitchell, now 18 and rather hunky (not shown).  The owners' son, he keeps stealing the sign so he won't have to move and leave all his friends.  Gloria gives a maudlin speech about how change is hard, but it leads to new experiences and new people, and Phil is so impressed that he gives her the assistant job. 

In the B Plot, Jay is in charge of housekeeping while Gloria works late and fails to appreciate the dinner he cooked or his new jogging suit. He has become a stereotypic housewife, and feels emasculated. 

In the C Plot, Claire wants to convince her daughters Haley and Alex to go to work in the corporate world, so she claims that being a CEO is wonderfully fulfilling.  Then she has pretend that a major disaster is no problem at all.

The D Plot is the dumbest.  Gay couple Mitch and Cam are invited to a pool party by their friend Longinus (Kevin Daniels).  He says that there will be kids, so they bring their daughter Lily; but he meant "twinks."  

The pool is crowded with musclemen in their 20s and 30s.  How would you respond?  How would any gay guy respond?

Right, he would mingle and cruise, or at least enjoy this paradise of  pecs, abs, and bulges. But Cam and Mitchell are horrified. "We can't take off our shirts at this smoke show."  Huh?  Why not? 

Left: I think the guy in the pink hat is adult video star Chris Wolfe. 

More after the break

Blair's Hot/Hung Photos, Part 2: Fitness model, stripper, deputy. Only his abs and dick stay the same

This is a collection of hot/hung and humorous photos of Blair Jackson, the actor/model who became Kelvin's nemesis in Righteous Gemstones Episode 1.4, "Wicked Lips." 

1. Teenage abs.

2. Grown-up abs.

3. Austin from "Wicked Lips" goes cruising. 

4. Going blond.

5. Blair's Starry Night.

6. You weren't looking at his face, anyhow.

More Blair after the break. Warning: explicit.

Gemstones Episode 1.4: Keefe looks for love in a sports bar, Gideon and Scotty date, and Kelvin meets a girl. Plus Blair Jackson and Daedalus dicks

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Jack Barlow: "Real Housewives" teen, Mormon missionary, hair-care guru, gay tease. With nude and bondage photos

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November 22, 1963: Failed writer goes back to practically perfect 1960. Does he buddy bond, or meet The Girl? With Franco cock but no glory holes

I love time travel stories.  I've read all the classics: "All You Zombies," "A Sound of Thunder," "By His Bootstraps," "Mimsy were the Borogoves."   Time travel movies, not so much: they all seem to be about meeting, winning, and finding infinite happiness with The Girl. But when 9-22-63 dropped on Netflix, I saw that the disillusioned writer and his buddy work together together to prevent the Kennedy assassination.  Gay subtext -- ok, I'm in.

Scene 1:  Elderly Adult Education student Harry (Leon Ripper) reads a story about a boy whose his father murdered his mother and siblings on Halloween night, 1960.  Teacher Jake (James Franco) gives him an A+ -- right in front of the class.   What if he got an F?

Then Jake goes to the run-down diner near a horrible closed factory and orders a burger from elderly Al (Chris Cooper, left), who complains about his eating habits.  Not a good idea to diss the food you sell, buddy.  

The ex-wife comes in; they discuss his father's death, and then he signs the divorce papers.  This woman acts as if she is deeply -- very deeply -- in love with him, so why are they getting a divorce?  So they can reconcile later on, or just to establish that he's heterosexual?

Al goes into the kitchen for a few minutes, then returns, pale and haggard, and collapses.

Scene 2: Jake takes him home.  Big reveal: He's got cancer. "But you were fine five minutes ago."  "Come over tomorrow, and I'll explain everything"  

Back to class: A film about shock therapy in the 1930s, while students laugh and are bored.  So are we establishing that Jake is an awful teacher, or that kids today are awful?  

Scene 3: At the diner, Al says he'll explain everything  if Jake goes into the closet, looks around, and comes back.  I'd be suspicious -- there could be bodies in there, or he could lock you in and keep you a prisoner.  But Jake goes in...

And...plop!  He's outside the diner, but back in the early 1960s.  There's a billboard for Moxie Cola, and kids playing softball instead of scrolling on their phones.  So it's like the wardrobe that leads to Narnia, You can also go back in time via a secret staircase  (on Dark Shadows) or in an elevator (Time at the Top).  

It's a wonderful, joyous, absurdly idealized world.  I couldn't get a screenshot that would do it justice. Everything is very bright, with primary colors dominating. Delighted factory workers file out for their lunch break.  A milkman (Colin Doyle) drops a bottle, and exclaims "For the love of Mike!"  No profanity in 1960, har har. Three girls drive past in a pink convertible.

An old guy notices that Jake is from the future, and yells "You shouldn't be here!"   So he runs back into the diner, and ends up in the present day.

"You were just in October 21, 1960," Al explains.  The time portal always goes back to the same moment.  He doesn't know where it came from or how it works, and he hasn't told anyone about it. But now that he's dying, Jake has to take over his goal: to prevent the assassination of John F. Kennedy on November 22, 1963.  So he wants a random stranger to do the job?

Scene 4:  Jake accepts time travel instantly, but wonders why Al is interested in the JFK assassination.  "Because if JFK lived, he would have stopped U.S. involvement in Vietnam, all those boys would be alive, and the world would return to how it should be, always summer,  primary colors, food that tastes good, polite kids, no divorce (hear that, Jake?), white men in charge (isn't your boss a woman, Jake buddy?), no gay people, and everyone joyful all the time."

Left: 1960s guys.

"Then why haven't you prevented the assassination already?"

Al tells him to go back to 1960, carve something in the tree outside, and see if it's still there today.   

Scene 5: Jake goes back -- same moment. He pushes off the "You don't belong here!" guy, carves JFK while locals glare at him, and rushes back to the present.

Left: Josh Duhamel, who plays Adult Education Student Harry's father, the one who murdered his family on Halloween, 1960.  Yeah, I thought it was fiction, too.

Yep, the carved JFK is still there.  But then it fades away.

"When you return to the present, time will reset.  You can stay for years, but when you get back, it resets. And no matter how long you're away, only two minutes have passed in the present." That's a lot of very precise rules for a magical gateway.

Oh, the reason he suddenly got sick: he went through for two years while Jake was signing the divorce papers.

"So if everything resets, how can I prevent the JFK assassination?"

"You have to go through, and never come back."   

I guess we've established, that Jake hates his job, he has no friends, his wife has divorced him, and his father is dead, so he has nothing to stay in 2016 for -- except the internet, global travel, medical breakthroughs, gay neighborhoods, cultural diversity....but it's a trade-off: life is perfect in the 1960s.   Um...I know this is Stephen King's nostalgic memory, but still, it's a little naive. Ok, a lot naive.   Life wasn't perfect in the 1960s, even for straight white men.

Al has prepared a fake id for him, a lot of early 1960s money, and a notebook full of sports matches to bet on, so he can support himself.  

Jake thinks he is crazy and runs off.

Scene 6: The Adult Education Program graduation.  Everyone is bored, not-engaged, not joyous, and the principal disses Harry, so Jake says "Screw it!  I'm going back to 1960!"

Al's dead, so Jake grabs the stuff, goes to the diner, and heads through the portal.

More after the break. Caution: Explicit