Eight South American Indios with pecs, abs, bulges, and the highest penis string in the tribe

 

I posted some bonus Amazonian guys in my Gemstones Episode 3.1 review, but I had a lot more, so here are eight hot/hung Indios from various parts of the Amazon basin.

A muscleman with a bulge -- the one on the left

There are 2.7 million indigenous people in the Amazon region, divided into 350 ethnic groups.  Most live in indigenous territories or reservations

A penis sculpture, La Paz, Bolivia

Thirty million people live in the Amazon, mostly in big cities like Manaus, Brazil and Iquitos, Peru.

Iquitos selfie. 

Showing off his penis string. The Huaorani of Ecuador, previously called the Auca, tie their foreskins to a string around their waist to protect it and demonstrate their virility. "Look, guys, I'm so big I have to tie my string around my nipples."

More Indios after the break.  Warning: arousal.

Gemstones Episode 2.6: Yep, they have sex. Plus Judy grows a heart, Torsten a brain, and Amber the noive.

Previous: Episode 2.5: Yep, Kelvin is gay.  But there's embezzlement, murder, and accountant cocks, too. 

Title: "Never Avenge Yourselves, but Leave It to the Wrath of God." Romans 12:19.  Who will suffer God's wrath?

Episode 2.6 has that controversial scene that fans are still arguing about, three seconds that have been analyzed backward and forward, frame by frame. Are they having sex or getting dressed?  But really, it's so obvious that it could become porn with only a few minor changes in the actors' directions. It's so obvious that I can't even put a screen shot at the top photo without getting a "sensitive" tag.   But first we have some unfinished business to attend to.

The Cycle Ninjas:  We begin immediately after the Cycle Ninja attack in Episode 2.4.  Jesse and Amber grab guns and fire on them as they zoom off, grazing one.  He falls off  his motorcycle, but jumps onto his colleague's and gives them the finger.

Later the family, except for Kelvin, gathers in Eli's drawing room to discuss the incident with Sheriff Brenda.  Judy thinks that it was a case of road rage.  Sheriff Brenda thinks that it was a botched robbery by some teenagers: professional assassins would have finished the job.  Eli is sure that Junior sent the Cycle Ninjas to kill him.  Other family members are at risk too, so he puts the compound on lockdown.

Judy complains about being stuck at home, with Tiffany living there after Baby Billy abandoned her. "She cleans everything with vinegar."  Not the time for complaints, girl.  Eli agrees: "Are you incapable of thinking of anyone but yourself?"

Out on the porch, Eli asks if Jesse has been to see Kelvin since the assault: "No. we ain't friends.  He grew up to be a nerd." 

The Second Dressing Room Scene:  We cut to a full body front-and-rear shot of Kelvin, as he stands naked in front of the mirror in his dressing room. "Look at me," he tells Keefe, "A grotesque reflection of what I once was." Dude, you're not going to get any sympathy with that incredible body on display.

 He is distraught over the fight with his father and the loss of the God Squad; he has been de-manned by the symbolic castration. Why should he get dressed?  "I shall remain hidden, like the beast I've become."

 Keefe advises that dressing for the day "soothes the soul," and drops to his knees.  Kelvin pushes his head forward and down to begin oral sex.  We see and (and hear) his climax, orgasm, and post-orgasm release.  Keefe swallows and says "nice." 

The scene lasts only a few seconds, and thus is easy to miss (I missed it the first time).  And it is immersed in the act of getting dressed.  Viewers are expected to be unsure whether they had sex or not, thus continuing the "are they or aren't they?" speculation. 

But the non-sexual explanation makes no sense: 

While stepping into his Tommy Johns, Kelvin steadies himself by pushing on Keefe's head. You steady yourself on your friend's shoulders, not on his head.

Using his hands to push is painful.  Elsewhere he is shown using the palms and base of his hands without pain.  

Keefe says "nice" because...um... Go on? 

Structurally, it is a logical conclusion of the first dressing room scene.  The guys move from quasi-sexual erotic activity to an overt sexual act.

It makes sense for Kelvin's character. He that his injury has rendered him impotent in a society dedicated to the phallus, grotesque in a society that prizes male beauty.   What better way to demonstrate that he is still potent, still beautiful? 

It makes sense for Keefe's character.  You've just gotten a good look at the amazingly hot backside of the Man of Your Dreams, and now you are kneeling with your face three inches from his amazingly hot cock --aroused by your proximity.  What guy could resist going down?

Afterwards, Keefe helps Kelvin get dressed, boops his nose, and puckers up for a kiss.  Kelvin moves in, then changes his mind and abruptly turns aside.  He still resists the idea of romantic love, but he is gradually coming around.

Down in the yard, the God Squad is running a motorcycle over the tennis court and otherwise wilding.  They've even moved into the house.  Kelvin is horrified: "Our empire is crumbling."  Notice that it's now "our" empire; they are equal partners.  Keefe encourages him to prove that he is still strong, physically and mentally: "Your will is not broken, even though your thumbs are."

Judy Grows a Heart:  Judy is signing fan photos with an erect penis and "stay horny," a call back to the Kelvin/Keefe sex scene, while Tiffany calls the area hospitals to see if Baby Billy was  admitted.  Judy scoffs: "He abandoned you."  But Tiffany can't believe it.  Maybe he's still looking for Funyons, and will return with the car loaded-down with them. Maybe he had a stroke, and doesn't remember who he is.  What if he's dead?  

Tiffany starts to cry,  and Judy starts to feel compassion, "thinking of someone other than herself" for maybe the first time in her life. This reminds me of the Tin Man in The Wizard of Oz: "If I only had a heart."

Amber Grows Courageous.  Next the Cowardly Lion: "If I only had the noive." At the marital support group, Amber brags about how she chased off the Cycle Ninjas and shot one from 50 yards away.  The women cheer.  Jesse, feeling threatened, argues that they were both shooting, and it's unclear who actually "grazed " the Ninja,  The women aren't having it.  Amber luxuriates in the cheers, feeling for the first time that she's her own person, not just an extension of her partner. 

 Later, Jesse's crew tries to console him for being de-manned by his wife. They suggest some buddy-bonding over craft beers, but he refuses.  He's too upset about "the whole church sucking my wife's dick." Another call-back to Kelvin's blow job.

Hand-holding and orgasms after the break

"Reefer Madness,": Marijuana hysteria, demonic bulges, a dinner date with Satan, and Christian Campbell's cock

 

I've shown many classes the 1936 film Reefer Madness.  It was originally released as Tell Your Children, a cautionary tale about the dangers of marijuana.

There's a strong gay subtext: drug dealer Ralph (Dave O'Brien) sees high schooler Jimmy (Warren McCollum), murmurs "Nice!", and practically licks his lips in anticipation.  

Wrangling an introduction, he says "Nice to meet youuuuuu!" with a lascivious leer, then invites Jimmy to the soda shop, where he will try to get him hooked on the psychosis-inducing weed in a parallel to how gay men were accused of recruiting boys.

After Jimmy is tricked into taking a puff of "the evil weed," he is plagued by instant addiction, psychotic rambling, uncontrollable sexual desire (the most horrifying to audiences of the day ), drunk driving, and finally murder.  It seems laughably sensationalistic today, but in fact Harry J. Anslinger, the commissioner of the Federal Bureau of Narcotics from 1930 to 1963, devoted his entire career to feeding the flames of the panic.  As late as the 1950s, marijuana was considered more dangerous than heroin. 

The movie was placed on the exploitation circuit, officially meant to educate viewers about the "dangers" of the practice, but really drawing crowds interested in gawking at the degradation. In the 1970s it was discovered by the hippie art-house crowd, who would watch while high for an ironic twist.  

In 1998, Reefer Madness: The Musical appeared off-Broadway, eliminating the redundant characters and upping the camp.  Christian Campbell (left) played Jimmy, lured from his "wholesome" heterosexual chastity by drug dealer Jack (Robert Torti, top photo) and cohort Ralph (John Kassir).  

In addition to the gay subtext, there was a lot of beefcake, with the super-muscular Jimmy stripped down to his underwear and a chorus of semi-nude male and female devils.

Film beefcake, bulges, and frontals after the break

"The Ritual": Guys lost in a bleak, cold woods with desperation-hugs, human sacrifice, and dicks from another movie

 

When American filmmakers want to set their horror movies in someplace remote and scary, they choose Appalachia.  Apparently the British choose Sweden.  First I saw Midsommer (2019), where some unsuspecting college students stumbled upon an ancient human-sacrifice cult in rural Sweden. Now-- or rather, previously -- The Ritual (2017), four unsuspecting middle-aged men stumble upon an ancient human sacrifice cult in rual Sweden.

The men are:

1. Phil, played by Arsher Ali, who gave us a nude scene in Beaver Falls.  

2. Hutch (Robert James-Collier).  James-Collier agreed to play a gay character in Downton Abbey because he needed a job, without realizing how horrible it would be -- people thought he was actually gay in real life!  Plus it ruined his career.  He's relegated to roles in trash like...um...The Ritual.

3. Sam Troughton, top photo, who has played gay characters several times.

4. Philip Hulford as the Monster.

Dicks from another movie after the break

The Nude Dude Review

 

Kelvin and Keefe at a gay resort sometime after Season 3, watching the Nude Dude Review.

Tropic Thunder

Nine inches and counting

Big Daddy

First time on stage

More nude dudes after the break

"Splitting Adam": Tony Cavalero helps Jace Norman win the Girl of His Dreams. With the stars All Grown Up.

 

While looking through Tony Cavalero's work on the IMDB, I noticed that he had a major role in Nickelodeon's Splitting Adam (2015) -- which make sense, as he was a Nickelodeon staple, starring as the zany music teacher Dewey in School of Rock.  The reviews say that Splitting Adam is awful. and it's not on any of my streaming services, so I'll have to pay for it.  But first the trailer, to check for heterosexism and gay subtexts.

Scene 1: Jace Norman of Henry Danger dances with a girl, wakes up, delivers newspapers,  gets yelled at by a gay-stereotype poof and his pocket dog, gets cheered on by a girl, and gets hit with a golf ball. The Narrator complains that he doesn't have enough time to do everything he needs to do. 

Scene 2: Crash and Splash Amusement Park.  A swimming pool Tootsie Roll, Jace getting yelled at by Jack Griffo and his girlfriend, Jace and his buddy Amar M. Wooten in a dunking booth.  We see that hoary old cliche of the Girl of His Dreams walking in slow motion, waving her hair. 

Top photo: the grown up Jack Griffo.

Scene 3: Amar advises Jace that he doesn't have enough prestige to impress The Girl.  Shot of him holding a yellow barrel over his crotch in the swimming pool. Griffo agrees: "You can barely keep your shorts on."  Is that a sexual double entendre?

Left: recent photo of the grown-up Amar.

Scene 4: Uncle Magic Mitch, a professional stage musician played by Tony Cavalero, arrives in his purple van and shows the guys his new -- tanning bed?  That night Jace sees it glowing, investigates, and accidentally falls in.  Zap! 

In the morning, there's a clone in the house, fully self-aware: "I'm here to help you."  He cooks breakfast. 

Scene 5: Magic Mitch, not to be confused with Magic Mike, is happy with the clone because he made chocolate chip pancakes.   Jace's two friends, Amar and Seth Isaac Johnson, hug each other in terror.  

Scene 6: In the tree house, Jace's friends, whose sole reason for existing is to facilitate getting him laid, devise a plot to use the clones.  They each have different personalities; the Girl is bound to like one of them. Zap! Zap!   

Scene 7: Shot of Jace and two clones, in disguise, entering the amusement park.  Magic Mitch performs. Jack Griffo snarls: "To get to her, you have to go through me!"  

Scene 8: Jace's clones are: the Sensitive One; The Party Boy; Mr. Responsible; Mr. Perfect; and goofball Winston.  Montage of several meeting or hanging out with The Girl,  She complains: "Every time I see you, you seem like a different person."

Scene 9: Of course she prefers the original.  Boy-girl hug. Uncle Magic Mitch tells him: "That's where the magic happens."

Moral: Be yourself.

Beefcake: These are all little kids, but there may be some hunkoids in the swimming pool scene. 

Heterosexism: Of course. The whole plot arc is about winning the Girl of Your Dreams.  We even get tips on how to do it.

Gay Stereotypes: The guy with the pocket dog. Sensitive Jace, although he's obviously heterosexual.

Magic Mitch Questions: Does he know that the tanning bed is a clone machine?  Why is he the sort-of responsible adult -- where are Jace's parents?  Does he get a girlfriend?  The movie probably clarifies things.

Will I Watch: Heck, no.

Grown-up Jace after the break

Gemstones Episode 2.5: Yep, Kelvin is gay. But there's embezzlement and murder, too. and some accountant cocks

 

Previous: Episode 2.4, Continued: Patricide, incest, cake, and frolicking muscleboys

Title: "Interlude II."  Episode 2.5 is a flashback to Christmas 1993, shortly after Baby Billy abandoned his wife, son, and cat at a shopping mall in Charlotte.  Since two of the season's big questions are "Did Eli kill Glendon Marsh?" and "Is Junior trying to kill to get revenge?" I expect that we'll get some Eli-Glendon back story.

Knives or nunchuks? As the family is photographed at the Gemstone Christmas tree, Judy torments 4-year old Kelvin.  Jesse says that he's going to give him a weapon for Christmas, so he can defend himself: "Knives, or nunchuks."  Eli forbids him from giving his brother weapons.  Jesse complains that the kid going to grow up to be "a pussy": someone who doesn't like to do things and is afraid of everything.  Sounds sort of like a gay stereotype.

You have to think of the optics: Eli is planning to move the Salvation Center to a giant coliseum.  The church board complains that he can't afford it: he's already spent church money on a private zoo and amusement park.  Hey, that's embezzlement!  They also advise that "the rich pastor is not a good look."  But Eli won't listen: "I cannot imagine a more ridiculous comment.  Big means success. People want to see something bigger than life." Well, this is during the tail-end of the Reagan-Bush "wealth is virtue" era.

"But we're spending more than we have!" accountant Terry (Mike Ostroski) complains. Gulp: Eli fires him!

Get that boy some mousse: Baby Billy shows up unexpectedly, having abandoned his wife Gloria and son (he claims that they abandoned him, but Aimee-Leigh calls her and discovers the truth).  

We see a close-up of Billy's butt as he drinks a glass of water. Kelvin: "Dang, Baby Billy is thirsty."  He's referring to the water, of course, but viewers will be drawn to the phrase "thirst trap."  Does Kelvin think that his uncle is hot?  Remember that in Season 1, the adult Kelvin and Judy comment on the attractiveness of their grown-up nephew Gideon.  

Baby Billy tells Kelvin that his estranged wife said:  "You have the most boring haircut in the world.  Get that boy some mousse."  Kelvin is upset (concerned with his appearance, a gay stereotype). Remember that the adult Kelvin uses mousse to create that upward wave.

Later, Kelvin demonstrates that he can play the harpsichord blindfolded (um..big deal?  Nobody looks down at the keys while playing).  Baby Billy calls him a prodigy and hugs and kisses him, obviously looking for a brainy replacement for his special-needs son.  The siblings scoff.  This musical talent is never referenced again.

The Return of Glendon Marsh:  As Eli walks through the office, everyone smiles and says "Good morning, Dr. Gemstone."  Everybody.  It looks creepy rather than friendly. "Be nice, or he'll turn you into a toad." 

His new accountant, Martin, starts off on the wrong foot by sitting in his chair!  

 Glendon Marsh, Eli's boss when he was wrestling and breaking thumbs back in Memphis, shows up unexpectedly and asks him to take care of $3,000,000 that he doesn't want the government to know about, and he can keep $1,000,000 for his trouble.  Hey, that's money laundering!  But Eli has already been embezzling, so what's the difference?  Aimee-Leigh and Martin disapprove, and Eli finally refuses. 

The Sleepover:  Baby Billy and Kelvin are playing hide-and-seek or something on bunk beds, while Jesse lies in a sleeping bag.   The top bunk is fenced in, so you don't accidentally fall out.  This must be Kelvin's room. 

Judy enters with her own sleeping bag, angry that she wasn't invited to the sleepover.  Jesse explains that it was impromptu: nothing going on in his room, so he came in here, looking for action.  "What'd you find?" Judy asks. "Uncle Tickles molesting Kelvin? Flopping that little dong?" This is the first of three pedophilia references this season, and another of  the incessant digs about Kelvin's penis. 

Baby Billy tells her to "hush that kind of talk.  Ain't nobody playing dong pong in here."  But suddenly Kelvin doesn't want his uncle to sleep with them. Wait -- I thought they had a special bond.  Is it because of the pedophilia accusation?  Or is he self-conscious because Judy dissed his penis?

Muscle and Fitness: Holy sh*t, there's a cover of  Muscle and Fitness magazine taped to the wall!  It's only visible for a second before Judy turns off the light, but holy sh*t. "Mama, please buy me that magazine.  I know I can't read yet -- I want to look at the hot guys."

If it is meant to signify Kelvin's interest in muscle, why just a man on the cover?  I worked for Muscle and Fitness back in the day, and the cover always featured a man and a woman together or a celebrity bodybuilder like Lou Ferrigno.  The set dresser  chose  this one deliberately to signify that Kelvin likes men  (or had it made up. That cover did not appear on any issue from 1990 to 1995).

Christmas Day:  . I couldn't tell if Kelvin received any gay-coded gifts.  Baby Billy asks for Kelvin's help in unwrapping his present, and at the Christmas service they sing together and hug, so they are apparently friends again. 

That night, Jesse and Kelvin are playing their Double Dragon arcade game -- call back to Episode 1.1 -- while Eli and Aimee-Leigh discuss the move to the coliseum.  How can they afford it, when they're broke? 

Suddenly accountant Martin appears -- no security station yet, just a buzzer.  Eli lets him in -- and Glendon Marsh has him at gunpoint!  Glendon orders Eli to take the money, or he'll kill his family.   So, just take it, and give it to charity later. Then Eli's dad, Roy Gemstone, appears and shoots Glendon!  He has dementia, and has been running around in his underwear, asking "Are we going hunting?", so it is unclear whether he is saving Eli or just shooting. 

Martin and Eli bury the body under the site for the new rollercoaster at the amusement park, thus explaining the obsessive riding.   

In the present, we see Eli riding the roller coaster, looking grim, while Junior, Glendon's son, looks at old photos and plays with a gun. The end.

The Season 1 Interlude gave us a feel for Jesse's childhood: neglected by his father, jealous of his "miracle child" brother, trying to be a bad dude.  This Interlude is definitely about Kelvin.  Does anyone still doubt that he's gay? 

Accountant cocks after the break

Midsommar: Murderous pagans, Christian cock, and three gay subtext couples. You can almost ignore the LGBT erasure.

I'm interested in the possibiliy of ancient pagan religions surviving in contemporary Europe, in mummer's plays and Punch and Judy, so I wanted to see  Midsommar (2019) in spite of the reviews pointing out that everyone is heterosexual and a lot of girls get naked.

In The Wicker Man (1973), an uptight British police officer investigates a free-love island  ("Children, what does the maypole represent?" "A penis!"), and ends up being their virgin sacrifice.  A naked lady bounces all over the place, and there's a lot of heterosexual shenanigans.  Midsommar couldn't be worse, right?

It could. It's very long and very boring, with the "surprise" ending broadcast from Scene 1.  But there are a lot of subtexts that turn it into a gay horror movie.

Anthropology student Christian -- ironic for a movie about paganism (Jack Reynor, left and below) was planning to break up with his girlfriend, but then her familiy was murdered, so he stuck around out of pity.  

A year later, he's ready to pull the plug on the long-dead relationship and move on.  His new bromantic partner Pelle invites him and another bromantic pair, Josh and Mark (William Jackson Harper, Will Poulter, top photo) back to his village in northern Sweden to witness an ancient pagan midsummer festival.

The Soon-to-be-Ex invites herself along.

"But Babe,.it was really supposed to be all boys, buddy-bonding, late-night groping, and orgies with Swedish studs, but....

Imagine the discomfort of sharing an 8-hour plane flight with your Soon-to-be-Ex, while the guy you are crushing on is sitting right across the aisle!

When they reach the village, which is populated mostly by young blond women and elderly white-haired men,, they meet Pelle's brother Ingemar  (Hampus Hallberg, left), who has picked up a boy-girl couples in London: Simon (Archie Madekwa, who you know from Saltburn) and Connie.

More dicks after the break

"They're combing Wyoming": Eight guys flexing in Idaho, hiking in Wyoming, and hooking up after the opera

 

The title of "Eight Hot/Hung Arnkansans" comes from the musical Annie Get Your Gun, as Frank Reynolds explains that he's extremely good in bed, but a player, so you shouldn't get involved.  He continues:

There's a guy in Wyoming -- they're combing Wyoming/ To find the man in white who was with him that night. 

Gulp, that sounds sinister, but he just means that he ghosted the guy after the hookup.  

Here are eight hot/hung/naked guys from Wyoming and nearby mountain states.  First up: a wrestler from the University of Idaho, Moscow.

Denver, Colorado selfie.

The Denver Art Museum. Generic name, Gaudi style.

Dick with dumbbell in Fort Collins.

On to Sheridan, Wyoming

College student selfie.

More mountain state dick after the break. Warning -- arousal.

Nazarene Baptism: A liberal preacher, a swimming pool baptism, and a lot of sausage sightings

At the beginning of my senior year in high school, our long-time Nazarene preacher had to resign after his son got a girl pregnant.  Our new preacher,  Rev. Spearman from Northwest Nazarene College in Idaho, was tall, blond, stupid...and liberal: on the cutting edge of evangelical theology.

Most Nazarenes had no idea that LGBT people existed -- they weren't even mentioned until the last edition of the Manual -- but  Brother Spearman gleefully referenced homa-sekshuls in nearly every sermon, blaming nearly every catastrophe or social problem on them, or on Christians for not hating them enough.

Most Nazarenes preachers screamed about our need to go down to the altar to get saved (forgiven of our sins) and sanctified (being cleansed of the ability to sin), but Brother Spearman added a third step, technically in the theology but rarely mentioned: consecration, dedicating your life to God.

Thus he cannily increased the number of times you had to go to the altar.  I was sure he did it to push up the altar-call numbers, which would lead to a renewed contract.

More after the break

Gemstones Episode 2.4, Continued: Patricide, incest, cake, and frolicking muscleboys. With a nude wrestler bonus.

Previous: Gemstones Episode 2.4: BJ gets baptized, Baby Billy gets Funyons, Kelvin gets dissed, and Harmon gets a cat.  With Israeli and Egyptian men

The After-Party: An elaborate affair, with many humorous set-pieces that reveal the inner state of the characters:

 

Levi, the only single member of Jesse's crew, dances joyously by himself amid dozens of pink balloons.

A life-sized BJ cake, so you have to cut slices out of his head. 

The outraged Kelvin chooses two cupcakes, carefully removes the pins, places a napkin on top of them, and splat!

Jesse and Amber seethe with rage as Eli dances with a lady.

Eli tries to be friendly to BJ's family, but Judy interrupts him: "They're from Asheville.  They hate God."  "Yes, but God loves them."

When BJ enters in his shiny pink "romper with a cummerbund," his family criticizes him for being feminine, but he counters that men can wear one-pieces.  Then they complain that he is a child, a little baby, not a man at all. (Notice the parallel with Kelvin constantly trying to prove that he is a "fully-grown adult man.").  He's ridiculous, the Gemstones are ridiculous, he's ruining his life.   BJ rushes back to his dressing room and tears off the outfit (some momentary beefcake).

Since when does Eli Gemstone like ladies?;.  As the party is winding down, Kelvin and Jesse meet at the baptistry and discuss how Eli always ruins their plans, "I wish I could fight that man!" Kelvin exclaims.  "I'd destroy him...make him look like a fool."  Eavesdropping, Baby Billy notes that he's wanted to fight Eli many times over the years.

Kelvin tells him that Eli has been having sexual encounters with "multiple somebodies"  Jesse continues: "Dude fancies himself a damn cocksmith...trying to make himself into a big character for the ladies." Interesting that Jesse specifies women, but Kelvin does not.  Women just don't pop into his head when he thinks of sex. 

Baby Billy finds this hard to believe. "Eli Gemstone...with the ladies?"  Why, when you were young, was he just into guys?

All women want to screw their brothers: Judy accosts BJ's sister KJ in the ladies' room, claiming that "siblings have to hate siblings' spouses."  Jesse and Kelvin hate BJ, because he "took her off the market," made her sexually unavailable: "They may be my brothers, but that don't mean they're not sitting in their room at night, thinking they might someday get to hook up with me." Does she not know that Kelvin is gay, or does it not matter?  

KJ protests that Judy's theory is "disgusting": she would never hook up with her brother.  "Well, what if I held a gun to your head?"  Then she might consider it. "I knew it!" Judy exclaims in triumph. "BJ is mine!  Stop fighting me for him!"  

The Fist Fight:  As Keefe passes out the food he stole, Kelvin seethes and bursts balloons,  and KJ complains that the Gemstones are a "train wreck" of a family, BJ throws a piece of cake at her -- which hits Eli just as he is schmoozing with a senator!  "You kids are an embarrassment!" he exclaims.  

As Eli leaves the party, Kelvin appears to yell  him about the Judean desert trip: "You made me look like a fool in front of my men." 

"I'm not spending one cent so you and your muscle boys can frolick in the desert!'   Frolick is feminine: Eli believes that Kelvin is planning an homoerotic orgy in the desert.  Referring to them as muscle boys, not men, enrages Kelvin, and he attacks.  

The two have a fist fight in the foyer of the church, with everyone watching, Keefe and the musclemen doing a chest-pound display of loyalty.  Kelvin throws one of BJ's gifts at Eli: he ducks, and it smashes a picture of Aimee-Leigh.

"You could have killed me!"

"I wish I had!" Kelvin cries.  Wait -- killing your father, sex with your siblings.  This episode is overloaded with Freudian symbolism. 

Eli pins him in the thumb-breaking position and demands an apology.  Kelvin refuses, and taunts that he doesn't have "the balls" to actually follow through. A call back to Eli's testicle injury in Episode 2.3, a symbolic castration that has rendered him impotent. 

But Eli does it!  I suppose I don't need to point out that in Freudian theory, the thumb is a stand-in for the penis, so Kelvin's broken thumbs represent  yet another symbolic castration.  But this time it is the father who performs the castration, rendering his own son impotent. 

The Wedding Rings: We cut to Keefe helping the EMTs rush Kelvin to the ambulance.  

There are those rings again , on their wedding ring fingers, Keefe's a thick silver band, Kelvin's more delicate, with a diamond filigree.  Fan boards went wild with speculation. We know that they're not God Squad rings, since they are not identical.  Or purity rings, since those are for teenagers, not men in their thirties.  Commitment rings? Wedding rings?  But Kelvin is opposed to romantic love.  Since they are not emphasized or commented on in any way, they are probably just a fashion choice, signifying that Kelvin and Keefe are fancy boys.

As the ambulance drives off, Keefe runs behind it for a few steps, then tries to get the God Squad to make their chest-thump gesture.  They refuse: the Messiah of Muscle has fallen.  His homoerotic energy has faded away. 

What a Shit Show:  In the aftermath of the baptism debacle, Tiffany notes that she sent Baby Billy out for Funyons hours ago, and he hasn't returned. Judy and BJ invite her to wait at their house.  Uh-oh, we see Baby Billy on the freeway, turning off to the Charlotte, North Carolina exit (a three and a half hour drive from Charleston.  How long did that party last?)  He has abandoned another family!

Meanwhile, Jesse and Amber take a van meant for Eli.  They drive until late at night (wait -- weren't they going home?  That's only a short distance from the Salvation Center).  Eventually they reach a gas station in Lebanon, South Carolina, 40 miles from Charleston.  The driver vanishes, and four motorcyclists appear, wearing red-and-black helmets that obscure their facees. They open fire.  Jesse and Amber barely survive.  

Uh-oh, Junior hired the motorcycle guys to kill Eli!  The end. 

This review seemed a little skimpy, so I threw in some pictures of naked wrestlers after the break.  Junior is a wrestling promoter, after all.

Players: Romcom with a sports writer who ends up with who you expect, plus a bi guy who hooks up off-camera and some butts

 

Brock O'Hurn is starring in a new movie on Netflix, Players: a female sports writer named Mack has a foolproof plan for hooking up with guys, but then she falls in love with a hookup.  Do straight women really have trouble finding guys to have sex with?  Aren't they, like, hit on constantly?

Her best buddy is played by Damon Wayons, who I thought was homophobic due to the shockingly hateful In Living Color (Remember "Men on Film"?).  In 2019 he apologized for some homophobic tweets from 2011 to 2016: "I was unaware of the emotional impact they would have."  He is currently the executive producer of Glamorous, which stars a nonbinary or femme gay guy, so we'll check....

No wikipedia plot synopsis, no LGBTQ representation in the trailer. Grr -- I hate these Netflix one-word titles!  They make it impossible to research.  No way to tell if there are any minor "sassy work friend" gay characters, except by watching.

Scene 1: At a bar, Bran (Augustus Prew) and his crew discuss strategies for getting him into the pants of his target: pretend to be drunk and spill a drink on her?  Steal her scarf and pretend that you found it?   They decide on Fiji Fantasy: Bran and his "girlfriend," Mack, argue and break up in front of the target.  The girlfriend is careful to emphasize that it's not about the sex: he is incredibly fantastic at that; she just feels inferior because he's so rich and has been with so many attractive women. 

Their buds Adam and Little (Damon, Joel Courtney) watch in adoration: "This is a master class."  I think it's a little heavy-handed.  Unless she's a complete nitwit, the target will catch on that it's a hookup scam.

Scene 2:  She's a nitwit.  While Bran is off sexing her, the others walk home.  Adam wonders what will happen when the target finds out he's not rich.  "Are you new here?  After the sexing, he'll never see her again."  

Uh-oh, Bran calls: he "bucknerded" it by forgetting the name of his "girlfriend."  Why not use the same name every time? 

 But it doesn't matter, because hes's moving on to a new target; the guy by the white owl back at the bar.

A guy?  The buds approve  "Been awhile -- I like your style."  Mack suggests "Run Time Step."  Little, who happens to be Bran's baby brother, offers to help.

We don't see the play.Why do we see the girl target but not the guy target?  Afraid the audience will be offended by a gay hookup?  

Instead, we continue to focus on Adam and Mack.  They discuss their problems working for a newspaper, a "dying medium," Mack's new feature on memorable local sports, and "we're perfect for each other but don't want to admit it"."  The background song: "What cha waiting for?  Your prayers have already been answered!"  

Left: Joel Courtney's butt.

More romance after the break