Gemstones Episode 3.8, Continued: Kelvin's tender bits, Peter's van, Chuck's butt, and coming out to the world.

Previous: Episode 3.8: Is Peter a woman?  Are Kelvin and Keefe lovers?  Does Jesse dye his sideburns?

More Militia Squabbles: Under the highway overpass, the militia men get more chicken, this time from Fancy Nancy's, but the portions are still too small.  Plus they've accomplished none of their goals due to Peter's mismanagement.  Instead of Brotherhood of Tomorrow's Fires, referring to an Apocalypse that isn't happening, they're going to call themselves the Keepers of Yesterday's Monuments, to key into their interest in (Confederate) monuments.  

They kick Uncle Peter and Chuck out of the group, taking all of their money, but letting them keep the truck full of explosives.  

Top photo: The tender bits of Steve Zahn, who plays Uncle Peter.

Left: The tender bits of Lukas Haas, who plays Chuck Montgomery. 

Hating on Eli:  In the Executive Board Room, the siblings speak to Eli only through Baby Billy, expressing anger that he refused to pay the ransom.  

Judy: "You left us to die! Uncle Peter would have killed any one of us, or all three, or he'd just mutilate us and send you our body parts."

Kelvin specifies: "Nipples, penis, butthole shavings -- all our tender bits."  Interesting --the three body parts he finds erotic. We can also divide it up by sibling: Judy's nipples, Jesse's penis, Kelvin's butthole.  We all know that Kelvin is a bottom, so he's concerned about that.

Left: The tender bits of Adam Devine

Jesse states that he's always known that Eli doesn't love him, but he figured that it was all about the church.  But he was wrong -- it's all about the money.

Eli protests: it's not about the money.  It's always been about his children.  

Hah!  They're not buying it. 

Suddenly Eli is happy because the siblings are working together, cooperating, not competing.  If it takes hating on him for them to work as a team, fine.   

Showtime:  The Sunday of the siblings' return to the church.  Crowds waiting to greet them.  A woman holds a sign: "The Gemstone 3 -- we missed you."  The ticket booth announces: "The return of the Gemstone children -- praise be!"  At the ministers' meeting earlier in the season, the siblings tried the "We Three and Thee" catchphrase, with disastrous results.  Now the congregation is embracing The Three. 

In the hallway outside their dressing rooms, the siblings say goodbye to their partners.  Jesse/Amber and BJ/Judy kiss.  Keefe moves in for a kiss, but Kelvin blocks him with a forehead press.  Keefe looks very amorous, as if still caught up in the afterglow from whatever they did last night.  Kelvin looks apologetic: "Sorry, dude, not in front of my family and the gossipy church staff."  

This scene received a lot of misdirection in the trailers.  First you didn't see who Kelvin was saying goodbye to, so you would think it might be Taryn.  Then the lighting makes a square white patch appear on Keefe's face, as if he was injured during the rescue attempt.

Jesse signals "Showtime!", and the siblings join him to walk down the hall to the stage.  Amber at the other end of the hallway, waiting for the partners to join her in the sanctuary. Keefe and BJ stand there, watching.

Suddenly Kelvin backs up, then turns around and walks quickly back to Keefe.  What's going on?  He's holding his dressing room key -- maybe he forgot something?  He wraps his arm around Kelvin's shoulders, slams him forcefully against the wall, and kisses him.  We cut to BJ grinning, and Judy grabbing at Jesse's arm in surprise. 

 In the second take, or maybe a second kiss, the dressing room key is gone, and Kelvin has moved his hand to Keefe's face. 

They break, and Kelvin walks back to the siblings, grinning, pleased with himself.  Keefe looks proud of him, too.   Jesse and Judy give him congratulatory grins.  He adjusts his glasses, as if to say "Well, that's that."  

More after the break

The Family Responds to Keefe's Fire Dance

During Cousins' Night (Righteous Gemstones Episode 3.3.), Kelvin's boyfriend Keefe, a former Satanist, performs a highly erotic fire dance for the family.  Their reactions:

Jesse: "I am not turned on, I am not turned on, I am not..."

Chuck: "So this is what my brother does in the bedroon?"

Karl:  I wish I had a guy to do that with in the bedroom.

More after the break

Gemstones Episode 2.5: Yep, Kelvin is gay. But there's embezzlement and murder, too. and some accountant cocks

 

Previous: Episode 2.4, Continued: Patricide, incest, cake, and frolicking muscleboys

Title: "Interlude II."  Episode 2.5 is a flashback to Christmas 1993, shortly after Baby Billy abandoned his wife, son, and cat at a shopping mall in Charlotte.  Since two of the season's big questions are "Did Eli kill Glendon Marsh?" and "Is Junior trying to kill to get revenge?" I expect that we'll get some Eli-Glendon back story.

Knives or nunchuks? As the family is photographed at the Gemstone Christmas tree, Judy torments 4-year old Kelvin.  Jesse says that he's going to give him a weapon for Christmas, so he can defend himself: "Knives, or nunchuks."  Eli forbids him from giving his brother weapons.  Jesse complains that the kid going to grow up to be "a pussy": someone who doesn't like to do things and is afraid of everything.  Sounds sort of like a gay stereotype.

You have to think of the optics: Eli is planning to move the Salvation Center to a giant coliseum.  The church board complains that he can't afford it: he's already spent church money on a private zoo and amusement park.  Hey, that's embezzlement!  They also advise that "the rich pastor is not a good look."  But Eli won't listen: "I cannot imagine a more ridiculous comment.  Big means success. People want to see something bigger than life." Well, this is during the tail-end of the Reagan-Bush "wealth is virtue" era.

"But we're spending more than we have!" accountant Terry (Mike Ostroski) complains. Gulp: Eli fires him!

Get that boy some mousse: Baby Billy shows up unexpectedly, having abandoned his wife Gloria and son (he claims that they abandoned him, but Aimee-Leigh calls her and discovers the truth).  

We see a close-up of Billy's butt as he drinks a glass of water. Kelvin: "Dang, Baby Billy is thirsty."  He's referring to the water, of course, but viewers will be drawn to the phrase "thirst trap."  Does Kelvin think that his uncle is hot?  Remember that in Season 1, the adult Kelvin and Judy comment on the attractiveness of their grown-up nephew Gideon.  

Baby Billy tells Kelvin that his estranged wife said:  "You have the most boring haircut in the world.  Get that boy some mousse."  Kelvin is upset (concerned with his appearance, a gay stereotype). Remember that the adult Kelvin uses mousse to create that upward wave.

Later, Kelvin demonstrates that he can play the harpsichord blindfolded (um..big deal?  Nobody looks down at the keys while playing).  Baby Billy calls him a prodigy and hugs and kisses him, obviously looking for a brainy replacement for his special-needs son.  The siblings scoff.  This musical talent is never referenced again.

The Return of Glendon Marsh:  As Eli walks through the office, everyone smiles and says "Good morning, Dr. Gemstone."  Everybody.  It looks creepy rather than friendly. "Be nice, or he'll turn you into a toad." 

His new accountant, Martin, starts off on the wrong foot by sitting in his chair!  

 Glendon Marsh, Eli's boss when he was wrestling and breaking thumbs back in Memphis, shows up unexpectedly and asks him to take care of $3,000,000 that he doesn't want the government to know about, and he can keep $1,000,000 for his trouble.  Hey, that's money laundering!  But Eli has already been embezzling, so what's the difference?  Aimee-Leigh and Martin disapprove, and Eli finally refuses. 

The Sleepover:  Baby Billy and Kelvin are playing hide-and-seek or something on bunk beds, while Jesse lies in a sleeping bag.   The top bunk is fenced in, so you don't accidentally fall out.  This must be Kelvin's room. 

Judy enters with her own sleeping bag, angry that she wasn't invited to the sleepover.  Jesse explains that it was impromptu: nothing going on in his room, so he came in here, looking for action.  "What'd you find?" Judy asks. "Uncle Tickles molesting Kelvin? Flopping that little dong?" This is the first of three pedophilia references this season, and another of  the incessant digs about Kelvin's penis. 

Baby Billy tells her to "hush that kind of talk.  Ain't nobody playing dong pong in here."  But suddenly Kelvin doesn't want his uncle to sleep with them. Wait -- I thought they had a special bond.  Is it because of the pedophilia accusation?  Or is he self-conscious because Judy dissed his penis?

Muscle and Fitness: Holy sh*t, there's a cover of  Muscle and Fitness magazine taped to the wall!  It's only visible for a second before Judy turns off the light, but holy sh*t. "Mama, please buy me that magazine.  I know I can't read yet -- I want to look at the hot guys."

If it is meant to signify Kelvin's interest in muscle, why just a man on the cover?  I worked for Muscle and Fitness back in the day, and the cover always featured a man and a woman together or a celebrity bodybuilder like Lou Ferrigno.  The set dresser  chose  this one deliberately to signify that Kelvin likes men  (or had it made up. That cover did not appear on any issue from 1990 to 1995).

Christmas Day:  . I couldn't tell if Kelvin received any gay-coded gifts.  Baby Billy asks for Kelvin's help in unwrapping his present, and at the Christmas service they sing together and hug, so they are apparently friends again. 

That night, Jesse and Kelvin are playing their Double Dragon arcade game -- call back to Episode 1.1 -- while Eli and Aimee-Leigh discuss the move to the coliseum.  How can they afford it, when they're broke? 

Suddenly accountant Martin appears -- no security station yet, just a buzzer.  Eli lets him in -- and Glendon Marsh has him at gunpoint!  Glendon orders Eli to take the money, or he'll kill his family.   So, just take it, and give it to charity later. Then Eli's dad, Roy Gemstone, appears and shoots Glendon!  He has dementia, and has been running around in his underwear, asking "Are we going hunting?", so it is unclear whether he is saving Eli or just shooting. 

Martin and Eli bury the body under the site for the new rollercoaster at the amusement park, thus explaining the obsessive riding.   

In the present, we see Eli riding the roller coaster, looking grim, while Junior, Glendon's son, looks at old photos and plays with a gun. The end.

The Season 1 Interlude gave us a feel for Jesse's childhood: neglected by his father, jealous of his "miracle child" brother, trying to be a bad dude.  This Interlude is definitely about Kelvin.  Does anyone still doubt that he's gay? 

Accountant cocks after the break

Gemstones Episode 1.5: Baby Billy and Eli compete for Aimee-Leigh. Plus water sports and donkey dicks

Previous: Episode 1.4, Continued: Dot drives Kelvin crazy, Keefe refuses a bj, and Gideon and Scotty date.  With a Daedalus dick bonus

Title: "Interlude."  The interludes, set halfway through each season, are designed to clarify the conflicts and back stories, and to keep you in suspense after a major crisis. Here we flash back to 1989. when Eli and Aimee-Leigh were rich but not mega-rich, Baby Billy was hoping for a come-back after his child-star career, and young Jesse was jealous of his soon-to-be-born brother Kelvin. 

A Hot Piece of Tail:  This is the golden age of televangelism, with Pat Robertson, Jimmy Swaggart, Jim and Tammy Faye Bakker, and Jerry Falwell eating up the airwaves -- and blaming homa-sekshuls for everything from teen pregnancy to hurricanes/  They were especially eager to proclaim that homa-sekshuls were trying to destroy society by infecting straight people with AIDS.  In 1989, the number of new cases peaked at 80,000. 

Before the broadcast,  Aimee-Leigh walks around, being friendly to the crew.  Very diverse crew: -- old and young, black and white, women in jobs traditionally held by men, probably gay people.  She compliments Eli as "a hot piece of tail," and he agrees: "I'm sizzling hot."This seems a little gender-transgressive.  Men aren't typically referred to in this way.  Just before the curtain rises, Aimee-Leigh tells Eli, "I'm pregnant."  How playful, and borderline mean!

Family Dinner:  Lots of gross closeups of 1980s food.  When Aimee-Leigh says that she has news to share, Jesse guesses that Judy has been put up for adoption, and she guesses that he has AIDS. In 1989 evangelicals -- and most of the general public -- thought that only gay men contracted AIDS, so she is "accusing" him of being gay. 

No, Aimee-Leigh says without disciplining them, she is actually having a baby. Jesse wishes that she has a miscarriage, again without discipline, then backtracks: : "I will never like them.  They will never be my friend."  This is a call-back to the Episode 1.1 scene where Jesse is upset with Kelvin because "we used to be friends."  

Judy hopes that it's a boy, so she can teach him how to pee standing up.  Is she accusing Jesse of being a woman?

The Misbehavin' Tour: At the office, Baby Billy tells the Gemstones about his idea for a Misbehavin' Comeback Tour this spring.  But she can't do it: she is pregnant, due in July (in Season 2, Kelvin says that his birthday is near Christmas, but never mind).

Baby Billy insists that they go on the tour anyway, but she insists that she can't.  How about waiting until after the birth?  Nope.

Billy blames Eli for ruining his come-back: "You're the one who splashed all that sperm all over her."  This is a very odd way of describing heterosexual intercourse, more accurate for guys beat ing off.  Billy seems very jealous; does he wish that Eli had splashed sperm all over him?

The screenshot shows Baby Billy in pain, behind window slats that look like bars. He is trapped, unable to move beyond his child-star days, blaming Eli for ruining his life. In Season 3, Eli's other brother-in-law will blame him too, with more violent results.  

The Birthday Party:  After scenes where Jesse is caught arranging little-kid fights and complains that his parents are never around, a we cut to Judy's birthday party.  Kids eating food in disgusting ways (a regular trope in this episode); riding a slip-and-slide; riding ponies.  

What Jesse is looking at after the break. Warning: Explicit.