"It Ends with Us": Not a post-Apocalyptic thriller, a drama about a lady with clunky rings and a hunk named Atlas

  

It Ends With Us showed up in my Netflix recommendations.  Obviously a post-Apocalyptic movie about the last generation of humanity struggling for survival. The icon shows an elegantly dressed woman talking through her fingers at an elegantly-dressed man, but that must be before society falls apart.

Scene 1: The woman who talks through her fingers in the icon is driving through an autumnal road to a quaint New England town with a sign saying Plethora, Maine.  Maybe the  human race goes extinct due to a vampire outbreak. 

 She stops in front of one of those gigantic "middle class" homes, and hugs and cries with the woman inside.  Geez, she's wearing like a gold ring the size of a baseball on each finger. How will she stake vampires that way?

Wait -- according to IMDB, this isn't about vampires.  It's a drama about domestic abuse!  Why such a misleading title, almost identical to The Last of Us, about survivors of a zombie Apocalypse?

I'm still watching.  I never see dramas, so this will be an adventure in snarky comments. And it will be fun to watch a movie produced by, for, and about straight people, like going undercover in a foreign country.

The lady in the house tells the Finger-Talking Woman -- who has the ridiculous name Lily Bloom  -- that this is her father's funeral (thanks for letting her know!), then criticizes her for taking a job out of town, so she couldn't be by his side every second.  Oh, and she informs Lily that she is her mother. She acts so oddly that I thought she was the housekeeper.  Why would the wife of the dead guy say "your father's funeral" instead of using his name?  

Scene 2: Lily Bloom goes up to her room -- huge, cluttered with girly stuff like pictures of fairies and a ballerina music box.  She brought nothing with her when she moved out?

Mom follows her upstairs to say "He really loved you." Yeah, that's what all abusers say.  "At the funeral, you're going to have to say five things that you loved about him."  Um...er...he was...um...

Left: Dad Kevin McKidd, in 1996. 

Time for the funeral, at city hall, super-crowded -- Dad was the mayor, also a husband and a father.  Give him a medal!  Time for Lily's eulogy, but she can't think of anything, so she steps down from the podium.  Murmur, murmur.  

Scene 3: Back in Boston, Lily sits on the roof of a high-rise apartment building, no doubt planning to jump, but The Man of Her Dreams, Ryle (Justin Baldoni, top photo) bursts in, angry, kicking over chairs.  He joins her on the ledge to discuss how much he hates maraschino cherries.  She wants to know if he is upset over "a woman...or a man."  Acknowledging that gay people exist!  But I'll bet that's all the representation we'll see.  

They exchange job information, which I understand is common for straight people in their first meeting:  Florist, neurosurgeon.  Guess which Lily is. 

Their falling-in-love conversation takes up the next seven minutes of screen time, but they don't make a date for later. Are you sure there won't be any vampires?

Scene 4: Adolescent Lily in her bed,putting flowers into a scrap book. Gratuitous leg shot as she gets up, brushes her teeth, writes in her diary, and puts on her starter set of huge, clunky rings -- well, she couldn't write in her diary with them on, could she?  

Looking out the window, she sees a young man sneaking out of the abandoned house next door and sorting through the garbage for food.  

He gets on her bus!  She gazes in Boy-of-Her-Dreams longing.  Lily's going to have two abusive boyfriends? 

It takes about five minutes of screen time for her to arrange a meeting and get his story: "My Mom kicked me out...because..."  You're gay?  Nope: because she doesn't like him interfering with her boyfriends "beating the shit out of her."  They beat him up, too, but he can't mention it because he's macho.

Lily invites him home to shower and change clothes, and watch Ellen., with a gigantic bowl of popcorn between them.  A lesbian exists in their world.  He stares at her clunker rings; she criticizes the outfit that she gave him.  So, for straight people, is criticism like flirting?

Scene 5: The adult Lily heads toward the store she's leasing for her new flower shop, while Mom tries to discourage her on the phone: she saw on the internet that "45% of all flowers die."  Just 45% ?

As Lily is cleaning out the old stuff, a woman named Alyssa comes in to ask about the "help wanted" sign.  It's leftover from the previous owner, but Lily might need some help soon: "I'm opening a flower shop." 

"Ugh!  Never mind, I hate flower shops.  They're depressing, full of dying things." 

"You're hired!"  So you get a job by criticizing the job.

Montage of the two bonding over cleaning out stuff, painting, and so on.  

Alyssa's husband Marshall (Hasan Minaj) calls  -- darn, I thought she was a lesbian.  He's across the street with her brother, watching the Big Game, but she drafts him into helping out. 

Ulp: Alyssa's brother is -- Ryle the neurosurgeon!  

They gaze at each other for about three minutes of screen time.  Don't straight people, like, talk?  Finally Alyssa and Marshall get tired of it and suggest a double date.  

Cut to a karaoke bar, with Ryle and Lily trying to ignore their mutual attraction -- they're single adults, what's the problem? --  and Alyssa and Marshall aggressively pushing them together -- they've known Lily for like three hours, why do they care?  After about ten minute of screen time, they kiss.

Scene 6: Adolescent Lily on a picnic with the Abused Guy, whose name is Atlas (Alex Neustaedter).  The Greek god who is holding up the world, not the book of maps. 

Left: Atlas's dick

They discuss Lily's Dad beating up her mom.  In other news: Atlas will be joining the Marines, so they can't continue their relationship.

Scene 7: BFF Alyssa's birthday party, at her gigantic palace, with a living room bigger than a hotel atrium.  Around a thousand people there, all heterosexual couples.  Why does she want to work in a flower shop, again?

Lily runs into Ryle the Neurosurgeon again, and tells him, "Stop flirting with me."  Then they go up to his room and have sex. Mixed signals, lady.

Scene 8: In the morning, Lily walks the six miles down to a kitchen big enough to prepare meals for the population of a medium-sized city.  Apprised that she has spent the night, Alyssa cautions that Ryle the Neurosurgeon goes through women like candy mints.  He's ok for a hookup, but if you're looking for a serious relationship, forget it.  Then why were you so aggressively pushing them together?

More after the break

Jeff East: Tom Sawyer's boyfriend, Disney teen, young Superman, naked fratboy, Pumpkinhead prey.

If you were young in the 1970s, Sunday night meant either church or The Wonderful World of Disney, countless movies set in the wilderness chopped up into 40-minute segments.  It was dreadful, but at least you got to see a cadre of teenagers personally selected by Walt or Roy Disney to represent "youthful masculinity":  Tommy Kirk, Kurt Russell, Tim Considine, James MacArthur.  

And if you could tell your fundamentalist, "movies are sinful" parents that you were going to the library downtown and sneak into a matinee, you could see Jeff East and Johnny Whitaker playng boyfriends.

Born in 1957 in Kansas City, Jeff had virtually no acting experience when he was chosen from among 1,000 hopefuls in open auditions to play Huckleberry Finn in Tom Sawyer (1973), with Johnny Whitaker as Tom.

They appeared together again in Huckleberry Finn (1974), with a romance that would be impossibly overt today.

Plus they both showed bare chests and bare butts, which would never be permitted today.  

Jeff went on three Wonderful World of Disney movies about big animals.  Disney loved animal stars.

Return of the Big Cat (1974): he has to save his sister from a cougar.

The Flight of the Grey Wolf (1975): he tries to re-introduce a wolf into the wild.  Nobody flies.

The Ghost of Cypress Swamp (1977): he has to save his dog from a panther, and runs afoul of a crazy guy.

This was the era of the big name teen idols like Shawn Cassidy, and a guy who fought panthers couldn't compete.  Jeff got very little attention in the teen magazines.

Jeff moved on to his first "adult" role as a college student who participates in a deadly hazing in The Hazing (1977),  also released as The Case of the Campus Corpse to make it seem like a comedy.  

Again he takes everything off -- he spends about half the movie in nothing but a revealing jockstrap.

Displaying his butt again.

And he has a painfully intense, gay-subtext romance with his costar, fellow college student Charles Martin Smith.

 

Charles Martin Smith's butt in Never Cry Wolf (1983), about a government researcher living with wolves.  

What's with these guys and their wildlife?

More butts after the break

Gemstones Episode 1.9, Continued: Kelvin goes dark, Keefe goes down, and Captain America saves the day

Previous: Episode 1.9: Jesse is racist, Judy is a rapist, and Kelvin is the devil

He's not my boyfriend:  Earlier in the episode, Kelvin reveals that "he's coming apart," certain that his lack of interest in women and recent forays into "darkness" signify that he is the Devil.  The siblings tried to comfort him, but apparently it didn't help: he shows up at the teen group wearing a Goth teddy outfit, mascara, pale lipstick, dark glasses, and shiny vinyl pants, and announces "I have transformed myself into something Dark."  He's not Jesus, but a vile creature of sin.  He must leave them.  

But his replacement, Ronald Meyers (Josh Warren), is "pure": chubby, greasy-haired, an assistant manager at the GameStop.  One can't help but conclude that "pure" means "never had sex," a contrast with Kelvin, who obvioulsy has. 

Kelvin makes a dramatic exit.  Dot Nancy, whom he rescued from Club Sinister, scoffs, as if to say "What an idiot!", and follows. "Is this about your boyfriend?"  Notice that she is not being pejorative; she honestly believes that they are a gay couple.  

Kelvin corrects her:  "Ok, no, he's not my boyfriend. We're just a couple dudes who like to hang out. Why?"  He's being awfully nonchalant -- compare Season 3, where "rumors swirling around" drive him into a panic.  He's already the Dark Lord, a being infused by homoerotic desire, so why get upset over a simple mistake?

Fans who insist that "Kelvin is straight!" often point to this statement, but maybe they're not "boyfriends," partners in a caring, emotionally-fulfilling relationship.  Kelvin believes that Satan is all about sex, not love, so whatever he feels for Keefe -- whatever he does with Keefe -- must be driven solely by lust.   

That will all change in a moment, when Dot shows him Keefe's instagram page. He has returned to his old job as Baby Queef, a performance artist at Club Sinister: "The baby is back!"  and "Haven't I fallen far enough?"  

Responses from fans: "I'm psyched!  I can't wait!"  "We're off to never-never land!" 

Yelling "No, no, no," Kelvin rushes off. Why is he fine with turning into the Dark Lord, but upset when Keefe becomes one of his followers?  Maybe because his transformation was all about wallowing in self-pity, while Keefe's is for real. He is about to be destroyed, spiritually, psychologically, and maybe even physically.

Gideon in Haiti: Before we can find out what happens next with Kelvin and Keefe, we cut to Gideon in Haiti: colorful "third world" shots of goats, a taverna, Gideon  meeting a group of k*ds, and so on.  The Water 2 Haiti ministry reflects the real Water for Life, which has been sponsoring well digging and irrigation since 1983. 

Jesse tracks Gideon down and asks him to come home. He refuses: he's doing missionary work to expiate his sins, so he can find peace.   Jesse will have to find anothe way to reconcile with Amber.

Check out his reaction when Jesse notes that Scotty has died: eyes wide, mouth agape, trying to restrain a whimper.  Sure, the guy robbed and assaulted him, but he was still Gideon's first boyfriend, and apparently really good in bed.

BJ is Shocked:  Back to the Gemstone Compound, night.  BJ wants to do a grand gesture to get Judy back (you dumped her, remember?), but Brock the Security Guard makes fun of his name and won't let him in (he lived there before the breakup -- wouldn't Brock know him and let him by default?).  

Rejected at the gate, BJ says "It's time to be a man" and finds an isolated place with a fence he can climb over.  We get a good view of the amusement park as he sneaks through.   But the stealth plan doesn't work:  he is surrounded by security guards and tazed, killed in a death-and-resurrection scene.

A Transitive State: Meanwhile, Kelvin is trying a grand gesture of his own (you dumped him, remember?). He arrives at Club Sinister with yet another party going on (or is there always a party in the Satanic realm?)  He pushes through the crowd (and, significantly, shrinks back with audible “Ewww!” at the sight of a naked lady), and finds Keefe's old friend Daedalus.  

"Keefe is discovering some things about himself," he says. What does Keefe not know about himself?  Surely he knew that he was gay.  

Then: "I transformed him back into the earliest state of his being. He's sinking beneath his reality as we speak.  He's regressing to a transitive state."  I couldn't find an exact meaning for this phrase, but it probably means a state where you can be transformed into a different person.  

Kelvin threatens him: “Take me to him right now! I will f*ck you up!”  

The Isolation Tank after the break

"The Third Day": Jude Law in "The Wicker Man," with scissor goblins, a dead son, Will Rogers, and Dagliesh dick

 

The Third Day, on Netflix, had an interesting premise: an island where "you can check out anytime you like, but you can never leave."  The "third day" is when Jesus rose from the dead, so there may be some people coming back to life.  Plus it stars Jude Law, who played gay characters in Wilde (1996) and The Talented Mr. Ripley (1999), so I'm in.

Update:  It's hard to find.  It keeps changing streaming services, from Netflix to Hulu to MAX, as if the universe doesn't want me to see it.  

Scene 1: Sam (Jude Law) stops his car on a deserted road to call a woman: the money is in the office, 40,000 pounds cash.  Don't call the police; don't let Amboy in the house.  He stares into space for a long time, then walks into the woods.  Everything goes blurry.  Is he entering an alternate universe?

He stops at a brook, and lets a small striped shirt float away.  Mourning a dead son.

Scene 2: Suddenly Sam hears a girl yelling at her friend to let go of the rope.  He rushes over just in time for a friend let go and run away.  She is hanging herself!  He cuts her down and asks if she wants to go to the hospital, but she just wants to go home.  

On the way, he gives his back story: he used to work with troubled youth in social services, but now he runs a garden center in London; he's married with two daughters.  Heterosexual identity established, he asks if someone is hurting or scaring her at home, but she won't say.

Weird detail: she asks for water, and then puts salt in it.  Who drinks salt water?  Are her people aliens out of the Cthulhu Mythos?

Home is Osea Island, across a narrow, winding causeway that's only open at low tide.  Very stressful to get across.

Back story: Osea is a real island in Essex, accessible by a causeway at low tide twice a day.  Over the years it has been home to a naval base and a rehab clinic, but now it's privately owned.

They pass a amphitheater, a lot of porta-potties, weird giant figures, and brown-robed goblins attacking townsfolk with scissors.  The Girl says that there are only 93 people living on the island, but this year they are opening their pagan cult festival to outsiders, hoping to turn it in to a music festival and raise some money.  

Hundreds of people driving on that narrow causeway?  They'll be driving right into the ocean.

Scene 3:  The Girl doesn't want to go home to her dad (uh-oh), she wants to go to the pub, where the Martins take her into the kitchen, whisper anxiously, and occasionally peer out at Sam.  He checks for cell phone reception -- none -- and looks at the pictures on the wall.  Why are there three pictures of corpses?

Mr. Martin (Paddy Considine) returns and dumps a hasty explanation: "She wasn't trying to hang herself, it was just fooling around like kids do; she's not afraid of her father or anybody on the island; everything is fine.  Thanks for bringing her home, but you should leave -- NOW!"

But Sam has to get in touch with Aday from Scene 1 right away: he's a planning official who will be deciding on whether they can go forward with their plans to build a new center -- this afternoon!

Mr. Martin doesn't like that name -- "African, innit? Lots of African immigrants on the mainland.  Everyone thinks that they cause trouble, but some are ok."  Dude is racist.

After a long, inappropriate story about how he and his wife always wanted kids, but seven pregnancies didn't come to term, Mr. Martin offers to escort Sam to his car so he can LEAVE, NOW!   

Scene 4:  On the way, Mr. Martin reveals that the music festival will coincide with their "Esus and the Sea" ceremony,. Esus was a Celtic war god, but because of the similarity in the names, everyone thinks that the ceremony is about Jesus.

Left: Jude's butt

Mr. Martin begins to interrogate Sam: why were you so far from home, on such an important day?   Also, Mrs. Martin recognized you, so you're not here by accident, are you?

Uh-oh, his car is blocked in, they can't find the driver, and the causeway will be closing in about 15 minutes.  Don't they have ferries?

Mr. Martin changes the urgency of his advice to get out. "You'll have to spend the night.  I'll put you in a room at the pub."

"No, I need to get off this island now!"  Sam reveals that the burglars took 40,000 pounds in cash, that they were going to use to bribe Aday! That's sleazy, but not as sleazy as I ithought.  Maybe he's lying.

Martin reaches the obvious conclusion: Aday stole your money.  But why would he steal the money, when they were going to give it to him anyway?

More after the break

Peter Billingsley: The lingerie lamp kid, a Beverly Hills brat, Whips, ropes, and perhaps Peter's peter

 

Even  though a few years have passed, Peter Billingsley is still know as the kid from A Christmas Story (1983).  You know -- the bespectacled 9-year old in the 1950s, whose only Christmas wish is "a Red Ryder BB gun with a compass and this thing that tells time."  

Hardly anyone saw it in theaters in 1983, but it has become a TV tradition -- TBS usually mounts a 24-hour marathon -- so you've probably seen A Christmas Story as often as the much gayer White Christmas or It's a Wonderful Life.

I don't really care for it. There's a creepy lamp shaped like a lady's leg in lingerie (that turns Ralphie on), a nasty bully, a borderline-abusive Dad, a gun as a major plot point, and no cute guys or discernible homoerotic subplots (although some of the cast has gay connections).

And the mythos hasn't gotten better.

The top photo is Braeden LeMasters, who played Ralphie in A Christmas Story 2 (2012).  Six years later, Ralphie wants a car and the Girl of His Dreams.

I think it got worse.

In The Dirt Bike Kid (1985), a modern retelling of "Jack and the Beanstalk," the 14-year old Jack (Peter) is sent to buy groceries, but gets a magic dirtbike instead.  He uses it to clean up the corrupt town, save a struggling hot dog stand, and become a town hero. He expresses no heterosexual interest, but no same-sex interest, either.  He has a buddy (Chad Sheets), but  his main emotional bond is paternal, with Mike (Patrick Collins), the owner of the hot dog stand.

 In Russkies (1987), it's the heart of the Cold War, Danny (Joaquin Phoenix) and his friends Adam (Peter) and Jason (Stefan DeSalle) find a a Russian sailor, Mischa (Whip Hubley), washed up on the shore. Adam  is obviously entranced by the beefy, bulge-laden Mischa, especially after he takes off his shirt at the doctor's office.

 

But it is Danny who acts as his friend and protector.  He hatches a scheme to smuggle Mischa to Cuba, whence he could get back home.  When the baddies shoot Danny down over the water, Mischa rushes to the rescue. Later, Danny rescues Mischa.  Though the movie ends with Mischa going  home, the experience changes Danny forever; it is his Summer of '42.

An anti-gay slur (this was the 1980s, after all), but no girls thought of or spoken of.

Left: Whip's butt and back balls.

In Beverly Hills Brats (1989), Scooter (18-year old Peter) is ignored by his rich father (Martin Sheen) and bullied by his siblings, so he fakes his own kidnapping, hiring the bumbling thugs Clive (Burt Young) and Elmo (George Kirby).  The thugs are hostile at first, but soon come to feel sympathy for the lonely Scooter.  Again, an anti-gay slur, but no expressed interest in girls.  Instead, Scooter tries to reach out to the thugs for emotional support.

By this point, Peter was starting to muscle up; in fact, he later played a high school athlete abusing steroids on an Afterschool Special.  But he also started to heterosexualize up.

Here he shows some bicep in VideoZone (1989), a tv commercial series about the merchandise advertised in Full Moon productions.

He appears in 11 episodes of Sherman Oaks (1995-97), an early example of the mockumentary format, as the hetereo-horny teenage son.
 

More after the break

Martin Spanjers: Eight simple rules for determining if the "Eight Simple Rules" kid is gay

 

Rule 1: Does his character gawk at guys in the shower?

This is a still from Epiosde 3.1 of the  TGIF sitcom Eight Simple Rules (2002-2005).  It was originally Eight Simple Rules for Dating My Teenage Daughter, about an overprotective Dad played by John Ritter, but when Ritter died, it became a general family-angst dramedy.  I never watched, but in 2004 you could hardly turn on your computer without seeing Martin Spanjers as the teenage Rory gawking at Sam Horrigan.  

Only Seasons 1-2 are available to stream on Disney Plus, so I don't know what's going on in the scene, except that Rory doesn't want to shower after gym class due to his less than adequate package.  Maybe Sam Horrigan is a high school jock?  

2. Does he play a gay-vague teenager?

Fan consensus is that Rory is one of those gay-vague sitcom kids, soft, shy, pretty, and struggling valiantly to act girl-crazy because on American sitcoms, all teenage boys must be girl-crazy.

3. Does he show his butt on screen?

The next time I saw Martin Spanjers, he was still naked, playing the teenage shapeshifter Sam Merlotte in a 2009 episode of True Blood, about vampires, werewolves, and various other magical beings in rural Louisiana.  When you shift back to human form, you lose your clothes, so he's naked when he breaks into a house looking for food or something to steal.

4. Does he have a gay-subtext role?

The house happens to belong to a maenid (minor goddess) named Maryanne, who naturally wants to have sex with him.  He steals $10,000 on his way out, which causes the adult Sam Merlotte a lot of headaches.  

Although the encounter is heterosexual, Sam is homeless because his parents kicked him out when they discovered his "secret."  We can see a reflection of gay teens ejected by homophobic parents.  About 40% of homeless youth are LGBT.

More after the break

Kelvin and Keefe Under the Christmas Tree: A Kelvin/Keefe Romance

This story takes place after Righteous Gemstoens Season 1.

It was Christmas Day in South Carolina, 85 degrees, so Kelvin and Keefe were sweating in their Santa hats and scarves as they knocked on the door of Daddy Eli's mansion. Kelvin was his youngest son, the youth director at his sprawling megachurch and worldwide television ministry.  Keefe was Kelvin's best friend, an ex-Satanist whom he brought to God two years ago.  And incredibly cute, Kelvin thought.  He could hardly take his eyes off him.  It's a wonder some girl hasn't snatched him away!

 Keefe could barely see over the pile of presents in his arms: they had a big family. Daddy Eli,  his children, Jesse and Judy, who helped in his ministry (along with Kelvin); Jesse's wife and three kids; and Judy's husband.  Even with the couples getting presents together, that's still an armload.

Jesse's wife Amber, answered the door.  "My favorite brother-in law!" she exclaimed, hugging Kelvin.  "And my other favorite brother in law,"  kissing...Keefe's cheek?

"Hey!" Judy's husband BJ yelled from the parlor.

Other favorite brother in law?  "We're not...um...we're not..." Kelvin stammered, but Keefe and Amber were already heading toward the Christmas tree to deposit the presents.  

He checked the seating arrangements: two places on one of the sofas, but they would have to sit very close together.  Gulp!  Maybe someone would get up to go to the bathroom, and he could take their place.  He stopped at the pastry cart in the alcove.  He usually didn't eat sugar, but this was an emergency!

"No time for feeding your face, Brother," Jesse called.  "These presents won't unwrap themselves."

Keefe was already sitting on the white sofa, resting his arm across the back...across Kelvin's spot.  There was no choice!  He trudged across the room, slowly, like a condemned man on the way to the gallows, and squeezed in between Keefe and his nephew Gideon. He relaxed a bit, feeling the familiar hardness of Keefe's chest, his arm against his head, their legs pressed together -- no choice.  

Then Keefe used the "yawn and stretch" maneuver that you saw in movies to wrap his arm around his shoulders. "He's just trying to get comfortable -- it's a tight squeeze," Kelvin thought.  "Just bros being bros."

Time for presents.  Abraham, Jesse and Amber's youngest, was in charge of passing out.  He handed Kelvin a package marked "To Kelvin and Keefe, from Judy and BJ."  Wait -- the rule was, one gift per couple, but he and Keefe weren't a couple.  They should get separate gifts.  Cheapskates!

It was a toaster!  "Your husband can't make you breakfast in bed without a toaster," Judy said with a giggle.

Grr -- they had $26 million in trust, a monthy deposit of $20,000 into the joint checking account, three cars, and a house on the estate.  They could afford their own toaster!  Wait -- your husband?  "We're not...um...", he stuttered, but Keefe said "Thank you, Judy and BJ," and they moved on.

More presents "to both of you": matching Christmas sweaters, a framed photo of two 1950s bodybuilders (from Abraham: "he thought they looked like y'all," Amber explained).  

Keefe didn't have any money of his own, so they had no choice but to give presents together.  Did that give everyone the wrong idea?

It got even worse: his nephew Pontius gave them a Ken doll and a GI Joe on a little stand, shirtless, hugging, with their mouths pasted together so it looked like they were kissing.  "I've never seen you do it, so I figured you didn't know how," he said. 

 "We don't....we're not,..." Kelvin stuttered, but Keefe said "Thank you, Pontius.  It's beautiful.  We'll put it on display in the bedroom."  The bedroom?  They had separate bedrooms; Keefe didn't sleep in the master bedroom more than once or twice a week.  Ok, four or five times a week.  Well, he slept in the guest suite that one time.

Now it was Daddy Eli's turn.  He gave everyone trips: Hawaii for Jesse and Amber and their kids, Disney World for Judy and BJ, and for Kelvin and Keefe, a "romantic" week-long stay at a resort hotel in Myrtle Beach.  

"You boys never had a honeymoon, and I hear it's the gay capital of the South."

  

Keefe said "Thank you, Mr. Gemstone, sir," and they prepared to move on, but Kelvin couldn't take any more.  "We're not married, we're not newlyweds, we're not going on any honeymoon to any gay capital!" he yelled.  "We're best friends! That's it."

The family stared.  Keefe stared.  "Kelvin...." he began,  After a long pause, Jesse spoke: "Sorry, Dude, but what were we to think?  You haven't mentioned a girl since high school, and then Keefe moves in"

More after the break. Caution: Explicit.

Rescue Hi-Surf: Lifeguards rescue surfers, have soap opera problems, and one of them is hung. But where are the bulges?

 

The purpose of lifeguard shows is to watch pecs, biceps, and bulges.  There may be some plotlines involving the nearing-retirement guy with the dead son, the Ivy League dropout whose dad wants him to become a lawyer, and the reformed druggie trying to build a new life for himself, but they will be cliched and predictable; you watch to see guys bouncing around in Speedos. 

Sometimes the bikini babes overwhelm the screen, making the show unwatchable, but I have high hopes for Rescue Hi-Surf (2024-5), on Hulu, because showrunner Matt Kester also gave us Animal Kingdom, with muscular men strutting about in bulging swimsuits amid fully clothed women.  

Oh, and maybe there will be some rescues, too.

Scene 1: Establishing shots of the ocean off Oahu, and a pipeline: three story waves breaking over a volcanic reef.  Hunky son, played by Kameron Dowis, is going to surf in that stuff while Mom and Dad check out of the airbnb.  

Cut to the beach, where a lot of people are watching about 20 surfers. 

Cut to lifeguard station, with three lifeguards, the woman in a bikini, the men wearing t-shirts and shorts -- no speedos, darn. 

The Ocean Safety Captain says that they've had six rescues already, and the waves are getting bigger. It's getting dangerous, like "high diving into a kiddie pool."

Uh-oh, a guy wipes out and is down.  They count...but he's up, grabbed by a safety officer on jet ski. 

The Air BNB Guy cozies up to some experienced surfers, who give him instructions, especially "Whatever you do, don't get stuck inside," with the wave above and below you. 

Uh-oh, he wipes out, and is floating unconscious.  The Female Lifeguard runs out, her boobs bouncing, her midriff on display.  She finds him, loads him on a jet ski, and they zoom back to the beach, just ahead of the pipeline wave.  The other life guards grab him, perform CPR, and then load him into the waiting ambulance.  "You got lucky -- welcome to the North Shore."

Back story; The guy's name is Reef, and he's from Florida.  So a family from Florida is vacationing in Hawaii?  Not Quebec?

Opening credits.

Scene 2: Closeup of the chest of a cute guy swimming. Uh-oh, he's sinking...and Ocean Safety Captain (Robbie Magasifa) wakes up.  He's sleeping on the couch in his plant-filled living room.  It was a nightmare about his son, who died two years ago.  I called it.

 Left: Robbie's butt.

It's time to test the lifeguard recruits.  A Bikini Babe recruit arrives late, arguing with her mother who disapproves of lifeguarding and wants her to return to her Ivy League college.  I called it.

Scene 3:  The test: run, swim, run, 100 yards each, 4000 meter swim, 400 yard paddle. Bikini Babe and Sweater Guy stand in front, but the guys in back are shirtless. Still no Speedos.

Bikini Babe finishes first, followed by Sweater Guy.  They all pass, but she's so great that she gets the plum District 7 assignment.  The disgraced guys grimace and growl. "Don't worry, we'll assign you to the kiddie pool or something."  I may be exaggerating the dialogue a bit.

Sweater Guy approaches Bikini Babe to explain that he almost beat her.  It was just dumb luck that he came in .001 seconds late. She's not having it:  "Just admit that a Bikini Babe is better than you."  I imagine that she'll find him "arrogant" as they embark on a three-season long "will they or won't they" story arc.

Scene 4: At the lifeguard station, they put a firefighters's hat on the Hung Guy's stuff.  "Ha-ha, very funny," he says.  Back story: he's retiring from life guarding to become a firefighter, but they disapprove because firefighters never do anything but pose for calendars. 

Also, he's dating the Female Lifeguard.  She concludes that he;s taking the job to get away from her.  The world doesn't revolve around you, girlfriend.

Wait -- they're not dating.  They broke up two years ago, and he's engaged to someone else.  Girlfriend is delusional.

Hung Guy is played by Adam Demos.  The reason for his nickname after the break:

"Welcome to Plathville": Beefcake and bulges of a hard-core fundamentalist family, including the Boylicious model

 

Welcome to Plathville, originally on TLC but recently streamed to Hulu, is a six-season long reality series about the Plaths: "A strikingly blonde, blue-eyed Quiverfull family with 9 children in Southeastern Georgia, who are very passionate about traditional roles, their courtship rituals, music, God, and domestic life."

Brr.  Sounds too scary.  They must be wildly homophobic, but I imagine that they agreed to appear only if there were no "homosexuals" in the crew, so maybe they won't mention them at all.  Episodes appear to be soap-opera like, with marital problems, career troubles, treks into secular civilization, and lots of clickbait "dark secrets" and "startling revelations."

The elder Plaths belong to the No Greater Joy Ministries, an out-of-the-box fundamentalist cult that, other than hating homos, teaches that women must always be subservient to men -- working outside the home is a major sin, and will turn her into an evil lesbian.  Plus you must beat your children to ensure their subservience -- if you don't, they'll start to talk back and turn gay.

I'm definitely too squeamish to watch, but I'll check the Plaths for fundamentalist beefcake.

The parents, Barry and Kim, have broken up and gotten a divorce.  In my childhood church, that would have gotten them kicked out.

Their oldest child, Ethan,left,  married the outsider Olivia, who works as a photographer.  A woman working outside the home!  Shocking!

They got divorced, also.

Ethan and a buddy at the gym.

Daughter Hosanna refused to appear on the show.  She has left the family, moved to Ohio, and married an outsider.  Shocking revelation!

Daughter Moriah visited San Francisco and had sex with her boyfriend Max Kallschmidt. A dark secret revealed!

 The younger children are Lydia, Isaac, Amber, Cassidy, and Mercy.  

Micah works as a model, which means he has to work with gay people.  Uh-oh, he's doomed. 

Wait -- a model?  He must have some n*de photos out there somewhere.

More after the break.