Gemstones Episode 3.9, Continued: Five plot resolutions and a funeral. With collegiate jock cocks

 

Previous: Episode 3.9: Baby Billy is bi, Peter plots revenge, and Kelvin and Keefe cuddle. With a Josh O'Connor bonus

A swarm of locusts!

Locusts are not unheard-of in South Carolina. In fact, every 13 years, a swarm of the similar cicadas emerges. Ecologists consider them beneficial, since many animals and birds eat them.  And they do not sting or bite.

But these are not ordinary locusts.  The swarm flies directly through the service entrance and into the tv studio, crashing and smashing everything.  They may not sting or bite, but having dozens of buzzing, crawling things splat into your body, hitting your hair and face, must be  disorienting and painful.  People stumble in every direction, crashing into each other. Some are hit by falling lights and sound equipment.  A round image of Baby Billy smashes someone's head.

Could this be God's punishment on the Gemstones for profiting from the Y2K panic?  Revelation 9: 3-9  mentions a plague of locusts as one of the end-time tribulations. but those locusts have human faces and iron breastplates, sting like scorpions, and leave God's Chosen alone.  These locusts crash into everyone.  Maybe God is trying to get everyone out of the church before it blows up?

You can tell who actually cares about their family by who runs away (the Simpkins) and who looks for them (the Gemstones). Jesse saves not only his family, but Eli and Dusty.  The Montgomerys and BJ/Judy save each other.   

The Kelvin/Keefe rescue is the most dramatic:  Looking for Kelvin backstage, Keefe is overcome by the locusts and collapses, coincidentally just behind a girl who has been killed by a falling spotlight.  When Kelvin finds him, he yells "Leave!",  as in "Save yourself!", but Kelvin spreads his heavy woolen coat over the two of them and yells "I got you!"

Intimacy alert: Keefe holds on to Kelvin's hand and thigh.

Green is Kelvin's preferred color, but the Attico with the long green fringes was chosen deliberately to look like grass.  The guys are dead and buried.  Keefe has a symbolic death and resurrection in every season, but this is the first for Kelvin.  Maybe this is his final expiation, burning away the last of his guilt and shame over being gay.

The family stumbles out onto the loading dock.  Everyone else has scattered.  

Intimacy alert: Kelvin keeps his arm on Keefe's back to guide him out of the studio.  

Femme alert: look at Keefe.  Hour glass figure, large pearl necklace. past-shoulder length hair: with a different face, you would mistake him for a lady. This is the second time that he has dressed as a minister's wife. So, Mrs. Lincoln, other than that, how did you like the show?

Resolution 1: Uncle Peter. Uh-oh, one of the locusts has crashed into Peter's fitbit trigger, destroying it, so the van will blow up in one minute.  Run away!  

Peter jumps into the van and drives it to safety. 

Everyone gasps as they see the explosion.  He has sacrificed his life to save them, thus earning his redemption.  

Intimacy alert: Keefe now has his arm around Kelvin, a parallel to BJ with his arm around Judy. 

Left: Since some of the Gemstone kids are off to college in this episode, I'm including some college jock cocks.

More plot resolutions after the break

Gemstones Episode 3.9 : Baby Billy is bi, Peter plots revenge, and Kelvin and Keefe cuddle. With a Josh O'Connor bonus

Previous: Episode 3.8, Continued: Kelvin's tender bits, Chuck's butt, Peter's van, and coming out to the world

 Episode 3.9 seems rushed -- it could easily be three hours long.  The marital-problem and sibling-problem plots have been resolved, but we still have Uncle Peter, The Simkins, Dusty Daniels, and Bible Bonkers, and the writers have to find some way to tie them all together!

Title: "Wonders that Cannot be Fathomed, Miracles that Cannot be Counted." From Job 5,9, NIV.  Many terrible things have happened to Job, including physical ailments and the deaths of his children, but Eliphaz assures him that God can perform "wonders and miracles," and rescue him. We'll see what wonders and miracles God performs here.

Baby Billy is Bi:  Still trying to sell the siblings on his Bible Bonkers game show, Baby Billy (Walton Goggins, top photo), reveals he is friends with Dusty Daniels, the racing champ.  We cut to a scene of the two, plus famous actor Gene Hackman  (played by Kevin Murray) in Monte Carlo on New Years' Eve, 1999.  They're awaiting the Y2K bug, hugging, dancing, and dropping acid as if it's the end of the world.  

We cut to a bisexual after-party, with Dusty, Baby Billy, and Gene Hackman screwing and getting blow jobs, maybe from men, maybe from women -- hard to tell.  There's a male full frontal, but it morphs into a naked lady so fast that I can't get a screen shot, so I'll substitute Josh O'Connor's cock, left and below.

We zero in on the guys facing each other as they get blow jobs.  Baby Billy's partner is a woman, but Dusty's may be a man -- remember that he was established as bisexual back in Episode 3.2.

"Wait, " Jesse asks, "Did did you fuck Dusty Daniels?"

"I doubt it,  but you never know...we might have touched dicks. That's not the important part of the story."  The important part: he can talk Dusty Daniels into leaving his fortune to whoever wins at Bible Bonkers, the Gemstones or the Simpkins. 

So Kelvin came out to the family yesterday after years anguish, angst, self-doubt, backing-and-forthing, and annoyed viewers, and he still hasn't said the word.  Now Baby Billy comes out as bi with utter nonchalance.  Why couldn't he have said something to his nephew during Cousins' Night, or back in Season 1?

El Molino: We cut to a locust splatting on a windshield.  It's Uncle Peter and Chuck, driving the U-Haul full of explosives.  Peter has finally come up with a plan,  He doesn't specify what it is, but since it involves the Gemstones and explosives, it's not hard to figure out.  They're nearly out of gas, and the militia took all of their money, so they stop at El Molino, a real Hispanic supermarket with two locations in Charleston, to use the cash-counting machine.  

While Peter is inside, the U-Haul explodes!  He thinks that Chuck has been killed.

Out to the Family: The family gathers in Eli's parlor to watch a tv news report about Chuck's death.

Wait --when did the siblings stop hating their father?  Was a reconciliation moment cut?

 Notice that the guys are sitting on the right side of the room.  In four shots, Keefe moves from sitting a few inches away to leaning against the chair, his shoulder touching or almost touching Kelvin's thigh. They are so close that Kelvin can't move his hand or foot without bumping into him.

  They used to be very careful to avoid public displays of affection, holding hands under the table and forehead-pressing instead of kissing.  Now they casually cuddle in front of everyone, even family members who did not see the kiss.

They discuss the Bible Bonkers Family Feud-style game show.  The siblings will compete, but they need two more.  They were going to ask Chuck, a big Bible nerd, but he's dead, so it will have to be Karl and May-May.  

More Bible Bonkers after the break

Gemstones Episode 3.8: Is Peter a woman? Are Kelvin and Keefe lovers? Does Jesse dye his sideburns? With a military fetish bonus

 

Previous: Episode 3.7: The handsome man, misdirection, queerbaiting,  and me yelling "What the f*k!" a lot.

Episode 3.7 was the worst in the series due to its chronological disaster, plot incongruity, annoying misdirections, and assertion that the guys were just good buddies.  Maybe that was intentional,  to disorient the viewers so they would not be expecting Episode 3.8 : It is intricately plotted, and gives us a huge number of queer codes, including one that most fans consider definitive.

Title: "I Will Take You by the Hand and Keep You."  Isaiah 42.6, ESV: "I am the Lord; I have called you in righteousness; I will take you by the hand and keep you."  We'll see who gets to hold hands.

Reunited with the Loved Ones: After their rescue, the siblings are taken to Rogers Regional Medical Center to be examined.  Gideon must have finally phoned the family, because the partners and kids burst in, coincidentally in the order they need to be in to reach their loved ones without bumping into each other.  

Notice the difference in response:  When they last saw each other, Jesse and Amber were having a marital spat, but they were still together, so they just hug.  

BJ was deciding whether to stay with Judy or not, so he acknowledges her with a forehead-press.  

Kelvin and Keefe had not only broken up, they had a major post-breakup fight.  When Keefe exclaims "Buddy!," indicating that he wants to stay in Kelvin's life in spite of their problems, it comes as a profound relief.  Kelvin buries his head in Keefe's bicep and sobs, mirroring the Isolation Tank Rescue in Episode 1.9.  Keefe didn't actually rescue Kelvin here, but he is bringing him back from the dead.  

We cut to the siblings being interviewed by the police.  BJ and Gideon stand in front of them.  Amber is not present. Keefe waits by the door, still not included in the family; but he does get a bit where he knocks over a trash can and yells "I hate what you had to endure."   They all hate Eli, who left them to suffer and possibly be killed. 

Next, having established that May-May wasn't in on the kidnapping plot, she and Eli bond.  

Which of you is a woman?:  With the marital problem plotlines nearly over, we have time for a deep-dive into the Militia. 

Peter and Chuck are driving a U-Haul full of explosives, followed by a ragtag caravan of militia men. Marshall and Dakota (Sturgill Simpson, Quinn Dunn-Baker) complain that they don't know where he's going.  

Does Peter know?  Two compounds have been destroyed.  The kidnapping scheme has been foiled. Everyone has forgotten the first scheme, which required the truckload of explosives.

They stop at Dodge's Fried Chicken, a real fast-food place on Savannah Highway in Charleston (next to a KFC, har har).  Marshall continues to grumble. Peter asserts that complaining is "like a woman," and Marshall retorts that he drives "like a woman."  They continue to call each other women until Chuck gets tired of it and tells them to focus on the new plan.  Whatever it is.

Peter re-asserts his authority: if they rebel against him, they are rebelling against God, because he is the Keeper of the Word. Uh-oh, another Messiah.

We see again parallels between the Militia and Kelvin's God Squad in Season 2: both societies devoted to the masculine, suspicious of women, informed by homoerotic or homosocial desire. run by a messianic figure. 

The militia is the dark side of Kelvin's God Squad  We can go even farther and juxtapose Kelvin's bodybuilder fetish with the militia's fetishization of the soldier.  

Seasons 1 and 2 featured gay-subtext friendships to counterbalance the development of the Kelvin-Keefe romance.  I was surprised to not find one in Season 3, but maybe it's here, in Peter and Marshall's bickering.

Sexy Time:  With almost no sleep, almost nothing to eat, and only a bucket to poop in for 36 hours or several days (depending on the chronology), I'd be interested in dinner and bed rather than sexy time, but after two militia scenes, we cut to the two couples having sex.

First, BJ and Judy take a bath together. BJ: "The whole time you were in captivity, I would light candles and just cry."  It sounds like they were held for longer than a day.  Also, his eye, puffed out from his fight with Stephen, is almost healed. Maybe a week? 

He continues: "The best way to reset is with a really good, deep fucking."  They play a game of helicopter-penis with an incest motif.  You can sort of see BJ's dick, actually a prosthetic, in the swirling water.

Next it's Kelvin and Keefe's turn.  Keefe has changed into a sleeveless leather top with gold studs from the Jim Morrison Mr. Mojo collection.  The Doors' song "Mr. Mojo Risin'" may be relevant here:

I see your hair is burnin' / Hills are full of fire.

If they say I never loved you/ You know they are a liar.

Kelvin has showered and restored his top wave.  After keeping his body under wraps all season, he displays his backside, again becoming an object of homoerotic desire.  Keefe pretends to give him a massage, but slides right past his back to fondle on his butt. 

Like BJ and Judy's bath, this is a prelude to "a really good, deep fucking" -- notice that Keefe is thrusting during their conversation, behaving as if the anal sex has already begun.  But even fondling his butt is a sexual act; if it were nonconsensual, it would constitute a "gross misdemeanor" in my state, with a penalty of up to two years in prison.

After being invited to engage ina sexual act, most people would assume that their ex wanted to get back together, but Keefe has received so many contradictory signals in the past that he has to be very careful.  His questions are skillfully designed to push Kelvin to a decision: are they going to be post-breakup platonic pals, good buddies with benefits, or lovers?

First he eliminates the platonic pal option by asking if Kelvin is dating Taryn.  Immediately after asking, he has Kelvin spread his legs, feels up his inner thighs, and starts"taking liberties," as Adam Devine reveals.  The actor needed to be semi-aroused so his penis would look bigger for a cut scene with frontal nudity.  In-universe, Keefe is answering his own question.

Kelvin: "Nah. She ain't my type." I've heard gay men say "You're not my type" to reject a flirtatious woman without coming out, but why would Kelvin feel the need to be closeted with his ex-boyfriend?  This must be a structural ploy to avoid having him say "gay."  

He continues: "I hated all the forced claps and laughter and fun times.  I like doing claps and laughters with you."  I've analyzed this scene in detail, and I still can't think of an in-universe reason for bringing up Taryn's work performance. That wasn't the question, and besides, Kelvin is no longer the church youth minister, so he's in no position to hire Keefe back.  

But Keefe assumes that he's talking about the job, and responds in kind: "I love getting the children zazzed up and excited to learn about Jesus with you." 

Now Kelvin clarifies that he was answering the "Are you and Taryn dating" question, not "Can I have my old job back?"    "I mean, Taryn was nice and all, but she's not you." She was nice, but you can't build a romance from niceness.  You need passion. 

Keefe understands:  "She tried to replace me, but it was a failed try." They're going to be romantic partners, combining eros and phileo, trying to "build something" for the future., regardless of its impact on Kelvin's career.  Which shouldn't be a problem.  He's not working for the church anymore.  They can move to Atlanta and march in Pride Parades. 

More reconciliations after the break

Gemstones Episode 3.7: The handsome man, queerbaiting, misdirection, and me yelling "What the f*k!" a lot

Previous: Episode 3.6 Continued: Kelvin and Keefe fight, BJ and Stephen fight, and nobody likes hologram Aimee-Leigh

In Episode 3.6, we saw the aftermath of the Judy/BJ and Kelvin/Keefe breakups, with failed reconciliation attempts, a fist fight, and both Kelvin and Judy quitting their jobs at the church.  In this episode, things get even worse.

When I watched the first time, I kept yelling "What the f*k!", being annoyed and then outraged by the constant misdirections, chronological flubs, and queerbaiting. It looked very much like Danny McBride was telling us: "Kelvin and Keefe are straight buddies.  Fooled you!"

But that's impossible.  There were not only 200-plus queer codes, Season 1 and 2 both ended with affirmations of their love.  McBride didn't know if the series would be renewed, so each season finale might be the last we see of the characters.  And what we see is "They are in love," not "Keefe, I'd like you to meet my girlfriend."

Knowing what comes after,  I am going to re-watch this episode, looking for any evidence that suggests that saying "Kelvin and Keefe are just friends" does not mean that "Kelvin and Keefe are just friends."

Title: "Burn for burn, wound for wound, stripe for stripe."  Exodus 21:25. Fans argued like mad about trying to connect the burn/wound/stripe to the personalities or kidnapping strategies of the Gemstone siblings, but it's a misdirection. The previous verse has the more familiar "eye for eye, tooth for tooth." It just means that the punishment should fit the crime.

Burn for burn and all that:  During the evening of the day of the Aimee-Leigh Hologram debacle, the BJ-Stephen penis fight, and probably the Kelvin-Keefe rocking chair fight, Judy goes to a drug store to buy pain medication for BJ.  On her way home, goons from Peter's militia crunch her car with the Redeemer and grab her. 

Misdirection alert: the trailer makes it look like she is the one crunching. 

Chuck Montgomery tries to trick Jesse, and when that doesn't work, the goons shoot him with a tranquilizer dart.  

Kelvin bangs on the door at Woodpecker's Carpentry, yelling: "Are there any woodworkers in there? I'm looking for Keefe Chambers!"  Now that he's no longer worried about his job at the church, he's free to reconcile with Keefe.    But it's long after hours; the building is dark and deserted. Why would anyone be inside?  Besides, Keefe told Kelvin where he was working; wouldn't he give him his new address and phone number, too?

Imagine if someone were inside: "See, my ex-boyfriend and I had this big fight, and he doesn't want me to have his new number, and I don't know where he's staying...I need to see him...no, I am not a stalker!"

Six militia men wearing scary masks surround Kelvin.  The trailer makes him look paralyzed with fear, but actually he is quite brave, trying to intimidate them and then defend himself.  They punch and hit him, and squirt a toxic liquid into his eyes -- which stings but has no long term effects.  Why does Kelvin need six guys to take him down?  Why does he get a more brutal kidnapping?  I don't know.

Screaming like a woman:  The three siblings are put in what everyone calls a chicken silo, although chickens are housed in coops.  They are tied to chairs, with pillowcases over their heads.  What for?  You don't need to be imprisoned and tied up both.

Fans uncomfortable with the idea of gay relationships noticed that Kelvin's pillowcase resembles the trans pride flag, thereby signaling that he is actually a transgender woman.  Doubtful: Jesse's depicts the cartoon character Maisie Mouse. 

Kelvin yells for help. Uncle Peter enters and asks if he is "screaming like a woman," maybe a dig at his gayness, but more likely because he considers any emotion "like a woman."   He explains that the militia is holding them for ransom.

The handsome man: When Keefe arrives for work the next morning, he sees Kelvin's car with the doors still open, checks the ground for signs of a struggle, and asks his coworkers, "Have you seen The Handsome Man?"  This makes no sense, as Kelvin only visited once, for a few minutes, and most of the carpenters weren't paying attention.

Cut to Amber and BJ noticing that their partners didn't come home last night. Next, Eli, at the office even though he's retired and should be fishing, receives a scary video of Kelvin crying and Judy and Jesse screaming in rage.  The gay one has a "sensitive" reaction. Peter gives the ransom demand.  

Eli goes home and confronts May-May: "Your sons have fucked me over."  She denies that she has anything to do with the kidnapping.

Back at the chicken silo, the siblings complain about the heat and the food, and bicker.  Shouldn't they be praying?  They're religious, right?

Cut to BJ, Amber, Gideon, and Eli discussing the kidnapping with Sheriff Brenda. They were kidnapped in town, so it should be the Rogers Police. Notice that Keefe is not there.  Why didn't Eli call him?  Because his number has changed, because they have broken up, or because he is just a friend, not a partner?

The Freemans arrive.  Tiffany has made dolls of the siblings --very quickly -- "for you to hug and kiss until they come home safe."  She gives the Kelvin doll to Eli.  Same question: Why doesn't she save it for Keefe? Because  they have broken up, or because they were never partners to begin with?

Geography problem: How did they get to Eli's house so fast?  Don't they live in Florida?  

The trailer made it seem like the militia sent the dolls, adding a hint of the paranormal that turned out to be a misdirection.  Still, they look like Gullah Island voodoo dolls: "You can hug and kiss them until your loved ones come home safe.  And if they ever stray, you can make their privates fall off." 

More queerbaiting after the break

Gemstones Episode 3.6 Continued: Kelvin and Keefe fight, BJ and Stephen fight, and nobody likes hologram Aimee-Leigh

Previous: Episode 3.6: BJ swallows a lot, Keefe learns about hard wood, and Kelvin gets a girlfriend

In the earlier scenes of this episode, Kelvin attempts a reconciliation, but when he sees that Keefe is doing fine without him, he gets all bitchy and flubs it.  Later, he "works some things out," apparently decides to pursue the heterosexual trajectory, and prepares to ask Taryn for a date. As they are putting away gym mats and flirting....

The Second Reconciliation Attempt: Keefe enters with a rocking chair carved with Kelvin's name on a tree. This is way too much for a "let's stay friends" gift: he is attempting a reconciliation. You're the one who left, dude. You could just ask to get back together.

He is not wearing a sexy outfit; actually he is sweaty and rather disheveled, as if he rushed over the moment he finished the chair.  

Why a rocking chair for an athletic 34-year old?  "This is true love: we'll be together forever."  I am reminded of Robert Browning's famous lines from "Rabbi ben Ezra": "Grow old with me -- the best is yet to be."  But viewers may be more familiar with John Lennon's version:

Grow old along with me. Two branches of one tree.

Face the setting sun when the day is done

Or Tom Odell's:

Grow old with me. Let us share what we see, and the best it could be

You'll be the one who makes me hurt, makes me come

Makes me feel like I'm real

Keefe expected Kelvin to be alone to accept his gesture.  Nope, Taryn is there.  He knows that the youth group has just ended out, and that Taryn is the new assistant youth minister; why wouldn't she be there?

Kelvin looks nervous and decidedly guilty, as if he has been caught cheating; he pulls Keefe into a bro-hug, asks inane questions ("Is that chair made of wood?"), and stammers "We were just...um...we..." until Taryn takes over and explains that they are just working together.  

Platonic pal advocates, pay attention:  Taryn wouldn't think it necessary to inform Kelvin's buddy that he has nothing to worry about, they are not having an affair.  Either she has inferred that they are lovers, or one of the guys told her.   

Keefe turns on the jealousy, and asks if Taryn has replaced him. As assistant youth minister, of course. But he means as a romantic partner.

Angry at the implication, maybe feeling guilty because he was planning to start a relationship, Kelvin plays along: he asks Taryn to give them a moment alone, touching her affectionately on the back to usher her out, exactly as you would ask your girlfriend to give you a moment to talk to your ex.  

Keefe continues to lash out, demanding to know if Kelvin and Taryn have had a "physical connection."   Romantic but not sexual partner advocates, pay attention: Kelvin and Keefe must have had a sexual relationship, or Keefe wouldn't think to ask about sex with his "replicant."  

More fighting after the break

Gemstones Episode 3.4 Continued: Mistaking dependency for love, two breakups, Kelton's butt, and some Cantonese guys

Previous: Episode 3.4: Wieners, betrayals, a burning a-hole, and Kelvin at his jerkiest. With a nude Steve Zahn bonus

Earlier in this episode, Stephen stepped up his harassment of Judy and BJ, Jesse sparred with Pontius, and Kelvin refused to accept responsibility for the Smut Busters Scandal.  Now things are getting worse.

The fag: Stephen plays pickleball with BJ, who doesn't know about the affair.  He describes sex with the girl he's seeing in disgustingly graphic detail, including something that I have never heard anyone but Judy mention.  But BJ doesn't get it, merely objecting to the disrespectful talk. 

Stephen counters: "You're a weak little fag."  No, BJ protests, he is a straight cis male, "but I don't believe that queer people should be referenced in that way." 

BJ here displays an up-to-date knowledge of gender/sexual identity, even identifying as cis instead of cisgender.  So why does he inaccurately balance fag (gay men only) with queer (all LGBTQ people)? Do the MAX censors object to the word gay? 

 Stephen's fag and the earlier "trash talk" are the only homophobic references since the first episode of Season 2.  While neither refers specifically to Kelvin, they are structurally placed to draw attention to the "rumors swirling around" him, and the effect that coming out may have on his career. 

We cut to Eli and May-May in the garden, joking and bonding.  She tells him: "I was never jealous of your riches, but I'm jealous that your kids still love you."  Eli: "Don't mistake love for dependency."  Remember that Kelvin and Judy have never been in romantic relationships before, and aren't sure how to go about it.  Are they really in love with their partners, or using them for power, control, social status, and sex?  It's time for Kelvin's descent into the darkness.

Church leaders got to think about the optics: This scene is very difficult to read.  It seems to go in three directions at once. We begin with the Siblings and Martin in the executive board room.  Kelvin is still wearing his virginal-white sweater: this is shortly after the food-court parents meeting. Jesse states that they are here to discuss  "When people think people are molesting people." 

Wait -- Jesse, Judy, and Martin know all about the Smut Busters.  They discussed it at a family dinner.  They know it was Kelvin's idea.  

And no parent has accused Keefe of child molestation.  This is a kangaroo court.

They announce that they are moving Keefe into Immigrant Outreach.  It sounds like a great job -- doubtless with more money, more responsibility, and duties more closely aligned with Keefe's interests.  And it seems quite benevolent. They could have hidden him away in a file room somewhere, or just fired him.  

But are they responding to a pedophilia accusation?  Martin tells Kelvin that "this is not the hill to die on": it is trivial, purely cosmetic. Keefe will still play a valuable role in the church. That sounds more like a response to him being outed as gay.

Judy agrees: "Church leaders have to think about the optics." Kelvin cannot stay closeted with an assistant youth minister who is "openly gay."  So what if they're separated during work hours?:  "You need to suck it up."  A gay joke, har-har.  Kelvin replies: "Like you sucked it up on tour?"  

After that dig at Judy betraying BJ, Kelvin run away, proclaiming that he's voting "no" on everything else on the agenda.  Next up: funding a battered women's shelter.  "I vote no!"  Wait -- I thought they were meeting specifically to discuss the rumors.  Was this a regular church board meeting?

We switch to BJ and Judy having sushi, perhaps later on the same day.  BJ notes that he ran into her guitarist Stephen at the pickeball court, but got turned off by the explicit descriptions of his girlfriend's...you know. But he still doesn't catch on that Stephen was talking about Judy.

Meanwhile, Jesse is at the Zion's Landing resort, discussing Baby Billy's idea for turning the church around: performances by a hologram of his dead mother, Aimee-Leigh!  Sounds morbid. 

Geography problem: Zion's Landing is in Florida.  Did Jesse take one of the Gemstone airplanes, or did it move? 

The Dining Room Tomb: At home, Kelvin is looking for Keefe.  He tries the bedroom, then comes downstairs. Notice that one of the pictures on the wall depicts a stylized naked man.

 Keefe is sitting at the dining room table, wearing a BDSM sub outfit, cutting out crosses for the youth group bulletin board, but they all turn into daggers.  I get it - - the church has betrayed you.

 This must be the same day as the parents' meeting and the board meeting, but Kelvin has changed from his virginal-white sweater into a ridiculous plaid poncho with a super-exaggerated top wave.  He has never looked more unattractive. Will being unattractive make things easier?

Check out the room decor: dark, oppressive, tomb-like.  Does it even have windows?  In this depressing, troubling space, Kelvin says: "I have to talk to you about something, and it's not easy to talk about." "Sexual stuff?" Keefe asks, thinking that he wants to discuss their less-than-satisfactory sex life.

No, it's about the job offer.  Kelvin tries to get him excited about it - "you can use your Cantonese!" -- but he can't put a positive spin on something that he introduced with "it's not easy to talk about" rather than "I have fantastic news!"  Keefe thinks that the job offer is a slap in the face, caused entirely by Kelvin refusing to take responsibility for the Smut Busters scandal.

The breakup after the break

Gemstones Episode 3.4: Wieners, betrayals, a burning a-hole, and Kelvin at his jerkiest. With nude Steve Zahn bonus.

 

Previous: Episode 3.3 Continued: a fire dance, a limp wrist, a phallic sword, and Balkan sex gods 

Episode 3.3 ended on a positive note, with Kelvin/Keefe, and BJ/Judy reconciled and Jesse/Amber admitting the Montgomery Boys to the family.  In Episode 3.4, the midpoint of the season,  things fall apart, with betrayal after betrayal and two destroyed relationships.

Title: "I Am Come Not to Bring Peace But a Sword." A famous quote from Jesus in Matthew 10:34.  Things are going to get dark. 

Some premium fuck dolls:  Keefe and Taryn are leading a Teen and Parents Together "ice cream and wieners" party.  Keefe has apparently never done any ministry without Kelvin, so he is very nervous.  He is not wearing his "wedding ring," maybe worried that it would out him.

The parents point out that they know very little about Keefe, even though he is a youth minister, in charge of nurturing their children.   Before Keefe has a chance to answer any questions, Biker Clarence, the owner of the store that he bought out, drops by to praise him for buying "every last butt buzzer I had in stock!"   He invites Keefe to check out the new merchandise coming in: "We got some premium fuck dolls!"  Inappropriate, dude! You're in an ice cream shop. Don't you notice the kids around? 

Top photo: Biker Clarence is played by George Paez, who doesn't have any nude photos online, so I substituted Steve Zahn in Saving Silverman

Taryn and Keefe assure the parents that "it's not what you think."  That is, Keefe isn't actually gay, he bought the toys for a project "we did with your kids."  Even worse!  But didn't the parents know about Smut Busters?  You have to get permission slips every time you take the kids off church property.

The boys at the Citadel: Next, Jesse and Amber complain to their teenage son Pontius that he has too many tattoos,  he shouldn't be having sex with his girlfriend, and he's been rejected by every college he applied to.Come on, lots of colleges have open admission.  Jesse wants to send him to the Citadel, the South Carolina military college: the boys there "would split your ass like a pair of damn Chinese chopsticks." He means that the boys would harass Pontius, but the threat of anal sex hangs in the air.

Sunday mrning: after  "getting ready for church" scenes, the Gemstones and Montgomerys walk down a hallway the Salvation Center. The shots in the trailer caused considerable fan speculation: why do Kelvin and Keefe look so angry?  I still don't know.

Loud and Proud:  We see the beginning of the service, a Christian rock number, with May-May disapproving and Cousin Karl loving it.  Then it's time for the family dinner at Jason's Steakhouse, and a practically endless series of queer codes.  Interesting that the guys start being obviously a couple immediately after the Cousin's Night romantic interlude.

May-May disapproves of her sons' silk suits: too shiny, "like a lady's neglige.  A little loud and proud for me."  In other words, they make the boys look gay.  Jesse yells at her for "talking trash." Implying that someone is gay constitutes "talking trash"? That's homophobic, dude.

Judy defends the boys from the "accusation," saying that they are attractive to women. So you turn gay because you can't find a woman?  Laying on the homophobia, aren't we?

As he listens to his family's homophobic banter, Kelvin looks like he's about to cry.   And Keefe -- that's the look your boyfriend gets at Thanksgiving Dinner, when your parents told you to not "cause a scene" by coming out, and then Uncle Bob starts complaining about "fags taking over." Cavalero got it exactly right.

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Holding Hands under the Table:  Peter Montgomery -- Steve Zahn -- enters, announces that he has a new militia compound "on a farm," and invites his sons to join him.  They refuse, so he circles the table, threatening that retribution is coming.  

As he circles, Keefe moves his right hand under the table.  Then Kelvin moves his left hand under the table. These are not random acts:  Boyfriends who are scared (and closeted) would look for reassurance by holding hands.

Their hands stay under the table until Peter threatens Judy, and Eli steps in, telling him to leave or he'll be shot.  Everyone in the family except Gideon, Kelvin, and Keefe pulls out a gun.  A gun expert on the fan board pointed out that only Amber and BJ are holding them properly.  Then Kelvin,  frightened (of his family's guns?), says something indecipherable to Keefe, who moves his hand back to the table top and makes a finger-gun.  Kelvin looks around for a weapon, and brandishes a fork.  His left hand is still under the table, and stays there, holding Keefe, until Peter circles the table again.  

Now the "wedding rings" are fully visible, matching men's silver wedding bands with black diamond inlay (the real thing sells for over $4000),  on the ring finger of Kelvin's left and Keefe's right hand.  

They will be emphasized several times during the season, especially when Kelvin is thinking about or talking about Keefe.  They are symbols of the relationship, which means that the guys exchanged them deliberately.  They have a permanent commitment.  Kelvin can't say that they are lovers, but he can show it.

For a little while, anyway.

Things get worse after the break.

Gemstones Episode 3.3, Continued: A fire dance, a limp wrist, a phallic sword, and Balkan sex gods

Previous:  Episode 3.3: Baby Billy sings forever, Kelvin can't say the word, BJ poses nude, and I'm depressed

Cousins' Afternoon:  The Gemstone siblings and their partners sit on cabana chairs, insulting their cousins, the Montgomery boys,  while they swim in the trout pond.   Kelvin lays on the femme stereotyping, even flashing a limp wrist.  This will be important later.

Keefe, who of course looks at men's crotches a lot, points out that Cousin Karl has a lot of pubic hair.  Kelvin quips "Looks like he's got a chinchilla up there!"  It sounds like he is making a mean joke to draw attention away from his interest in what men really have up there.

The Fire Dance: For their entertainment, Keefe performs a highly erotic fire dance in the waning light, near a path lit by a thousand fires.  I am reminded of Coleridge's "Kublai Khan":

A savage place! as holy and enchanted as e’er beneath a waning moon was haunted by a man wailing for his demon lover.

Keefe here is the demon lover, pure erotic energy, offering his mouth, butt, and penis simultaneously. He is the new Messiah of Muscle, rejecting cozy, tepid phileo, friendship, for the eros, erotic desire, that promises ecstasy or damnation.

Top photo: the real Fire Dancer

Why would anyone perform a highly erotic dance for his boyfriend's family?  What does Keefe hope to accomplish?  I think he is showing the family -- and Kelvin himself -- that he is a sexual being, Kelvin's lover, not a "good buddy." 

Early in the episode, Kelvin couldn't admit that they were lovers. Now Demon Keefe shows him that they are.   He has never been sure if his desire for Keefe will lead him to heaven or hell.  Now he knows -- both. 

Background note: The dark, disturbing music playing is "Balkan Sex God" from A Serbian Film, 2010, which regularly appears on lists of "the most disturbing films of all time."  It features Srđan Todorović as a retired porn actor drawn into starring in a snuff film. 

Todorovic dick

Cousins' Evening:  A huge dining hall, with the family and cousins using just one table, Keefe and Kelvin sitting across from each other instead of side by side!  Why does the staging back off from depicting them as a couple?

Kelvin pours on the femme stereotypes thickly, limping his wrists constantly as if he's in a 1920s pansy act, and coincidentally or not puts his "wedding ring" on full display.

Uncle Baby Billy pretends he's the host of his Bible Bonkers game show, where families compete at Bible trivia. He goes around the table and asks  each of the "contestants" their name and what they do for a living.  The Montgomery boys work in landscaping.  Then it's Keefe's turn.  He is ready to speak, but Baby Billy skips him with a rude "nuh-huh," angering him.  But it's not a homophobic snub: Baby Billy skips over BJ, too: "You ain't family."  Only born Gemstones count. 

Next it's "the weirdo boy with the puffy muscles," the second and last reference to Kelvin's physique this season, and maybe a euphemism for "gay." But Kelvin refuses to participate. 

More Balkan sex gods after the break

Gemstones Episode 3.3: Baby Billy sings forever, Kelvin can't say the word, BJ poses nude, and I'm depressed

Previous: Episode 3.2: Kelvin's butt buddies, gay Percy, two toxic families, and some military cocks

In Episode 3, we meet Uncle Baby Billy, the Montgomery Boys join the family, and the marital problems are resolved.

Title: "For Their Nakedness is Your Own Nakedness." From Leviticus 18:10, ESV: "You shall not uncover the nakedness of your son's daughter or of your daughter's daughter, for their nakedness is your own nakedness." This is a prohibition of incest, specifically having sex with your grandchild. Where, in this episode, does anyone mention incest?  A review in the AV Club intreprets it as: the vulnerability of one member of the family is everyone's responsibility. "We're all in this together."

The Greek Chorus: The white-haired, grinning Baby Billy, dressed like a clam, sings"There will Come a Payday," while walking through the Gemstone resort, Zion's Landing.  He sings incessantly in a swimming pool area with absolutely no beefcake, while viewers grate their teeth and snarl "Get the f*k on with it."  Yes, we know he's a Greek Chorus, singing about the "payday" coming to the Gemstones.  We don't need ten minutes of it, in a show that is already squeezing in too many plotlines.

Finally, long after we put on the mute,  Baby Billy returns to his penthouse, where his very pregnant wife Tiffany and their three-year old son Lionel are watching the old game show Family Feud.  The Baby Billy/Tiffany plotline this season will be about trying to get the Gemstones to invest in a Christian-based Family Feud show, Baby Billy's Bible Bonkers.

Timeline problem: Tiffany had her first baby in the last episode of Season 2.  Now he's at least three years old.  But three years have not passed in the Gemstone universe.  

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"We don't like you":  The Montgomery Boys (Robert Oberst, top photo, Lukas Haas) in bathrobes in Eli's house, eating breakfast, discussing Peter's militia with Eli, May-May, and the siblings:

 Peter thinks that his sons and Gemstones tipped off the feds, so now he's gunning for all of them.  May-May wants the boys to come home with her, but they refuse: "We'd rather be homeless bums living under a bridge."  Or living in a mansion with a staff of 17?  

Afterwards, the siblings go down to the Aimee-Leigh memorial, discuss how much they hate their cousins, and give them the finger as they peer through an upstairs window.  Eli insists that they have a Cousin's Night and try to get along.  

The Redeemer: Amber brings a copy of her marital-problem System to BJ, who claims to be unaware of any problems between him and Judy.  Does everyone in the church know that Judy has been withholding sex? Or did Jesse tell Amber about the affair?

Meanwhile, Jesse and his youngest son Abraham head for the Gemstone garage to unwrap The Redeemer, the monster truck he used at the 2000 County Fair.  The Montgomery Boys, who happened to be passing by, are in awe, and ask if they can drive it. Nope. "We ain't cool cousins, and we never will be again."  

A Complete Lack of Knowing How to Fit into the World: Kelvin and the teens are making anti-smut posters in the parking garage outside the Salvation Center Stage, for some reason, when Keefe drives up in the Smut Busters van.  Kelvin flitters over, laying on the femme stereotypes, and says "Hey, Bud."  Keefe calls him "Bro."  This must be facade language: they are pretending to be buddies and co-pastors in front of the kids.

Keefe drove to an adult store and bought out their inventory of "bullets and butt buzzers," vibrators that are inserted into the butt.  I thought he was an anal top.  Maybe he was thinking of what Kelvin likes. 

Again, almost everything we see is marketed to gay men. Notice the Pipedream Extreme: "Fuck my ass while you stroke my cock!"  One gigantic dildo is mounted on the inside of the van door.  

"You've been having all the fun lately!" Kelvin exclaims, wishing that he could have been there to help pick out butt buzzers.  He does his usual titty-tweak display of affection, then reveals that his Daddy is forcing him to go to Cousins' Night with the Montgomerys.  They have "a complete lack of knowing how to fit into the world around them."  

Sounds exactly like Keefe!  He tries to guilt his way into an invitation.  

Wouldn't he be invited automatically?  He was admitted to the family as Kelvin's partner back in Season 2.  But maybe, to stay closeted, Kelvin only brings him to events where a lot of people are invited, like the dinners at Jason's Steakhouse and the Zion's Landing ground-breaking.  This is a family-only event, and not even the entire family.  It's limited to Montgomery cousins by blood or marriage.  If Kelvin brings Keefe, no one will be able to pretend that they are just coworkers or platonic pals. 

Keefe's bribes are: his special sausage dip and his "flames and swords."  The dip is served with crackers on a phallic dish.  Everything these guys do involves dicks. It is amazing that some fans, actually quite a lot, were still arguing that Kelvin and Keefe were straight after this episode. 

Let's look more closely at the "flames and swords."   Kelvin knows exactly what Keefe is talking about: he doesn't have to say "Remember that fire dance I performed that one time?"  He must perform it regularly, but you wouldn't do it for just one person, and the family has never seen it.  We can conclude that the guys are involved in the local gay community, attending gay events with sausage dip and Keefe's "flames and swords" 

Sadness and BJ's dick after the break

Gemstones Episode 3.2: Kelvin's butt buddies, gay Percy, two toxic families, and some military dicks

Previous: Episode 3.1, Continued: Kelvin withholds sex, Judy cheats and Jesse fights, with some random butts

Episode 3.2 introduces Eli's estranged brother-in-law Peter Montgomery, his sons, and a disturbing super-macho mirror of Kelvin's God Squad.

Title: "But Esau Ran to Meet Him," from Genesis 33.4.  Jacob has tricked his father Isaac into giving him the inheritance.  Esau is furious and vows to kill him, so he flees.  When he returns after 20 years, Esau behaves as if he is happy to see him, but....

Stephen's abusive wife:  Stephen, who was fired as Judy's guitarist after her brothers discovered their affair, is trying to tell his wife Kristy that he was "laid off," not fired.  She doesn't buy it.  It's a highly abusive relationship: she calls him "an unemployed, cokehead piece of shit who sulks all day."  He screams "Fuck you!", and she hits him with a glass blender.  Shattered glass all over his face and head, in front of the kids!  Whoa, scary.  The Gemstones and their partners argue, but they never use abusive language or physical violence.  Except for the time that Amber shot Jesse in the butt. 

Later, Judy meets Stephen at Spanky's Cafe, a real restaurant in North Charleston, and offers him $10,000 to leave her alone: "I don't want to see you no' mo'."  But he still wants her.  Judy points out that he's married, but it doesn't matter: "I'd leave my family in a second if I could have you.  I'd murder them." Say what?  This guy is a psycho. Of course, he should leave his abusive wife, but murder her...and the kids?

Kelvin's Butt Buddies:  Jesse and Amber's adult son Gideon, who moved to California to become a stuntman, is back, lying on the veranda in a bathrobe, smoking a cigarette, holding a box of Lucky Charms cereal, and sulking.  The background song by Buddy Knox tells us: "I think I'm going to kill myself."  He injured his neck, and may never do stunt work, tumbling, or martial arts again.  At least he's displaying a nice chest.

Background alert: Skyler Gisondo injured his neck in real life in 2022, when his hair stylist gave him a "little neck massage."  They wrote his injury into the script.

In a much, much nicer parallel to the Stephen-Kristy confrontation, Gideon's parents order him to stop feeling sorry for himself, get off his butt, and go to work for the church.  But he doesn't want to preach.  Ok, so he can become Eli's driver. Remember that the long-term driver, Walker, was fired.

We cut to Gideon on his first assignment, driving Eli and the siblings to see if May-May's kids are ok.  They are living with her estranged husband, Peter Montgomery, and his militia, the Brotherhood of Tomorrow's Fires: they expect end of civilization, like Eli's Y2K scare back in 1999.   Eli calles them preppers: "They want to make sure they don't run out of toilet paper."

Usually Evangelicals believe in the Rapture, when Jesus zaps everyone who is saved to Heaven, leaving the unsaved to suffer through seven years of the dystopian Tribulation before being sent to hell.  To this day, I will not let anyone stamp my hand for re-entry into an event, because  the Mark of the Beast was drummed into my head.  But Eli and Peter apparently have a different belief system.

On the way to the compound, at the defunct Boy Scout Camp Wooden Feather, the siblings discuss their cousins, Karl and Chuck.  Kelvin says that he always found them "kind of dumb and strange."  But you haven't seen them since 2000, when you were ten or eleven.  How much do you remember?

Judy: "That's why I'm surprised you weren't butt buddies with them."  

He gets annoyed, not because she alludes to him being gay but because she implied that he's also "dumb and strange," and therefore perfect for the Montgomerys.

Not the God Squad:  Bizarre signs like "Now we will see" greet the family, along with multiple armed guards.  They pass Jacob (Stephen Louis Grush) cutting up a deer.  Kelvin smiles at him -- think he's hot, buddy?.  Then a military-style obstacle course;  guys practicing martial arts; a guy taking a shower outdoors (no beefcake); and finally the mess hall, where about thirty militia men are having lunch.

Wait -- no women and children?  The actual far-right militia movement has many female participants, but this is a male-only space, like Kelvin's God Squad in Season 2, but with scruffy guys in military fatigues instead of flexing musclemen.  It is dedicated to phileo instead of eros, buddy-bonding instead of homoerotic desire. An article on Doomsday Preppers notes that these male-only groups "cultivate a dangerous vision of apocalyptic manhood that consummates a fantasy of national virility in the demise of feminine society."  Women are weak and fragile, their civilization doomed. Only the "manly love of comrades" can survive the Apocalypse. 

May-May's son Chuck ushers Eli and the siblings in. They are greeted by Cousin Karl (Robert Oberst), who is delighted to see them; and Uncle Peter (Steve Zahn, below), who is not.  It's time for church, so get out!  No, the siblings offer to help lead the service: Jesse will preach, Judy will sing, and Kelvin will  perform some "feats of strength" for the kids -- the only time he references his muscles during the season.  No kids around, but maybe the militia guys would like to see some masculine beauty.   

Uncle Peter rejects the siblings' offer.  They are "phony fakers," entertainers, interested in making money rather than saving souls. 

More military guys after the break

Gemstones Episode 3.1: Kelvin collects cocks, the Simpkins smirk, and Dusty Daniels flirts. With a Brazilian beefcake bonus.

Previous: Season 2 Finale: The Godfather, Butch and Sundance, random nude dudes, and "My love for you will never die"

The Season 2 finale of The Righteous Gemstones  aired in February 2022.  Season 3 premieres in June 2023, sixteen months later, but the timeline in the Gemstone universe doesn't fit.  Plus personalities and back stories are different.  As with Season 2, it will be more profitable -- and more fun -- to enter fresh, pretending that we have never seen or heard of these people before.

Title: "For I Know the Plans I Have for You."  Jeremiah 29:11: "For I know the plans I have for you, declares the Lord, plans to prosper you and not to harm you, plans to give you hope and a future." I hope so, because word on the street is that this season gets very dark.

Rogers County Fair, 2000:  The teenage Jesse Gemstone is announcing a demolition derby featuring his monster truck, the Redeemer, while his parents, megachurch pastor Eli Gemstone and his wife Aimee-Leigh, argue: the Redeemer is putting butts in seats, but is this really appropriate for a Christian ministry?   What are we going to do next, sell beer?  At that moment, a muscle hunk comes by selling beer!

Eli and Aimee-Leigh's three kids look very young, but according to the fan wiki, Jesse is 19, Judy is 15, and Kelvin is 9 or 10.

While Aimee-Leigh is off smoking a cigarette, May-May, a shabbily-dressed middle-aged woman, approaches, furious: "You pretend to be all sweet and caring, but I know the truth -- what you done to my family."  She attacks; Aimee-Leigh runs through the crowd, screaming for help, but May-May catches up and hits her with a wrench. As she lies bleeding on the ground, a car hits -- May-May! 

Eli Retires: Present day. Time to introduce the main conflicts of the season.  First up: the now-elderly Eli is hanging out with his Mason-like Cape and Pistol Society. They ask how he's enjoying his retirement.  Actually, he's only semi-retired: he's writing another autobiography and taking speaking engagements, but his kids are running the church. Gulp!  His friend: "You scared your kids are gonna blow it?"  

Cut to Zion's Landing, the Gemstones' Christian-themed resort. The 42-year old Jesse and his crew confront Eli's driver.  In joke: his name is Walker!  He squealed to the press about the dwindling membership and donations since the kids took over, so they beat him up and fire him. Pretending to have never seen these characters before, I am shocked.  Christian ministers are often shady and hypocritical, but violent? What if someone sees?

A Cold Fish Kiss: Eli's second child, Judy, is now a famous singer.  She has just returned from a tour, and her husband BJ wants to snuggle, but she yells at him for pressuring her, gives him a "cold fish kiss," and runs out again.  Uh-oh, marital trouble.

Smut Busters: The primary conflict, judging from the amount of air time it gets: someone named Keefe is showing the youngest son, 32 or 33 -year old Kelvin, a giant novelty dildio.  He exclaims with glee, "That is gonna hurt!"  So he's an anal bottom, and Keefe is his boyfriend, showing him their new toy.

We pan out to see kids examining a pile of sex toys, mostly dildos and butt plugs of various sizes and shapes, intended for gay men.  Notice the "Size Queen" dildo. 

Psych!  Kelvin and Keefe are actually youth ministers, running an anti-sex toy project.  I guess: notice the t-shirts, with the name "Smut Busters" over a splatter of...jizz?   They buy out the inventory of local adult stores, to force them into bankruptcy.  Wait -- anyone know basic economics?  

The youth group kids, also in Smut Busters t-shirts, are just examining the latest haul.  Do they take the kids to the adult stores?  They wouldn't be allowed inside.  Besides,  "exposing children to sex" is a misdemeanor.  

They ask the kids and adult volunteer Taryn to join them in the Smut Buster chant: "No smut (touch nipples),  no lust (feminine hip wiggle), no coconuts (hands to waist, grimace)." No one joins in.  

After extensive research, I conclude that "coconuts" doesn't have a symbolic meaning, except maybe to evoke testicles.  It was chosen for  its near-rhyme. The chant reflects the playground phrase "no butts, no cuts, no coconuts" (no cutting in line), and its variation, "No ifs, no buts, no coconuts" (no disagreeing).

Left: coconuts

Pretending to have never seen these characters before,  I conclude that they are a gay couple: notice how Kelvin plays with Keefe's nipple, an intimacy that platonic pals would not enjoy, how Keefe gets all bitchy around Taryn, and how most of the sex toys they buy are for gay men.  They can't conceive of something used by straight men as erotic: "There's a naked lady on the box.  Keefe, I said sexy, not disgusting!" 

So the main conflicts of the season will involve the transition of power, marital problems, and coming out. 

The Primitive Tribe: At church, the siblings are bragging about their missionary trip, where they brought Lasik Surgery to an isolated tribe in the Amazon.  They are completely clueless; surgery to correct astigmatism must be the most trivial of the group's medical needs.  Plus the depiction of a "primitive tribe" veers uncomfortably close to racism.

Left: An Amazonian.

More after the break