George MacKay: The time-traveler's buddy chooses movies about endless pain, misery, and despair. Just because he has a small dick?

 

I've been watching 11.22.63: Jake (James Franco), disillusioned by how awful his life (and everything in general) is in 2016, takes a time portal to 1960 in an attempt to prevent the assassination of John F. Kennedy and make life perfect. In Episode 2, he hooks up with Bill (George MacKay), a Kentucky redneck with a standard Stephen King backstory -- abusive father, murdered sister.  

They have to live together for several years while waiting for Lee Harvey Oswald to show up, so they pass themselves off as...um... brothers.  Not much of a gay subtext--  Episode 3 is entitled Other Voices, Other Rooms, but it has nothing to do with the Truman Capote novel about gay awakening, and Bill's heterosexual identity is established very quickly, when the guys relax by going to a strip club.  But at least some people suspect that the two are a gay couple, and Bill is beaten up in what we would call a homophobic hate crime. Later he is institutionalized and given shock therapy, a common experience for gay men in the early 1960s.  And killed.

So, a queer-coded character, displayed in his underwear a lot.   Enough for me to check to see if George MacKay has played any other gay-subtext roles, or is gay in real life.

He was born in 1992, and broke into film as one of the Lost Boys in Peter Pan (2003).  Then he played a gang member in The Thief Lord (2006), which I recall as having a gay-subtext romance.

Next came a long string of angst dramas :

The Boys are Back (2009): man with a dying wife and estranged sons.

Private Peaceful (2012): Tommo (George) has a brain-damaged brother, sees his father being crushed by a tree, loses the Girl of His Dreams to his other brother (Jack O'Connell).  They go to war together, and Bro disobeys an order to abandon the wounded Tommo, and is executed.  Sounds delightful.  

How I Live Now (2013): Daisy, who has a dead mother (of course), survives a nuclear war, sees her friends massacred, finds her boyfriend (George) severely injured, and nurses him back to health.  Lovely.

 The Outcast (2015), a two-part tv movie: Lewis (George) sees his mother drown (of course), and grows up feeling responsible, so he self-harms and sets a church on fire.  He spends time in prison, then confronts his toxic family members (hint: every man is bullying and abusive),  and confesses his love for The Girl of His Dreams before...you guessed it...going to War. Ugh!  Or as one reviewer notes, a "relentlessly emotional, heart-tugging story of tragedy."

Does every single one of George's movie and tv roles involve crying over the endless misery of life?  I'm surprised someone doesn't start singing "Have Yourself a Merry Little Christmas."

Let's check his gay and gay-subtext roles:

I  already reviewed 1917 (2019).  The tragedies piled on World War I soldier George and his gay subtext boyfriend (Richard Madden) were laughably unyielding.  The darn thing was too grim even for torture porn. But the gay subtext lasted until the last scene, with a last-minute tacked-on reference to a girlfriend back home.  I can hear the writers panicking: "Wait, we forgot to establish that he's straight! Quick, add a line about a girl!"

Left: Richard Madden in Sirens. He's playing the gay Ashley Greenwick (stereotyped name, that) caught in the act.  I don't know who the disgusted buddy is. 

Pride (2014): Members of the gay group LGSM are raising money for the families affected by the British Miners' Strike (1984).  Joe (George) is so closeted that his out-and-proud boyfriend dumps him, and dies of AIDS two years later.  Bummer, but at least it's a gay role.

True History of the Kelly Gang (2019): George plays the notorious Australian bushranger (outlaw), who has a gay friend (Nicholas Hoult) and likes to hang out affectionately with his male crew, but also gets a girlfriend.  It ends badly.

In Femme (2023), George plays Preston, a homophobic gang member  who beats up and then starts hooking up with a drag queen.  But she gets revenge by filming their encounters and showing his friends, so they suspect him of being gay.  Preston gets angry and beats her to a pulp, but doesn't kill her.

OMG, George, what is this, Hee-Haw?

Gloom, despair, and agony on me
Deep, dark depression, excessive misery
If it weren’t for bad luck, I’d have no luck at all
Gloom, despair, and agony on me

More after the break

November 22, 1963: Failed writer goes back to practically perfect 1960. Does he buddy bond, or meet The Girl? With Franco cock but no glory holes

I love time travel stories.  I've read all the classics: "All You Zombies," "A Sound of Thunder," "By His Bootstraps," "Mimsy were the Borogoves."   Time travel movies, not so much: they all seem to be about meeting, winning, and finding infinite happiness with The Girl. But when 9-22-63 dropped on Netflix, I saw that the disillusioned writer and his buddy work together together to prevent the Kennedy assassination.  Gay subtext -- ok, I'm in.

Scene 1:  Elderly Adult Education student Harry (Leon Ripper) reads a story about a boy whose his father murdered his mother and siblings on Halloween night, 1960.  Teacher Jake (James Franco) gives him an A+ -- right in front of the class.   What if he got an F?

Then Jake goes to the run-down diner near a horrible closed factory and orders a burger from elderly Al (Chris Cooper, left), who complains about his eating habits.  Not a good idea to diss the food you sell, buddy.  

The ex-wife comes in; they discuss his father's death, and then he signs the divorce papers.  This woman acts as if she is deeply -- very deeply -- in love with him, so why are they getting a divorce?  So they can reconcile later on, or just to establish that he's heterosexual?

Al goes into the kitchen for a few minutes, then returns, pale and haggard, and collapses.

Scene 2: Jake takes him home.  Big reveal: He's got cancer. "But you were fine five minutes ago."  "Come over tomorrow, and I'll explain everything"  

Back to class: A film about shock therapy in the 1930s, while students laugh and are bored.  So are we establishing that Jake is an awful teacher, or that kids today are awful?  

Scene 3: At the diner, Al says he'll explain everything  if Jake goes into the closet, looks around, and comes back.  I'd be suspicious -- there could be bodies in there, or he could lock you in and keep you a prisoner.  But Jake goes in...

And...plop!  He's outside the diner, but back in the early 1960s.  There's a billboard for Moxie Cola, and kids playing softball instead of scrolling on their phones.  So it's like the wardrobe that leads to Narnia, You can also go back in time via a secret staircase  (on Dark Shadows) or in an elevator (Time at the Top).  

It's a wonderful, joyous, absurdly idealized world.  I couldn't get a screenshot that would do it justice. Everything is very bright, with primary colors dominating. Delighted factory workers file out for their lunch break.  A milkman (Colin Doyle) drops a bottle, and exclaims "For the love of Mike!"  No profanity in 1960, har har. Three girls drive past in a pink convertible.

An old guy notices that Jake is from the future, and yells "You shouldn't be here!"   So he runs back into the diner, and ends up in the present day.

"You were just in October 21, 1960," Al explains.  The time portal always goes back to the same moment.  He doesn't know where it came from or how it works, and he hasn't told anyone about it. But now that he's dying, Jake has to take over his goal: to prevent the assassination of John F. Kennedy on November 22, 1963.  So he wants a random stranger to do the job?

Scene 4:  Jake accepts time travel instantly, but wonders why Al is interested in the JFK assassination.  "Because if JFK lived, he would have stopped U.S. involvement in Vietnam, all those boys would be alive, and the world would return to how it should be, always summer,  primary colors, food that tastes good, polite kids, no divorce (hear that, Jake?), white men in charge (isn't your boss a woman, Jake buddy?), no gay people, and everyone joyful all the time."

Left: 1960s guys.

"Then why haven't you prevented the assassination already?"

Al tells him to go back to 1960, carve something in the tree outside, and see if it's still there today.   

Scene 5: Jake goes back -- same moment. He pushes off the "You don't belong here!" guy, carves JFK while locals glare at him, and rushes back to the present.

Left: Josh Duhamel, who plays Adult Education Student Harry's father, the one who murdered his family on Halloween, 1960.  Yeah, I thought it was fiction, too.

Yep, the carved JFK is still there.  But then it fades away.

"When you return to the present, time will reset.  You can stay for years, but when you get back, it resets. And no matter how long you're away, only two minutes have passed in the present." That's a lot of very precise rules for a magical gateway.

Oh, the reason he suddenly got sick: he went through for two years while Jake was signing the divorce papers.

"So if everything resets, how can I prevent the JFK assassination?"

"You have to go through, and never come back."   

I guess we've established, that Jake hates his job, he has no friends, his wife has divorced him, and his father is dead, so he has nothing to stay in 2016 for -- except the internet, global travel, medical breakthroughs, gay neighborhoods, cultural diversity....but it's a trade-off: life is perfect in the 1960s.   Um...I know this is Stephen King's nostalgic memory, but still, it's a little naive. Ok, a lot naive.   Life wasn't perfect in the 1960s, even for straight white men.

Al has prepared a fake id for him, a lot of early 1960s money, and a notebook full of sports matches to bet on, so he can support himself.  

Jake thinks he is crazy and runs off.

Scene 6: The Adult Education Program graduation.  Everyone is bored, not-engaged, not joyous, and the principal disses Harry, so Jake says "Screw it!  I'm going back to 1960!"

Al's dead, so Jake grabs the stuff, goes to the diner, and heads through the portal.

More after the break. Caution: Explicit

The New Doctor Who, Season 2: The gay doctor fights robots and cartoon characters, and gets a girlfriend. With bonus Groff and Projectionist penises

The latest Doctor Who, that  time-and-space faring adventurer from the planet Gallifrey (played by Ncuti Gatwa), is the first to be black, and although there have been bisexual hints in the past, the first to be gay.  In Episode 1.6, he even gets a boyfriend, an interdimensional bounty hunter named Rogue (Jonathhan Groff, left).

At least, he was gay in the first season. 

I watched the first two episodes of Season 2, and I am sorry to report that the gay guy has turned straight.

In Episode 2.1, "The Robot Revolution," the teenage Belinda Chandra receives a gift from her sort-of boyfriend: a star.  It seems that you can "buy" a star and get a certificate stating that it's yours.  They break up soon after.  

17 years pass, and one night gigantic robots arrive to force Belinda to become the queen of "her" planet.  Apparently the certificate was a binding contract.

Left: Robert Strange plays the head robot.

To complicate things, the robots have taken control of the world.  Humans are forced into smiling servitude.  

The Doctor, stranded on the planet for the last six months, is starting a revolt with a squad of hunky humans, including Caleb Hughes and Max Parker, left.  

Soon into the revolt, the Doctor's girlfriend is killed.  Grieving, he explains that when he first arrived on the planet, she took him in and explained the situation.  "She took care of me.  She was wonderful."   The other freedom fighters tell him to buck up, they have a world to save.

The robots announce that Belinda is to marry the great AI Generator, who turns out to be the ex-boyfriend (Jonny Green, left), merged with a machine.  Belinda dumped him due to his controlling behavior, and this is the only way he could think of to get back together again. Maybe send her flowers?

So this was all about heterosexual romance?  They had an episode with an astronaut and his husband.  Two of the Doctor's companions have been lesbians.  How the mighty have fallen.

The Doctor and Belinda save the day.  Belinda asks to be taken home, but his space-and-time ship, the TARDIS, refuses to go to the day she left.  Maybe the next day?

In Episode 1.2, "Lux," some people are watching a movie in 1952 Miami.  Before the main feature, there's a cartoon featuring Mr. Ring-a-Ding, whose catchphrase is "Don't make me laugh!"  While he is busily romancing Sally Sunshine (yes, another hetero-romance), he jumps off the screen to scream at the audience.

Enter the Doctor and Belinda, taking a detour on the way home.  They notice that the theater door is chained, as if there's a wild beast inside.  

More after the break

"TIme Cut": Girl travels into the past to stop a murder, with Griffin Gluck's boyfriend and Zane Phillips' dick

Netflix recommended Time Cut, 2024.  I'm a sucker for time travel/time paradox science fiction stories, so why not a movie?

Scene 1: 2003. Sweetly, Minnesota, har har.  Summer Fling -- her real name, har har!  -- goes to a barn dance-themed party.  Quinn (Griffin Gluck), the nerd with the unrequited crush on her, didn't think she would come, due to the serial killer targeting teens in the area.  He tries to give her a card confessing his love, but before he has a chance, Ethan (Samuel Braun, below), the obnoxious jock whom she is dating,  drags her off.

Cut to the dance.  Jock Ethan suggests that they raise their cups in memorial to the three dead teens, while a Michael Myers-masked killer stalks outside, and a police car zooms over the bridge. 

Uh-oh, Summer fling spills something, and goes to the empy bathroom to clean up.  The state police arrive to break up the party, but Summer doesn't hear them.  The killer arrives, chases her around, and finally grim-reaps her to death. So he was going to wait until the party emptied out except for one person?

Scene 2: April 18, 2024. Lucy awakens in her bed, goes out to a porch swing to mourn her dead sister, who she couldn't possibly have known -- and checks on the status of her application to a 3-month internship with NASA -- she got in!  

She scooters through town , which is in decay -- graffiti everywhere, town clock smashed, stores closed.   20 years ago the Slasher killed four teens, and the town went into its downward spiral.  Turn the slasher barn into a tourist attraction, like Lizzie Borden's house.

In school, she tells her science teacher that she got in.  He's ecstatic.  But she can't tell her parents because this is the anniversary of their daughter's murder.

Out in the hallway, the students are all talking about the murders -- the biggest event in the town's history. Two were killed in the mall.  "What the heck is a mall?", someone asks. Another at the Marine Museum, and the fourth at the big dance.

Scene 4: At home, Lucy visits her sister's old room, kept up as a shrine.  Overwhelmingly pink, a Buffy the Vampire Slayer poster, a landline phone, a creaking floorboard...wait, there's something under there -- notes. "Summer, now I'll be free, but you'll never be.  You'll regret this."  Girlfriend had lots of secrets.

Scene 5: Dinner at the Olive Garden  The server brings the "Field Family Special," and announces "You look so much like her." Come on, it's been 20 years.  How does a casual acquaintance even remember?

Mom and Dad (Michael Shanks, left) are walking shells, immersed in their grief like Miss Haversham moaning over that 30-year old wedding cake in Great Expectations.  They had Lucy as a substitute, but they ignore her individuality and accomplishments and just treat her as a  reminder of her dead sister.

Lucy comes clean about her internship offer.  "WHAT?  Go to DC for 3 months?  It's full of serial killers!   You can get a job at the tech company like me."  My Dad assumed that I would be going to work in the factory.  He only agreed to college when I got a full scholarship -- he figured I would go to work in the factory afterwards.

Next stop: The abandoned barn where Summer was murdered.  They've built a shrine full of photos, ceramic horses, Barbie dolls, and teddy bears.  Way more than 20.  They must come here every week. 

This week's offering: a pair of flip-flops that Mom carefully engraved.  Your living daughter is standing right there, idjit..

Uh-oh, Lucy forgot the offering she was going to leave.  As she fetches it, she hears a machine beeping and thrumming from inside the barn!   It's a weird techno-thing with a "start" button.  Do not push "start" on a strange machine girl!  She pushes it. Two lasers pop out and start thrumming, and zap!  Her parents aren't around, and the barn is brand new.  No bars on her cell phone -- no network!  It's 2003!

Who put a time machine in the barn?  This makes no sense.

More after the break. Caution: Explicit.

"Doctor Who," 2005 Series: Hints, hunks, subtexts, surprise, and off-camera penises

 

Doctor Who has been wildly popular in Britain for 60 years: 26 doctors in 39 seasons (1963-present), plus spin-offs, over 200 novels, and enough tie-in products to rival Star Trek in the U.S.  

I've tried watching at various times, but it's like trying to read a Marvel comic: you're dropped into the middle of a long story, with references to characters and situations from years ago or different series: "But I thought you returned to the sub-galactic empyrion in Episode #1314!  How's Jenna?"  I even bought a history of Doctor Who to try to figure it out, but it was all studio gossip about why this or that doctor was cast.

The 2005-2021 series just dropped on MAX, starring Christopher Eggleston (below) and then David Tennant (top photo and below) as the Doctor (he keeps regenerating). This one is different: most episodes are self-contained, with the occasional call-back to previous series actually explained, instead of assuming that viewers have watched every episode since 1963. We even find out who the doctor is.

The premise: The Doctor is a Time Lord, able to zap through time and space on his Tardis vehicle (which looks like a 1960s British police box from the outside). He has a tragic back story which might be new to this series: he is the only surviving member of his species.  They were all wiped out by the evil ("Exterminate!") Daleks, but he destroyed their species in retaliation (until they return).  

Now he travels around for fun or to seek out and fix time/space anomalies that threaten to destroy London or the universe:

Zombies plague the Victorian London of Charles Dickens.

Evil aliens are masquerading as Members of Parliament

In the year 200,000, an alien is controling the Earth.

The Doctor is in the habit of saying "It's hopeless!  There's no escape!  There's nothing I can do -- we're all going to die!"  Or "the universe will collapse at any moment!  There's no way to stop it!"  Or 'we're stuck forever on this parallel world where Britain has a president instead of a prime minister, and they've invented helicopters but not airplanes!"  Then, after the commercial break: "I've figured it out!  All we have to do is recalibrate the time coordinator and push it backwards through the space-time continnum!"  

I'm reminded of the old Star Trek series, where Captain Kirk says "The odds against us getting out of this jam are a million to one!"  Then he does it easily, and starts deciding what to wear for his promotion to Admiral.

The companion:  In the first episode, the Doctor meets Rose Tyler, a working-class shop girl from 21st century London, and invites her to join him.  Rose has a tragic back story, too: her father was killed in a traffic accident while she was a baby.  Somehow the Doctor's missions often put them in parallel worlds where he's still alive (but she can't see him, or time/space will collapse), or back in time to the moment of the accident (but she can't rescue him, or flying gargoyles will destroy the world).

I don't know if the Doctor fell in love with his previous female companions, or this is a new innovation, but he and Rose are definitely falling in love.  It's a slow burn romance -- we're halfway through Season 2, and they haven't kissed yet.  Of course,  Rose has a boyfriend, and the Doctor is busy falling in love with the lady alien or distant-future babe of the week (even Madame de Pompadour, when he tries to prevent distant-future cyborgs from stealing her brain).   

Occasionally they pick up a second companion, a guy, but the Doctor resents the competition and quickly boots him.

The Guys: While they are in 21st century Utah, investigating an underground museum of alien artifacts, they pick up  "boy genius" Adam Mitchell (Bruno Langley).  He is fired in the next episode, when the Doctor catches him  transmitting technology from the year 200,000 to his Mum's answering machine back home.  Langley also played Todd Grimshaw, the first gay character on the long-running soap Coronation Street, from 2001 to 2003. He is heterosexual in real life.

Next, the Doctor and Rose end up in blitz-besieged World War II London, where alien technology has transformed a dead boy into an "empty boy," wandering around and asking "Are you my Mummy?"  If he touches you, you turn into an "empty boy," too.  During this adventure, they hook up with Captain Jack Harkness (John Barrowman, left and below), a loveable rogue time-traveler, and openly bisexual, flirting with men and women.  Rose is shocked by this -- apparently LGBT people do not exist in 21st century London -- but the Doctor points out that Jack is from the 51st century, when "anything goes."

More hints and hunks after the break