In the last few days, I've started a dozen movies and tv shows that seemed promising -- guys gazing at each other on the icon, a trailer with buddy-bonding -- only to start them, and the focus character is kissing a woman by Minute 1. The constant gay teasing is getting annoying. Why tailor your project to attract viewers who are going to turn it off in 20 seconds?
I'm so frustrated that I'm going to review something at random, the first "new!" title that appears on Hulu, Going Dutch: "After an epically unfiltered rant, an arrogant, loudmouth U.S. Army Colonel is reassigned to the Netherlands, where he is punished with a command position at the least important army base in the world.
An army comedy? Yuck! But here goes, Episode 1.1:
Scene 1: USAG Baumholder Command Center. I don't know what USAG means. Google says a gymnastics association, but that can't be right. Two army guys walk down the hall, the Old Guy (Dennis Leary, left) giving the Swishy Guy notes on how to introduce him: "Mention the Rangers, give America an erection." Google says that the Rangers are an ice hockey team.
Swishy Guy: "I'll mention your Medal of Honor and your tours of Iraq and Afghanistan, and end up with your daughters, so you'll come off as a family man, and everyone will love you."
Old one: "No, don't mention them. I don't want to be beloved. I need to be tough, this close to Russia!" Dude, you're in the Netherlands. Russia is five countries and 2500 km away.
Swishy one: "We shouldn't mention how eager you are to start World War III."
Scene 2: They meet with the Commander, General Davidson, who immediately asks about his daughters. "I hear you're a grandfather now." Sorry, dude, he wants a family man.
Old Guy doesn't know what he means. Oh, the baby? "That's not a human being yet, more of a blob." Maybe stick with starting World War III.
Uh-oh, Old Guy was told that he was going to be the Commander. Change of plans: he was caught on tape calling General Davidson a bleep, so he's in charge of USAG Stroopsdorf, a supply center: "The least important army base in the world."
Scene 3: They walk through the Stroopsdorf Base: a miniature golf course, an outdoor fitness center. Old Guy is outraged at a "fat hippie on a bike." Where's the discipline? He vows to turn "this dump" into a proper combat base.
Next, a tour of the fromagerie, the bowling alley, and the laundry, the three things Stroopsdorf is known for.
Plus a teen center with a sign "Reading is radical." There are no teens on the base, so civilians from town use it for pool and video games. Old Guy tries to eject "a small time gigolo" and a very muscular Private.
Left: Small Time Gigolo is played by Icelandic actor Arnmundur Ernst Björnsson
Scene 4: The Interim Commander, a blond woman, addresses the troops: they have new headphones to use on the treadmills in the gym. No one mentioned Old Guy's wife. She must be dead, so he and Interim Commander can start a "will they or won't they" romance.
Nope, she is his estranged daughter! The Commander didn't mention that little detail.
She cut off all contact with him two years ago, but he didn't notice, because he "was busy saving America." But working together will be an even worse punishment thatn being assigned to a "Dutch Club Med.
Scene 5: Swishy Guy flirts with Muscular Private as he plays foosball.
Wouldn't you? Asked "What does your X/O mean?", he responds "I'm the Commander of Hugs and Kisses."
Smooth move, dude. But he impresses Muscular by winning the foosball game, then rushes to the Commanders to note that everyone can hear them arguing.
Muscular Private is played by Dempsey Bryk, who has rather an androgynous presence, but plays a lot of muscular guys (top photo).
Swishy Guy is played by Danny Pudi, who is heterosexual, but played a gay-subtext character on Community. It's probably the same here: swishy as a gay tease, but soon to be outed as straight.
Interin Commander notes that they are marching in the Tulip Festival tomorrow, the first time they have been invited, so their presence is "crucial to diplomatic relations."
More after the break