Ten Hawkeye hunks: Mason City muscles, Bettendorf bulges, and Davenport dicks

 

From 3rd grade through college, I lived in Rock Island, Illinois, across the Mississippi from Davenport, Iowa.  It was the big city, where we went for culture: museums, art galleries, bookstores.

And shirtless athletes from St. Ambrose College.

Bettendorf, to the east of Davenport, was the wealthy suburb, where the property values were double those of Rock Island and the high school offered Russian and Mandarin in addition to plain old Spanish and French.  We hated the Betten-dorks. 

At least the athletes had a state-of-the-art weight room.

Decorah, in the northeast corner of the state, is known for Vikings and Lutherans.  I had my first real sexual experience at a music camp at Luther College.

Luther has a state-of-the-art gym, too.

The Vikings in a team-building exercise

Mason City is known for gay artist Grant Wood, who painted that American Gothic thing that everyone in Iowa hates, and for the Spirit of Mercury, a muscular art deco lighting fixture.  You can buy souvenir versions.

More Hawkeye Hunks after the break. Warning: explicit

Joshua Mikel: Pirate, Satanist, zombie chow, boyfriend. With two important questions answered, and maybe a cock

 

You may be familiar with Joshua Mikel as Daedalus in Season 1 of  The Righteous Gemstones.  When the recently converted Keefe returns to the Satanist/Goth Club Sinister, Daedalus assumes that he's there for "pleasures" and caresses his body and licks his face, while his friend Cryptocore starts to go downtown. This scene establishes that Keefe is gay, and that Daedalus is an ex-lover.

Born in Conyers, Georgia, a suburb of Atlanta, Josh graduated from Florida State University's Theater and Creative Writing programs.  He has written a number of award-winning plays, many for children:  The Monster Hunters, Pirates!, Good Good Trouble on Bad Bad Island!.  I looked at some of the scripts, but didn't see anything of particular gay interest.

Josh has 92 acting credits on IMDB, including a lot of fantasy and horror: Renfield, Mayfair Witches, Unhuman, Creepshow, and 50 States of Fright.  It took 17 auditions to be cast on The Walking Dead, as Jared, one of the "Saviours" who demand tribute from surrounding post-zombie-Apocalypse communities.  

 

But a lot of general dramas, too. The Lengths (2014) is of gay interest: Josh's character is in love with both a man and a woman. 

There are several bulge shots, and maybe a butt, but it's obscured and hard to see, so I substituted this fully visible butt.

Josh has also done storyboard art and set design for everything from Kirksville to The Little Mermaid.  

If he has any time leftover, he is the drummer for the indie rock band Look, Mexico.  One of their songs, "It's Been a Long Time Since I Smelled Beautiful," might have a gay subtext:

Will you compromise, or will you say what's on your mind this time?

Will you smile for me, or will you say what's on your mind this time?

But we're not, we're not keeping quiet.

So if you think you're ready…

It's our time now.

Underwear and dick after the break

"The Ropes": An unreliable-narrator Rashomon about nightclub bouncers. Take careful notes. There are some dicks, too

 

I was looking for some tv shows starring Joel Rush, and found The Ropes, a quickly-canned tv series based on Vin Diesel's early job as a bouncer.  Well, maybe there would be some beefcake. 

Problems: It was impossible to research among 1,300 other series called The Ropes, On the Ropes, and Learn the Ropes.   

It was available on Amazon Prime, but not if you used the Prime Search window -- you had to go through Google.  Even after buying an episode.  

More problems: Nonlinear narration, with people describing an event that happened earlier, then seeing the event from different points of view, and seeing the consequences of the event, but in jumbled order. 

Some of the guys are black/speaking in a stereotyped jive accent, and some are white/speaking in a stereotyped Guido accent, but within those categories, they look, talk, and behave exactly alike. This makes it very difficult to figure out who belongs to what plotline.  But for the sake of a review I'll try to piece it together.

The illustrations are whatever beefcake or nude photos I could find of the actors, in no particular order: Gonzalo Menendez, F. Valentino Morales, Brian Ahern, Brian Hooks, Joel Rush, Danny Abeckaser, Shawn Woods, Robert Ervin, Ramses Jiminez.  Plus a couple of random photos of guys with big dicks.

Setting: A very sleazy nightclub in New York, where they have both ladies dancing on poles and illegal gambling.  A squad of seven or more bouncer/security guards, whom the Boss calls "ladies" although they're actually men, is on patrol every night.

 Big Vic's Story:  Big Vic, who has the biggest dick in New York City, is infinitely attractive to every woman in the world.  He asks the lady bartender to have sex with him; she agrees. On the same night, or on another night, he's working the door, and lets in a girl who claims to be a model, but rejects the guy she's with.  He asks if she wants to have sex; she does.

While he is having sex with one or the other the bathroom, someone knocks on the door, saying that he's needed at the bar.  He ignores them.

Later, or on a different night, he goes out into the alley, and sees a sleazoid trying to push an unwilling lady into a taxi.  He intervenes and sends the guy away. Then her friend arrive and accuses Big Vic of taking advantage of her!  They drive away.

Uh-oh, a whole gang of bad dudes rushes into the alley to try to kill him! He's got the biggest cock in New York, not the biggest muscles.  He tries to fight them off, but they prepare to beat him to death when...

A smaller guy wearing a suit rushes in and annihilates them!  Big Vic is not happy to get his life saved by a nerd -- it's a major blow to his masculinity.  Then the nerd asks "Are you Vic Pendejo?" Har-har, pendejo means "asshole" in Spanish!  Big Vic angrily orders him to leave.

Ralphie's Story: One night Ralphie is screwing a lady in the Trash Room (no beefcake, but we see her butt).  And she accidentally butt-phones her Man, so he and his homies show up to kill him.  Big Les, working the front door, pulverizes them, but now they want revenge on him!  They return the next night, mistake Big Vic for Big Les, and attack. I guess people in-universe have trouble distinguishing the guys, too.

Later, the Boss complains that Ralphie is too feminine, and takes him off bouncer duty.  

The Kid's Story:  One night a Kid shows up at the front door just as they open.  Big Les, who happens to be working, won't let him in: no action so early anyway.  "Come back in two hours."

Two hours later, the Kid is waiting in a line that goes around the block.  They've reached capacity, so no one else gets in that night.  

He doesn't want to get in, he just wants to apply for a job, so he cuts line and asks Big Lou what to do. Yes, this is a different character, actually named "White Lou."    Big Lou sends him to the back door, where Big Vic is working, and tells him to ask for "Vic Pendejo," knowing that he'll get annihilated.   Instead, he sees "Pendejo" in trouble, being beaten to death by some thugs, and intervenes. 

Big Vic is so impressed that he offers him a job as his "intern."  All of the side deals at the club -- the drugs, hookers, whatever -- will go through the Kid.  For a salary, he'll get some of the bribes and "some ass."  Presumably girls, or is Big Vic offering his own?  

Rashomon after the break

Gemstones Episode 2.8 Continued: Macaulay Culkin grows up, the Cycle Ninjas break out, and Jussie Smollett shows his stuff

Previous: Episode 2.8: Baby Billy sees a ghost, Judy becomes a mom, and Kelvin gets *** up. With nude dwarf athletes

Baby Billy's Baby Boy: Harmon the special-needs son who Baby Billy abandoned at Christmas 1993. has grown into a special-needs adult (Macaulay Culkin), But nevertheless he has achieved the heterosexual nuclear family trajectory of job, house, wife, and kids.Actually, his wife has the job (a lawyer, "an educated breadwinner") but close enough. 

They are all watching Family Feud: "almost everyone has had their bottom ___ at least once." Sexual innuendo, har har.  The answer: spanked.

Suddenly the doorbell rings: it's a card with a photo of Harmon on Santa's lap the day his Daddy abandoned him.  Then his Daddy!  

Baby Billy wants to fix things between them, so he can move forward with his new son.  So it's not about Harmon, it's about you?  Harmon says just don't make the same mistake again, and "Can I hit you with a closed fist as hard as I can in the face?"  That's rather precise, but Baby Billy agrees, and gets walloped.

Out in the car, the ghost of Aimee-Leigh laughs at his bloody nose with kleenix affixed. 

Jesse Smollett and K-Fed: Back stage before Eli's  "welcome back" service, the siblings are in makeup and practicing their enunciation. They agree to make Daddy proud by showing how much they love each other. Judy says that she loves "Jesse Smollett" and "K-Fed," whereupon Kelvin makes a strange feminine gesture. 

Some vaguely-relevant dicks after the break

I go to the first gay rights march in the state of Iowa, with Thomas the Episcopal priest and Mickey the Muscle

 

June 1982, after my junior year at Augustana College.  Thomas, the former Episcopalian priest who I met with my ex-boyfriend Fred last year, calls to invite me to Des Moines for the first Gay Rights March in the state of Iowa.

I have never heard of such a thing.

"We march to protest police harassment, discrimination in jobs and housing, sodomy laws, that sort of thing.  They have them in big cities all over the country.  Always close to June 28th, the anniversary of the Stonewall Riots."

I have never heard of the Stonewall Riots, either.  But count me in.

June 27th, 8:00 pm: Thomas, his lover (in those days it was always "lover," not "partner"),  six other gay men, and two lesbians sit on folding chairs and on the floor in his rec room, making banners: "Stop Gay Police Harassment,"  "We Are Your Children," "Gay is Good," "Gay People are People Too."  

"Maybe not the catchiest slogans, Thomas tells me, "But idea is to get the word "gay" out there, to let the straights know that we are here, even in Iowa.".

I sit next to Mickey, the only other guy my age, a grad student in Russian at the University of Iowa: short, tan heavily muscled, very attractive, with dirty blond hair and a round boyish face.  We chat a bit, but don't exchange any personal information -- in those days you were circumspect, even among other gay people.

Thomas walks around the room, looking at each of the guys.  Finally he stops in front of me and Mickey. "I want you guys to take first place, with the banner that says Gay is Good.'  We want some muscle out front, to show the straights that we're not all weak little sissies."

Mickey grins.  "Up for being partners?"

Marching at the front, coming out to the whole state?  "Um...well, what if one of my professors sees me on the news?  I could get expelled."

Thomas laughs.  "Don't worry, there won't be any tv cameras, or newspaper reporters.  The media ignores us.  We might get a write-up in The Daily Planet."  Drake University's student-run alternative paper.

I am still nervous, but more gay guys than I've ever seen in one place are looking at me, so:  "Ok, I'm in."

We move to the living room for sodas and snacks, and go over the plan:  Tomorrow at 1:30, we meet at Western Gateway Park in downtown Des Moines.  Dress casually, but nothing flamboyant, no leather or drag.  At 2:00 pm we walk the 13 blocks east on Grand Avenue to City Hall.  Forty gay men and lesbians have signed up, so we will march with a banner followed by six people walking three abreast, then another banner, and so on.

We discuss what to do if someone tries to engage, if someone attacks, if we have to scatter  -- and if we are arrested.  We have a parade permit, so the police should be cooperative, but you never know.

Then Mickey and the other townies go home, and the out of town visitors bed down for the night.  It's  crowded: the two bedrooms are full, and four of us get sleeping bags on the living room floor (nothing erotic happens).

June 28th, 11:00 am:  Mickey and the other townies arrive for a brunch of pancakes, scrambled eggs,and sausages.  I'm slightly disappointed; I was expecting quiche and mimoses, the sort of gay cuisine I read about in The Advocate.

Mickey is wearing one of thse mesh half t-shirts popular at the time, with his pecs and shoulders visible behind the sheer mesh stuff, and your abs completely exposed.  They only work if you have a perfect body.  A centimeter less than perfection, and they look stupid.  He doesn't look stupid.

After some discussion, Thomas decides that, although the t-shirt is hot, it's too flamboyant, and asks him to change into an Iowa Hawkeyes t-shirt.  "It's a football team," he explains.  "Turning Mickey into a wholesome all-American jock, the kind of boy you want your son to date."  Everyone laughs.

More Mickey after the break

"Stonewall": A movie about the riots that began the Gay Rights Movement, with nice cops, a White Saviour, and some dicks.

The Stonewall Riots of June 28-30, 1969 began with patrons of the Stonewall bar in Greenwich Village fighting back against police harassment.  They ended with the modern Gay Rights Movement and the "minority group" model of LGBT identities. Today there are Pride festivals and parades around June 28th of every year to celebrate that beginning., and queer history, literature, culture, and politics are definitively divided into pre-Stonewall and post-Stonewall. 

Although there have been many books and documentaries, Stonewall (2015) is the first movie intended for a mass audience.  It assumes that you are straight, with little or no knowledge of the riots, an ally but mostly unaware of the closeted, harassed, hounded life of LGBT people before Stonewall (and sometimes still today)

1. Danny Winters (Jeremy Irvine), a clean-cut all-American kid from rural Indiana, gets a scholarship to Columbia, but before his parents can fill out the scholarship papers, they discover that he is gay and kick him out.  His closeted boyfriend, football star Joe(Karl Glusman), refuses to talk to him.  

Bonus Karl Glusman cock after the break

So he goes to New York anyway, where everybody -- repeat, everybody -- falls in love with him.  Well, what do you expect from the focus character?

Danny lives on the street, and works as a hustler (although the look of pure disgust he gets whenever a client tries to go down on him would probably limit his success).

He hangs out and often lives with a group of androgynous gay and transgender street kids led by Ray/Ramona (Johnny Beauchamp). 

2. They are regulars at the Stonewall Tavern, a dive-bar run by Mobster Ed Murphy (Ron Pearlman), who may have murdered Ray's boyfriend. It was illegal to serve alcohol to "a known homosexual," so all gay bars were underground, mostly run by the mob.

3. Meanwhile Danny gets involved with Trevor (Jonathan Rhys-Meyer, left), a middle-class college student,  who picks up twinks by playing Procul Harem's "Whiter Shade of Pale" on the jukebox.  I'm always moved by the line: :She said "There is no reason 
And the truth is plain to see."

Left: Jonathan Rhys Meyer butt

More after the break. Warning: explicit

The Regensburg Choirboy: why go downtown if you can't kiss?

During my freshman year at Augustana College, I declared a major in English and Modern Languages and registered for advanced Spanish and French.  So when I had the opportunity to spend a quarter abroad during my sophomore year, you'd expect me to pick Spain or France, right?

No -- Germany.

It wasn't my fault.  I was taking first-year German, too, and the professor kept rhapsodizing over his trips to Germany: Munich, the Black Forest, the Rhine, Neuschwanstein Castle, Wittenberg, where Martin Luther nailed 95 Theses on the cathedral door.

So I started packing for Germany.  Six Augie students flew from Chicago to Frankfurt on August 19th, and then took the train south to the university town of Regensburg.

 We all took Intensive German and The Protestant Reformation, and for my elective I chose German Myths and Legends. Classes met in the morning, so we had the afternoons free for sightseeing, and there were weekend trips to Augsburg, Munich, and Salzburg.

I had just "figured it out" a year before,  and, I didn't know how to meet gay people.  I didn't realize that Regensburg had several gay bars, or that Munich, an hour away by train, had a gay neighborhood full of bars, restaurants, bath houses, and community organizations.  So it took me awhile to find a boyfriend, sort of

Regensburg was predominantly Catholic, so I overcome my early religious training about Catholics being evil! evil! evil! and toured all the churches.  I even went to Mass at St. Peter's Cathedral -- don't tell the preacher -- where I heard the famous boys' choir, the Domspatzen.

 There were about 80 members, mostly little kids, but in the back row I saw some teenagers and young adults.  

One caught my eye -- the tallest of the group, broad-shouldered, probably muscular, with a shock of unruly brown hair.  I thought he looked back, but I was probably imagining it.

The next day I went to the Musikgymnasium, the boarding school attached to the choir, said I was an American university student, and asked for a tour.  

They summoned a boy my own age to show me around -- 18 year old Wolfgang (not his real name) -- not the one who caught my eye yesterday, darn it! 

More after the break.  Warning -- explicit.

"Bumper in Berlin" Episode 1.3: Bumper saves the day by doing everything wrong. With bonus Til Schweiger nudity.

I don't usually review two episodes of the same series, but I'm trying to figure something out. Bumper in Berlin has no gay male characters, limited beefcake, and frequent discussions of the hotness of ladies.  Those should be red flags.  So why is this series my favorite Adam Devine vehicle (including that darn Gemstone thing)?   This is a review of Episode 1.3,  "Verschlimmbessern": to make things worse while trying to make them better.

Scene 1: An ornate concert hall.  Bumper (Adam Devine), the American a capella singer who has come to Germany to become a star, and Heidi, his Love Interest, begin singing the Shaggy song "It Wasn't Me,"  Suddenly the stage goes dark; Heidi collapses, stabbed in the back  She's dying. Bumper has betrayed her by claiming that the song she wrote was his, and thus stealing her future.  And his hands are feet?  He awakens -- just a nightmare!

Scene 2: Bumper meets Heidi at the coffee cart and tries to make it up to her by -- buying her coffee?  He explains that he needed an impressive song to be selected to perform at Unity Day and become a star. Heidi isn't angry, just very disappointed.

Manager Pieter (Flula Borg) has bad news: his ex-girlfriend Gisela, who is competing with Bumper for the Unity Day spot, is doing a big show in Friederickstadt.  In order to stay competitive, he got Bumper a gig performing "his" song on Sour Pickles: a talk show where the guests eat sour pickles.

Bumper tries to make things right with Heidi by refusing to sing the song: it "sucks."  Wait -- Heidi wrote it.  She glares at him.  "Oh, the song is great, but it sucks."  Digging yourself deeper, Buddy.  You got some Verschlimmbessern going on.

Scene 3: On the way to the Sour Pickles studio -- the sign is in English -- Bumper complains to his ally, DJ Das Boot: "I did a bad thing, but I apologized. Why is Heidi still mad? It's not fair."  And by the way "Boot" means  "boat" in German, not the English "boot." 

DJ Das Boot: "You're only interested in making yourself feel better.  Try thinking of someone else's feelings." 

Scene 4:  Bumper and DJ Das Boot perform the song, while Heidi looks on forlornly.  The hosts, played by famous German actors Til Schweiger and Moritz Bleibtrue, cheer.  

Next, it's time to eat increasingly sour pickles while answering questions.  Uh-oh, the hosts twist his words around while he's distracted by the pickles.  First: Bumper admits that he didn't write the song, Heidi did.  Then, that his manager Pieter lied to get him to come to Germany.  Back story: Pieter used a sound machine during an a capella performance, destroying his career and branding him the second-greatest shame in German history. 

Bumper changes the subject to how much he likes Germany, especially the hottie Angela Merkle, whom he would love to twerk-le.  The hosts pretend to be scandalized at the disrespect to the former Chancellor, but actually they love seeing their guests get "into a pickle."  

Scene 5: Back at the office, everyone discusses what a mess Bumper made of his interview.  Shouldn't they have known that the show was about getting people to say the wrong thing?  Pieter's scandal will be revived, DJ Das Boot will be the laughing stock of the DJ community, and Heidi will never be able to sell a song again: "I'm going to have to go on German unemployment.  How am I supposed to survive on just 90,000 euros a year?"

Scene 6: A "scary adult preschool" abandoned factory-art gallery.  Heidi arrives for a date with DJ Das Boot, who criticizes her obsession with planning out every detail in her life: "I don't even know how I'm going to end this sentence."

To cure Heidi of her fear of the unexpected, DJ Das Boot says "Give me a tattoo.  Anything you want."  Heidi protests that she doesn't know how, but who cares?  This is really wacky date.  You ladies ever hear of dinner and a movie? 

She draws a smiley face on DJ Das Boot's shoulder.  "See -- you weren't prepared. You can't fix it.  But you survived!"

Scene 7: Bumper and Manager Pieter want to talk the Sour Pickle hosts into not airing the episode, but the security guard won't let them in.  So Heidi and DJ Das Boot try: the security guard lets them in with no challenge. 

Meanwhile, the guys sit in a bar, being gloomy.  Pieter asks Bumper to save himself,  pretend that lying was all Pieter's idea, but Bumper won't betray his friend.  Awww.... 

The girls arrive: yep, the Sout Pickle guys agreed to pull the episode.  All Pieter has to do is give an interview about his ex-girlfriend Gisela's involvement in his a capella scandal.  Pieter admits that, in fact, it was Gisela's idea, but they were dating, so he took the fall.  She dumped him soon afterwards.

So -- tell the truth, repair your reputation, get over your ex, and damage the career of their main competitor for the Unity Day gig. Plus she deserves it -- she's evil. Sounds great!  Problem: Pieter still loves her, and doesn't like the idea of hurting her.

More Bumper and a lot of Til Schweiger after the break

Ich bin ein Berliner: Eight divine dudes from Deutschland with sizeable Schwanzen

Ok, I've never actually been to Berlin, but I've been to Frankfurt, Munich, Hamburg, Stuttgart, and Regensburg.  To expand on Bumepr in Berlin, my new favorite Adam Devine vehicle, here are eight  Deutscher dudes with große Ausbuchtungen und riesigen Schwanzen. 

Ballet bulge in Stuttgart

Heavy-lidded Alexei from the Universitet

Ohne Kleidung -- without clothes

Berlin book tower

Bastian from Munich

Accordion player.

More Deutscher dick after the break

Gemstones Episode 2.8: Baby Billy sees a ghost, Judy becomes a mom, and Kelvin gets ***.up. Plus nude dwarf athletes

Previous: Episode 2.7: Holding hands among the yurts and eating pizza for desserts.  With a nude Jonathan Bennett bonus.

I can't say "Kelvin gets...it....up" in the title without getting slapped with a second sensitive-content sticker.

Title:  "The Prayer of a Righteous Man."  James 5:16: "The effectual fervent prayer of a righteous man availeth much." Whose fervent prayer is going to avail some miracles?

This ain't the 1970s: In 1993 Memphis, Junior and his dad Glendon are watching midget wrestling featuring "heel" Chris Blanton.  Glendon thinks that it's the wave of the future, but Junior complains that it's old-fashioned.  He wants to liquidate their gambling operation to raise money for some big wrestling promotions:"This ain't the 1970s.  Wrestling has changed. You need big money to go after big talent." Glendon nixes the idea.

Next complaint: Glendon was going to leave Junior the business when he retired, but he never retires:  "Look at me, Daddy: I'm going gray with my dick in my hand."   Look at him, with his jaunty hand on hip, similar to after spending the night with Eli earlier this season.  He's got some femme mannerisms going on  I'm looking at a middle-aged gay man.

Glendon wants to know how he can retire when his idiot son has terrible ideas and does everything wrong?  "You hurt my feelings," Junior exclaims, starting to cry.  The boy gets hurt feelings a lot, doesn't he?   Glendon mocks him.  But he agrees that he's been holding on too long: let's liquidate the gambling operation.

We cut to Glendon being upset while Junior loads the slot machines into a truck for Mr. Dukare (played by Dakare Chatman, who was playing a teenager in Season 1.) 

Later, Junior counts the money, annoucing that they will triple it with their new wrestling promotions.  

But Glendon has other ideas. Brandishing a gun, he orders: "Handcuff yourself to that inversion table and shut the fuck up."  He then moons Junior and leaves: "You ain't never going to see ths old ass again."  

Left: Glendon's butt.

Junior screams and cries. Glendon goes off to visit Eli and get murdered on Christmas Day, 1993. 

They're just kids!: In the present, Martin visits the captured Cycle Ninjas in jail: a group of scruffy teenagers.  Sheriff Brenda tells him that they have fake ids, no fingerprints in the system, and they aren't talking.  Martin tries to use psychology: "We know who sent you. Now you tell us."  But it doesn't work; they just fart at him.

Cut to Baby Billy selling his health elixer in a nursing home. Afterwards the spirit of his sister Aimee-Leigh appears, and encourages him to visit his son Harmon, whom he abandoned in a shopping mall in 1993. "It's time," she tells him, and "You know I'm right."  He tells her to get lost.  Aimee-Leigh appears in the Seasons 1 and 3 finales, but doesn't interact with anyone.  I wonder if she is a hallucination here.

Eli's physical therapy:  Eli gathers the siblings, their partners, and Gideon to thank them for their role in his recovery.  Keefe is not present, but Eli tells Kelvin: "You and Queef have been such a help. I keep saying 'Go back to your house,' but you wouldn't hear it. You've stayed on, helping me get on my feet with physical therapy."  He gets Keefe's name wrong, but at least he acknowledges that Kelvin has a partner.  

Wait -- how could Kelvin administer physical therapy with his hand injury? I'm getting an image of Keefe being run ragged from caring for two invalids.  Surely there were nurses around, too. 

Of course, they had an ulterior motive for not going home: the God Squad has taken over their house.

Cut to BJ and Judy putting the very pregnant Tiffany on the bus for the 15 hour trip to her mama's house in West Virginia, where she can raise her son with no money.  At the last moment. Judy asks her to stay: she's family.

Cleansing the Temple: Later that day, Kelvin and Keefe spy on the God Squad as they dance, fight with sticks, run wild on a golf cart, and..um... masturbate into a watering can?   "It's time to cleanse the temple!" Kelvin exclaims.  How could the God Squad control the house for several weeks with no one noticing? There's a housekeeping crew and regular security patrols.  This must be another chronological mishap.

The guys burst into the gym, knocking over things.  "This was a house of prayer, but ye made it a den of thieves!" Kelvin exclaims. Torsten orders the men to put Keefe back in the tiger cage, but Keefe tries to fight back, Kelvin yells "No one re-cages Keefe," and they relent. 

Next he reminds them of all the good he's done. Before joining the God Squad, Torsten was "a little doughboy" who still lived with his parents. "I chiseled you into the sculpture you are today." 

When Cody had cramps, Kelvin "crawled into his yurt and massaged him until sunrise."  A sexual reference, of course.  The guys stare at Cody, who shakes his head -- that didn't happen.  In a cult based on homoerotic desire, why would anyone disapprove of Cody and Kelvin getting busy?  There appears to be a major misunderstanding here. Many of the God Squad musclemen are straight alphas, in it for the muscles, just tolerating the homoerotic activity of Kelvin, his boyfriend, and the guys he invites to the steam showers.

Torsten challenges "the Messiah of the Muscle Men" to another cross raising to determine leadership.

Whoa, there used to be twelve musclemen -- now there are 23.  The cross used to be about ten feet high.  Now it's over thirty!

As Kelvin grabs the crossbars, the casts on his hands fly off -- a miracle!  Although he is much smaller than the musclemen, he is able to "get it up" -- another miracle!  Keefe drops to his knees, apparently in worship.  He needs to decide whether he wants a boyfriend or a Savior.

When he has achieved leadership with "a proper erection," Kelvin orders the God Squad to get out of his house, then pulls Keefe to his feet.  They hug and do their weird forehead press thing, but don't kiss.  I guess it's been decided for him: Kelvin is the strongest, but not the Messiah, and Keefe is an equal partner, not his disciple. 

Torsten: "It's your house, Bro.  You didn't need to get weird about it."  But of course Kelvin had to prove that he was strong, sexually potent -- a man.

Naked guys after the break

Dennis Quaid: Two gay guys, some cops, a shrunken scientist, a footballer, and is that a dick shot?

 

Nazarenes didn't go to many movies, since it was a major sin, but in the summer of 1979 I managed to see the buddy comedy Breaking Away.  In the university town of Bloomington, Indiana, a group of working-class boys contemplate their future while swimming semi-nude in the limestone quarry where their dads work.  The hunky Mike (Dennis Quaid) wants to "light out to the territory" and become a cowboy. Moocher (Jackie Earl Haley) wants to marry his girlfriend. Dave (Dennis Christopher), wants to become Italian and win The Girl.

But you could easily ignore the heterosexist plot and concentrate on the primal beauty of the four friends sunning on the limestone.  In the end it was about friendship.

There's a more explicit, girl-free gay subtext in Enemy Mine (1985:  a future soldier named David and his enemy, a Drac named "Jerry" (Louis Gossett Jr.), are stranded on an alien planet,  and develop a touching, homoromantic bond.  They end up having a child together (boy Dracs don't need girl Dracs to get pregnant). When Jerry dies, David raises the child alone, and after they are rescued, returns with him to the Drac planet.

Dennis shows his butt for the first time -- but not the last -- in The Big Easy, a 1986 neo-noir about a New Orleans cop who plays by his own rules -- don't they all? -- and falls in love with a girl.

There's also reputedly a dick shot, but I can't find it.  Unless this is it.

Or this blob as he prepares to have sex with his girlfriend.

More Quaid after the break