Gemstones Season 3 Finale: Kelvin and Keefe married? Pontius a Dark Lord? Peter redeemed through the Redeemer? With bonus Kelvin cock

Previous: Episode 3.9, Continued: Five plot resolutions and a funeral. With collegiate jock cocks 

On The Righteous Gemstones, season finales is not a separate episode; it is a scene set some time after the various plot resolutions, allowing vieweres to say goodbye to the characters, a sort of "and they lived happily ever after." There are few plot developments, and only vague hints about the future. 

The Season 3 Finale has more of a timeless,dreamlike quality than the previous finales.  It has a flattened structure with no dialogue and not a lot going on.  The family gathers for a private monster truck rally.  Thus, the season begins and ends with the Redeemer.

The Arrival: Setting: a field, with a wooden fence to the side and a swing set.  The Gemstone garage is visible in the background.  This is the same field where Jesse played with the Redeemer in the 2000 flashback.  

The family arrives and sets up lawn chairs in a row, in this order: May-May, Chuck, and Karl; Peter (he has a prosthetic leg, and doesn't bring his own chair, so maybe he's in prison, out on furlough for this special event); Eli and Martin.

Next, Baby Billy, Tiffany, and their two kids sit on blankets instead of chairs. In a deleted scene, Tiffany is letting her baby sit up, so it's been at least nine months, probably a year, since we last saw them. 

Next: Amber, Gideon, and Abraham.  Pontius is not present, suggesting that he is completely estranged from the family.  In the future he will be an antagonist, the Dark Lord of the family.

The Rocking Chairs: Then Judy and BJ, and finally Kelvin and Keefe.  Now they have two rocking chairs, depicting Keefe as the roots of the tree, and Kelvin as the branches. Those things must be very uncomfortable to sit in, and rather fragile.  Adam Devine notes that he broke his chair when he kicked it during the fight scene, and they had to get a replacement. 

Kelvin points the chairs out to the family, who look surprised.  Why haven't they seen the  chairs before?   Maybe  Kelvin and Keefe keep them in the bedroom, where they don't gete many visitors; or maybe Keefe has just finished his chair. In real life, the family would get up to take a closer look, but on the show that would involve a lot of staging with no payback.

 Why bring them today, instead of regular lawn chairs?  The guys' conflict this season has been whether to be open as romantic partners, and the two chairs certainly do the job.

 The Rings:  Kelvin sits in an odd position, with his fingers splayed, to draw attention to his new ring.  It is thicker and more substantial than the "wedding ring" he wore earlier in the season.  Keefe's is hard to see, but it looks thicker, and not as shiny.  Did they pick them out for each other?  Maybe we are to infer an advance in the relationship; maybe the guys are now married.

Gideon's Role: Kelvin pats Keefe's hand several times, presumably call attention to the fact that he built the chairs.  Keefe raises a thumbs up, and Eli and Gideon, the head of the family and his apprentice, return it.  Remember that the last time we saw them interacting, during the kidnapping, Gideon was explicitly rejecting Keefe as a member of the family.  This is a gesture of inclusion.

Also notice that Gideon did not drive Eli to the event, but they use the same gestures, suggesting that he has moved from driver to apprentice minister.

The Guys' Couture: Keefe is wearing an Eckhaus Latta Accordion Sweater in Kelvin's standard green color, with the midriff and back bare, giving him a feminine appearance.  

More couture after the break

Gemstones Episode 3.9, Continued: Five plot resolutions and a funeral. With collegiate jock cocks

 

Previous: Episode 3.9: Baby Billy is bi, Peter plots revenge, and Kelvin and Keefe cuddle. With a Josh O'Connor bonus

A swarm of locusts!

Locusts are not unheard-of in South Carolina. In fact, every 13 years, a swarm of the similar cicadas emerges. Ecologists consider them beneficial, since many animals and birds eat them.  And they do not sting or bite.

But these are not ordinary locusts.  The swarm flies directly through the service entrance and into the tv studio, crashing and smashing everything.  They may not sting or bite, but having dozens of buzzing, crawling things splat into your body, hitting your hair and face, must be  disorienting and painful.  People stumble in every direction, crashing into each other. Some are hit by falling lights and sound equipment.  A round image of Baby Billy smashes someone's head.

Could this be God's punishment on the Gemstones for profiting from the Y2K panic?  Revelation 9: 3-9  mentions a plague of locusts as one of the end-time tribulations. but those locusts have human faces and iron breastplates, sting like scorpions, and leave God's Chosen alone.  These locusts crash into everyone.  Maybe God is trying to get everyone out of the church before it blows up?

You can tell who actually cares about their family by who runs away (the Simpkins) and who looks for them (the Gemstones). Jesse saves not only his family, but Eli and Dusty.  The Montgomerys and BJ/Judy save each other.   

The Kelvin/Keefe rescue is the most dramatic:  Looking for Kelvin backstage, Keefe is overcome by the locusts and collapses, coincidentally just behind a girl who has been killed by a falling spotlight.  When Kelvin finds him, he yells "Leave!",  as in "Save yourself!", but Kelvin spreads his heavy woolen coat over the two of them and yells "I got you!"

Intimacy alert: Keefe holds on to Kelvin's hand and thigh.

Green is Kelvin's preferred color, but the Attico with the long green fringes was chosen deliberately to look like grass.  The guys are dead and buried.  Keefe has a symbolic death and resurrection in every season, but this is the first for Kelvin.  Maybe this is his final expiation, burning away the last of his guilt and shame over being gay.

The family stumbles out onto the loading dock.  Everyone else has scattered.  

Intimacy alert: Kelvin keeps his arm on Keefe's back to guide him out of the studio.  

Femme alert: look at Keefe.  Hour glass figure, large pearl necklace. past-shoulder length hair: with a different face, you would mistake him for a lady. This is the second time that he has dressed as a minister's wife. So, Mrs. Lincoln, other than that, how did you like the show?

Resolution 1: Uncle Peter. Uh-oh, one of the locusts has crashed into Peter's fitbit trigger, destroying it, so the van will blow up in one minute.  Run away!  

Peter jumps into the van and drives it to safety. 

Everyone gasps as they see the explosion.  He has sacrificed his life to save them, thus earning his redemption.  

Intimacy alert: Keefe now has his arm around Kelvin, a parallel to BJ with his arm around Judy. 

Left: Since some of the Gemstone kids are off to college in this episode, I'm including some college jock cocks.

More plot resolutions after the break

Gemstones Episode 3.9 : Baby Billy is bi, Peter plots revenge, and Kelvin and Keefe cuddle. With a Josh O'Connor bonus

Previous: Episode 3.8, Continued: Kelvin's tender bits, Chuck's butt, Peter's van, and coming out to the world

 Episode 3.9 seems rushed -- it could easily be three hours long.  The marital-problem and sibling-problem plots have been resolved, but we still have Uncle Peter, The Simkins, Dusty Daniels, and Bible Bonkers, and the writers have to find some way to tie them all together!

Title: "Wonders that Cannot be Fathomed, Miracles that Cannot be Counted." From Job 5,9, NIV.  Many terrible things have happened to Job, including physical ailments and the deaths of his children, but Eliphaz assures him that God can perform "wonders and miracles," and rescue him. We'll see what wonders and miracles God performs here.

Baby Billy is Bi:  Still trying to sell the siblings on his Bible Bonkers game show, Baby Billy (Walton Goggins, top photo), reveals he is friends with Dusty Daniels, the racing champ.  We cut to a scene of the two, plus famous actor Gene Hackman  (played by Kevin Murray) in Monte Carlo on New Years' Eve, 1999.  They're awaiting the Y2K bug, hugging, dancing, and dropping acid as if it's the end of the world.  

We cut to a bisexual after-party, with Dusty, Baby Billy, and Gene Hackman screwing and getting blow jobs, maybe from men, maybe from women -- hard to tell.  There's a male full frontal, but it morphs into a naked lady so fast that I can't get a screen shot, so I'll substitute Josh O'Connor's cock, left and below.

We zero in on the guys facing each other as they get blow jobs.  Baby Billy's partner is a woman, but Dusty's may be a man -- remember that he was established as bisexual back in Episode 3.2.

"Wait, " Jesse asks, "Did did you fuck Dusty Daniels?"

"I doubt it,  but you never know...we might have touched dicks. That's not the important part of the story."  The important part: he can talk Dusty Daniels into leaving his fortune to whoever wins at Bible Bonkers, the Gemstones or the Simpkins. 

So Kelvin came out to the family yesterday after years anguish, angst, self-doubt, backing-and-forthing, and annoyed viewers, and he still hasn't said the word.  Now Baby Billy comes out as bi with utter nonchalance.  Why couldn't he have said something to his nephew during Cousins' Night, or back in Season 1?

El Molino: We cut to a locust splatting on a windshield.  It's Uncle Peter and Chuck, driving the U-Haul full of explosives.  Peter has finally come up with a plan,  He doesn't specify what it is, but since it involves the Gemstones and explosives, it's not hard to figure out.  They're nearly out of gas, and the militia took all of their money, so they stop at El Molino, a real Hispanic supermarket with two locations in Charleston, to use the cash-counting machine.  

While Peter is inside, the U-Haul explodes!  He thinks that Chuck has been killed.

Out to the Family: The family gathers in Eli's parlor to watch a tv news report about Chuck's death.

Wait --when did the siblings stop hating their father?  Was a reconciliation moment cut?

 Notice that the guys are sitting on the right side of the room.  In four shots, Keefe moves from sitting a few inches away to leaning against the chair, his shoulder touching or almost touching Kelvin's thigh. They are so close that Kelvin can't move his hand or foot without bumping into him.

  They used to be very careful to avoid public displays of affection, holding hands under the table and forehead-pressing instead of kissing.  Now they casually cuddle in front of everyone, even family members who did not see the kiss.

They discuss the Bible Bonkers Family Feud-style game show.  The siblings will compete, but they need two more.  They were going to ask Chuck, a big Bible nerd, but he's dead, so it will have to be Karl and May-May.  

More Bible Bonkers after the break

Gemstones Episode 3.8, Continued: Kelvin's tender bits, Peter's van, Chuck's butt, and coming out to the world.

Previous: Episode 3.8: Is Peter a woman?  Are Kelvin and Keefe lovers?  Does Jesse dye his sideburns?

More Militia Squabbles: Under the highway overpass, the militia men get more chicken, this time from Fancy Nancy's, but the portions are still too small.  Plus they've accomplished none of their goals due to Peter's mismanagement.  Instead of Brotherhood of Tomorrow's Fires, referring to an Apocalypse that isn't happening, they're going to call themselves the Keepers of Yesterday's Monuments, to key into their interest in (Confederate) monuments.  

They kick Uncle Peter and Chuck out of the group, taking all of their money, but letting them keep the truck full of explosives.  

Top photo: The tender bits of Steve Zahn, who plays Uncle Peter.

Left: The tender bits of Lukas Haas, who plays Chuck Montgomery. 

Hating on Eli:  In the Executive Board Room, the siblings speak to Eli only through Baby Billy, expressing anger that he refused to pay the ransom.  

Judy: "You left us to die! Uncle Peter would have killed any one of us, or all three, or he'd just mutilate us and send you our body parts."

Kelvin specifies: "Nipples, penis, butthole shavings -- all our tender bits."  Interesting --the three body parts he finds erotic. We can also divide it up by sibling: Judy's nipples, Jesse's penis, Kelvin's butthole.  We all know that Kelvin is a bottom, so he's concerned about that.

Left: The tender bits of Adam Devine

Jesse states that he's always known that Eli doesn't love him, but he figured that it was all about the church.  But he was wrong -- it's all about the money.

Eli protests: it's not about the money.  It's always been about his children.  

Hah!  They're not buying it. 

Suddenly Eli is happy because the siblings are working together, cooperating, not competing.  If it takes hating on him for them to work as a team, fine.   

Showtime:  The Sunday of the siblings' return to the church.  Crowds waiting to greet them.  A woman holds a sign: "The Gemstone 3 -- we missed you."  The ticket booth announces: "The return of the Gemstone children -- praise be!"  At the ministers' meeting earlier in the season, the siblings tried the "We Three and Thee" catchphrase, with disastrous results.  Now the congregation is embracing The Three. 

In the hallway outside their dressing rooms, the siblings say goodbye to their partners.  Jesse/Amber and BJ/Judy kiss.  Keefe moves in for a kiss, but Kelvin blocks him with a forehead press.  Keefe looks very amorous, as if still caught up in the afterglow from whatever they did last night.  Kelvin looks apologetic: "Sorry, dude, not in front of my family and the gossipy church staff."  

This scene received a lot of misdirection in the trailers.  First you didn't see who Kelvin was saying goodbye to, so you would think it might be Taryn.  Then the lighting makes a square white patch appear on Keefe's face, as if he was injured during the rescue attempt.

Jesse signals "Showtime!", and the siblings join him to walk down the hall to the stage.  Amber at the other end of the hallway, waiting for the partners to join her in the sanctuary. Keefe and BJ stand there, watching.

Suddenly Kelvin backs up, then turns around and walks quickly back to Keefe.  What's going on?  He's holding his dressing room key -- maybe he forgot something?  He wraps his arm around Kelvin's shoulders, slams him forcefully against the wall, and kisses him.  We cut to BJ grinning, and Judy grabbing at Jesse's arm in surprise. 

 In the second take, or maybe a second kiss, the dressing room key is gone, and Kelvin has moved his hand to Keefe's face. 

They break, and Kelvin walks back to the siblings, grinning, pleased with himself.  Keefe looks proud of him, too.   Jesse and Judy give him congratulatory grins.  He adjusts his glasses, as if to say "Well, that's that."  

More after the break

Gemstones Episode 3.7: The handsome man, queerbaiting, misdirection, and me yelling "What the f*k!" a lot

Previous: Episode 3.6 Continued: Kelvin and Keefe fight, BJ and Stephen fight, and nobody likes hologram Aimee-Leigh

In Episode 3.6, we saw the aftermath of the Judy/BJ and Kelvin/Keefe breakups, with failed reconciliation attempts, a fist fight, and both Kelvin and Judy quitting their jobs at the church.  In this episode, things get even worse.

When I watched the first time, I kept yelling "What the f*k!", being annoyed and then outraged by the constant misdirections, chronological flubs, and queerbaiting. It looked very much like Danny McBride was telling us: "Kelvin and Keefe are straight buddies.  Fooled you!"

But that's impossible.  There were not only 200-plus queer codes, Season 1 and 2 both ended with affirmations of their love.  McBride didn't know if the series would be renewed, so each season finale might be the last we see of the characters.  And what we see is "They are in love," not "Keefe, I'd like you to meet my girlfriend."

Knowing what comes after,  I am going to re-watch this episode, looking for any evidence that suggests that saying "Kelvin and Keefe are just friends" does not mean that "Kelvin and Keefe are just friends."

Title: "Burn for burn, wound for wound, stripe for stripe."  Exodus 21:25. Fans argued like mad about trying to connect the burn/wound/stripe to the personalities or kidnapping strategies of the Gemstone siblings, but it's a misdirection. The previous verse has the more familiar "eye for eye, tooth for tooth." It just means that the punishment should fit the crime.

Burn for burn and all that:  During the evening of the day of the Aimee-Leigh Hologram debacle, the BJ-Stephen penis fight, and probably the Kelvin-Keefe rocking chair fight, Judy goes to a drug store to buy pain medication for BJ.  On her way home, goons from Peter's militia crunch her car with the Redeemer and grab her. 

Misdirection alert: the trailer makes it look like she is the one crunching. 

Chuck Montgomery tries to trick Jesse, and when that doesn't work, the goons shoot him with a tranquilizer dart.  

Kelvin bangs on the door at Woodpecker's Carpentry, yelling: "Are there any woodworkers in there? I'm looking for Keefe Chambers!"  Now that he's no longer worried about his job at the church, he's free to reconcile with Keefe.    But it's long after hours; the building is dark and deserted. Why would anyone be inside?  Besides, Keefe told Kelvin where he was working; wouldn't he give him his new address and phone number, too?

Imagine if someone were inside: "See, my ex-boyfriend and I had this big fight, and he doesn't want me to have his new number, and I don't know where he's staying...I need to see him...no, I am not a stalker!"

Six militia men wearing scary masks surround Kelvin.  The trailer makes him look paralyzed with fear, but actually he is quite brave, trying to intimidate them and then defend himself.  They punch and hit him, and squirt a toxic liquid into his eyes -- which stings but has no long term effects.  Why does Kelvin need six guys to take him down?  Why does he get a more brutal kidnapping?  I don't know.

Screaming like a woman:  The three siblings are put in what everyone calls a chicken silo, although chickens are housed in coops.  They are tied to chairs, with pillowcases over their heads.  What for?  You don't need to be imprisoned and tied up both.

Fans uncomfortable with the idea of gay relationships noticed that Kelvin's pillowcase resembles the trans pride flag, thereby signaling that he is actually a transgender woman.  Doubtful: Jesse's depicts the cartoon character Maisie Mouse. 

Kelvin yells for help. Uncle Peter enters and asks if he is "screaming like a woman," maybe a dig at his gayness, but more likely because he considers any emotion "like a woman."   He explains that the militia is holding them for ransom.

The handsome man: When Keefe arrives for work the next morning, he sees Kelvin's car with the doors still open, checks the ground for signs of a struggle, and asks his coworkers, "Have you seen The Handsome Man?"  This makes no sense, as Kelvin only visited once, for a few minutes, and most of the carpenters weren't paying attention.

Cut to Amber and BJ noticing that their partners didn't come home last night. Next, Eli, at the office even though he's retired and should be fishing, receives a scary video of Kelvin crying and Judy and Jesse screaming in rage.  The gay one has a "sensitive" reaction. Peter gives the ransom demand.  

Eli goes home and confronts May-May: "Your sons have fucked me over."  She denies that she has anything to do with the kidnapping.

Back at the chicken silo, the siblings complain about the heat and the food, and bicker.  Shouldn't they be praying?  They're religious, right?

Cut to BJ, Amber, Gideon, and Eli discussing the kidnapping with Sheriff Brenda. They were kidnapped in town, so it should be the Rogers Police. Notice that Keefe is not there.  Why didn't Eli call him?  Because his number has changed, because they have broken up, or because he is just a friend, not a partner?

The Freemans arrive.  Tiffany has made dolls of the siblings --very quickly -- "for you to hug and kiss until they come home safe."  She gives the Kelvin doll to Eli.  Same question: Why doesn't she save it for Keefe? Because  they have broken up, or because they were never partners to begin with?

Geography problem: How did they get to Eli's house so fast?  Don't they live in Florida?  

The trailer made it seem like the militia sent the dolls, adding a hint of the paranormal that turned out to be a misdirection.  Still, they look like Gullah Island voodoo dolls: "You can hug and kiss them until your loved ones come home safe.  And if they ever stray, you can make their privates fall off." 

More queerbaiting after the break

Gemstones Episode 3.6 Continued: Kelvin and Keefe fight, BJ and Stephen fight, and nobody likes hologram Aimee-Leigh

Previous: Episode 3.6: BJ swallows a lot, Keefe learns about hard wood, and Kelvin gets a girlfriend

In the earlier scenes of this episode, Kelvin attempts a reconciliation, but when he sees that Keefe is doing fine without him, he gets all bitchy and flubs it.  Later, he "works some things out," apparently decides to pursue the heterosexual trajectory, and prepares to ask Taryn for a date. As they are putting away gym mats and flirting....

The Second Reconciliation Attempt: Keefe enters with a rocking chair carved with Kelvin's name on a tree. This is way too much for a "let's stay friends" gift: he is attempting a reconciliation. You're the one who left, dude. You could just ask to get back together.

He is not wearing a sexy outfit; actually he is sweaty and rather disheveled, as if he rushed over the moment he finished the chair.  

Why a rocking chair for an athletic 34-year old?  "This is true love: we'll be together forever."  I am reminded of Robert Browning's famous lines from "Rabbi ben Ezra": "Grow old with me -- the best is yet to be."  But viewers may be more familiar with John Lennon's version:

Grow old along with me. Two branches of one tree.

Face the setting sun when the day is done

Or Tom Odell's:

Grow old with me. Let us share what we see, and the best it could be

You'll be the one who makes me hurt, makes me come

Makes me feel like I'm real

Keefe expected Kelvin to be alone to accept his gesture.  Nope, Taryn is there.  He knows that the youth group has just ended out, and that Taryn is the new assistant youth minister; why wouldn't she be there?

Kelvin looks nervous and decidedly guilty, as if he has been caught cheating; he pulls Keefe into a bro-hug, asks inane questions ("Is that chair made of wood?"), and stammers "We were just...um...we..." until Taryn takes over and explains that they are just working together.  

Platonic pal advocates, pay attention:  Taryn wouldn't think it necessary to inform Kelvin's buddy that he has nothing to worry about, they are not having an affair.  Either she has inferred that they are lovers, or one of the guys told her.   

Keefe turns on the jealousy, and asks if Taryn has replaced him. As assistant youth minister, of course. But he means as a romantic partner.

Angry at the implication, maybe feeling guilty because he was planning to start a relationship, Kelvin plays along: he asks Taryn to give them a moment alone, touching her affectionately on the back to usher her out, exactly as you would ask your girlfriend to give you a moment to talk to your ex.  

Keefe continues to lash out, demanding to know if Kelvin and Taryn have had a "physical connection."   Romantic but not sexual partner advocates, pay attention: Kelvin and Keefe must have had a sexual relationship, or Keefe wouldn't think to ask about sex with his "replicant."  

More fighting after the break

Gemstones Episode 3.6: BJ swallows a lot, Keefe learns about hard wood, and Kelvin gets a girlfriend. With nude boxer bonus

Previous: Episode 3.5: a gay boy's bare butt, a pukka shell necklace, castration anxiety, and three random cocks

In the last episode (before the interlude), we saw the family shattered, with Judy/BJ and Kelvin/Keefe breaking up and the Montgomery boys plotting against Eli.  Now we're going to see life amid the ruins.

Title: "For Out of the Heart Come Evil Thoughts." Matthew 15:19: "For out of the heart come evil thoughts, murders, adulteries, fornications, thefts, false witness, blasphemies." We don't need to match the Gemstone with the sin: they are all guilty of false witness, lying to others or to themselves.

How to Make Things Right: BJ didn't move out, after all,  but the two are barely speaking. Judy asks what she can do to make things right. He doesn't know.  She is despondent. Remember that in 2000, she worried that she would never find anyone who would love her.  It took 18 years, but she finally found someone, and now it's over.

Gay joke: "I swallow a lot, but this may be something I can't choke down."  You just need a little practice.  Ask Keefe for some pointers. 

The Montgomery Boys Leave:  At Eli's mansion, the Montgomerys thank the family for "straightening them out."   Kelvin suggests that it happened "when we dressed them up."  That sounds like a gay reference.  

Jesse says "They're ready to fuck": their next steps should be girlfriends,  intercourse, wives and kids, the whole heterosexual trajectory.  To start them out, he gives them his monster truck, the Redeemer.

 As they drive away, Kelvin takes off his "wedding ring."  If he leaves it off, the relationship will really be over.  He'll be single again.  He puts it back on.  But maybe he is thinking of a heterosexual trajectory of his own. 

Taryn is Back: We cut to Kelvin introducing Taryn, who we last saw at Keefe's "wieners and ice cream" party, as his new assistant youth pastor.  A kid asks about Keefe, and he gets all bitchy: "He is leaving to pursue other opportunities.  Not even sure why you keep bringing that up!" -- while fiddling with his wedding ring again.  He continues to fiddle -- and look despondent -- as Taryn leads the kids in a dance. 

Paying off the Scandal:  The siblings meet with Stephen, his wife, and their lawyer.  They want $500,000 for "damages and emotional distress," or the affair goes viral.  So it's like the blackmail over Jesse's sex-and-drugs party in Season 1, but this time there's no tape.  Judy could just deny that anything happened.  She could even sue him for slander.

Martin suggests paying the money, along with an apology.  Kelvin must be wondering: if it's worth $500,000 to keep an extramarital affair under wraps, how much damage would he cause the church by coming out  -- or being outed.  He doesn't like Taryn in that way -- he doesn't like women in that way -- but what choice does he have?  

After scenes where Baby Billy and Jesse discuss the hologram Aimee-Leigh idea, and BJ stalks Stephen, Kelvin tries to find out if the relationship is really over.

The First Reconciliation Attempt:  We find Keefe working at Woodpecker's Carpentry.  Wood-pecker, har har, the first of many phallic references in this scene.  His earring, necklaces, and rings are gone -- for safety, or to keep closeted?  

Suddenly Kelvin appears. Looking around nervously, Keefe asks "Brother Kelvin, what are you doing here?" Note that he uses formal titles to reaffirm that they have broken up: they are just pastor and parishioner.  No doubt he's worried that Kelvin will out him by referencing their relationship or just being flamboyant.  Kelvin does try his usual titty-tweak, but Keefe doesn't respond.  You're broken up!  You're not allowed to take liberties anymore!

Gay joke: "Master Bishop has taught me a lot in the ways of hard wood." Tell me more about your...um...hard wood.  The odd title "Master," not used for master carpeters, led some fans to speculate that he and Keefer were involved in a BDSM relationship. 

 Wait -- how long has he worked there?  Surely it's only been a few days since the breakup.

Kelvin asks "Have you found happiness?" An odd question. Why not just ask if he likes his new job.?  Keefe says that he has, but of course he's lying.  He's busy working on a reconciliation rocking chair.  He uses the  punching gesture that straight guys sometimes use to ward off physical contact: a bro-hug would be too painful.

Apparently Kelvin expected Keefe to be crying and miserable, lost without him, like in the Season 1 breakup.  Seeing that his ex is doing ok, he becomes bitchy, denigrating the carpentry job and declaring that he's having lots of fun with Taryn: "everybody loves her...no one misses you at all." The happiness facade fails: Keefe frowns and orders him to leave. 

We cut to Judy asking Eli for the bribe money. He exclaims "Can't you children figure out your lives?" and refuses.  

Then the Montgomery Boys zoom the Redeemer into Peter's new militia compound, claiming that they stole it.  But in Episode 2, he sent goons to kill them.  When did they start working for him again?

Don't Mention Cum: BJ bursts into tears while working at his Church Welcome Center job. Jesse and his crew sympathize: Stephen has cuckolded him, taken away his power.  He needs to fight the guy, "knock his dick in the dirt, show him who is the man."  

They take him down to the basement for punching-bag training.

Top photo: Michael O'Hearn works out with boxer Paulo Costa. 

Left: Punching bag

Crash! BJ complains that he broke his wrist on the punching bag.  "It was limp already," Jesse says: his first homophobic slur ever, again suggesting that Kelvin will have trouble coming out.  The family certainly knows, but they do not want the whole church to know. 

As BJ practices his trash-talk, Jesse tells him to: "Stay focused, don't talk about cum, and show him who the fuck you are."  Good advice for a first date.

More advice and boxers after the break

"The Things We Do For Love": Kelvin and Keefe break up and make up, twice. Based on the 10cc song

 

Too many broken hearts have fallen in the river. Too many lonely souls have drifted out to sea. You lay your bets and then you pay the price -- the things we do for love.

Communication is the problem, not the answer. You've got his number and your hand is on the phone. The weather's turned, and all the lines are down -- the things we do for love.

Like walking in the rain and the snow, when there's nowhere to go, and you're feeling like a part of you is dying.  And you're looking for the answer in his eyes. 

You think you're going to break up, then he says he wants to make up.

A compromise would surely help the situation: agree to disagree. but disagree to part.  When after all it's just a compromise of the things we do for love.

More after the break

Gemstone Season 3 Episodes 4-6 Memes: Taryn, Karl, Levi, Gideon, or Elmo the Muppet?

These memes all take place during the Episodes 4-6 Kelvin/Keefe breakup.

No one misses you at all:

Kelvin: Since you left me, everything is going great. No one misses you at all.

Keefe: BJ and I play pickleball on my lunch hour three times a week.

Kelvin: Well, I meant...

Keefe: Judy took me jewelry shopping yesterday.

Kelvin: She was just being nice...

Keefe: Jesse and Amber had me over for dinner last Saturday.

Kelvin: They never invite me over for dinner....

Keefe: Daddy Eli is taking me fishing next week.

Kelvin: Since when do you call him...

Keefe: Gideon invited me to a movie.

Kelvin: Dude, that's my nephew!  Are you guys...

Keefe: Martin's kid has a music recital, and he asked me to...

Kelvin: Now you're just showing off.

You'l never get any action if you leave his ring on.

 Let your bi flag fly, Kelv Baby

Kelvin: Daddy said "No more workplace romances.  They always blow up in your face." Well, this time I hired an assistant who I do not find attractive in the least!  Taryn is nice and all, but no way would I...she's a fierce tumbler....and she's got a quirkly fashion sense...I love her laugh.  We have to discuss the youth ministry, right?  Why not over dinner at Luigi's?

Kelvin is nice and all, but he comes with that family.

If things go well, maybe you can talk about cum later.

This is the advice that Jesse gives BJ when he is preparing to beat up Stephen.

Keefe dating after the break-up after the break

Gemstones Episode 3.4 Continued: Mistaking dependency for love, two breakups, Kelton's butt, and some Cantonese guys

Previous: Episode 3.4: Wieners, betrayals, a burning a-hole, and Kelvin at his jerkiest. With a nude Steve Zahn bonus

Earlier in this episode, Stephen stepped up his harassment of Judy and BJ, Jesse sparred with Pontius, and Kelvin refused to accept responsibility for the Smut Busters Scandal.  Now things are getting worse.

The fag: Stephen plays pickleball with BJ, who doesn't know about the affair.  He describes sex with the girl he's seeing in disgustingly graphic detail, including something that I have never heard anyone but Judy mention.  But BJ doesn't get it, merely objecting to the disrespectful talk. 

Stephen counters: "You're a weak little fag."  No, BJ protests, he is a straight cis male, "but I don't believe that queer people should be referenced in that way." 

BJ here displays an up-to-date knowledge of gender/sexual identity, even identifying as cis instead of cisgender.  So why does he inaccurately balance fag (gay men only) with queer (all LGBTQ people)? Do the MAX censors object to the word gay? 

 Stephen's fag and the earlier "trash talk" are the only homophobic references since the first episode of Season 2.  While neither refers specifically to Kelvin, they are structurally placed to draw attention to the "rumors swirling around" him, and the effect that coming out may have on his career. 

We cut to Eli and May-May in the garden, joking and bonding.  She tells him: "I was never jealous of your riches, but I'm jealous that your kids still love you."  Eli: "Don't mistake love for dependency."  Remember that Kelvin and Judy have never been in romantic relationships before, and aren't sure how to go about it.  Are they really in love with their partners, or using them for power, control, social status, and sex?  It's time for Kelvin's descent into the darkness.

Church leaders got to think about the optics: This scene is very difficult to read.  It seems to go in three directions at once. We begin with the Siblings and Martin in the executive board room.  Kelvin is still wearing his virginal-white sweater: this is shortly after the food-court parents meeting. Jesse states that they are here to discuss  "When people think people are molesting people." 

Wait -- Jesse, Judy, and Martin know all about the Smut Busters.  They discussed it at a family dinner.  They know it was Kelvin's idea.  

And no parent has accused Keefe of child molestation.  This is a kangaroo court.

They announce that they are moving Keefe into Immigrant Outreach.  It sounds like a great job -- doubtless with more money, more responsibility, and duties more closely aligned with Keefe's interests.  And it seems quite benevolent. They could have hidden him away in a file room somewhere, or just fired him.  

But are they responding to a pedophilia accusation?  Martin tells Kelvin that "this is not the hill to die on": it is trivial, purely cosmetic. Keefe will still play a valuable role in the church. That sounds more like a response to him being outed as gay.

Judy agrees: "Church leaders have to think about the optics." Kelvin cannot stay closeted with an assistant youth minister who is "openly gay."  So what if they're separated during work hours?:  "You need to suck it up."  A gay joke, har-har.  Kelvin replies: "Like you sucked it up on tour?"  

After that dig at Judy betraying BJ, Kelvin run away, proclaiming that he's voting "no" on everything else on the agenda.  Next up: funding a battered women's shelter.  "I vote no!"  Wait -- I thought they were meeting specifically to discuss the rumors.  Was this a regular church board meeting?

We switch to BJ and Judy having sushi, perhaps later on the same day.  BJ notes that he ran into her guitarist Stephen at the pickeball court, but got turned off by the explicit descriptions of his girlfriend's...you know. But he still doesn't catch on that Stephen was talking about Judy.

Meanwhile, Jesse is at the Zion's Landing resort, discussing Baby Billy's idea for turning the church around: performances by a hologram of his dead mother, Aimee-Leigh!  Sounds morbid. 

Geography problem: Zion's Landing is in Florida.  Did Jesse take one of the Gemstone airplanes, or did it move? 

The Dining Room Tomb: At home, Kelvin is looking for Keefe.  He tries the bedroom, then comes downstairs. Notice that one of the pictures on the wall depicts a stylized naked man.

 Keefe is sitting at the dining room table, wearing a BDSM sub outfit, cutting out crosses for the youth group bulletin board, but they all turn into daggers.  I get it - - the church has betrayed you.

 This must be the same day as the parents' meeting and the board meeting, but Kelvin has changed from his virginal-white sweater into a ridiculous plaid poncho with a super-exaggerated top wave.  He has never looked more unattractive. Will being unattractive make things easier?

Check out the room decor: dark, oppressive, tomb-like.  Does it even have windows?  In this depressing, troubling space, Kelvin says: "I have to talk to you about something, and it's not easy to talk about." "Sexual stuff?" Keefe asks, thinking that he wants to discuss their less-than-satisfactory sex life.

No, it's about the job offer.  Kelvin tries to get him excited about it - "you can use your Cantonese!" -- but he can't put a positive spin on something that he introduced with "it's not easy to talk about" rather than "I have fantastic news!"  Keefe thinks that the job offer is a slap in the face, caused entirely by Kelvin refusing to take responsibility for the Smut Busters scandal.

The breakup after the break

Gemstones Episode 3.4: Wieners, betrayals, a burning a-hole, and Kelvin at his jerkiest. With nude Steve Zahn bonus.

 

Previous: Episode 3.3 Continued: a fire dance, a limp wrist, a phallic sword, and Balkan sex gods 

Episode 3.3 ended on a positive note, with Kelvin/Keefe, and BJ/Judy reconciled and Jesse/Amber admitting the Montgomery Boys to the family.  In Episode 3.4, the midpoint of the season,  things fall apart, with betrayal after betrayal and two destroyed relationships.

Title: "I Am Come Not to Bring Peace But a Sword." A famous quote from Jesus in Matthew 10:34.  Things are going to get dark. 

Some premium fuck dolls:  Keefe and Taryn are leading a Teen and Parents Together "ice cream and wieners" party.  Keefe has apparently never done any ministry without Kelvin, so he is very nervous.  He is not wearing his "wedding ring," maybe worried that it would out him.

The parents point out that they know very little about Keefe, even though he is a youth minister, in charge of nurturing their children.   Before Keefe has a chance to answer any questions, Biker Clarence, the owner of the store that he bought out, drops by to praise him for buying "every last butt buzzer I had in stock!"   He invites Keefe to check out the new merchandise coming in: "We got some premium fuck dolls!"  Inappropriate, dude! You're in an ice cream shop. Don't you notice the kids around? 

Top photo: Biker Clarence is played by George Paez, who doesn't have any nude photos online, so I substituted Steve Zahn in Saving Silverman

Taryn and Keefe assure the parents that "it's not what you think."  That is, Keefe isn't actually gay, he bought the toys for a project "we did with your kids."  Even worse!  But didn't the parents know about Smut Busters?  You have to get permission slips every time you take the kids off church property.

The boys at the Citadel: Next, Jesse and Amber complain to their teenage son Pontius that he has too many tattoos,  he shouldn't be having sex with his girlfriend, and he's been rejected by every college he applied to.Come on, lots of colleges have open admission.  Jesse wants to send him to the Citadel, the South Carolina military college: the boys there "would split your ass like a pair of damn Chinese chopsticks." He means that the boys would harass Pontius, but the threat of anal sex hangs in the air.

Sunday mrning: after  "getting ready for church" scenes, the Gemstones and Montgomerys walk down a hallway the Salvation Center. The shots in the trailer caused considerable fan speculation: why do Kelvin and Keefe look so angry?  I still don't know.

Loud and Proud:  We see the beginning of the service, a Christian rock number, with May-May disapproving and Cousin Karl loving it.  Then it's time for the family dinner at Jason's Steakhouse, and a practically endless series of queer codes.  Interesting that the guys start being obviously a couple immediately after the Cousin's Night romantic interlude.

May-May disapproves of her sons' silk suits: too shiny, "like a lady's neglige.  A little loud and proud for me."  In other words, they make the boys look gay.  Jesse yells at her for "talking trash." Implying that someone is gay constitutes "talking trash"? That's homophobic, dude.

Judy defends the boys from the "accusation," saying that they are attractive to women. So you turn gay because you can't find a woman?  Laying on the homophobia, aren't we?

As he listens to his family's homophobic banter, Kelvin looks like he's about to cry.   And Keefe -- that's the look your boyfriend gets at Thanksgiving Dinner, when your parents told you to not "cause a scene" by coming out, and then Uncle Bob starts complaining about "fags taking over." Cavalero got it exactly right.

.

Holding Hands under the Table:  Peter Montgomery -- Steve Zahn -- enters, announces that he has a new militia compound "on a farm," and invites his sons to join him.  They refuse, so he circles the table, threatening that retribution is coming.  

As he circles, Keefe moves his right hand under the table.  Then Kelvin moves his left hand under the table. These are not random acts:  Boyfriends who are scared (and closeted) would look for reassurance by holding hands.

Their hands stay under the table until Peter threatens Judy, and Eli steps in, telling him to leave or he'll be shot.  Everyone in the family except Gideon, Kelvin, and Keefe pulls out a gun.  A gun expert on the fan board pointed out that only Amber and BJ are holding them properly.  Then Kelvin,  frightened (of his family's guns?), says something indecipherable to Keefe, who moves his hand back to the table top and makes a finger-gun.  Kelvin looks around for a weapon, and brandishes a fork.  His left hand is still under the table, and stays there, holding Keefe, until Peter circles the table again.  

Now the "wedding rings" are fully visible, matching men's silver wedding bands with black diamond inlay (the real thing sells for over $4000),  on the ring finger of Kelvin's left and Keefe's right hand.  

They will be emphasized several times during the season, especially when Kelvin is thinking about or talking about Keefe.  They are symbols of the relationship, which means that the guys exchanged them deliberately.  They have a permanent commitment.  Kelvin can't say that they are lovers, but he can show it.

For a little while, anyway.

Things get worse after the break.

Gemstones Episode 3.3, Continued: A fire dance, a limp wrist, a phallic sword, and Balkan sex gods

Previous:  Episode 3.3: Baby Billy sings forever, Kelvin can't say the word, BJ poses nude, and I'm depressed

Cousins' Afternoon:  The Gemstone siblings and their partners sit on cabana chairs, insulting their cousins, the Montgomery boys,  while they swim in the trout pond.   Kelvin lays on the femme stereotyping, even flashing a limp wrist.  This will be important later.

Keefe, who of course looks at men's crotches a lot, points out that Cousin Karl has a lot of pubic hair.  Kelvin quips "Looks like he's got a chinchilla up there!"  It sounds like he is making a mean joke to draw attention away from his interest in what men really have up there.

The Fire Dance: For their entertainment, Keefe performs a highly erotic fire dance in the waning light, near a path lit by a thousand fires.  I am reminded of Coleridge's "Kublai Khan":

A savage place! as holy and enchanted as e’er beneath a waning moon was haunted by a man wailing for his demon lover.

Keefe here is the demon lover, pure erotic energy, offering his mouth, butt, and penis simultaneously. He is the new Messiah of Muscle, rejecting cozy, tepid phileo, friendship, for the eros, erotic desire, that promises ecstasy or damnation.

Top photo: the real Fire Dancer

Why would anyone perform a highly erotic dance for his boyfriend's family?  What does Keefe hope to accomplish?  I think he is showing the family -- and Kelvin himself -- that he is a sexual being, Kelvin's lover, not a "good buddy." 

Early in the episode, Kelvin couldn't admit that they were lovers. Now Demon Keefe shows him that they are.   He has never been sure if his desire for Keefe will lead him to heaven or hell.  Now he knows -- both. 

Background note: The dark, disturbing music playing is "Balkan Sex God" from A Serbian Film, 2010, which regularly appears on lists of "the most disturbing films of all time."  It features Srđan Todorović as a retired porn actor drawn into starring in a snuff film. 

Todorovic dick

Cousins' Evening:  A huge dining hall, with the family and cousins using just one table, Keefe and Kelvin sitting across from each other instead of side by side!  Why does the staging back off from depicting them as a couple?

Kelvin pours on the femme stereotypes thickly, limping his wrists constantly as if he's in a 1920s pansy act, and coincidentally or not puts his "wedding ring" on full display.

Uncle Baby Billy pretends he's the host of his Bible Bonkers game show, where families compete at Bible trivia. He goes around the table and asks  each of the "contestants" their name and what they do for a living.  The Montgomery boys work in landscaping.  Then it's Keefe's turn.  He is ready to speak, but Baby Billy skips him with a rude "nuh-huh," angering him.  But it's not a homophobic snub: Baby Billy skips over BJ, too: "You ain't family."  Only born Gemstones count. 

Next it's "the weirdo boy with the puffy muscles," the second and last reference to Kelvin's physique this season, and maybe a euphemism for "gay." But Kelvin refuses to participate. 

More Balkan sex gods after the break