Cory Chapman: Lots of man friends, some gay roles, a queer buddy, nude costars. So where's the beef?

 

Atlanta-based actor Cory Chapman leans toward the dark, deviant, and dangerous in his acting roles.  His demo reel shows him being shot, beat up, and arrested over and over.

He first appears in the IMDB in 2012 as "Bad Guy" in Dark Child: The Short Film.

Then a teenage bully in A Love Story.

An "obnoxious egghead" in Foul Mouths: A Teenage Rage, 2013.

A bully in Hear on Evil, 2014.

A bully in Core: A Short Film about Bullying, 2014.

A robber in Hi, 2014

A thug in Better Call Saul, 2018

A stalker in Creep, 2018.

A militia man in The Righteous Gemstones, 2023

One would expect I'm Not Ashamed, 2016, to be about LGBT people, referencing Marlon Brando's famous statement: "I have had homosexual experiences, and I am not ashamed."  Actually it's about the Columbine school shooting.  

Cory has worked in some comedies and dramas, too.  He specializes in playing the white guy in movies and tv shows with an African-American cast: Groomsman, Kita Lashon, Off the Chainz, Divide and Conquer, The Generational Gap. 

And some gay-themed projects, such as the Facebook series One Love and Boys 2 Gay, and a short about oral sex.

When I was researching Jamar Pusch, I kept complaining that his social media had no interesting photos or clips: no travel, no humor, no family and friends, just flexing and flexing and flexing.  You can only swoon over a guy's muscles and penis for so long. After awhile you're going to want to have a conversation. 

With Cory Chapman, I have the opposite complaint: no flexing.  Social media filled with beautifully framed photos in interesting backgrounds, and lots of family and friends.

Nude dudes after the break

Gemstones Episode 3.8: Is Peter a woman? Are Kelvin and Keefe lovers? Does Jesse dye his sideburns? With a military fetish bonus

 

Previous: Episode 3.7: The handsome man, misdirection, queerbaiting,  and me yelling "What the f*k!" a lot.

Episode 3.7 was the worst in the series due to its chronological disaster, plot incongruity, annoying misdirections, and assertion that the guys were just good buddies.  Maybe that was intentional,  to disorient the viewers so they would not be expecting Episode 3.8 : It is intricately plotted, and gives us a huge number of queer codes, including one that most fans consider definitive.

Title: "I Will Take You by the Hand and Keep You."  Isaiah 42.6, ESV: "I am the Lord; I have called you in righteousness; I will take you by the hand and keep you."  We'll see who gets to hold hands.

Reunited with the Loved Ones: After their rescue, the siblings are taken to Rogers Regional Medical Center to be examined.  Gideon must have finally phoned the family, because the partners and kids burst in, coincidentally in the order they need to be in to reach their loved ones without bumping into each other.  

Notice the difference in response:  When they last saw each other, Jesse and Amber were having a marital spat, but they were still together, so they just hug.  

BJ was deciding whether to stay with Judy or not, so he acknowledges her with a forehead-press.  

Kelvin and Keefe had not only broken up, they had a major post-breakup fight.  When Keefe exclaims "Buddy!," indicating that he wants to stay in Kelvin's life in spite of their problems, it comes as a profound relief.  Kelvin buries his head in Keefe's bicep and sobs, mirroring the Isolation Tank Rescue in Episode 1.9.  Keefe didn't actually rescue Kelvin here, but he is bringing him back from the dead.  

We cut to the siblings being interviewed by the police.  BJ and Gideon stand in front of them.  Amber is not present. Keefe waits by the door, still not included in the family; but he does get a bit where he knocks over a trash can and yells "I hate what you had to endure."   They all hate Eli, who left them to suffer and possibly be killed. 

Next, having established that May-May wasn't in on the kidnapping plot, she and Eli bond.  

Which of you is a woman?:  With the marital problem plotlines nearly over, we have time for a deep-dive into the Militia. 

Peter and Chuck are driving a U-Haul full of explosives, followed by a ragtag caravan of militia men. Marshall and Dakota (Sturgill Simpson, Quinn Dunn-Baker) complain that they don't know where he's going.  

Does Peter know?  Two compounds have been destroyed.  The kidnapping scheme has been foiled. Everyone has forgotten the first scheme, which required the truckload of explosives.

They stop at Dodge's Fried Chicken, a real fast-food place on Savannah Highway in Charleston (next to a KFC, har har).  Marshall continues to grumble. Peter asserts that complaining is "like a woman," and Marshall retorts that he drives "like a woman."  They continue to call each other women until Chuck gets tired of it and tells them to focus on the new plan.  Whatever it is.

Peter re-asserts his authority: if they rebel against him, they are rebelling against God, because he is the Keeper of the Word. Uh-oh, another Messiah.

We see again parallels between the Militia and Kelvin's God Squad in Season 2: both societies devoted to the masculine, suspicious of women, informed by homoerotic or homosocial desire. run by a messianic figure. 

The militia is the dark side of Kelvin's God Squad  We can go even farther and juxtapose Kelvin's bodybuilder fetish with the militia's fetishization of the soldier.  

Seasons 1 and 2 featured gay-subtext friendships to counterbalance the development of the Kelvin-Keefe romance.  I was surprised to not find one in Season 3, but maybe it's here, in Peter and Marshall's bickering.

Sexy Time:  With almost no sleep, almost nothing to eat, and only a bucket to poop in for 36 hours or several days (depending on the chronology), I'd be interested in dinner and bed rather than sexy time, but after two militia scenes, we cut to the two couples having sex.

First, BJ and Judy take a bath together. BJ: "The whole time you were in captivity, I would light candles and just cry."  It sounds like they were held for longer than a day.  Also, his eye, puffed out from his fight with Stephen, is almost healed. Maybe a week? 

He continues: "The best way to reset is with a really good, deep fucking."  They play a game of helicopter-penis with an incest motif.  You can sort of see BJ's dick, actually a prosthetic, in the swirling water.

Next it's Kelvin and Keefe's turn.  Keefe has changed into a sleeveless leather top with gold studs from the Jim Morrison Mr. Mojo collection.  The Doors' song "Mr. Mojo Risin'" may be relevant here:

I see your hair is burnin' / Hills are full of fire.

If they say I never loved you/ You know they are a liar.

Kelvin has showered and restored his top wave.  After keeping his body under wraps all season, he displays his backside and butt, again becoming an object of homoerotic desire.  Keefe pretends to give him a massage, but slides right past his shoulders to concentrate on his butt. 

Like BJ and Judy's bath, this is a prelude to "a really good, deep fucking" -- notice that Keefe is thrusting during their conversation, behaving as if the anal sex has already begun.  But even a bare-butt massage is a sexual act; if it were nonconsensual, it would be a "gross misdemeanor" in my state, with a penalty of up to two years in prison.

After being invited to fondle an ex-boyfriend's bare butt, most people would assume that he wanted to get back together, but Keefe has received so many mixed signals in the past that he has to be very careful.  His questions are skillfully designed to push Kelvin to a decision: are they going to be post-breakup pals, good buddies with benefits, or lovers?

First he eliminates the post-breakup pal option by asking if Kelvin and Taryn are dating.  Immediately after asking, he has Kelvin spread his legs, feels up his inner thighs, and starts"taking liberties," as Adam Devine reveals.  The actor needed to be semi-aroused so his penis would look bigger for a cut scene with frontal nudity.  In-universe, Keefe is answering his own question.

Kelvin: "Nah. She ain't my type." I've heard gay men say "You're not my type" to reject a flirtatious woman without coming out, but why would Kelvin feel the need to be closeted with his ex-boyfriend?  This must be a structural ploy to avoid having him say "gay."  

He continues: "I hated all the forced claps and laughter and fun times.  I like doing claps and laughters with you."  I've analyzed this scene in detail, and I still can't think of an in-universe reason for bringing up Taryn's work performance. That wasn't the question, and besides, Kelvin quit his youth minister job, so he's in no position to hire Keefe back.  

But Keefe assumes that he's talking about the assistant youth pastor job, and responds in kind: "I love getting the children zazzed up and excited to learn about Jesus with you." 

Now Kelvin clarifies that he was answering the "Are you and Taryn dating" question, not "Can I have my old job back?"    "I mean, Taryn was nice and all, but she's not you." She was nice, but you can't build a romance from niceness.  You need passion. 

Keefe understands:  "She tried to replace me, but it was a failed try." They're going to be romantic partners, combining eros and phileo, trying to "build something" for the future., reguardless of its impact on Kelvin's career.  Which shouldn't be a problem.  He's not working for the church anymore.  They can move to Atlanta and march in Pride Parades. 

More reconciliations after the break

Agent Elvis: McConaughey as the King, Cavalero as a drug dealer with a bulge, and Gary Coleman as a dick with a dick

 Agent Elvis (2023) features Elvis Presley (Matthew McConaughey) interacting with some of the real people and events of the 1960s, like Timothy Leary, Howard Hughes, and the Rolling Stones concert at Altamont, but as a secret agent, working for the mysterious Commander (Don Cheadle).  Episode 1.3 has a Tony Cavalero sighting.

While filming A Change of Habit (1969), Elvis hears about the Moon Landing, and, upset that he's not going, decides to take out his frustration on some drug dealers.   His assistant Bobby Ray (Johnny Knoxville) tells him that Flyboy (Tony Cavalero), who hangs out in the studio parking lot, selling maps to movie stars' homes, actually sells cocaine.   His handler tells him that they still have scenes to shoot, but he rushes down to the parking lot.

Why is Flyboy dressed as a pimp to sell cocaine?  He explains that drug dealing and pimping have an intersecting clientele. 

Who is his cocaine supplier?  Flyboy doesn't want to say, because "snitches get stitches," so Elvis steals his clothes, ties him up in the back seat of his car, and sics his ape companion, Scatter, on him.  Faced with having his head bit off, Flyboy tells him.  

With Flyboy trapped in the trunk, Elvis enters a sleazy apartment building.  His handler appears again, ordering him to get back to the studio to film the remaining scenes. Besides, taking down drug dealers won't get him on the Moon Mission: "No matter what you do, it's not going to turn you into an astronaut." 

Elvis doesn't listen: he beats up the drug wholesaler and his henchmen, but Scatter kills them before they can tell him about the big cocaine shipment coming in.

More after the break

David Boreanaz and Friends: A tortured vampire, a fundamentalist FBI agent, a homophobic ghost, and a porn video

 Born in Buffalo in May 1969, David Boreanaz graduated from Ithaca College with a degree in cinema in 1991 and moved to L.A. to start his film career. Instead, he found his way onto Buffy the Vampire Slayer (1997-99).

Buffy Summers is The Slayer, the "one girl in all the world" with the power to kill the vampires, demons, and other evils who keep escaping from the hellmouth located in suburban Sunnydale, California, while trying to negotiate high school. 

Her scoobies include science nerd Xander (Nicholas Brendan, left); his girlfriend, a 1000-year old vengeance demon;  witch-in-training and eventual lesbian Willow; and  Willow's doomed, bury-your-gays girlfriend.

Not a lot of beefcake in the bunch, but the writers took care of that by giving Buffy lots of boyfriends, including two feuding vampires, the conflicted, tortured Angel (David Boreanaz, top photo), and the sassy punk rocker Spike (James Marsters).  

Literally tortured.  The writers kept trying to out-do themselves in thinking of creative ways to torture Angel.

I liked some of the adventures, such as when everyone in town had to sing instead of speak, or when grinning men who fed on fear started floating around.  And Buffy gave us two indispensable terms for analyzing tv shows, scoobies and Big Bad.  

The attitude toward LGBT people was a bit old fashioned.  Xander, upset because a lady demon rejected him, announces that he's going to go gay. Willow explicitly states that she was straight, but changed to gay.  Their handler shuts them all down, proclaiming that there's no time to worry about "orientations" when they're facing the most severe crisis of all time (every season).

In 1999  Angel left Sunnyvale, except for a few guest appearances, to start his own paranormal detective agency, in Angel (1999-2004).  His scoobies included Cordelia, a reformed high school Mean Girl; the half-demon Doyle (Glen Quinn),  and Wesley (Alexis Denisof, left), a "rogue demon hunter" -- at least in the first season.  Glen Quinn died, and there were many defections and replacement, doubtless because this was not a fun, tongue-in-cheek paranormal adventure.  

I had to keep watching due to a partner who was a big fan, but it got very, very dark.  Sure, Cordelia used to be a Mean Girl, but did that justify putting her through excruciating physical pain in every episode?  I insisted that he fast-forward past  the scene where Wesley's girlfriend spends five minutes dying, in the awareness that she has no soul, so she's headed for extinction. This is supposed to be entertainment?  F*k the Sadness. 

After Angel, David finally managed to break into movies.  I didn't see any of them, and probably won't.  These Girls (2005): high school girls blackmail a "slightly older hunk," who happens to be married, into having sex with them?  In 2005, David was 36.  But at least he gives us frontal and rear nudity.

Explicit David dick after the break

"Bad Ideas with Adam Devine": When you need to f*k the Sadness in a hurry. With bonus buddy bulges and butts

Sometimes you need to f*k the Sadness in a hurry, and your best bet is Adam Devine.  Not (just) because of his hotness, because his stuff is always upbeat, with no hatred, no tragedy, no angst, not a lot of heteronormative mishegas, just whimsical problems, humorous braggadoccio, and homoerotic bonds. 

But you don't have time for a whole movie, or an episode of  Workaholicsor   The Righteous Gemstones. What do you do?

The reality series Bad Ideas with Adam Devine, streaming on Roku, is a perfect solution. In each episode, Adam. "the world's greatest movie star, the world's greatest lover, the guy who clearly writes his own intros," teams up with one of his comedian buddies to do something dangerous:

1. Compete in the World's Hottest Pepper Eating Contest, in the Bahamas. With Thomas Middleditch from Solar Opposites

Tom's backside

2. Compete in a demolition derby, the Night of Destruction, at Perris Auto Speedway, near Riverside, California. With Blake Anderson from Workaholics

Blake bulging as a cop-stripper

3. Become stunt performers in a Western movie (after seven minutes of training). With Rebel Wilson from Pitch Perfect

4. Drive an ice cream truck up highway P3 in Peru, called "the Death Road" for its hairpin turns and 1000 foot drops. With Anders Holm from Workaholics

Anders' bottom, ready to be topped.

5. Clear hundreds of poisonous snakes from a plane in an airplane graveyard. With Brent Morin from Undateable

Brent's underwear bulge

6. Investigate a haunted house and try to conjure a demon.  With WWF wrestler Lana.

7. Become piranha wranglers on the Momon River, near Iquitos in Brazil.  With Anders Holm. Left: Adam accidentally dangles his privates in piranha-invested water.

Anders greeting the day

Adam takes his shirt off or shows a bulge once in a while, but you're too busy watching him riffing  to care (much) about his penis or physique.  Plus there's some beautiful natural scenery.

Each episode runs about 7 minutes, so you could watch the whole series in an hour  But don't.  Save the individual episodes for when you need an Adam Devine  fix.

See also: Workaholics Episode 5.1: Blake becomes a porn star, Ders is into kinky stuff, and Adam is gay

The Outlaws: Adam has a crush on Pierce Brosnan

Adam Devine's Hot/Hung Photos, Part 1: forehead presses, anal poopers, bulging drawers, and Kermit the Frog

Jamar Pusch: A lot of biceps and bulges, an occasional dick, but nothing about the person behind the pecs.

 

A poster on the Brock O'Hurn fan board asked if we were familiar Jamar Pusch: "A top predator for sure."  I wasn't, but I soon got an eyeful: he has enormous quads and delts, moderately ripped abs, and the biggest pecs in bodybuilding history.  The measurements don't seem to be available online, but they have to surpass Arnold Schwarzenegger's 54"   Back when I was a gym rat, I topped out at 48"

Ok, now they've crossed the border into grotesque.  You look like you have boobs, dude.

Jamar is very active on social media. His Instagram, tagged, "King of Pecs," has 757,000 followers

He has several Facebook pages.  The biggest, tagged "Tell me the power of a man," has 121,000 members.

Plus Tiktok videos with 2.8 million views, Youtube videos with 280,000 views, X posts, and no doubt some social media platforms that I'm too old to know about. 

But they're all bicep-flexing and pec-bouncing.  Every one. No travel, no food, no friends, no family, nothing about his life outside the gym.

This was the only picture with an interesting background.  Otherwise it's just his muscles, with an occasional bulge or dick.

Only one website revealed any biographical details: He was born in Hamburg, Germany, on July 6th, 1996, Presumably his ancestry is Indian or Pakistani.  He began training in 2012: this photo shows his development between age 13 and 20

Nor is he listed on the Internet Movie Database, the Broadway Database, male model directories, bodybuilder directories...he doesn't appear to do anything professionally that would involve his face or physique. 

He has two or three porn clips,but not enough to suggest a porn career, or to determine if he is gay or straight.   He doesn't appear to do anything professionally that would involve his penis, either. 

I think he monetizes subscriptions to his videos.

More after the break

Gemstones Episode 3.7: The handsome man, queerbaiting, misdirection, and me yelling "What the f*k!" a lot

Previous: Episode 3.6 Continued: Kelvin and Keefe fight, BJ and Stephen fight, and nobody likes hologram Aimee-Leigh

In Episode 3.6, we saw the aftermath of the Judy/BJ and Kelvin/Keefe breakups, with failed reconciliation attempts, a fist fight, and both Kelvin and Judy quitting their jobs at the church.  In this episode, things get even worse.

When I watched the first time, I kept yelling "What the f*k!", being annoyed and then outraged by the constant misdirections, chronological flubs, and queerbaiting. It looked very much like Danny McBride was telling us: "Kelvin and Keefe are straight buddies.  Fooled you!"

But that's impossible.  There were not only 200-plus queer codes, Season 1 and 2 both ended with affirmations of their love.  McBride didn't know if the series would be renewed, so each season finale might be the last we see of the characters.  And what we see is "They are in love," not "Keefe, I'd like you to meet my girlfriend."

Knowing what comes after,  I am going to re-watch this episode, looking for any evidence that suggests that saying "Kelvin and Keefe are just friends" does not mean that "Kelvin and Keefe are just friends."

Title: "Burn for burn, wound for wound, stripe for stripe."  Exodus 21:25. Fans argued like mad about trying to connect the burn/wound/stripe to the personalities or kidnapping strategies of the Gemstone siblings, but it's a misdirection. The previous verse has the more familiar "eye for eye, tooth for tooth." It just means that the punishment should fit the crime.

Burn for burn and all that:  During the evening of the day of the Aimee-Leigh Hologram debacle, the BJ-Stephen penis fight, and probably the Kelvin-Keefe rocking chair fight, Judy goes to a drug store to buy pain medication for BJ.  On her way home, goons from Peter's militia crunch her car with the Redeemer and grab her. 

Misdirection alert: the trailer makes it look like she is the one crunching. 

Chuck Montgomery tries to trick Jesse, and when that doesn't work, the goons shoot him with a tranquilizer dart.  

Kelvin bangs on the door at Woodpecker's Carpentry, yelling: "Are there any woodworkers in there? I'm looking for Keefe Chambers!"  Now that he's no longer worried about his job at the church, he's free to reconcile with Keefe.    But it's long after hours; the building is dark and deserted. Why would anyone be inside?  Besides, Keefe told Kelvin where he was working; wouldn't he give him his new address and phone number, too?

Imagine if someone were inside: "See, my ex-boyfriend and I had this big fight, and he doesn't want me to have his new number, and I don't know where he's staying...I need to see him...no, I am not a stalker!"

Six militia men wearing scary masks surround Kelvin.  The trailer makes him look paralyzed with fear, but actually he is quite brave, trying to intimidate them and then defend himself.  They punch and hit him, and squirt a toxic liquid into his eyes -- which stings but has no long term effects.  Why does Kelvin need six guys to take him down?  Why does he get a more brutal kidnapping?  I don't know.

Screaming like a woman:  The three siblings are put in what everyone calls a chicken silo, although chickens are housed in coops.  They are tied to chairs, with pillowcases over their heads.  What for?  You don't need to be imprisoned and tied up both.

Fans uncomfortable with the idea of gay relationships noticed that Kelvin's pillowcase resembles the trans pride flag, thereby signaling that he is actually a transgender woman.  Doubtful: Jesse's depicts the cartoon character Maisie Mouse. 

Kelvin yells for help. Uncle Peter enters and asks if he is "screaming like a woman," maybe a dig at his gayness, but more likely because he considers any emotion "like a woman."   He explains that the militia is holding them for ransom.

The handsome man: When Keefe arrives for work the next morning, he sees Kelvin's car with the doors still open, checks the ground for signs of a struggle, and asks his coworkers, "Have you seen The Handsome Man?"  This makes no sense, as Kelvin only visited once, for a few minutes, and most of the carpenters weren't paying attention.

Cut to Amber and BJ noticing that their partners didn't come home last night. Next, Eli, at the office even though he's retired and should be fishing, receives a scary video of Kelvin crying and Judy and Jesse screaming in rage.  The gay one has a "sensitive" reaction. Peter gives the ransom demand.  

Eli goes home and confronts May-May: "Your sons have fucked me over."  She denies that she has anything to do with the kidnapping.

Back at the chicken silo, the siblings complain about the heat and the food, and bicker.  Shouldn't they be praying?  They're religious, right?

Cut to BJ, Amber, Gideon, and Eli discussing the kidnapping with Sheriff Brenda. They were kidnapped in town, so it should be the Rogers Police. Notice that Keefe is not there.  Why didn't Eli call him?  Because his number has changed, because they have broken up, or because he is just a friend, not a partner?

The Freemans arrive.  Tiffany has made dolls of the siblings --very quickly -- "for you to hug and kiss until they come home safe."  She gives the Kelvin doll to Eli.  Same question: Why doesn't she save it for Keefe? Because  they have broken up, or because they were never partners to begin with?

Geography problem: How did they get to Eli's house so fast?  Don't they live in Florida?  

The trailer made it seem like the militia sent the dolls, adding a hint of the paranormal that turned out to be a misdirection.  Still, they look like Gullah Island voodoo dolls: "You can hug and kiss them until your loved ones come home safe.  And if they ever stray, you can make their privates fall off." 

More queerbaiting after the break