Indiana University: My first visit to an adult bookstore


I "figured it out" during my senior year in high school, but my real "coming out" was at the beginning of my first year in grad school at Indiana University.

As an undergraduate at Augustana College, I had worked hard, very hard, to find gay people, and I found a few -- my ex boyfriend Fred; an Episcopal priest in Des Moines; Prfessor Burton, who held handcuff parties for campus hunks.  You had to go through word of mouth, through a friend of a friend of a friend.

Now I was at a vast university with 40,000 students, and as far as I could tell from conversations and signals and interests, every single one of them was heterosexual.

My friends, classmates, and coworkers all, without exception, maintained the "what girl do you like?" whine of my childhood.  I had to leave Playboy magazines in my room, and think of logical reasons why I didn't have a girl on my arm every second.

My classes were as empty of gay references as they had been at Augustana.  Every writer who had ever lived was heterosexual.  Every poem ever written was written from man to women.  The Eternal Feminine infused all our lives.

And, as far as I knew, this was the way life was everywhere and for everyone.  A vast emptiness, hiding, pretending, unyielding silence.

That Saturday night I had been watching Silver Spoons and Mama's Family in the 13th floor tv lounge of Eigenmann Hall.  At 9:00, my roommate Jon said "Let's go to the grad student mixer.  I'm hot to get laid tonight."

I had no interest in getting laid.  At least, not as Jon understood it.  But I walked with him across the vast, silent campus, past empty buildings, past towers of Indiana limestone erected by heterosexuals long ago, to the Memorial Union, where a party for heterosexual grad students was in session.

Then I said goodbye and went to the campus library.  There were uncountable millions of books in the vast stacks, rooms as long as a football field, but only two listed under "homosexuality" in the card catalog: the memoirs of Tennessee Williams, and Nothing Like the Sun, by Anthony Burgess, about Shakespeare's romance with the Dark Lady of the sonnets.

I walked alone down Kirkwood Avenue, past student bars and little Asian restaurants and hamburger stands.  Just before the Baskin Robbins closed at 10:00, I stopped in and bought an ice cream cone.  Two scoops, strawberry on the bottom and Rocky Road on the top.  30 years later, I still remember that ice cream cone.

There was a gay bar in Rock Island, a dark closet bar with a nondescript name and no windows, where you entered through the back so no one could see you.  But surely Bloomington was too small for such a place.

 I stopped into a weird eclectic bookstore called the White Rabbit. No gay books -- it was illegal to display them openly, as Fred told me when I found his secret bookshelf two years ago.  So I bought a novelization of the 1980 Popeye musical starring Robin Williams, set in the port town of Sweethaven:

Sweet Sweethaven!  God must love us.
Why else would He have stranded us here?


A church tower had a cross that lit up white at night, and I looked up it and prayed "Why did you strand me here?"

I wandered for a long time through quiet residential streets, houses where heterosexual husbands and wives were asleep, their children in the next room surrounded by "what girl do you like?" brainwashing toys and games.  I walked past a public park, but was afraid to go in.  After dark, monsters roamed through the dark swaying trees.

It occurred to me that I was one of the monsters.  After all, being gay was illegal in the United States.  I was a criminal.  (Actually, Indiana's sodomy law was repealed in 1976.)

Somehow I found myself at a small, nondescript building on College Avenue.  The sign on the marquee advertised "Adult Books."

They probably wouldn't stock any gay porn.  But it wouldn't hurt to check.  The most they could do is call me a "fag."

More after the break

Kyle Hawk,: gay or gay-ally wrestler and Las Vegas resident, with a nude Native American bonus


Kyle Hawk grew up in Carlsbad, New Mexico and studied at the Southwest Indian Polytechnic Institute, near Albuquerque.  After the army, he worked as a fitness instructor and freelance wrestler.  He  has appeared in wrestling movies, the Impact Xplosion wrestling tv series on Netflix, and The Righteous Gemstones:  In the opening sequence of Episode 2.1, a flashback to 1968 Memphis, John Big Cloud (Kyle Hawk) is wrestling the young Eli Gemstone (Jake Kelley). 
 

After winning the match, Eli hugs John, then throws him out of the ring, illustrating his persona as "The Maniac Kid." His Facebook page also mentions Barracuda: The Movie: "A Marine and a tech mogul embark on an road trip across legendary Route 66." Sounds like there are some gay subtexts.

Kyle's wrestling persona keys into Native American culture and stereotypes.  His entry on his merch page reads: 

 Representing the reservation, The Savage is amongst the few indigenous wrestlers. He’s on a warpath of destruction using his tomahawk chops, Scalper, and Dreamcatcher to punish anyone who stands in his way.


Kyle regularly tags himself at drag brunches, underwear parties, and other  events at the Phoenix, "the best gay bar in Las Vegas."  So I'm concluding gay or at least gay-allied. 






I couldn't find any nude photos of Kyle, so there are some random nude Native American photos after the break


Euphoria Episode 2.3: Two high school boys in love in the 1990s, followed by gay/bi affairs. penises, and Brock O'Hurn

 


I went in Euphoria Episode 2.3 cold, with no prior research.  All I knew was that Brock O'Hurn had a nude frontal (fully aroused, not a prosthetic).  And I had a vague impression that the show was about paranormal events in a quirky small town. 

Scene 1: A woman named Rue narrates.  "When Cal was a senior in high school...."  Holy cow, the screen fills with his butt as he puts on his underwear!   

Cal (Elias Kacavas) calls his friend Derek (Henry Eikenberry), insults him by implying that he's a woman ("put your bra and panties on"), and then drives over to pick him up.


Scene 2: 
Cut to wrestlng practice.  The coach insults them with a homophobic slur. They go into paroxyms of ecstasy over a hot girl in the bleachers, then hit the shower...holy cow, cock shots of both of them,then a close-up of Derek's butt and cock in the locker room!





Scene 3:
They get a milkshake while Rue the Narrator explains how close they are.  While they are driving, Derek starts to masturbate through his jeans. Cal watches. 


Scene 4
: Cal starts dating Marsha, who gives him a hand job with her foot, then a blow job.  He tells Derek, who congratulates him profusely, then gets a girl of his own.  They have a make-out and skinny-dipping party.  Holy cow -- more cock!

After graduation, they're going to separate colleges, so they have to part.  On their last night together, they go to a redneck honky-tonk gay bar, where they slow-dance and kiss a lot.  Then next morning, Cal gets a call from his girlfriend: she's pregnant! So the preacher in my old church was right: homa-sekshuls cause teen pregnancy.


Darn, yet another plotline about gayness as something for adolescents, to be abandoned for heterosexual destiny!  Well, at least we saw a lot of cocks, and Brock O'Hurn's aroused frontal is coming up.










More after the break

Workaholics Episode 1.10: Adam would suck a man's cock for $900. Does he take credit cards?


The opening sequence of Workaholics Episode 1.10 is widely condemned as homophobic, so let's take a look.

The setup: While driving to work, dudebros Adam (Adam Devine), Blake (Blake Andersoon), and Ders (Anders Holm) are having a random conversation.

Ders: "For $100,000, would you suck a man's penis?  That's a legitimate question.  A lot of hustlers (male prostitutes) are actually straight, but suck cocks as part of the job.  Their rates vary from $50 to $200. I'm not telling you how I know that.

Adam: A man's penis?  I don't know...  Why does he emphasize "man"?  Maybe he'd be fine with a trans woman who hadn't had bottom surgery? 

Blake: You get to pick the dude.

Adam: Final dick approval?   Choose any dick I want to?

Ders: Whoever's dick, except for me and Blake.  Darn, those would have been his first choice.  $100,000?


Adam:
Ok then, yeah, totally.  

They talk him down from $100,000 to $50,000.  

For comparison, it would take way more than $100,000 for me to go down on a woman. Probably in the 2-3 million range.  If it involved secretions (I'm not clear on that), 10 million minimum.

Der: What about $5,000?

Adam: Yes!  I'd be thirty seconds away from getting a pretty sweet used motorcycle.  

Ders: It would take you way longer than that, Dude.

Adam: Are you kidding me?  Have you seen these lips?  Granted, you're one of the hottest guys on the planet, but I don't think your lips will get your man going.  You'll have to take off your clothes.  

He continues: Have you enjoyed the presence of me eating a kielbasa?  It's redonk!  Girls are like, "I'm impressed by that!"  So Adam fellates kielbasas?  I'd like to see that, too.

Blake: What is the absolute least amount of money you could get paid to blow a guy? 

Adam: We're talking if I'm honest with myself? I'd have to say $900. 

At that moment, they pull into the parking lot, and hit a man (who turns out to be their new boss).  They rush to see if he's ok, but continue the conversation:

Blake: Did you say $900?

Adam: No, I said $9,000.

Ders: I heard $900.


Adam:
I said "thousand," Dude. I've got standards.  I'm not just blowing everybody. Grow up!  

Wait, what about having a dude go down on you, Adam?  How much money would you need?  No particular reason for asking.

In the office, the conversation changes: "How much to punch your mother in the face?"  

My analysis: How is this homophobic?  The guys are repulsed by the idea of giving a man a blow job themselves, but they never express any hatred, disgust, or even mild discomfort with men who enjoy doing it.  You don't have to like gay sex to be a gay ally. 

Willie Aames: Nude photos of the "Charles in Charge" buddy, the "Paradise" hunk, and Bibleman

 


Teen idol Willie Aames had an amazing physique, back in the day, and a rather impressive bulge.

Other than Charles in Charge (1984-90), he is best known for Paradise (1982), a knockoff of Blue Lagoon, with none of the scintillating dialogue or intriguing plot (ok, I'm joking.  Blue Lagoon didn't have those things, either.)

But you did get to see Willie's willie.




I'm not usually into butts, but he has some nice pulchritude, and the penis isn't bad.













An underwater closeup shows his penis with some shrinkage.













More Willie butt.













Shortly after Paradise, Willie found God and devoted himself to Christian projects, so there were no more nude scenes.  But sometimes the little guy popped out.











Gemstone connection: one of my Facebook friends of friends claimed that Bible Man was played by Keefe (Tony Cavalero).









But I'm pretty sure it was Willie Aames





Solar Opposites Episode 4.9: Skyler Gisondo plays a muscular bat-alien with a human boyfriend, plus Thomas Middleditch penis

 


Solar Opposites is an animated sitcom about a family of sentient slugs that crash-landed on Earth and must look for a way home while adapting to bizarre human customs like gender polarization:  Korvo (Justin Roilland/Dan Stevens), the "man of the house," resistant to assimilation; Terry (Thomas Middleditch), the childcare expert, who eagerly adopts human culture;  Yumyulak (Sean Giambone), the teenage boy, a rebel who hates humans; and a teenage girl and pupa (infant).  


But this is a review of an episode where no one in the family appears except in flashbacks.  I'm including a beefcake photo of Sean Giambone (left) and frontals of Thomas Middleditch (below) anyway. 

Episode 4.9, "Down and Out on Planet X-Non," stars Glenn (Kieran Culkin), the family's snoopy neighbor, who got blasted into space.  He joined the SilverCops Space Force, but they framed him for murder.  He had to flee into the wilderness of an alien planet, fighting monsters and nearly dying many times.  And now his story continues in what seems to be the pilot for a spin-off.

Scene 1: After having an "expositional dream," Glenn awakens in a run-down office, naked.  Zy (Skyler Gisondo, top photo), a muscular being with a bat-head, found him in the wilderness, half-dead.  "What were you doing all alone in the woods?"

"I go there to jerk off," Glenn jokes.  "I got a thing for trees.  Why am I naked?"

"Your clothes were soaked with piss and shit." 

Zy infers that he has a "secred, fucked-up past," so he'll be perfect for their group of multi-species thieves and con-men.  

Glen tries to leave, but outside the door, beings are robbing and killing each other, so he decides to stay.  First queer code; Zy puts his hand on Glenn's shoulder and leaves it there.

Scene 2: The tour.  Most of the group has holograms on their chest, which means "they need extra help." 

"But I don't have a hologram on my chest," Glenn complains.

"I'm sure you have a hologram in your heart."  Awww..getting a little crush on this human, Zy?

Second queer code: Hand on shoulder again.  Third queer code: Again.  Gee, Zy can't keep his hands off Glenn.


Scene 3: 
 Interview with the group leader, Skeletom, a hippie dude with a glowing green skeleton.  He explains: "This place is for people who don't fit in."  Island of Misfit Toys, huh?  Queer code #3.  "No one else has our backs, so we have to be family to each other."

Scene 4: Glenn, Zy, a cat-being, and a Cthulhu-being on a scam run. Zy explains that the 'Raffs (sentient giraffes) took over and pushed the indigenous population into slums, using SilverCops to break heads:  "They claim they're keeping the peace, but they're racist as hell, and they play the natives against each other."  Cthulhu Lives Matter.  

Uh-oh, their last victim called the SilverCops.  Run!  Hiding in an alley, they discuss how much they hate the Sils.  And Glenn is one!  If they find out, he'll lose their friendship -- or worse.

More after the break

The Binge: Skyler Gisondo's chest, two queer codes, some random naked guys, and a lot of queerbaiting



A review of The Binge (2020) praised the "strong friendship" between the central pair. Strong friendship means gay subtext, right?

So I sat through 20 minutes of a bad 1980s teen nerd comedy until the heteronormativity became overwhelming, then fast-forwarded to places where guys interacted without half-naked girls around.  Strong friendship means gay subtext, right? 

Not so much. Two queer codes, two queerbait characters, and 3,041 exclamations of "girls are the meaning of life!"

The premise: a new Prohibition.  All alcohol and narcotics are banned in the U.S., except one day a year you can have all you want.  This is ridiculous: The logistics of producing and distributing all of that booze would be a nightmare, and narcotics -- usually understood as opiates and opioids -- are very dangerous.  Combine them with booze, and you will die.  And what about the use of opioids as painkillers?  Anyhow, most abused drugs are stimulants like cocaine or hallucinogens like Ecstasy, and have little addiction potential.


The guys:
Griffin (Skyler Gisondo. top photo) and Hags (Dexter Darden, right. not what it looks like),  high school seniors, are eligible for their first Binge.  They want to go to a big binge party, because the Girls of Their Dreams will be there, and they can ask them to the prom and then to get married. (To stir things up, Griffin's girl happens to be the daughter of the over-protective Evil Principal).

Most of the movie involves their misadventures in attempting to get there.  Griffin gets his eyebrow shaved off.  They try to resurrect an injured cow, and get squirted with milk (presented as disgusting, although you pour it on your cereal every morning).  There's a ludicrously stupid song-and-dance number that goes on forever and ever.  



The queer codes
: The Evil Principal (Vince Vaughn, left), explaining the horrible things that happen to teens who binge, discusses a girl who "found herself on a private plane with twelve Saudi princes, never to be seen again."  Griffin asks Hags if he wants to end up that way: "On a private plane?  Absolutely!", implying that he wouldn't mind being the sex companion for a group of Saudi princes.  But then they begin discussing the Girls of their Dreams.

Near the end of the movie, the guys have broken up.  In a climactic scene, they cross a crowded dance floor to embrace.  That's an "affirming our love" moment.  But then they ask their girls to the prom.

Queerbait #1: They catch a ride with Pompano Mike (Tony Cavalero), who is driving a busload of half-naked girls to the party, but doesn't express any heterosexual desire of his own.


Queerbait #2:
Andrew (Eduardo Franco), who acts like a stoner even in the absence of marijuana, doesn't express any heterosexual interest; he tags along on the guys' quest just because he is an outcast at the high school, and wants friends.  Besides, another of Eduardo Franco's characters, Argyle, had a gay-subtext romance with Will Byers in Stranger Things

In a climactic scene, Andrew is arm wrestling with, I think Seb (Esteban Benito).  I was fast forwarding, so I don't know the back story.  He says "I love you!," and Seb responds "I love you. too."  Andrew is elated: "I've been waiting all my life for..."  Psych!  Seb was just trying to distract Andrew so he could win!  That sounds like a gay exchange.

Disillusionment and dicks after the break. Caution: arousal.

Jake Kelley's Hot/Hung Photos, Part 2: Modeling, arm wrestling, and nekkid cowboys

 


Jake Kelley, who played Young Eli, the Maniac K*d, in the Season 2 premiere of The Righteous Gemstones, has several other acting roles listed on the IMDB, including Dogwood and the Secrets that Bind Us.  But he thinks of himself primarily as a model.   





When he was in Los Angeles to model for  UScape Apparel (collegiate sweaters, t-shirts, and such), he took time off for a vacation.



Playing volleyball in Hermosa Beach.





Riding horses in San Luis Obispo.
















Nekkid cowboys after the break. Warning: explicit.