Matthew William Bishop: Leatherman, muscleman, actor, LGBTQ advocate. With nude bodybuilder bonus.

 

If you saw this guy standing outside a brownstone in New York, would you 

a) Run away screaming; 

b) ask for his phone number;

c) just drop to your knees.

How about now? 

He's Matthew William Bishop, who gave up a career in corporate public relations in 2021, when the acting bug bit.  His Some Kind of Wonderful, about four gay guy looking for love in Palm Springs, won four awards for Best LGBTQ Film. 

Then he hit the big time playing the silent supernatural Big Daddy, a symbol of AIDs in American Horror Story, NYC. (Set during the first years of the AIDS epidemic.)

Matthew is also a bodybuilder, obviously. He took first place at the 2023 Miami Muscle Beach Contest in the NPC Open Super Heavyweight Category.

And a philanthropist, devoted to recovery, AIDS awareness, and LGBTQ advocacy.  10% of the sales of this "Make the Deposits" shirt go to the New York LGBTQ Community Center, so it's probably not dirty.

This isn't supposed to be dirty, either, although a lot of the comments on his Instagram page were from people willing to "choke on it."

What they want to choke on, from his fitness model days.

More of "it" after the break

Fifty million Frenchmen can't be straight: Eight Bayeux boyfriends, Aix amis, and Parisian cocombres

 

You've probably heard the song "Fifty Million Frenchmen Can't Be Wrong":

They say the French are naughty

They say the French are bad

They all declare that over there

The French are going mad.

They have a reputation of being very gay

I just got back from Paris, and I just want to say:

It's true.

I spent a summer in Paris in grad school, and visited regularly until COVID squashed international travel, so I have quite a lot of memories of Parisian cocombres.

Images of people I know are posted with their permission

1. The Ballet School at the Opera National.

Go in the winter -- no crowds.  On Christmas Eve, the Louvre is deserted.

2. A Turkish musician

3.  On the train

Shakespeare and Company on the Left Bank, my favorite place in Paris.  Well, aside from that bar near the Centre Pompidou...

4. Garz dans le placard -- guy in the closet

More après la pause -- after the break.  Caution: explicit.

Bondage doesn't solve everything: a Kelvin/Keefe romance

The scene was especially intense tonight.  Kelvin, Keefe's boyfriend -- and for tonight, Master -- had him chained to a St. Andrew's cross, wearing a gigantic slave collar, the biggest in his collection, making it hard to breathe.  The nastiest alligator-clamps on his nipples.  And he was using a rider's crop on him!  

"Ow!" Keefe had subbed in a lot of BDSM scenes, back in the old days when he was Baby Queef, a performance artist at the Club Sinister, but he had never been into the pain part.   How about something fun, Babe, like edging me, or forcing me to do oral?   

"Ow!"  But Kelvin was new to BDSM, and not really good at reading his signals.  He wasn't even experienced in vanilla sex.  What do you expect from someone who grew up as the youngest child of world-famous megachurch pastor and televangelist Eli Gemstone, a role model (and teen idol) for millions of Christian kids?  That's a lot of pressure!  No wonder he was too guilt-ridden or worried about his image to do much sexual experimentation.

Kelvin unhooked his slave collar and pushed him down to his knees.  Oh boy, forced oral coming up!  Keefe thought.  But instead he got his horse whip and started on Keefe's chest. 

"Ow!"   Remember, he told himself, this is Kelvin, the love of your life.  You would do anything for him.  Keefe had been in love with him since Day 1, when Kelvin dragged him off-stage during a Baby Queef performance and moved him into his house.  But the preacher's son was deeply closeted: it took him over a year to say "I love you," and another before he would allow them to become intimate.  He still refused anal, either as the top or the bottom.  But that was fine...oral was all that Keefe needed. And kissing -- a lot of kissing. Maybe getting tied up and "forced" now and then, to spice things up.  

Is that really all I need? He asked himself.  Do I really want to spend my life on my knees, looking up at Kelvin?  Do I want a Master?

"This will teach you your place, Slave," Master was saying.  "You'll think twice before disobeying my orders again."

Huh?  What orders?  This was a scene -- a game.  Outside the dungeon, they were equal partners.  Weren't they?

"Wait -- Kelvin, are you punishing me for starting a teen group without your permission?"

"You will address me as Sir."

"I will address you as Kelvin.  Answer the question: Are you punishing me for starting a teen group without your permission? "  

"Ow!"  The whip came down on his back, hard.  He roared with pain and rage.  "Get me out of here, jackass!  Now!"

"The safe word is 'green.'"

"Green, green, green!"

Kelvin put down the whip.  "Ok, ok, hang on."  He started untying the ropes.  "What's wrong, Keefe?  I thought you liked this.  You're aroused"

"Kelvin, you're standing in front of me naked.  Of course I'm aroused"  His hands free, he removed the nipple clamps and sat down on a leather bench. 

"You know that love you," he began.  He had said it a hundred times before, but here, now, it felt different.  "But it's not like any other love I've ever felt.  It's white-hot, fierce, so intense that I lose myself.  Everything I want, everything I need falls away.  All I want is to look into your eyes forever."

"That's a good thing, right?" Kelvin said.  "You're everything I need, too."

"And you want it to happen," Keefe continued.  "I don't really have a job, with duties and a salary -- I do what you tell me to do.  If I make a suggestion, you dismiss me.  If I disagree with anything, you pout." 

"You apologized for starting that teen group without my permission," Kelvin said, "And I forgave you.  Why are you still harping on it?"

"Everything I own is either a gift from you or something I bought with your money. "  

"I didn't know you felt this way," Kelvin said, sarcastic.  "I'm sorry that I buy you things."

"I'm one of your accessories, someone to parade around so everybody thinks you're cool."  Suddenly the tears started up. "I want to share my life with you; I don't want you to be my life.  I want us to walk side by side, as partners.."

"But Keefe, you are my partner," Kelvin said, paling as he realized what was happening.

"No, I'm not.  I'm your boy toy."  The tears started.  He struggled to talk.   "I have to go.  Right now."  

"No, don't...I love you..." and as Keefe headed to the door.  "You can't go out like that.  At least let me take off the slave collar."

But he couldn't wait.  Kelvin followed for  a few steps.  "Wait..." he called, his voice cracking.  He was starting to cry, too.  "I love..."

Keefe ran up the stairs, across the foyer, and out of the house.  Should he go back inside to change clothes and pick up some car keys? No way -- if he turned back, he would collapse into Kelvin's arms. He took one of the golf carts and drove it, tears burning in his eyes, across the estate to Judy and BJ's house.  

Judy, Kelvin's older sister, answered the door. "Keefe, darlin', you're crying.  What's wrong?  Did that jackass Kelvin do something?  Did he hit you?"

"Not like that," he managed to stammer.  "I...I....think I left him." 

She led him to the couch in the parlor, and sat with her arm around his shoulders.  Soon BJ appeared, and sat on other side.  It took a moment for him to speak. "I need somewhere else to stay tonight.  And maybe...."  He broke down again.

"Of course you can stay here until you get things sorted out,"  Judy told him.  "And even if you don't.  You're part of the family, with or without Kelvin.  You'll always have a home here.  I'm sure Daddy will be happy to give you his father's house, since Gideon doesn't want it."

"It's too early for plans like that," BJ told her sternly.  "Right now we just need to get Keefe through the night.  Could you go into the kitchen and make us some tea?"

"I don't know how to make tea!" Judy protested. "Emilia always makes it."

"Oh -- just microwave some water and put a Lipton's teabag in it."

"Water will be fine, Judy," Keefe said.

She vanished into the kitchen.  BJ kept his arm around Keefe.  "Buddy, it's hard being the partner of a celebrity.  You're in their shadow so much that it feels like you're losing yourself.  I know from experience."

Keefe stared.  That was exactly what he said, half an hour ago.

"But you don't just let it end.  You have to fight.  Find some way to be your own man.  Find a life that doesn't revolve around him.  If he loves you, he'll accept that."

"Maybe I'll fight tomorrow," Keefe told him.  "Right now I'm too tired to think,"

"Oh, of course.  Stupid of me.  We'll get that collar off and find some pajamas for you to wear.  Will you be ok by yourself in the guest suite?  I could bed down on the couch in there. "

"No, that's ok.  I just want to sleep."

In the morning,  the housekeeper Emilia made turkey sausage, 12-grain toast, and a fruit parfait just for Keefe, but he couldn't eat more than a few bites.  At least he wasn't crying anymore, but...he had been with Kelvin almost every moment for the last three years.  Even having breakfast without him seemed strange.

"Morning, Brother."  Kelvin was there, right in the doorway!  Judy stood quickly to block his entry. 

"Can't I just talk to him?"  

She looked at Keefe for validation. He shook his head.

"You heard the man.  Get out!"

"Judy, I came to pick you up for the Salvation Center.  We have a board meeting in half an hour."

"That's a lie and you know it!  We always take separate cars..."  She glanced back at Keefe again.  "Oh, sorry, I forgot that I asked you to pick me up this morning."  She returned to the table, kissed BJ on the cheek, and hugged Keefe.  "Bye, y'all.  I wish I could come along on all the fun things BJ has planned for you today!"

Then they were gone.  Keefe watched for a long time, hoping that they would return for something, and he could see Kelvin again.  "What fun things do you have planned for us today?" he asked.

"Oh, Judy was just trying to make Kelvin mad.  In a few minutes I'll pop over to your house and get some of your stuff.  Then I'm free all day , if you want to do something -- go to the beach or Splash Mountain, or to a movie. Or we can just hang out here and play video games."

Keefe frowned.  "Don't go to any trouble on my account.  If you have somewhere to be..."

More after the break

Hank Strong: Bodybuilder, firefighter, enforcer, leatherman, gay daddy

The Brooklyn-born Hank Strong (Henry Akinsaya) graduated from Xaverian Brothers High School in Westfield, Massachustts in 1998, then studied pre-law at NYU.  

He competed in some amateur bodybuilding competitions, worked as a bodyguard, and did some modeling where he had to show his abs.  

His acting career began in 2018, when he was cast as Lunkhead, enforcer for the villain Zachary Trumble. in an episode of Gotham (2018).   

Hank moved on to play more enforcers, bodybuilders, and scowling musclemen, notably, the fighter Iron Long on Ray Donovan.

 

He appeared in two episodes of Godfather of Harlem as Big Dick Buster. Crime lord Bumpy Johnson, a real figure from the 1960s, keeps "Big Dick" on retainer to rape men who rape black women.

 

As a firefighter in The King of Staten Island, he takes his clothes off, of course, to bond with Pete Davidson.

In 2020, Hank played Jericho, a member of Kelvin's God Squad in Righteous Gemstones Season 2. When they threaten Keefe, he defends himself by swatting Jericho's nipple.  (Actually a courageous act, since Jericho is nearly a foot taller and 100 pounds heavier than Keefe).

More Hank after the break

Gemstones Episode 3.7: The handsome man, queerbaiting, misdirection, and me yelling "What the f*k!" a lot

Previous: Episode 3.6 Continued: Kelvin and Keefe fight, BJ and Stephen fight, and nobody likes hologram Aimee-Leigh

In Episode 3.6, we saw the aftermath of the Judy/BJ and Kelvin/Keefe breakups, with failed reconciliation attempts, a fist fight, and both Kelvin and Judy quitting their jobs at the church.  In this episode, things get even worse.

When I watched the first time, I kept yelling "What the f*k!", being annoyed and then outraged by the constant misdirections, chronological flubs, and queerbaiting. It looked very much like Danny McBride was telling us: "Kelvin and Keefe are straight buddies.  Fooled you!"

But that's impossible.  There were not only 200-plus queer codes, Season 1 and 2 both ended with affirmations of their love.  McBride didn't know if the series would be renewed, so each season finale might be the last we see of the characters.  And what we see is "They are in love," not "Keefe, I'd like you to meet my girlfriend."

Knowing what comes after,  I am going to re-watch this episode, looking for any evidence that suggests that saying "Kelvin and Keefe are just friends" does not mean that "Kelvin and Keefe are just friends."

Title: "Burn for burn, wound for wound, stripe for stripe."  Exodus 21:25. Fans argued like mad about trying to connect the burn/wound/stripe to the personalities or kidnapping strategies of the Gemstone siblings, but it's a misdirection. The previous verse has the more familiar "eye for eye, tooth for tooth." It just means that the punishment should fit the crime.

Burn for burn and all that:  During the evening of the day of the Aimee-Leigh Hologram debacle, the BJ-Stephen penis fight, and probably the Kelvin-Keefe rocking chair fight, Judy goes to a drug store to buy pain medication for BJ.  On her way home, goons from Peter's militia crunch her car with the Redeemer and grab her. 

Misdirection alert: the trailer makes it look like she is the one crunching. 

Chuck Montgomery tries to trick Jesse, and when that doesn't work, the goons shoot him with a tranquilizer dart.  

Kelvin bangs on the door at Woodpecker's Carpentry, yelling: "Are there any woodworkers in there? I'm looking for Keefe Chambers!"  Now that he's no longer worried about his job at the church, he's free to reconcile with Keefe.    But it's long after hours; the building is dark and deserted. Why would anyone be inside?  Besides, Keefe told Kelvin where he was working; wouldn't he give him his new address and phone number, too?

Imagine if someone were inside: "See, my ex-boyfriend and I had this big fight, and he doesn't want me to have his new number, and I don't know where he's staying...I need to see him...no, I am not a stalker!"

Six militia men wearing scary masks surround Kelvin.  The trailer makes him look paralyzed with fear, but actually he is quite brave, trying to intimidate them and then defend himself.  They punch and hit him, and squirt a toxic liquid into his eyes -- which stings but has no long term effects.  Why does Kelvin need six guys to take him down?  Why does he get a more brutal kidnapping?  I don't know.

Screaming like a woman:  The three siblings are put in what everyone calls a chicken silo, although chickens are housed in coops.  They are tied to chairs, with pillowcases over their heads.  What for?  You don't need to be imprisoned and tied up both.

Fans uncomfortable with the idea of gay relationships noticed that Kelvin's pillowcase resembles the trans pride flag, thereby signaling that he is actually a transgender woman.  Doubtful: Jesse's depicts the cartoon character Maisie Mouse. 

Kelvin yells for help. Uncle Peter enters and asks if he is "screaming like a woman," maybe a dig at his gayness, but more likely because he considers any emotion "like a woman."   He explains that the militia is holding them for ransom.

The handsome man: When Keefe arrives for work the next morning, he sees Kelvin's car with the doors still open, checks the ground for signs of a struggle, and asks his coworkers, "Have you seen The Handsome Man?"  This makes no sense, as Kelvin only visited once, for a few minutes, and most of the carpenters weren't paying attention.

Cut to Amber and BJ noticing that their partners didn't come home last night. Next, Eli, at the office even though he's retired and should be fishing, receives a scary video of Kelvin crying and Judy and Jesse screaming in rage.  The gay one has a "sensitive" reaction. Peter gives the ransom demand.  

Eli goes home and confronts May-May: "Your sons have fucked me over."  She denies that she has anything to do with the kidnapping.

Back at the chicken silo, the siblings complain about the heat and the food, and bicker.  Shouldn't they be praying?  They're religious, right?

Cut to BJ, Amber, Gideon, and Eli discussing the kidnapping with Sheriff Brenda. They were kidnapped in town, so it should be the Rogers Police. Notice that Keefe is not there.  Why didn't Eli call him?  Because his number has changed, because they have broken up, or because he is just a friend, not a partner?

The Freemans arrive.  Tiffany has made dolls of the siblings --very quickly -- "for you to hug and kiss until they come home safe."  She gives the Kelvin doll to Eli.  Same question: Why doesn't she save it for Keefe? Because  they have broken up, or because they were never partners to begin with?

Geography problem: How did they get to Eli's house so fast?  Don't they live in Florida?  

The trailer made it seem like the militia sent the dolls, adding a hint of the paranormal that turned out to be a misdirection.  Still, they look like Gullah Island voodoo dolls: "You can hug and kiss them until your loved ones come home safe.  And if they ever stray, you can make their privates fall off." 

More queerbaiting after the break

Shane Michael Parker: Soldier, stunt cock, wolf fan, gay BDSM performer?

Shane Michael Parker was "proudly born" in 1994, grew up in Ohio, spent time overseas in the military, and moved to South Carolina in 2016, at the age of 22, to pursue an acting career. Why, was Los Angeles full? 

As Shane Miclette, he worked as a production assistant on the horror movies Separation and Scream (2022).  He filmed an appearance as Matthew in the second season of Outer Banks (2021) but his scene was cut.

As Shane Michael Parker, he played a Confederate soldier in Lessons from Ebenezer Creek, (2021), about a massacre of recently enslaved African Americans in North Carolina in 1864.

His most impressive role to date is in  Righteous Gemstones Episode 2.1, a flashback to 1968, when Young Eli, the Maniac Kid, bests his opponent in a huge wrestling arena, then goes back to the locker room to talk to his manager, Glendon Marsh.   

A muscular naked guy walks from the showers across the scene. Glendon says   "Nice cock, Ernie."

There is no "Ernie" in the cast list. Either Glendon is talking about someone off-stage, or the naked guy's name was changed to Jason, played by Shane.

Glendon's son Junior gawks at Jason's dick, so overwhelmed that he trips, then catches himself and turns to peek at his bare butt.  

The gay/bi coding continues when the elderly Junior shows up in Charleston to reunite with his old friend or boyfriend Eli.

Of course, I wanted to learn more about this guy whose dick is so instrumental in establishing the gay-subtext Eli-Junior friendship in Season 2.

Shane doesn't have much of an online presence,  so I haven't found out much about him except that he has one or two kids, both girls, and he lives in a small town about two hours from Charleston.   

There are some photos online of Shane with a wife or girlfriend, and on a visit to Wolf Country USA in Palmer, Alaska, which closed in 2011 after the owner was fined for owning and selling wolf hybrids. So Shane was about 16?

Shane himself was arrested in November 2022 for telephone harassment: "repeatedly contacting and threatening the victim by phone."  He also had a felony fugitive warrant from Ohio.So maybe the name change has to do with the fugitive warrant?   

A search for nude photos on dating sites yields only a blurry butt pic.  And this:

Naked Shane, probably, after the break

Gemstones Episode 3.1: Kelvin collects cocks, the Simpkins smirk, and Dusty Daniels flirts. With a Brazilian beefcake bonus.

Previous: Season 2 Finale: The Godfather, Butch and Sundance, random nude dudes, and "My love for you will never die"

The Season 2 finale of The Righteous Gemstones  aired in February 2022.  Season 3 premieres in June 2023, sixteen months later, but the timeline in the Gemstone universe doesn't fit.  Plus personalities and back stories are different.  As with Season 2, it will be more profitable -- and more fun -- to enter fresh, pretending that we have never seen or heard of these people before.

Title: "For I Know the Plans I Have for You."  Jeremiah 29:11: "For I know the plans I have for you, declares the Lord, plans to prosper you and not to harm you, plans to give you hope and a future." I hope so, because word on the street is that this season gets very dark.

Rogers County Fair, 2000:  The teenage Jesse Gemstone is announcing a demolition derby featuring his monster truck, the Redeemer, while his parents, megachurch pastor Eli Gemstone and his wife Aimee-Leigh, argue: the Redeemer is putting butts in seats, but is this really appropriate for a Christian ministry?   What are we going to do next, sell beer?  At that moment, a muscle hunk comes by selling beer!

Eli and Aimee-Leigh's three kids look very young, but according to the fan wiki, Jesse is 19, Judy is 15, and Kelvin is 9 or 10.

While Aimee-Leigh is off smoking a cigarette, May-May, a shabbily-dressed middle-aged woman, approaches, furious: "You pretend to be all sweet and caring, but I know the truth -- what you done to my family."  She attacks; Aimee-Leigh runs through the crowd, screaming for help, but May-May catches up and hits her with a wrench. As she lies bleeding on the ground, a car hits -- May-May! 

Eli Retires: Present day. Time to introduce the main conflicts of the season.  First up: the now-elderly Eli is hanging out with his Mason-like Cape and Pistol Society. They ask how he's enjoying his retirement.  Actually, he's only semi-retired: he's writing another autobiography and taking speaking engagements, but his kids are running the church. Gulp!  His friend: "You scared your kids are gonna blow it?"  

Cut to Zion's Landing, the Gemstones' Christian-themed resort. The 42-year old Jesse and his crew confront Eli's driver.  In joke: his name is Walker!  He squealed to the press about the dwindling membership and donations since the kids took over, so they beat him up and fire him. Pretending to have never seen these characters before, I am shocked.  Christian ministers are often shady and hypocritical, but violent? What if someone sees?

A Cold Fish Kiss: Eli's second child, Judy, is now a famous singer.  She has just returned from a tour, and her husband BJ wants to snuggle, but she yells at him for pressuring her, gives him a "cold fish kiss," and runs out again.  Uh-oh, marital trouble.

Smut Busters: The primary conflict, judging from the amount of air time it gets: someone named Keefe is showing the youngest son, 32 or 33 -year old Kelvin, a giant novelty dildio.  He exclaims with glee, "That is gonna hurt!"  So he's an anal bottom, and Keefe is his boyfriend, showing him their new toy.

We pan out to see kids examining a pile of sex toys, mostly dildos and butt plugs of various sizes and shapes, intended for gay men.  Notice the "Size Queen" dildo. 

Psych!  Kelvin and Keefe are actually youth ministers, running an anti-sex toy project.  I guess: notice the t-shirts, with the name "Smut Busters" over a splatter of...jizz?   They buy out the inventory of local adult stores, to force them into bankruptcy.  Wait -- anyone know basic economics?  

The youth group kids, also in Smut Busters t-shirts, are just examining the latest haul.  Do they take the kids to the adult stores?  They wouldn't be allowed inside.  Besides,  "exposing children to sex" is a misdemeanor.  

They ask the kids and adult volunteer Taryn to join them in the Smut Buster chant: "No smut (touch nipples),  no lust (feminine hip wiggle), no coconuts (hands to waist, grimace)." No one joins in.  

After extensive research, I conclude that "coconuts" doesn't have a symbolic meaning, except maybe to evoke testicles.  It was chosen for  its near-rhyme. The chant reflects the playground phrase "no butts, no cuts, no coconuts" (no cutting in line), and its variation, "No ifs, no buts, no coconuts" (no disagreeing).

Left: coconuts

Pretending to have never seen these characters before,  I conclude that they are a gay couple: notice how Kelvin plays with Keefe's nipple, an intimacy that platonic pals would not enjoy, how Keefe gets all bitchy around Taryn, and how most of the sex toys they buy are for gay men.  They can't conceive of something used by straight men as erotic: "There's a naked lady on the box.  Keefe, I said sexy, not disgusting!" 

So the main conflicts of the season will involve the transition of power, marital problems, and coming out. 

The Primitive Tribe: At church, the siblings are bragging about their missionary trip, where they brought Lasik Surgery to an isolated tribe in the Amazon.  They are completely clueless; surgery to correct astigmatism must be the most trivial of the group's medical needs.  Plus the depiction of a "primitive tribe" veers uncomfortably close to racism.

Left: An Amazonian.

More after the break

"Cruising": Homophobic classic about sin, degradation, and dicks in a doomed gay world. With a nude Mr. Big.

During the 1970s and 1980s, gay men appeared in movies almost exclusively as limp-wristed hairdressers and drag queens with murderous split personalities.  Cruising, 1980, promised something different: gay men with apartments, jobs, and hangouts; and who were masculine, actually super-macho, with muscles, club bulges, and leather chaps.

Sounds like fun, right?  Wrong.

The tv promo said only that Al Pacino would play a cop who "disappears into the darkness," and the theatrical trail showed him putting on makeup, plus men dancing together, and brief flashes of the words "homosexual,"  "violence," "murder," "fear," and "sex").  
The movie wasn't playing in Rock Island, so one cold Saturday my boyfriend Fred and I drove an hour west to the college town of Iowa City to see our first gay movie, ever.

The plot: in sleazy, decadent gay bar, a "homosexual" played by Arnaldo Santana cruises a mysterious stranger.  After discussing what turned them gay, they go home together, where the stranger politely asks the "homosexual," to lie still while he stabs him to death.  Santana complies!

During the 1970s, criminologists often theorized about why gay men would pick up total strangers for sex.  Some said that they were unable to control their "deviant" sexual desires, and others, that they were looking for a quick, easy way to destroy society by "wasting their seed" instead of making a baby. But most said that they felt so guilty over being gay that they wanted to be murdered.

More bar pickups, more murders. There's a gay serial killer out there "targeting his own!"  Police detective Steve Burns (Al Pacino) is asked to go undercover and catch him.  

So he moves into a sleazy apartment in the bad part of town, puts on a leather vest, applies makeup, and goes cruising.

He befriends his next door neighbor (Don Scardino), but runs afoul of Ted's effeminate, histrionic dancer-boyfriend (James Remar).

Occasionally Steve sees his girlfriend, but he becomes less and less interested in her as he is infected by the "gay lifestyle."

More sin, degradation, and dicks after the break