Gemstones Episode 4.9, Continued: Do the siblings really die? Do Kelvin and Keefe really get married? Plus some random cocks to get you through it.

Previous: Gemstones Episode 4.9: Corey moonwalks, Pontius hugs, and BJ greases his pole.  Plus two hunkoids on crosses

Earlier in the episode, Corey asks for $7 million to keep the Gator Farm open, but Eli and the siblings refuse.  This causes a meltdown.  To defuse the situation, the siblings push Corey out to play cornhole, and Eli takes the rest of the family out on his boat.

Cornhole with Corey: The siblings say that they'll help any way that they can, other than giving you $7 million, of course.

Kelvin's $5,000 shirt is stained with chocolate, so he runs upstairs to change, and hears his mama whisper to him.  There she is!  Or is it someone else, masquerading as Aimee-Leigh for a nefarious purpose?

She leads him into Corey's room, for some reason, then vanishes.  Look, it's Corey's bag, with a gun inside, and the Gold-Plated Bible!  Wait -- why would Aimee-Leigh want to point out the Bible?  All it does is implicate Corey as an accessory in Cobb's theft.  And why would Corey bring it along on a weekend at the lake house?

Suddenly Corey is there.  "Why you sniffing my underwear?"

Kelvin quickly shoves the Bible in his back pocket. "Oh -- um, I was looking for a shirt to wear...I must have walked in the wrong room."   

"Is that all?" He stumbles and stutters, but Corey lets him leave.

He rushes down and shows the Bible to the siblings. 

Corey Comes Clean: Uh-oh, here's Corey.  He explains that Cobb stole the Bible, but gave it to him because he kept his mouth shut about th eome invasion.  Afterwards, he helped Cobb.  They called it the "Ex-Boyfriends Club": whenever Lori found a new guy, it was time for a meeting of the Ex-Boyfriend's Club: "And then we would handle things, one way or another."  You're confessing all this because Kelvin found the Bible?

Flashback to Corey watching from his car as Cobb beats up a guy with a board.

"At first Dad would just fight them.  Then things got worse and worse."

A guy falls out of the back of the Gator Farm truck and tries to run, but Cobb shoots him.

"Daddy was a monster. By the time we got to Big Dick Mitch, I was a monster, too."  

So Cobb and Corey have been taking care of the boyfriends for 20 year, and Lori never noticed?  Surely one of the beat-up guys would mention it instead of just ghosting her.

Next question: Is Big Dick th only boyfriend that Cobb kept as a sex slave, or were there others?

Corey heads back into the house.  The siblings think he's going to kill himself, and follow.

A selfie of a random twink, to steel you up for what happens next.

The Siblings Die: Once they reach the house, Corey starts shooting. Judy is down!  Jesse and Kelvin run!

Meanwhile, on the boat, Gideon hears gunshots.  

Corey turns up the music loud, so they won't hear as he chases Jesse and Kelvin through the house: UB40, "Red Red Wine."

All I can do, I've done.  Memories won't go.

I'd have sworn, that with time thoughts of you would leave my head

I was wrong  -- now I find just one thing makes me forget

Corey brought the Golden Bible to the Lake House because covering up for Cobb that night marked the beginning of his descent. If the siblings gave him the money, things might have been different -- maybe he would have returned it to get closure -- but their rejection suggests that he can't be redeemed. He will die a monster. So he goes after them.

Kelvin rushes into Eli's room.  Corey follows him and checks under the bed.  Not there; he jumps out from behind a curtain and attacks.  Corey shoots him.  Notice the parallel with the home invasion; Kelvin is no longer afraid.

Next Corey shoots through a closet door, and Jesse collapses -- but still alive!  

Out of bullets, Corey heads out to his truck and starts assembling a high-power rifle.  The siblings crawl toward each other, alive but injured.  I already knew that a wedding was coming up.  At this point I was wondering if it was a dream sequence, or Eli marrying Lori.

Jesse has a gun in his room, but they're too weak to climb the stairs. So Judy rings for the Monkey, and tells it to go upstairs and fetch Jesse's purse.

The Monkey brings it, and as Corey walks in with his rifle, Jesse shoots him. 

The siblings hover over him as he is dying. "I'm sorry, y'all," he tells them.

Corey has realized that he isn't a monster after all.  Like the boys dying during the Civil War, he killed not out of a violent nature, but because he was forced.  Now he is dying, and scared.  He asks the siblings to pray for him.

Knowing that they are dying, too, the siblings also pray for themselves, evoking the pain that has kept them from God, and from each other, through four seasons:

Judy: Anger

Kelvin: Fear

Jesse: Jealousy

For all of them: The belief that they are not worthy of love.  

Of course they aren't.  None of us are.  But by some miracle, we are loved anyway.

Lord, I am not worthy to receive you, but only say the word, and I shall be healed.

More after the break.  Caution: Explicit.

Gemstones Episode 4.8, Continued: We finally see Big Dick Mitch, the boy named Stacy, a serial killer, and a lot of tied-up guys

Previous: Gemstones Episode 4.8: BJ's hookup, Corey's birthday blade, and Tyler's tree trunk

Earlier in the episode, we saw the homophobic Vance Simkins dragged offstage, BJ walking again, Teenjus in a dance competition, and Cobb gifting Corey with a very special knife.  

The Songs Aimee-Leigh and Lori Wrote:    The siblings are ending a very long board meeting.  They're anxious to go home, but Martin insists on bringing in one last visitor.  What is he, their receptionist?

It's Lori!  She needs to talk to Eli, but he won't answer her calls or texts.  They growl and posture, and yell about how much they hate her, until she proves that she loved Aimee-Leigh, and them.

 1. When Judy was a few months old, they had to drive to Nashville for a show, and Aimee-Leigh missed her so much that she couldn't stop crying.  So they wrote "Little Angels, Big Hearts." Why did you leave your three-month old baby at home? And by the way, that's an eight-hour drive.  You'd better fly.

2. When Kelvin was about 12, he was in a piano concert in Atlanta.  He forgot his lucky shoes, but Mama convinced him to play anyhow.  And they wrote "Barefoot and Praying."  Why does Kelvin's musical talent appear in flashbacks, but never in the present?  He doesn't even own a piano.

3. When Gideon was a baby, he got a fever, and they didn't know if he would make it.  Jesse stayed up all night, holding his hand, and they wrote "Heaven's Thunder," about finding the strength to never give up.  Hey, I'm tearing up. My dad stayed up all night with me once when I was sick.   

This actually proves that Aimee-Leigh loved them, not Lori, but the siblings are moved, and agree to help her contact Eli. 

Big Dick Mitch:  After their lunch,  Eli and Baby Billy get into their car.  Suddenly they get darted, and go unconscious!   In the middle of the afternoon , in the parking lot of a restaurant?  

They awaken several hours later, tied up in a concrete room, with a naked, collared man who says he was kidnapped.

Eli: "Are you Big Dick Mitch?"

Baby Billy: "That's an odd thing to comment on."  Dude can't help it if he likes dicks, Baby Billy. Remember, he dated Junior.

Notice that Big Dick Mitch is actually quite small. Lori would know this.  I think Cobb gave him the nickname to embarrass him, and told his son -- uh-oh, Corey is in on it, or at least aware of it and protecting Cobb.

Mitch is played by Regan Burns, an actor and comedian best known as the Dad on Dog with a Blog  He has 83 credits on the IMDB.

Cobb enters and introduces Mitch as "a good boy," using a taser to keep him cowering.  He explains that  "I keep Mitch alive because he entertains me," implying that he usually kills Lori's boyfriends.

He's not sure if he will kill Eli and Baby Billy, or break them down, "see how long it takes you to crack, make y'all my womans."  

"You ain't gonna make me a woman!" Baby Billy exclaims.

"I'll make you whatever I want."  He unzips and pulls it out (unseen).  Mitch whimpers as he starts to lower into position for sucking his dick.  Then suddenly Stacy pages him: "the police are here.  They'd like a word."

Stacy is actually a guy, played by Michael Berthold.  Cobb seems to be promoting traditional hegemonic masculinity with the contention that someone who plays a passive role in same-sex activity is a "woman," yet he doesn't seem bothered by a long-haired, androgynous boy with a girl's name?

Michael Berthold grew up in Apopka, north of Orlando, Florida, and as of this writing is a student at the University of Florida, Gainsville.  He has 28 acting credits on the IMDB, including Billy the Fetus (2016), for which he won a Young Actors Award, and  The Peanut Butter Falcon (2019), where he worked with Shia LaBeouf.

And he owns a Great Dane.

More after the break

Jeremy Renner: A gay serial killer, some gay subtext roles, some homophobia, and a j/o video

 

I wanted to do a profile of Jeremy Renner, the one-time roommate of Kristoffer Winter, who may or may not have dated my friend Infinite Chazz in West Hollywood.  But there are problems: few nude photos, not much beefcake, and he's extremely homophobic. 

Addressing the rumors that he's bisexual because he was living with a man and a woman, he cursed "they're not f*** true!"  Same thing when he dumped both to move in with Kristoffer Winters, who may or may not have dated my friend Infinite Chazz in West Hollywood: "Believe whatever you f*king want!"

By the way, his favorite movie is the deeply homophobic Braveheart, which he's seen 35 times.  

Jeremy will not be playing a gay character anytime soon -- God help the agent who suggests it! -- but oddly, there are obviously unintentional gay subtexts in some of his movies, beginning with the first, National Lampoon's Senior Trip, 1995: stoner Dags has a buddy.

And A Friend's Betrayal, 1996. He's not the one doing the betraying, but he does have a buddy, Brian Austin Green.

How about a fey vampire who preys on teenage boys in a 2000 episode of Angel?

Or a 2002 biopic of Jeffrey Dahmer, the serial killer who preyed on teenage boys?  Why would the homophobic Jeremy accept such a role?

Jeremy gives us some rear nudity in Twelve and Holding, 2005:  "A 12-year old boy and his friends face the harsh realities of death, teenage hormones, and family dysfunction." 100 to 1 the "hormones" mean the 12-year old gets down with a girl.

More nude Jeremy after the break

"My Friend Dahmer": How did they avoid the myth that all gay men are murderers? With bonus Kartheiser cock

 

I wanted to review My Friend Dahmer, because it stars Ross Lynch and Alex Wolff, two of the top teen idols of the 2000s, and both strong gay allies.

Plus perennial gay-subtext favorite Tommy Nelson and several gay actors, such as Harry Holzer, left, and Cameron McKendry.

And Vincent Kartheiser, who played the surly son of the vampire/  private investigator Angel,  then grew up to star as Pete Campbell in Mad Men. 

But could I stomach it?

When Jeffrey Dahmer was convicted of killing, dismembering, and eating 17 young men between 1978 and 1991, homophobes were jubilant: "This proves what we've been trying to tell you: all gay men are murderers!"  

As early as the 1920s, Freudian psychologists like Wilhelm Stekel proclaimed that "overt homosexuals" were responsible for most murders and rapes, and men with "repressed homosexual conflict," for most other crimes.  Through the 1960s, criminologists and sociologists generally agreed. Talcott Parsons argued that Nazi concentration camp commanders were all gay, since no one else would enjoy genocide.

During the 1970s and 1980s, criminologists promoted the myth of "uncontrollable rages" that resulted in almost all gay men murdering their partners, or being murdered.  Or they figured that the main reason men have sex with each other is to satisfy "an inner fury against prolonging the race," that is, to kill future generations. 

Today articles and books in the field of criminology ignore LGBT people except as victims of hate crimes and domestic violence, and in lists of deviants on "the margins of society":

Drunks, vagrants, paupers, homosexuals, prostitutes

Homosexuals, murderers, vagrants, scum

Homosexuals, infanticides, cannibals, murderers

Given the ongoing homophobia in contemporary criminology, how the hell could you make a movie about Jeffrey Dahmer without falling back on the old myth that to be gay is to be a murderer?

Some of the reviews seem to be promoting the myth: it's about "a gay, cannibalistic serial killer," placing gay, cannibal, and serial killer as equally disturbing. Ross Lynch commented in Out Magazine about playing a "gay necrophile." 

Gulp.  Well, here goes...

My Friend Dahmer is based on the memoir-comic book of John Backderf, named Derf here (Alex Wolff), who befriended the young Jeff  (Ross Lynch) when they were in high school in 1977-78.  They begin hanging out with a crew of homophobic bullies played by Tommy Nelson and Harry Holzer. 

The gang is also racist, anti-Semitic, ableist -- whew. Even for the 1970s, that's a bit much.

They have fun mocking interior designer Mr. Fedele, who is gay and has cerebral palsy.  They even pay Jeff to imitate his behavior in the mall, and video tape it. 

More after the break.  Warning: explicit.