Gemstones Episode 3.7: The handsome man, queerbaiting, misdirection, and me yelling "What the f*k!" a lot

Previous: Episode 3.6 Continued: Kelvin and Keefe fight, BJ and Stephen fight, and nobody likes hologram Aimee-Leigh

In Episode 3.6, we saw the aftermath of the Judy/BJ and Kelvin/Keefe breakups, with failed reconciliation attempts, a fist fight, and both Kelvin and Judy quitting their jobs at the church.  In this episode, things get even worse.

When I watched the first time, I kept yelling "What the f*k!", being annoyed and then outraged by the constant misdirections, chronological flubs, and queerbaiting. It looked very much like Danny McBride was telling us: "Kelvin and Keefe are straight buddies.  Fooled you!"

But that's impossible.  There were not only 200-plus queer codes, Season 1 and 2 both ended with affirmations of their love.  McBride didn't know if the series would be renewed, so each season finale might be the last we see of the characters.  And what we see is "They are in love," not "Keefe, I'd like you to meet my girlfriend."

Knowing what comes after,  I am going to re-watch this episode, looking for any evidence that suggests that saying "Kelvin and Keefe are just friends" does not mean that "Kelvin and Keefe are just friends."

Title: "Burn for burn, wound for wound, stripe for stripe."  Exodus 21:25. Fans argued like mad about trying to connect the burn/wound/stripe to the personalities or kidnapping strategies of the Gemstone siblings, but it's a misdirection. The previous verse has the more familiar "eye for eye, tooth for tooth." It just means that the punishment should fit the crime.

Burn for burn and all that:  During the evening of the day of the Aimee-Leigh Hologram debacle, the BJ-Stephen penis fight, and probably the Kelvin-Keefe rocking chair fight, Judy goes to a drug store to buy pain medication for BJ.  On her way home, goons from Peter's militia crunch her car with the Redeemer and grab her. 

Misdirection alert: the trailer makes it look like she is the one crunching. 

Chuck Montgomery tries to trick Jesse, and when that doesn't work, the goons shoot him with a tranquilizer dart.  

Kelvin bangs on the door at Woodpecker's Carpentry, yelling: "Are there any woodworkers in there? I'm looking for Keefe Chambers!"  Now that he's no longer worried about his job at the church, he's free to reconcile with Keefe.    But it's long after hours; the building is dark and deserted. Why would anyone be inside?  Besides, Keefe told Kelvin where he was working; wouldn't he give him his new address and phone number, too?

Imagine if someone were inside: "See, my ex-boyfriend and I had this big fight, and he doesn't want me to have his new number, and I don't know where he's staying...I need to see him...no, I am not a stalker!"

Six militia men wearing scary masks surround Kelvin.  The trailer makes him look paralyzed with fear, but actually he is quite brave, trying to intimidate them and then defend himself.  They punch and hit him, and squirt a toxic liquid into his eyes -- which stings but has no long term effects.  Why does Kelvin need six guys to take him down?  Why does he get a more brutal kidnapping?  I don't know.

Screaming like a woman:  The three siblings are put in what everyone calls a chicken silo, although chickens are housed in coops.  They are tied to chairs, with pillowcases over their heads.  What for?  You don't need to be imprisoned and tied up both.

Fans uncomfortable with the idea of gay relationships noticed that Kelvin's pillowcase resembles the trans pride flag, thereby signaling that he is actually a transgender woman.  Doubtful: Jesse's depicts the cartoon character Maisie Mouse. 

Kelvin yells for help. Uncle Peter enters and asks if he is "screaming like a woman," maybe a dig at his gayness, but more likely because he considers any emotion "like a woman."   He explains that the militia is holding them for ransom.

The handsome man: When Keefe arrives for work the next morning, he sees Kelvin's car with the doors still open, checks the ground for signs of a struggle, and asks his coworkers, "Have you seen The Handsome Man?"  This makes no sense, as Kelvin only visited once, for a few minutes, and most of the carpenters weren't paying attention.

Cut to Amber and BJ noticing that their partners didn't come home last night. Next, Eli, at the office even though he's retired and should be fishing, receives a scary video of Kelvin crying and Judy and Jesse screaming in rage.  The gay one has a "sensitive" reaction. Peter gives the ransom demand.  

Eli goes home and confronts May-May: "Your sons have fucked me over."  She denies that she has anything to do with the kidnapping.

Back at the chicken silo, the siblings complain about the heat and the food, and bicker.  Shouldn't they be praying?  They're religious, right?

Cut to BJ, Amber, Gideon, and Eli discussing the kidnapping with Sheriff Brenda. They were kidnapped in town, so it should be the Rogers Police. Notice that Keefe is not there.  Why didn't Eli call him?  Because his number has changed, because they have broken up, or because he is just a friend, not a partner?

The Freemans arrive.  Tiffany has made dolls of the siblings --very quickly -- "for you to hug and kiss until they come home safe."  She gives the Kelvin doll to Eli.  Same question: Why doesn't she save it for Keefe? Because  they have broken up, or because they were never partners to begin with?

Geography problem: How did they get to Eli's house so fast?  Don't they live in Florida?  

The trailer made it seem like the militia sent the dolls, adding a hint of the paranormal that turned out to be a misdirection.  Still, they look like Gullah Island voodoo dolls: "You can hug and kiss them until your loved ones come home safe.  And if they ever stray, you can make their privates fall off." 

More queerbaiting after the break

Michael Provost: Perennial heterosexual boyfriend with some nude pics and maybe a coming out video

Now I'm collecting Michaels.  

Remember the butts identified as "Michael Provost" in the Gavin Munn photo collection?  I did some research, and discovered that he is an actor born in 1998, in Atlanta or Bridgeport, Connecticut, depending on who you believe, known for Insatiable, The Holdovers, Lucifer, and Fear Street.  

Also he's apparently gay.  TikTok has a number of videos dedicated to "Michael Provost" coming out.  So let's check for gay roles or subtexts.

The Case for Christ (2017). Probably not.

Lucifer Episode 4.8 (2019).  Reformed Big Bad Amenadiel(D.B. Woodside) mentors Michael's Nate Mifflin, whose parents are divorcing. Nope.

Insatiable (2018-19): a girl who is bullied for being fat becomes thin and sets out to get revenge and win a beauty pageant Bob Armstrong(Brett Rice), her beauty pageant mentor, has a long, slow, painful coming-out. and begins dating long-term antagonist Bob Barnard  (Christopher Gorham).  

Michael plays Brick Armstrong, Bob's son, who is heterosexual: he has an affair with an older woman before settling down with the formerly-fat girl.  He does get several semi-nude and rear nudity scenes.

Saving Zoe (2019).  A girl named Echo and her boyfriend, Michael, investigate the murder of her older sister.  Nope.

Most Guys are Losers (2020). College boy Michael seeks the approval of his girlfriend's dad, who wrote a book, Most Guys are Losers.  Nope.

Plan B: When a girl's crush, Michael, leaves a party with another girl, she gets even by having sex with a loser, and has to track down a Plan B, post-coitus contraceptive, before she gets pregnant. There's a trans character, but I think Michael is straight.

Fear Street:Two sisters at a summer camp in 1978.  One has sex with Michael.  

It's not looking good so far.  I'll just check one more.

The Holdovers (2023). "Holdovers" are people who have to stay at a fancy prep school during the 1970  Christmas holiday: A cranky Classics teacher, a grieving cook, and some students, including jock Jason (Michael).  Two youtube guys with the bizarre name "the gay homosexuals" promise spoilers, but the first 10 minutes of their 30-minute review didn't reveal any gay subtexts. But Jason gets a girlfriend, quite a feat in an all-boy school.

More Michael after the break.  Warning: Explicit

The naked press bro on the bus with "The Girls on the Bus"

 

I wasn't planning to watch The Girls on the Bus, on Netflix:  a political satire about lady journalists covering a flawed presidential campaign.  Politics are at the bottom of my list of interests, and four ladies bonding won't leave much time for guys. But then I found a scene in Episode 1.6 where Peter Kendall, playing a "Press Bro," jumps out of a stalled bus naked and runs around, giving us frontal and rear shots. 

I wanted the full story. Is he being chased?  Did he see something he shouldn't have?  Did a jealous boyfriend catch him in the act?

The girls are Sadie, who writes for the New York Times...um, Sentinel; Grace, a seasoned career journalist from a previous generation; Kimberly, who works for the racist Fox...I mean Liberty News Network, even though she's black; and social media influencer Lola.

Scene 1: The scene of the guy running naked from the bus while the voice over tells us about the importance of debating issues: "This country was founded on argument."  Inside the bus, the journalists are drinking, screaming, bouncing into each other, eating sandwiches, squirting whipped cream, and laughing hysterically, like a frat party on crack.  

Scene 2: Six hours earlier. Sadie the print journalist and Grace the veteran are in a hotel room, examining billionaires for scandals that they can use to take them down.  Meanwhile, Lola the social influencer and her girlfriend are smooching and discussing the clothes they will need for the upcoming trip to a candidate debate in Minnesota. Hey, when I searched for gay or lesbian characters in this show, Autostraddle complained that there were none!   

Lola's manager calls to ask why she hasn't posted for six hours: she needs to be pushing the alcoholic whipped cream, or she'll lose her sponsers, and her $5,000 a week spot at the Clubhouse.  Lola tries to explain that she's been networking, as her girlfriend smooches all over her.

How many girls are there on this thing?  IMDB says that there are only four, but I've counted six so far, and no boys.

Scene 3:  Sadie the newspaper journalist is interviewing Benji about how he is going to capitalize on Walker's victory in South Carolina. He answers with vague doublespeak. Malcolm (Brandon Scott), her ex-boyfriend, accuses her of trying to make him look bad by interrogating his boss. 

She explains that their romance was a conflict of interest, so now everything she says about Walker, the presidential candidate, is suspect.  She can't  be seen talking to him, or she'll be fired.

Left: Brandon Scott's backside.

Scene 4: Waiting to board the bus for the Minnesota presidential debate, Kimmy, the racist-news broadcaster, tells her on-air partner how they can get more airtime: show her boobs.  He disagrees. The other girls discuss their romantic entanglements. 

Uh-oh, Malcolm is getting on the bus. There are lots of other ways to get to Minnesota, so his ex Sadie concludes he is there just to mess with her.

More after the break

Eight staunch Scotsmen with right proper stauners under their sporrans

Since A Discovery of Witches features staunch Scotsman Adam Stevenson, features a Scotch comedian trapped in London, and one of Robert Oberst's strong men was Scottish, I figured it was time for some Scots studs. 

A kilt malfunction in Edinburgh.

Pub mates in St. Andrews, site of the most prestigious university in Scotland.

Pub mate stauner -- a semi. 

St. Andrews prof explores his kinky side.

There are about 60,000 Scots Gaelic speakers in Scotland, mostly in the Hebrides.  You often hear it spoken in Stornoway, on the Isle of Lewis.

Vietnamese-Scots chub from Stornoway, skittish about showing his tadger.

The Callanish Stones, Lewis

More Scotsmen after the break. Warning: explicit.

Gemstones Episode 3.6 Continued: Kelvin and Keefe fight, BJ and Stephen fight, and nobody likes hologram Aimee-Leigh

Previous: Episode 3.6: BJ swallows a lot, Keefe learns about hard wood, and Kelvin gets a girlfriend

In the earlier scenes of this episode, Kelvin attempts a reconciliation, but when he sees that Keefe is doing fine without him, he gets all bitchy and flubs it.  Later, he "works some things out," apparently decides to pursue the heterosexual trajectory, and prepares to ask Taryn for a date. As they are putting away gym mats and flirting....

The Second Reconciliation Attempt: Keefe enters with a rocking chair carved with Kelvin's name on a tree. This is way too much for a "let's stay friends" gift: he is attempting a reconciliation. You're the one who left, dude. You could just ask to get back together.

He is not wearing a sexy outfit; actually he is sweaty and rather disheveled, as if he rushed over the moment he finished the chair.  

Why a rocking chair for an athletic 34-year old?  "This is true love: we'll be together forever."  I am reminded of Robert Browning's famous lines from "Rabbi ben Ezra": "Grow old with me -- the best is yet to be."  But viewers may be more familiar with John Lennon's version:

Grow old along with me. Two branches of one tree.

Face the setting sun when the day is done

Or Tom Odell's:

Grow old with me. Let us share what we see, and the best it could be

You'll be the one who makes me hurt, makes me come

Makes me feel like I'm real

Keefe expected Kelvin to be alone to accept his gesture.  Nope, Taryn is there.  He knows that the youth group has just ended out, and that Taryn is the new assistant youth minister; why wouldn't she be there?

Kelvin looks nervous and decidedly guilty, as if he has been caught cheating; he pulls Keefe into a bro-hug, asks inane questions ("Is that chair made of wood?"), and stammers "We were just...um...we..." until Taryn takes over and explains that they are just working together.  

Platonic pal advocates, pay attention:  Taryn wouldn't think it necessary to inform Kelvin's buddy that he has nothing to worry about, they are not having an affair.  Either she has inferred that they are lovers, or one of the guys told her.   

Keefe turns on the jealousy, and asks if Taryn has replaced him. As assistant youth minister, of course. But he means as a romantic partner.

Angry at the implication, maybe feeling guilty because he was planning to start a relationship, Kelvin plays along: he asks Taryn to give them a moment alone, touching her affectionately on the back to usher her out, exactly as you would ask your girlfriend to give you a moment to talk to your ex.  

Keefe continues to lash out, demanding to know if Kelvin and Taryn have had a "physical connection."   Romantic but not sexual partner advocates, pay attention: Kelvin and Keefe must have had a sexual relationship, or Keefe wouldn't think to ask about sex with his "replicant."  

More fighting after the break

"Ripley": A slow, artistic version of the gay-subtext con artist/murderer, with Tom's bum and Dickie's dick

 

The Talented Mr. Ripley (1999) stars Matt Damon as the charming con-artist Tom Ripley, who has a gay-subtext romance with Jude Law's Dickie before murdering him and adopting his identity.  The 2024 version is a tv series, and reputedly overtly queer, taking the gay subtext into text.  I reviewed the first episode.

Scene 1: Rome, 1961, atmospheric black and white.  Having just killed someone, a man with his face obscured puts on his shoes and hat and starts dragging the body down a palatial staircase.  

Scene 2: Six months earlier, New York. Tom (Andrew Scott) gets up in his run-down room in a residential hotel, walks the mean streets, steals someone's mail, and writes out a fake "payment overdue" notice

Then he goes to a bar and starts one of those highly-closeted 1960s hookups with a guy named Al (Bokeem Woodbine) Whoops, no, Al is a private detective, hired to find him and hook him up with the wealthy Mr. Herbert Greenleaf.  Tom refuses, then leaves to ride the subway and walk the mean streets some more.  

Back home, someone left his business card: From the IRS!  

Scene 3: Tom continues his scam: he steals payment checks, then calls or writes the sender, claims that it was lost in the mail, and has them send a new check to his own post office box. Nice establishing shots of the art deco post office and bank.  

Uh-oh, the clerk thinks something is wrong, and goes to consult the manager. Tom has to run away, and close down the whole collection agency scam!  What to do next?  Maybe Herbert Greenleaf's job won't be so bad...

Scene 4: Greenleaf Shipbuilders.  Tom is escorted past the big ships to the office, where Herbert Greenleaf tells him about the job: his son Dickie,  Tom's old acquaintance, has been living in Italy for years, pretending to be a writer or a painter, but really just goofing off.  Greenleaf wants Tom to convince Dickie to come home.

Why Tom?  They didn't know each other well.  Because none of Dickie's other friends wanted the job. Why would someone on the bottom of Dickie's friends list, who he doesn't know well and doesn't care about, be able to talk him into leaving Italy?  Tom must have a really big dick.

Scene 5: While he's considering the job, Tom has dinner with the Greenleafs. Back story dump: He went to Princeton. When he was young, his parents drowned. Uh-oh, maybe he killed them. Then they look at some photos of Dickie when he was young, in college, and now, in Atrapi, with Marge -- "girlfriend, friend, who knows?"  So Dickie is gay.

Scene 6: Tom at the tailor's, inspecting the clothes the Greenleafs bought for him. He gets his passport, signs travelers' checks, throws out his scam checks, and we're on the Orient Express!  In the Swiss alps; I guess in those days you flew in through Paris?   

He writes to his Aunt Dottie, who is getting a dental procedure -- which we see, for some reason: "You're free of me now, and I of you." I like the slow, moody structure, with the beautiful, weird shots of fire escapes, catwalks, and sculptures, but it's a little too slow.  How much time do we need to devote to Tom brooding?.

Scene 7: Naples. Tom gets off the train, changes some travelers' checks, and asks for a bus to Atrapi.  He is pushed into a cab instead, and arrives at a darkened station in the middle of the night.  Nothing to do but wait until morning, then get on the real bus -- for a trecherous drive through the mountains!

Atrapi, finally!  He asks someone, in bad Italian, for Richard Greenleaf, and is directed up endless stairs, through arches and corridors, up more stairs. to a villa.  Where he is told that Richard is down on the beach!  Is this supposed to be a comedy?

Scene 8: Tom at a shop, trying on a very bulging swimsuit, while ladies giggle at him. He asks for something a little less revealing. 

The beach is deserted -- oh, there in the distance is Dickie, lying down, fully clothed, with Marge's head on his thigh.  Tom wakes them and introduces himself, pretending that this is a chance meeting. Dickie doesn't remember him, but invites him to go for a swim.  Uh-oh, Tom is afraid of the water, since his parents drowned.  He won't set foot into the water.

More Dickie after the break

Gemstones Episode 3.6: BJ swallows a lot, Keefe learns about hard wood, and Kelvin gets a girlfriend. With nude boxer bonus

Previous: Episode 3.5: a gay boy's bare butt, a pukka shell necklace, castration anxiety, and three random cocks

In the last episode (before the interlude), we saw the family shattered, with Judy/BJ and Kelvin/Keefe breaking up and the Montgomery boys plotting against Eli.  Now we're going to see life amid the ruins.

Title: "For Out of the Heart Come Evil Thoughts." Matthew 15:19: "For out of the heart come evil thoughts, murders, adulteries, fornications, thefts, false witness, blasphemies." We don't need to match the Gemstone with the sin: they are all guilty of false witness, lying to others or to themselves.

How to Make Things Right: BJ didn't move out, after all,  but the two are barely speaking. Judy asks what she can do to make things right. He doesn't know.  She is despondent. Remember that in 2000, she worried that she would never find anyone who would love her.  It took 18 years, but she finally found someone, and now it's over.

Gay joke: "I swallow a lot, but this may be something I can't choke down."  You just need a little practice.  Ask Keefe for some pointers. 

The Montgomery Boys Leave:  At Eli's mansion, the Montgomerys thank the family for "straightening them out."   Kelvin suggests that it happened "when we dressed them up."  That sounds like a gay reference.  

Jesse says "They're ready to fuck": their next steps should be girlfriends,  intercourse, wives and kids, the whole heterosexual trajectory.  To start them out, he gives them his monster truck, the Redeemer.

 As they drive away, Kelvin takes off his "wedding ring."  If he leaves it off, the relationship will really be over.  He'll be single again.  He puts it back on.  But maybe he is thinking of a heterosexual trajectory of his own. 

Taryn is Back: We cut to Kelvin introducing Taryn, who we last saw at Keefe's "wieners and ice cream" party, as his new assistant youth pastor.  A kid asks about Keefe, and he gets all bitchy: "He is leaving to pursue other opportunities.  Not even sure why you keep bringing that up!" -- while fiddling with his wedding ring again.  He continues to fiddle -- and look despondent -- as Taryn leads the kids in a dance. 

Paying off the Scandal:  The siblings meet with Stephen, his wife, and their lawyer.  They want $500,000 for "damages and emotional distress," or the affair goes viral.  So it's like the blackmail over Jesse's sex-and-drugs party in Season 1, but this time there's no tape.  Judy could just deny that anything happened.  She could even sue him for slander.

Martin suggests paying the money, along with an apology.  Kelvin must be wondering: if it's worth $500,000 to keep an extramarital affair under wraps, how much damage would he cause the church by coming out  -- or being outed.  He doesn't like Taryn in that way -- he doesn't like women in that way -- but what choice does he have?  

After scenes where Baby Billy and Jesse discuss the hologram Aimee-Leigh idea, and BJ stalks Stephen, Kelvin tries to find out if the relationship is really over.

The First Reconciliation Attempt:  We find Keefe working at Woodpecker's Carpentry.  Wood-pecker, har har, the first of many phallic references in this scene.  His earring, necklaces, and rings are gone -- for safety, or to keep closeted?  

Suddenly Kelvin appears. Looking around nervously, Keefe asks "Brother Kelvin, what are you doing here?" Note that he uses formal titles to reaffirm that they have broken up: they are just pastor and parishioner.  No doubt he's worried that Kelvin will out him by referencing their relationship or just being flamboyant.  Kelvin does try his usual titty-tweak, but Keefe doesn't respond.  You're broken up!  You're not allowed to take liberties anymore!

Gay joke: "Master Bishop has taught me a lot in the ways of hard wood." Tell me more about your...um...hard wood.  The odd title "Master," not used for master carpeters, led some fans to speculate that he and Keefer were involved in a BDSM relationship. 

 Wait -- how long has he worked there?  Surely it's only been a few days since the breakup.

Kelvin asks "Have you found happiness?" An odd question. Why not just ask if he likes his new job.?  Keefe says that he has, but of course he's lying.  He's busy working on a reconciliation rocking chair.  He uses the  punching gesture that straight guys sometimes use to ward off physical contact: a bro-hug would be too painful.

Apparently Kelvin expected Keefe to be crying and miserable, lost without him, like in the Season 1 breakup.  Seeing that his ex is doing ok, he becomes bitchy, denigrating the carpentry job and declaring that he's having lots of fun with Taryn: "everybody loves her...no one misses you at all." The happiness facade fails: Keefe frowns and orders him to leave. 

We cut to Judy asking Eli for the bribe money. He exclaims "Can't you children figure out your lives?" and refuses.  

Then the Montgomery Boys zoom the Redeemer into Peter's new militia compound, claiming that they stole it.  But in Episode 2, he sent goons to kill them.  When did they start working for him again?

Don't Mention Cum: BJ bursts into tears while working at his Church Welcome Center job. Jesse and his crew sympathize: Stephen has cuckolded him, taken away his power.  He needs to fight the guy, "knock his dick in the dirt, show him who is the man."  

They take him down to the basement for punching-bag training.

Top photo: Michael O'Hearn works out with boxer Paulo Costa. 

Left: Punching bag

Crash! BJ complains that he broke his wrist on the punching bag.  "It was limp already," Jesse says: his first homophobic slur ever, again suggesting that Kelvin will have trouble coming out.  The family certainly knows, but they do not want the whole church to know. 

As BJ practices his trash-talk, Jesse tells him to: "Stay focused, don't talk about cum, and show him who the fuck you are."  Good advice for a first date.

More advice and boxers after the break