"Population 11": Ben Feldman in an outback town with aliens, meat pies, secrets, lies, and dicks, doesn't get the Girl

Population 11, on Amazon Prime, stars Ben Feldman as a guy searching for his father in a paranormal-ridden Australian outback.  He teams up with The Girl, of course -- not once in a series like this does the guy team up with a guy.  But hey, Feldman is cute, it's Australian and there's paranormal.

Prologue: An old guy walks through the dark by a gigantic baobab and into a circle of giant termite mounds.  Suddenly he is illuminated by light -- from above!  He runs, stumbles, falls, screams.  Abducted by aliens?  I'll bet it's just a tease.

Scene 1: Andy (Ben) drives through the outback on the wrong side of the road, almost hitting a cop car!  The lady cop makes it very, very clear that she wants to have sex with him.  Her innuendos are extremely vulgar: "Breathe into my mouth, hot stuff...harder...harder..."  Not The Girl: slightly overweight.

After she gives him her phone number and answers the question "Can I go now?" with that annoying "I don't know, can you?", he continues on his way through the desert to Bilgudgee, population 12.  It has a park, a Chinese restaurant, and a pub in what looks like an old garage. A community board advertises trivia night and "Outback UFO Tours," hosted by the guy who was abducted by aliens earlier: "guaranteed sightings!"  

It's Andy's dad with a new scam!

A race car zooms in, almost hitting him.  Resident #1 is the lady who runs the pub/hotel.  Not the Girl: middle-aged.

She wants to know why Jimmy (Tony Briggs), Resident #2, isn't tending the bar.  A Catholic priest, he's trying to take confession behind a curtain.  20% of Australians are Catholic, but of course on tv it's almost everybody. 

Resident #3, a German-speaking guy named Cedric, doesn't mind: he has nothing to confess.

Andy claims that he came to town for the UFO tour, run by Hugo...not mentioning that Hugo is his dad.

They haven't seen him in a few weeks, but they take Andy to his house -- horribly run-down, with a lot of alien memorabilia.  Nobody home. Why not just say you're his son?  Then you could go inside and investigate.

Scene 2: The Sundew Caravan and Campground.  A caravan is a trailer in the U.S.  Usually you bring your own to the campground, but sometimes you can rent them.  

Andy goes to the office-trailer and asks Residents #4 and #5, a lesbian couple or mother-daughter, if they've seen Hugo. No, they don't speak with him, because "Mom's a drama queen." 

Next Resident #6, a bearded guy with a neck brace (Rick Donald), wonders if he's an FBI agent.  Andy says no, but the guy doesn't believe him, thinks he's a suspect, and starts yelling "I won't go down for this!"   Um...Australia is rather out of their jurisdiction. Maybe he's with the Australian Security Intelligence Organization, ASIO.

Left: Rick Donald's backside

Residents #7 and #8, an older guy with muscles (Steve Le Marquand), and his young wife or daughter, tell him that Hugo is a pain in the arse, but that's part of his charm.

Left: Steve Le Marquand frontal

So when is Andy going to meet the Girl of His Dreams?  He hasn't even been identified as heterosexual yet; that usually happens by Minute 2. Could he be....no way. I absolutely am not going to get my hopes up.

More after the break

Gemstones Episode 2.2 Kelvin clenches, Keefe dances, and everybody flirts with Eli. With proof that everything is bigger in Texas.

Previous:  Episode 2.1, Continued: Keefe's kiss, Kelvin's boner, and a thug with broken thumbs. With Jonah Hauer-King and a proper erection bonus

In Episode 2.1, while we establish the Kelvin/Keefe, Judy/BJ, and Jesse/Amber conflicts of the season, Eli's old friend Junior stops by, and acts very much like an ex-lover.  They go out to dinner and beat up a tough.  Now we see the aftermath.

Title: "After I Leave, Savage Wolves will Come."  In Acts 20.29. Paul tells the Ephesians that after he leaves, savage wolves or false teachers will tear the flock apart. So, who is the wolf invading the Gemstones' lives?

Eli Gemstone indicted! Thaniel Block sits on the porch of his rental house in the South Carolina woods, reading some news stories from 1993: Gemstone Family Studios to close due to "a financial and rumors of  sexual scandals," with $4 million missing.  Another article: "Eli Gemstone indicted on charges of fraud and conspiracy." But Episode 2.5 takes place at Christmas 1993.  When did all this happen? Geezer Tim drops by to criticize him for living in New York and having a "nasty attitude." 

A Hot Piece of Tail: Judy and BJ visit Eli to ask him to officiate in BJ's baptism.  They find him asleep on the couch in the parlor. Junior enters and asks "Who's this hot piece of tail?"  He's actually looking at BJ, but Eli assumes that he means Judy and says that she is his daughter.  He apologizes and asks if BJ is her lesbian partner. BJ starts to answer, but Judy cuts him off: "He's big-dicking you."

There are several takeaways here.  First, Eli and Junior did not sleep together; Eli fell asleep on the couch. Weren't there any guest rooms in his mansion? 

Second, check out Junior's magenta bathrobe, jaunty hand on him, and pinky ring: he is deliberately presenting as queer.   

Third, Eli may have mentioned that one of his children is gay, and Junior forgot which.

Execretions and Hep C Loads:  After Junior heads to the kitchen to make coffee, Judy wants to know what's going on.  Eli tells her that "things got a little carried away last night," which she interprets to mean that they are having rough sex.  He grimaces in disgust, but plays along to mess with her.  

Her main criticism is that Junior is unattractive: "I always hoped that if you were gonna yank a pole, it would be someone hot."  So Judy has considered the possibility that Eli is bisexual for a long time. 

She states that the "hookup" signifies that Eli doesn't care about his family.  Remember that Jesse likewise complains that Kelvin "popping boners" with the muscle men is "selfish, not helping the family."  But it's not just gay sex; on this show, having a partner of any sort is framed as a betrayal.  The family is aghast when Judy wants to move off the Compound with BJ; Baby Billy is still hurt over his sister Aimee-Leigh "leaving him" to marry Eli.  

As they storm out, Judy cautions BJ to not touch anything, as there are probably execretions and Hep C loads everywhere.  This is a call back to Abraham leaving his semen everywhere in Jesse's house, plus an awareness that Hepatitus C can easily spread through anal sex, so it is particularly common in gay communities.

Good Sniffer Seats: After they leave, Eli joins Junior on the back patio, overlooking the reflecting pool that leads to Aimee-Leigh's shrine.  Eli invites him to church, but he worries about the cost.  Junior avers that he's been to enough strip joints to know that you have to pay for the "good sniffer seats."  I can't find the term "sniffer seat" defined anywhere, but I guess that it's a seat close enough to the stage to smell the performers.  There are male strip clubs, but he's probably referencing a lady's club, being a hetero horn dog, backing off from the implication of same-sex activity. 

But not entirely: Eli offers to reserve a good seat for him, and the guys hold hands!

On closer examination, it turns out to be a man and a woman holding hands. We have cut to a scene involving Jesse and Amber's marital advice group. But it is so abrupt that the misdirection must be intentional.  The man is even wearing a shirt the same color as Junior's robe.

After the group meeting, Matthew and Chad ask why Jesse's old crew isn't hanging out together anymore.  This is all marital stuff, heterosexual nuclear family stuff; what happened to the band of brothers, savage and free?  Gregory explains; "I love you guys, but happy wife, happy life." You must abandon same-sex loves for heterosexual destiny.

You Got a Hound Dog Here: Cut to Thaniel visiting the Salvation Center, where he admits that he has sexual-scandal dirt on Aimee-Leigh, gathered from household staff.  Well, at least Kelvin is off the hook.

The World's Most Famous Christian: Next, Jesse and Amber visit the Lissons in Texas for a party to celebrate the proposed Zion's Landing resort. Joe Jonas, the World's Most Famous Christian, leads everyone in a line dance.  He proclaims his heterosexuality, singing about the "beautiful girls" he's been with while wearing a formless leopard robe and pink bandana, the antithesis of Kelvin's tiger jacket and porn-star-bulging jeans. Desire for women un-mans a man, renderng him soft and sickly; only in the manly love of comrads can a man be strong and free.

Keefe dances: At church, they welcome those who have found God in the past month, including BJ. He has always been a non-believer before; it is unclear whether he has actually had a "born again" experience, or is just pretending to be accepted by the family.  

The welcome is framed as a heterosexual union, with Judy hugging BJ and Kelvin grudgingly hugging a female convert. He's disgusted by touching "females," even as part of his job.  Meanwhile, on a balcony far removed from the stage, Keefe leads the God Squad in a dance, invisible, ignored, forever cut off from heterosexual practice, forever cut off from the family.  

Nude Texas dudes after the break

"The Breakthrough": Swedish murder mystery with Peter's prick, some Stockholm hunks, and a lot of sobbing.

 In keeping with my new policy of just clicking on whatever a streaming service thinks "I'll LOVE!",  without doing any research, I clicked on The Breakthrough, on Netflix: a detective tracks down a killer, with the help of "an eccentric genealogist."  So they'll fall in love, or on the off-chance that they are both men, there will be some buddy-bonding.  

At least it's in Swedish, so I can use some of the photos from my trips to Stockholm -- one of my favorite cities in Europe (In case you're wondering, it goes: Paris, Prague, Barcelona, Tallinn, Stockholm)

The language is cool, too.  Remember in fairy tales, the monster threatens to "eat you up."  In Swedish, that's how you say "eat":

Eat my sausage.

Ät min korv opp

Episode 1: "The Unthinkable."  

Scene 1: "On October 19, 2004, a murder investigation begins: the second largest criminal investigation in Swedish history." Cut to a bedroom, with an Arab or North African Dad showing his son Adnan how to use a watch: "When the hands reach 12:00, a new day begins, and then another, forever and ever.  Time always moves forward."  Then why are we so obsessed with the past? 

Someone types on a computer "Must kill."

Scene 2: Linkoping, in southern Sweden about 2 hours from Stockhom by train.  This all happens in montage, splitting back and forth.

1. The Detective (Peter Eggers) jogs past a soccer game, says hello to a guy he knows, pets a dog.  

2. Mom wakes up Adnan and his sister, who now have bunk beds, for breakfast with their Dad.  They all cuddle and smooch and discuss how much they love each other.  Not once, as I was eating my cereal, did my mother ever smooch the top of my head and say "I love you so, so, so much."  Thankfully.

 Adnan sets off for school.

3. An old guy and his wife hold hands in bed. She has nail polish of a very strange color, like an orange push-up (remember those?).  They get up and discuss ringing Samuel about Christmas. Maybe there will be a cute son droppiong by? Wife leaves and heads through the park.

4. A man with a hidden face rides on the subway.  He gets off and head down the street, fingering a knife.

You know where this is headed, right?  The Man stabs Adnan; the wife sees him, so he stabs her, too.  Why is the park so empty in the morning, if everybody walks  through it on their way to school or work?

Scene 3: Another montage.

1. The Detective brings food home to his pregnant wife (established as heterosexual at Minute 4.5). Close up of his hand with a wedding ring on her stomach.  Ok, the heteronormativity is getting a little loud in here. He gets a call about the murders.

2. Adnan's sister walks past the cordoned-off area and sees his toy tyrannasaurus.  She runs to his school to check -- nope, not there. 

Scene 4:  You heard me.

Left:Peter's prick

1. The Detective listening to his car radio, reports about how we're all doomed.  Is this a post-Apocalyptic series, or is it just supposed to set a dark/depressing mood.  At the crime scene: the woman is still alive, at the hospital.  Adnan is dead.  A witness, a woman who was cycling past.  They start canvassing house to house.  Uh-oh, a man is watching from afar.  Must be the murderer.

2. The Husband of the Injured Woman calls Samuel to see about Christmas.  Samuel does not appear in the credits, so why is he being emphasized so much?  A cop knocks on the door: "A woman was assaulted in the park across the street at 8:00 am.  Did you see anything?" 

"No, but my wife, who I love more than anything else in the world, was walking through that park at 8:00 am.  Maybe she saw something...oh."

3. Adnan's parents arrive at his school to see his sister wrapped in a blanket, crying.  

Scene 5:  Maybe we're done with the montages.  The Detective in a parking garage, calling his wife.  She doesn't think he should lead the investigation, with the baby due any minute.  Wait -- is this all going to take place in 2004?  I thought we would jump ahead, with the main story in 2024.  Otherwise what's the point?  It's just a murder story.

Next the Detective addresses plain-clothes cops or community members.  The Wife has died, so it's a double murder.  He sends them out to check if anyone in the neighborhood knows anything

He interviews the Witness and her husband, but she can't remember what he looked like.  

More crying and some cocks after the break.

"The Third Day": Jude Law in "The Wicker Man," with scissor goblins, a dead son, Will Rogers, and Dagliesh dick

 

The Third Day, on Netflix, had an interesting premise: an island where "you can check out anytime you like, but you can never leave."  The "third day" is when Jesus rose from the dead, so there may be some people coming back to life.  Plus it stars Jude Law, who played gay characters in Wilde (1996) and The Talented Mr. Ripley (1999), so I'm in.

Update:  It's hard to find.  It keeps changing streaming services, from Netflix to Hulu to MAX, as if the universe doesn't want me to see it.  

Scene 1: Sam (Jude Law) stops his car on a deserted road to call a woman: the money is in the office, 40,000 pounds cash.  Don't call the police; don't let Amboy in the house.  He stares into space for a long time, then walks into the woods.  Everything goes blurry.  Is he entering an alternate universe?

He stops at a brook, and lets a small striped shirt float away.  Mourning a dead son.

Scene 2: Suddenly Sam hears a girl yelling at her friend to let go of the rope.  He rushes over just in time for a friend let go and run away.  She is hanging herself!  He cuts her down and asks if she wants to go to the hospital, but she just wants to go home.  

On the way, he gives his back story: he used to work with troubled youth in social services, but now he runs a garden center in London; he's married with two daughters.  Heterosexual identity established, he asks if someone is hurting or scaring her at home, but she won't say.

Weird detail: she asks for water, and then puts salt in it.  Who drinks salt water?  Are her people aliens out of the Cthulhu Mythos?

Home is Osea Island, across a narrow, winding causeway that's only open at low tide.  Very stressful to get across.

Back story: Osea is a real island in Essex, accessible by a causeway at low tide twice a day.  Over the years it has been home to a naval base and a rehab clinic, but now it's privately owned.

They pass a amphitheater, a lot of porta-potties, weird giant figures, and brown-robed goblins attacking townsfolk with scissors.  The Girl says that there are only 93 people living on the island, but this year they are opening their pagan cult festival to outsiders, hoping to turn it in to a music festival and raise some money.  

Hundreds of people driving on that narrow causeway?  They'll be driving right into the ocean.

Scene 3:  The Girl doesn't want to go home to her dad (uh-oh), she wants to go to the pub, where the Martins take her into the kitchen, whisper anxiously, and occasionally peer out at Sam.  He checks for cell phone reception -- none -- and looks at the pictures on the wall.  Why are there three pictures of corpses?

Mr. Martin (Paddy Considine) returns and dumps a hasty explanation: "She wasn't trying to hang herself, it was just fooling around like kids do; she's not afraid of her father or anybody on the island; everything is fine.  Thanks for bringing her home, but you should leave -- NOW!"

But Sam has to get in touch with Aday from Scene 1 right away: he's a planning official who will be deciding on whether they can go forward with their plans to build a new center -- this afternoon!

Mr. Martin doesn't like that name -- "African, innit? Lots of African immigrants on the mainland.  Everyone thinks that they cause trouble, but some are ok."  Dude is racist.

After a long, inappropriate story about how he and his wife always wanted kids, but seven pregnancies didn't come to term, Mr. Martin offers to escort Sam to his car so he can LEAVE, NOW!   

Scene 4:  On the way, Mr. Martin reveals that the music festival will coincide with their "Esus and the Sea" ceremony,. Esus was a Celtic war god, but because of the similarity in the names, everyone thinks that the ceremony is about Jesus.

Left: Jude's butt

Mr. Martin begins to interrogate Sam: why were you so far from home, on such an important day?   Also, Mrs. Martin recognized you, so you're not here by accident, are you?

Uh-oh, his car is blocked in, they can't find the driver, and the causeway will be closing in about 15 minutes.  Don't they have ferries?

Mr. Martin changes the urgency of his advice to get out. "You'll have to spend the night.  I'll put you in a room at the pub."

"No, I need to get off this island now!"  Sam reveals that the burglars took 40,000 pounds in cash, that they were going to use to bribe Aday! That's sleazy, but not as sleazy as I ithought.  Maybe he's lying.

Martin reaches the obvious conclusion: Aday stole your money.  But why would he steal the money, when they were going to give it to him anyway?

More after the break

"No Good Deed": Four lesbians, a gay realtor, a gay son, Oedipus, some murderers, and Phoebe from "Friends"

Braxton Alexander recommended No Good Deed, a tv series on Netflix, so presumably he's in it. The trailer shows Ray Romano (Everybody Loves Raymond) and Lisa Kudrow (Friends) spying on the couples interested in buying their house, no doubt planning something nefarious.  Plus I thought I saw a lesbian couple, so here goes:

Scene 1: Establishing shots of Los Feliz, the gentrified L.A. neighborhood. near Dodger Stadium. A Spanish Colonial house for sale.  The swishy real estate agent (Matt Rogers)  tells various couples that the homeowner is very invested in selling, while Ray Romano and Lisa Kudrow watch on their cell phone.  Uh-oh, they're up to no good.  Are they trying to find the perfect buyer to kill?

There are four stories, not interconnected, so I'll go through each separately:

The Soap Star:A scary unshaven guy with dark glasses signs his name in the register as John Smithe, but he's not a villain, he just plays one on the soap opera Rising Tides.  A shady handyman who cheated on his stepdaughter and was killed off. The first incest reference.  There will be more.

He's played by Luke Wilson, top photo and left.

Later, high-heel shoes enter the house.  I hate that cinematographic cliche.  Then a woman's back, like it will be a big shock when we finally see her face.   Gasp!  It's someone I never saw before!  What a shock!

Swishy Real Estate Agent Greg criticizes her for being a Lookie Louise, looking at houses but never buying one, but her real name is Margo.  

Ray and Lisa, watching from their secret lair, criticize her purse: "She looks like an AI-generated bitch."  Then they discuss the hardness of her nipples.  They definitely don't want to sell to her, unless she pays cash: "Then I will bend over and take the cash up my *ss," Ray says.  Anal sex joke.  There will be others.

Cut to the Soap Star talking to his manager on the phone. Back story: he's so deeply in love with his wife that he bought her an expensive house, some cars, and a boat, and now he's going bankrupt. But he can't help it: she wanted them, so what else can he do?  "Maybe buy a house you can afford?"  So that's why he was looking at the Spanish Colonial.

In bed, John's overbearing, painfully elitist, super-snob wife turns out to be high-heel Margo!  They discuss why Ray and Lisa are selling their house. 

Oedipus: A m-f couple, the man O.T. Fagbenle, the woman an architect and highly pregnant, tour the kitchen.  They discuss how much they love each other and smooch a few dozen times until Mom tells them to knock it off.  Way to go, Mom!  

She also complains that they didn't have a wedding, when her son has been dreaming of it since he was young.  Really?  I thought just girls planned their weddings.  When I was young, I was imagining my future career as an astronaut or Indiana Jones-style archaeologist.

Cut to Oedipus and Mom staking out the house.  Mom complains that they used to spend every moment of the day together, but now she sees him barely twice a year.  He explains: she used to be his whole world, his reason for living, but then he fell in love with someone else.  Be thankful for twice a year, Mom.  Some guys don't want to see their ex-lovers at all.

What's going to happen when the baby comes, and they both need to work?  They'll need someone to stay home with the baby, hint hint.  Dude, don't hire your mother/ex lover as your nanny!  She'll try to murder your wife to get you back.

In their next scene, Oedipus tells his wife that they can't afford the house on his novel royalties and her architecture, so why not have Mom chip in?  She is loaded.  Of course, she'll want to live with them.   Wife hates the idea.  Her husband's ex-lover, right there in the house with them? 

The First Lesbian Couple: Leslie, forceful and practical, and Sarah, quiet and mystical, examine the upstairs.  Sarah thinks it's "more of a family house," and it has a "dark vibe." 

They find a locked door.  It leads to the room where Ray and Lisa are hiding out and spying on everyone.  So, they're going to murder whoever buys the house?

On the way out, Practical Leslie is ready to make an offer, but Mystical Sarah doesn't want to spend all their money.  Besides, the neighborhood has a dark vibe.

Back story: They've been trying to get pregnant with IVF, but it doesn't work.  

That night, Practical Leslie drives through the neighborhood to prove that it is safe.  She sneaks into the garden of the house, planning to climb to the secret room's window and look inside, but instead she sets off the security alarm and the sprinklers.  Hiding in the bushes, she sees Homeowner Ray hide a gun in the piano. 

Meanwhile, at home, Mystical Sarah injects herself with something in secret.  She's either dying or a drug addict.

 The Second Lesbian Couple:  In bed, they discuss the house:  They could fix it up, put in a pool, and make a fortune off it.  They hatch an evil scheme to get it for under market value, and smoochify. 

Ray and Lisa:   While spying on the prospective buyers, they discuss how sad they are to be selling the house where Lisa grew up.  Wait -- I thought they were going to do something sinister to the buyer.  They just want a buyer who will "love the house as much as we do"?  How is that the premise for a tv series?  Somebody better get stabbed to death.

More back story: they're struggling financially; they took out a second mortgage, and now they're in arrears.  Lisa can't work, because she's a concert pianist with some sort of disease that makes her hands tremble.  

Lisa decides to go down and meet some of the prospective buyers, but Ray zooms in on an Old Guy, is horrified, and tells her "Don't go out there!"  Why, is Ted Bundy downstairs?

Later, the open house over, Lisa returns some photos to the mantle, showing her and Ray getting married and having a son and a daughter.  She sees them running through the house, playing "tag."  This memory makes her cry.  I'll bet the son and daughter died.

More secrets after the break

"School Spirits": Ghost girl, her gay bff, and their buds solve the mystery. With bonus pics of el novio desnudo

  

I'm a sucker for teenage ghost stories, as long as they are comedies, so I reviewed the first episode of School Spirits on Netflix:

Maddie (Peyton List) wakes up in the boiler room of her high school.  Her blood is splattered around.  But that's not the worst part: she's dead!  She can't touch or move anything.  She can see and hear the living but they can't see or hear her.  And she can't leave the campus!  

Her self-appointed guide is Charlie (Nick Pugliese, center), a gay kid who died in the school during the 1990s (peanut allergy, not hate crime).  He advises her to not try to remember how she died, since she can't change anything: no communication with the living is possible. But don't ghosts communicate with people all the time?  Maybe in the next episode.  And becoming fixated on the past is dangerous: some band members who died in a bus crash many years ago are obsessively performing the school fight song, over and over.

Charlie introduces Maddie to some other ghosts from various decades, notably Wally (Milo Mannheim, top photo and right), who died on the football field, and wishes that he had managed to shower first;  and the Goth Kirsten, who was murdered by her guidance counselor.  

Mr. Martin (Josh Zuckerman), a teacher who died in the school, offers regular group therapy, with regular homework ("write your obituary").  This doesn't get boring after 20 years because ghosts don't experience time in the same way that the living do.  He also advises Maddie to resist checking up on her living friends, as they will gradually forget her and move on.

Of course, Maddie doesn't listen.  She tries to recall events leading up to her death: she made plans to with her BFFs, Simon (Kristian Ventura) and Nicole, to see Carrie that night.  

Her boyfriend Xavier (Spencer MacPherson) was skipping class, and texted her to join him for a smooch session in his car.  She talked him into going to the movie.  They met the others after class with the tickets.  And that's it.

Out in the living world, Maddie's body has not been found, so she gets "missing person" posters and "thoughts and prayers" in class.  The BFFs think that this is ridiculous: they should be out looking for her.  Suddenly Xavier's bag flies open: he has Maddie's cell phone!  Why didn't he tell anyone for the last three days?  This makes him the prime suspect in her murder. The sheriff (Ian Tracey, left), who also happens to be his Dad, arrests him.

Beefcake: Charlie's "office" is the shower room in the boy's gym, where he can watch an endless parade of butts and cocks (just butts are shown).  Otherwise none.

Gay Characters: Charlie, and maybe Maddie's living bff, Simon. A future episode shows us Charlie’s  high school boyfriend, Emilio, who is now all grown up, married to another guy, and teaching at the school (played as an adult by Andres Soto).  Yes, that's his dick, not completely covered by the Scream emoji

Heterosexism: Maddie and her boyfriend kiss about 1,000 times. Of course, they won't be able to in future episodes, but Xavier has been seeing another girl on the side, so doubtless Maddie will be seeing some smooching.

The Mystery:  "Who killed Maddie, and why?"  It's obviously not Xavier or one of her bffs, and those are the major living characters introduced to date.  I also hope that we have some subplots involving the other ghosts.

Gemstone Connection: Both Milo Mannheim and Tony Cavalero appeared on The Conners.

My Grade: A-

More Andres after the break.Caution: explicit.

"Love Lies Bleeding": Lesbian neo-noir in the New Mexico desert, with some musclemen and bonus dicks

 

Friday's Movie Night movie was Love Lies Bleeding (2024), about a lesbian couple involved with bodybuilding, gun-running, and murder. I was not happy with the choice, thinking that it would be constant breasts and other body parts, but the sex scenes are actually quite subdued: a flash of breast in the first, fully clothed in the second.  And there are two scenes with beefcake.

The story: In a New Mexico desert community that seems to be all desert, no community, Lou runs a run-down gym, then goes home to her horrible apartment to feed her cat and be depressed.

Meanwhile, homeless bodybuilder Jackie -- wait, how can you work out six hours a day and eat 5,000 calories while homeless?  -- has sex with JJ (Dave Franco) to score a job as a waitress at main local business, a shooting range which is also a front for a drug-and-gun smuggling operation.

Left: Dave Franco's butt

Depressed Lou visits her relatives so she can be a tad less depressed.  Surprise: JJ is her brother!  He was cheating on his wife earlier!  Casting stupidity: Lou and JJ look exactly alike, but he is actually her brother in law, and the woman playing her sister looks absolutely nothing like her.

Next, Bodybuilder Jackie wanders into Depressed Lou's gym.  They bond over clobbering some sexist jerks played by Keith Jardin, left, and Jerry G. Angelo, below.  Lou has a side gig selling illegal steroids to gym members; she gives Jackie some for free because, you know, she's cute.  Soon they're kissing, then sexing, and then Lou invites this random hookup to move in.  Not smart, girlfriend.

Although this is small-town New Mexico in 1989, the lesbian couple is accepted with utter nonchalance.  I imagine if it was two guys, the townsfolk would horrified.

The only problem: Depressed Lou's employee, the ditzy comic-relief Daisy, has a crush on her, and is jealous of this new person in her life.  This will become important later.

Oh, wait, I forgot the other problem: when Depressed Lou brings Bodybuilder Jackie to meet the family, and it comes out that Jackie had sex with her brother-in-law JJ, she recoils in disgust.  First, she doesn't believe that "bisexual" is a thing; either you like girls, or you like boys.  Second, why JJ?  He's an abusive jerk.  Lou often wants to kill him.  Uh-oh, don't tell your bodybuilder-girlfriend with a sketchy past that you want to kill someone.

More after the break

"Bullet Train": Eleven assassins, Brad Pitt, and queerbaiting on the train from Tokyo to Kyoto. With some nude dudes

 

Friday's Movie Night movie was Bullet Train (2022), starring Brad Pitt as a professional assassin assigned to do an "easy" job, grab a briefcase full of money, on the bullet train that travels the 440 km (220 miles) from Tokyo to Kyoto in two hours. He doesn't realize that the train is crowded with other assassins, professional and amateur.

1. The Father, Andrew Koiji, wants revenge on The Prince, a gang lord who had his son thrown off a building.  

2. The Prince is also on the train, but he doesn't recognize her. She forces him to retrieve the money and load it with explosives, to assassinate her estranged father, #6, below.

3.-4. Tangerine and Lemon, Andrew Taylor-Johnson and Brian Tyree Henry, a queerbait couple.  After nearly two hours of the two bickering, being affectionate, and discussing their life together, director David Leitch loses his nerve and makes them brothers.

They have rescued...

5. The Son, Logan Lerman, from kidnappers, and also retrieved the ransom money that Brad Pitt is supposed to steal.    But the Son is killed, I forget by whom, so....

6. The Son's father, Russian crime lord The White Death, Michael Shannon, shows up to kill Tangerine and Lemon and whoever else he thinks flubbed the job. 

Left: Michael Shannon's butt, for a change of pace

More assassins after the break

"Cucumber": Lots of cucumbers on display as gay life in Manchester gets increasingly dark.

 

Cucumber, on Amazon Prime, is like gay Revenge, with plot twists, hidden agendas, and people who are not what they seem.  It starts out as a comedy, but turns darker and darker.  The nonsensical title, by the way, comes from a measure of erectile hardness, from tofu (semi-soft) to cucumber (rigid).  

Instead of scene-by-scene, I'm going to summarize the various cocksploits and tearjerks.

1. Middle-aged Manchester insurance salesman Henry (Vincent Franklin) gets angry when his boyfriend Lance (Cyril Nri, top photo) brings an anonymous guy, left, home for a three-way.  Maybe if you'd asked first, and waited for him instead of just going down?

Henry calls the police and has the two arrested (on what charge? consensual sexual acts are legal in Britain.), 

2. Henry moves out and seeks refuge with a twink couple from work, Dean and Freddie (Fisayo Akinade, Freddie Fox, left).  And starts flirting with Freddie!  Wait -- you get all huffy when your boyfriend wants an open relationship, but it's ok for the twinks?

Freddie the Twink says "No, thank you, we're monogamous."

3. Henry is upset because Freddie the Twink rejected him, but then goes out and hooks up with another old guy, Cliff (Con O'Neill).

4. Meanwhile Ex-Boyfriend Lance tries to hook up with Straight Guy Daniel (James Murray, left).  He refuses: "Sorry, I'm straight."

5. Henry's Sister and her hot teenage son Adam (Ceallach Spellman, right) arrive to stay forever. Henry decides to make some extra money filming his nephew having sex with other guys.

Meanwhile Ex-Boyfriend Lance empties the joint checking account. Never leave much in that joint checking account, buddy. One tiff, and it's gone.



More cucumbers after the break

"Ripley": A slow, artistic version of the gay-subtext con artist/murderer, with Tom's bum and Dickie's dick

 

The Talented Mr. Ripley (1999) stars Matt Damon as the charming con-artist Tom Ripley, who has a gay-subtext romance with Jude Law's Dickie before murdering him and adopting his identity.  The 2024 version is a tv series, and reputedly overtly queer, taking the gay subtext into text.  I reviewed the first episode.

Scene 1: Rome, 1961, atmospheric black and white.  Having just killed someone, a man with his face obscured puts on his shoes and hat and starts dragging the body down a palatial staircase.  

Scene 2: Six months earlier, New York. Tom (Andrew Scott) gets up in his run-down room in a residential hotel, walks the mean streets, steals someone's mail, and writes out a fake "payment overdue" notice

Then he goes to a bar and starts one of those highly-closeted 1960s hookups with a guy named Al (Bokeem Woodbine) Whoops, no, Al is a private detective, hired to find him and hook him up with the wealthy Mr. Herbert Greenleaf.  Tom refuses, then leaves to ride the subway and walk the mean streets some more.  

Back home, someone left his business card: From the IRS!  

Scene 3: Tom continues his scam: he steals payment checks, then calls or writes the sender, claims that it was lost in the mail, and has them send a new check to his own post office box. Nice establishing shots of the art deco post office and bank.  

Uh-oh, the clerk thinks something is wrong, and goes to consult the manager. Tom has to run away, and close down the whole collection agency scam!  What to do next?  Maybe Herbert Greenleaf's job won't be so bad...

Scene 4: Greenleaf Shipbuilders.  Tom is escorted past the big ships to the office, where Herbert Greenleaf tells him about the job: his son Dickie,  Tom's old acquaintance, has been living in Italy for years, pretending to be a writer or a painter, but really just goofing off.  Greenleaf wants Tom to convince Dickie to come home.

Why Tom?  They didn't know each other well.  Because none of Dickie's other friends wanted the job. Why would someone on the bottom of Dickie's friends list, who he doesn't know well and doesn't care about, be able to talk him into leaving Italy?  Tom must have a really big dick.

Scene 5: While he's considering the job, Tom has dinner with the Greenleafs. Back story dump: He went to Princeton. When he was young, his parents drowned. Uh-oh, maybe he killed them. Then they look at some photos of Dickie when he was young, in college, and now, in Atrapi, with Marge -- "girlfriend, friend, who knows?"  So Dickie is gay.

Scene 6: Tom at the tailor's, inspecting the clothes the Greenleafs bought for him. He gets his passport, signs travelers' checks, throws out his scam checks, and we're on the Orient Express!  In the Swiss alps; I guess in those days you flew in through Paris?   

He writes to his Aunt Dottie, who is getting a dental procedure -- which we see, for some reason: "You're free of me now, and I of you." I like the slow, moody structure, with the beautiful, weird shots of fire escapes, catwalks, and sculptures, but it's a little too slow.  How much time do we need to devote to Tom brooding?.

Scene 7: Naples. Tom gets off the train, changes some travelers' checks, and asks for a bus to Atrapi.  He is pushed into a cab instead, and arrives at a darkened station in the middle of the night.  Nothing to do but wait until morning, then get on the real bus -- for a trecherous drive through the mountains!

Atrapi, finally!  He asks someone, in bad Italian, for Richard Greenleaf, and is directed up endless stairs, through arches and corridors, up more stairs. to a villa.  Where he is told that Richard is down on the beach!  Is this supposed to be a comedy?

Scene 8: Tom at a shop, trying on a very bulging swimsuit, while ladies giggle at him. He asks for something a little less revealing. 

The beach is deserted -- oh, there in the distance is Dickie, lying down, fully clothed, with Marge's head on his thigh.  Tom wakes them and introduces himself, pretending that this is a chance meeting. Dickie doesn't remember him, but invites him to go for a swim.  Uh-oh, Tom is afraid of the water, since his parents drowned.  He won't set foot into the water.

More Dickie after the break

Brad Hallowell: A decade of dicks. The rest is silence.

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"Stonewall": A movie about the riots that began the Gay Rights Movement, with nice cops, a White Saviour, and some dicks.

The Stonewall Riots of June 28-30, 1969 began with patrons of the Stonewall bar in Greenwich Village fighting back against police harassment.  They ended with the modern Gay Rights Movement and the "minority group" model of LGBT identities. Today there are Pride festivals and parades around June 28th of every year to celebrate that beginning., and queer history, literature, culture, and politics are definitively divided into pre-Stonewall and post-Stonewall. 

Although there have been many books and documentaries, Stonewall (2015) is the first movie intended for a mass audience.  It assumes that you are straight, with little or no knowledge of the riots, an ally but mostly unaware of the closeted, harassed, hounded life of LGBT people before Stonewall (and sometimes still today)

1. Danny Winters (Jeremy Irvine), a clean-cut all-American kid from rural Indiana, gets a scholarship to Columbia, but before his parents can fill out the scholarship papers, they discover that he is gay and kick him out.  His closeted boyfriend, football star Joe(Karl Glusman), refuses to talk to him.  

Bonus Karl Glusman cock after the break

So he goes to New York anyway, where everybody -- repeat, everybody -- falls in love with him.  Well, what do you expect from the focus character?

Danny lives on the street, and works as a hustler (although the look of pure disgust he gets whenever a client tries to go down on him would probably limit his success).

He hangs out and often lives with a group of androgynous gay and transgender street kids led by Ray/Ramona (Johnny Beauchamp). 

2. They are regulars at the Stonewall Tavern, a dive-bar run by Mobster Ed Murphy (Ron Pearlman), who may have murdered Ray's boyfriend. It was illegal to serve alcohol to "a known homosexual," so all gay bars were underground, mostly run by the mob.

3. Meanwhile Danny gets involved with Trevor (Jonathan Rhys-Meyer, left), a middle-class college student,  who picks up twinks by playing Procul Harem's "Whiter Shade of Pale" on the jukebox.  I'm always moved by the line: :She said "There is no reason 
And the truth is plain to see."

Left: Jonathan Rhys Meyer butt

More after the break. Warning: explicit