"Sexy Beast": Ruaridh is gay for pay, Farley explores gay trauma, Gal shows his d*ck, and Vampire Bill gawks at guys.

 After reviewing Elspeth, starring the actress who played Arlene on the vampire soap opera True Blood actor, I decied to look for recent projects involving Stephen Moyer, who played Vampire Bill.  

I found him playing Teddy, the main villain in the British television series Sexy Beast (2024), a prequel to the 2000 movie:  he hires thieves and best buds Gal (James McArdle, left) and Don (Emun Elliot) for increasingly dangerous jobs, thus jeopardizing the relationships with the Women of Their Dreams. 

There is also a "Young Teddy,"  Ruaridh Moluca, who appears in a clip on AZ Nude Men smooching a heavy-lidded decadent gay guy while a woman is being strangled.  

So, is Teddy gay, or was he a straight "gay for pay" hustler in his youth?

The scene appears at the beginning of Episode 1.8, the finale: 

Scene 1: During the 1980s, Young Teddy tells either a femme man or a woman to "just get through it, don't ask names.  Think of the money."  His companion is rather looking forward to it.

They enter a nondescript building.  An elderly, decadent man in a bathrobe approaches, calls Teddy a "tart," gropes him, then leers at his companion -- Daniel -- and leads him into the main room. 

It's what straight people think a gay party is like, men in suits looking decadent by candlelight, with shirtless waiters milling about. A leatherman and a person with long hair snort poppers.  

"He's 21," Teddy tells the elderly man, who doesn't believe it.

Cut to moaning, leering, and decadent looks.  Teddy goes down on the elderly man, then sits beside him to drink.  He sees Daniel being gang-banged, hand-on-mouth, looking terrified.  The decadent men beat off while watching.

"He's suffocating!" Teddy exclaims.  He tries to intervene, but the elderly man stops him.  The participants include Sir Henry Coulson and Sir Anthony Jones (the husband of Princess Margaret) -- very powerful -- so  keep to yourself.  Young Teddy watches in dismay as Daniel dies.

In the present, Teddy remembers and is depressed during Guy Fawkes night, with fireworks exploding over Big Ben. 

More after the break

"Man in an Orange Shirt": Constantly depressed gay Brit hooks up, gets a boyfriend, plays cards with Gran. With bonus n*de Julians

 

Man in an Orange Shirt is a two-part BBC television series or coherent movie.  Part 1 features the "forbidden love" of two soldiers immediately after World War II.  It has a sad ending.  I don't want to watch that, so I'll skip to Part 2, about a modern-day couple, Adam and Steve.  Adam and Steve, like from the homophobic slogan: "God created Adam and Eve, not Adam and Steve, therefore you shouldn't be gay"?  That's ridiculous! Is this a comedy?

No, a drama: "A minefield of internalized issues and dangerous temptations line the road to their happiness."  In 2018?

Scene 1: Long close-up of an eye as Adam (Julian Morris, who didn't come out until he was 38) scrolls through a hookup app while walking down the street.  He stares with a sinister expression, as if he's on his way to murder someone.

Cut to a long close-up of an elderly hand next to black-and-white photos of a man getting married and in a soldier uniform.  It turns out to belong to Mrs. Flora, a woman with a man's haircut, reading the newspaper while her attendant brings pills. If she was married to the WW2 guy, she'd be well over 90 now.

Psych!  Adam wasn't on his way to murder someone, he was just going to work.  He doesn't even seem to hate his job as a veterinarian. After returning a dog to its kid, he sees his next patient, a cat owned by Steve (David Gyasi)

Adam and Steve?  Come on, that's ridiculous.  

Some stuff about a sick, meowing cat that I'm fast forwarding through.

Scene 2: And then Adam (left) and Steve have sex, but blurry, in weird angles, with obstacles in the way.  The dialogue is "Yes! Yes! Moan." 

Mrs. Flora's attendant leaves, with shepherd's pie in the oven for later, while Adam walks down the street with a bouqet of flowers.  Either the sinister look is his natural express, or Adam hates everyone and everything. 

He sits down to dinner with his grandmother, Mrs. Flora, and compliments her plate warmers.  She thinks that he is mocking her. A bit paranoid, Gran?  Then she criticizes his jacket. 

They discuss how Gran did a good job raising him, as opposed to...his sister?...who is having twins and therefore reprensible?  I'm not catching these British insult/compliments.  

Gran notes that she deflects all of the busybodies who ask when he's going to settle down: "Some of us prefer our own company."  Or you could just out him.  You know that he's gay, right?

Dinner over, Adam leaves, but Gran stays at the table, looking despondent.  You left her to do the dishes?

Scene 3: In Adam's absurdly elegant London flat, he stands in the shower and tries desperately to scrub off a stain on his shoulder.  I don't get it.  This guy didn't appear in the last episode, so what is the significance of the stain?  A reference to "Macbeth"?

He drops in to give Steve his dead cat's ashes, and finds a super-elegant apartment and a fey older boyfriend, Casper the Friendly Ghost (Julian Sands, below), who is annoyed but accepts the hookups as a necessary evil, required to have access to Steve's penis. 

Adam tries to complement Steve's apartment and his job as an architect, but Steve find something wrong with each. Come on, dude, look on the bright side. You've got a great job, a great apartment in downtown London, a boyfriend who doesn't mind hooking up, and a tripod between your legs.  Cheer up!

Scene 4: Adam having dinner with female friend Claudia and her husband David (Eddie Arnold, who died in 2008, leaving over 140 classic country-western songs.  Aspiring actors might want avoid naming themselves after famous names, to make internet searches possible).   They want to fix him up with swishy American drama teacher Dwight (Hal Scardino):

"So, how do you know Claudia?"

"She was my girlfriend at uni."

"Oh.  I thought you were...um..."  The word is "gay."  Why is it so hard to say it?

"Um...,yeah...but..."  "I turned him!" Claudia chirps in.  Girl, don't say that, even as a joke.  It gives the homophobes ammunition for their "Being gay is a choice" arguments.

Adam continues to be despondent, and sneaks in the back room to check his hookup app contacts. Just date the swishy drama teacher.  He wants to ditch his friends for a hookup.  Claudia checks his face and dick shots to make sure he's worth it -- "yeah, hotter than Dwight, go on." 

Meanwhile, Gran is playing cards with her old-biddy friends.  One leaves to use the loo, and the others gossip about "two dates" with a man -- to a hotel!  Gran doesn't get it -- she hated sex, and was thrilled when her husband died and she didn't have to do it anymore.  Maybe you just hated sex with men, dear. Try out the Daughters of Bilitis.

Scene 4:  Adam trudges despondently through the busy streets as if he's on his way to a funeral instead of a hookup.  Cut to him topping the guy, Bruno (Phil Dunster) -- all dark, nothing showing.  Afterward Bruno complements him on his passion and tries an introduction, but Adam isn't having it: no names, no overnights, no "I'd like to see you again."  While Bruno is in the bathroom, he zooms away to trudge despodently through the streets of London. I get the impression that the showrunner strongly disapproves of recreational activity.  Even the participants hate it, and have to take six-hour long showers afterwards.

Scene 5: Adam fixes Gran's router while she heats up the food that her attendant prepared -- and complains about it, of course. I like complaining, too -- "here are the things I hated about it" is much more fun than "it was good."  But lady, there are limits.   

In other news, the letting agency said that the cottage needs too much work to be lettable (rentable?), so Gran wants to give it to Adam.  In Britain, a cottage is a small house in a rural area with no land around.  

"Besides, it will get you out of the city!"  You got it backwards, Gran: gay men move into the city.

Cut to Adam walking despondently and then being despondent at work.  He calls Steve -- for a date?  No, to help him renovate the cottage.  He's an architect, yeah?  

The place is a horrible dump, with moldy wallpaper, holes in the ceiling, a hole in the bedroom floor, no heat, and depressing furniture from the 1950s. But Steve thinks it's "brilliant," a perfect fixer-upper.  He's bored with "tarting up kitchens" and is desperate to "get my hands dirty."

More after the break. 

Gangs of London: A gay assassin, his boyfriend, a gay mafia son, some sex parties, and a lot of violence and dicks

 

In dramas about crime families, the youngest son is traditionally gay -- think Deran in Animal Kingdom, Ian in Shameless, and Kelvin in The Righteous Gemstones.  So I'm reviewing the first episode of Gangs of London, on Netflix, to see if the traditionl continues.

Scene 1: An upside-down view of a cityscape.  Telling us that this is an alternate world?  No, it's a guy hanging upside down from a tall building, crying and begging Sean (Joe Cole, left) not to kill him.  But he says "What choice do I have?", douses him with gasoline and sets him on fire.  Soon the rope snaps, and the burning body falls. Kind of an overkill.

Scene 2: Irish Traveler Darren (Aled ap Stefan), who apparently works as a hit man, gets a new assignment -- "nobody, just some pedo," and invites his Buddy ( Darren Evans) along.  They park, and Darren goes up the stairs to an apartment, where he waits to shoot the guy.

Downstairs, the Buddy has trouble from a group of toughs.  Then Finn Wallace arrives!  The hit is on the head of the biggest, most important, most brutal crime family in London!  He tries to call Darren, tell him to cancel the job, he's not who they said,  but it's too late, Finn Wallace goes upstairs, and Darren shoots him.

Meanwhile, his Driver Jack ( Emmet J. Scanlan) is terrorizing the Buddy.  When he hears the shot, he runs to the car for his gun.  All the Buddy can think to do is run him over. 

Scene 3: While Darren soaks in a tub, being horrified, the family gathers for the funeral.  

We meet Family Advisor Alex (Paapa Essidue) and a little boy named Danny, who may grow up into a main character.  The costumes seem a little quaint, so I'm thinking that this is all a flashback

They watch the guests arriving, wondering if any of them ordered the hit.

Scene 4: Sons Billy and Sean (Brian Vernel, Joe Cole) play Dad's favorite song, "Suzy Q," so loud that everyone is disturbed.  

We saw Sean being brutal in Scene 1.  Billy is the gay one, and a recovering heroin addict, naturally.  

Left: Horror Hunks claims that this is Brian Vernel, but the one in Gangs of London is younger, with black hair

Family Advisor Alex advises them to not look for the killer, or they'd have a war on their hands.

More dicks after the break

Industry: 5 butts, 4 cocks, and 3 chests of the top money-makers at a banking CPS somethings in London

 

Industry is being pushed on MAX as the greatest television series of all time; it has a 100% rating on Rotten Tomatoes; and there's at least one gay character.  Should be an obvious must-watch, right?  

Maybe not.  I've tried getting into it twice, and get immensely bored after five minutes.  It's about money.  The inter-office squabbles of guys in suits making money by making money for other guys in suits, and trying to position into positions of higher power so they can make more money by making more money. 

 Shape without form, shade without colour, 

 Paralysed force, gesture without motion

It's not only boring, it's depressing.  You're in friggin' London. Go to the British Museum and see some art.  

Can we skip the money and just look at some naked guys?

1. David Jonsson, top photo, plays Gus Sackey, the main gay character. He majored in humanities before he sold his soul to Mammon.  Apparently he's closeted, not fitting in to the heterosexist money culture.  According to the Wikipedia, he's "assigned to the Investment Banking Division, IBD, and then the CPS desk.  I don't know what that is, either.

2. Will Tudor as Theo Tuck, the other gay character, an Eton graduate consigned to a lowly position as research analyst.

Guys, seriously, the British Museum has the Rosetta Stone.

3. Harry Lawley as Robert, from a working-class Welsh background, so he doesn't fit in with the upper-class Oxcam graduates working the money angle. There also might be some prejudice against the Welsh. He's on the CPS desk.

And it's open till 20:30 on Fridays

4. Ben Lloyd-Hughes as Greg, VP at the CPS desk.  Ok, I looked it up: CPS means Cross Product Sales, where you try to sell your bank customers things they don't need, like Wells Fargo:  "Oh, you want to open a checking account?  How about an auto loan and a credit card?"

How about the Victoria and Albert Museum?

5.Derek Riddell, here getting sexed up in The Book Club, as Clement, the CPS vice manager.

The St. Paul's Cathedral Choir is performing on Friday night.

More money-making cocks after the break

"Ripley": A slow, artistic version of the gay-subtext con artist/murderer, with Tom's bum and Dickie's dick

 

The Talented Mr. Ripley (1999) stars Matt Damon as the charming con-artist Tom Ripley, who has a gay-subtext romance with Jude Law's Dickie before murdering him and adopting his identity.  The 2024 version is a tv series, and reputedly overtly queer, taking the gay subtext into text.  I reviewed the first episode.

Scene 1: Rome, 1961, atmospheric black and white.  Having just killed someone, a man with his face obscured puts on his shoes and hat and starts dragging the body down a palatial staircase.  

Scene 2: Six months earlier, New York. Tom (Andrew Scott) gets up in his run-down room in a residential hotel, walks the mean streets, steals someone's mail, and writes out a fake "payment overdue" notice

Then he goes to a bar and starts one of those highly-closeted 1960s hookups with a guy named Al (Bokeem Woodbine) Whoops, no, Al is a private detective, hired to find him and hook him up with the wealthy Mr. Herbert Greenleaf.  Tom refuses, then leaves to ride the subway and walk the mean streets some more.  

Back home, someone left his business card: From the IRS!  

Scene 3: Tom continues his scam: he steals payment checks, then calls or writes the sender, claims that it was lost in the mail, and has them send a new check to his own post office box. Nice establishing shots of the art deco post office and bank.  

Uh-oh, the clerk thinks something is wrong, and goes to consult the manager. Tom has to run away, and close down the whole collection agency scam!  What to do next?  Maybe Herbert Greenleaf's job won't be so bad...

Scene 4: Greenleaf Shipbuilders.  Tom is escorted past the big ships to the office, where Herbert Greenleaf tells him about the job: his son Dickie,  Tom's old acquaintance, has been living in Italy for years, pretending to be a writer or a painter, but really just goofing off.  Greenleaf wants Tom to convince Dickie to come home.

Why Tom?  They didn't know each other well.  Because none of Dickie's other friends wanted the job. Why would someone on the bottom of Dickie's friends list, who he doesn't know well and doesn't care about, be able to talk him into leaving Italy?  Tom must have a really big dick.

Scene 5: While he's considering the job, Tom has dinner with the Greenleafs. Back story dump: He went to Princeton. When he was young, his parents drowned. Uh-oh, maybe he killed them. Then they look at some photos of Dickie when he was young, in college, and now, in Atrapi, with Marge -- "girlfriend, friend, who knows?"  So Dickie is gay.

Scene 6: Tom at the tailor's, inspecting the clothes the Greenleafs bought for him. He gets his passport, signs travelers' checks, throws out his scam checks, and we're on the Orient Express!  In the Swiss alps; I guess in those days you flew in through Paris?   

He writes to his Aunt Dottie, who is getting a dental procedure -- which we see, for some reason: "You're free of me now, and I of you." I like the slow, moody structure, with the beautiful, weird shots of fire escapes, catwalks, and sculptures, but it's a little too slow.  How much time do we need to devote to Tom brooding?.

Scene 7: Naples. Tom gets off the train, changes some travelers' checks, and asks for a bus to Atrapi.  He is pushed into a cab instead, and arrives at a darkened station in the middle of the night.  Nothing to do but wait until morning, then get on the real bus -- for a trecherous drive through the mountains!

Atrapi, finally!  He asks someone, in bad Italian, for Richard Greenleaf, and is directed up endless stairs, through arches and corridors, up more stairs. to a villa.  Where he is told that Richard is down on the beach!  Is this supposed to be a comedy?

Scene 8: Tom at a shop, trying on a very bulging swimsuit, while ladies giggle at him. He asks for something a little less revealing. 

The beach is deserted -- oh, there in the distance is Dickie, lying down, fully clothed, with Marge's head on his thigh.  Tom wakes them and introduces himself, pretending that this is a chance meeting. Dickie doesn't remember him, but invites him to go for a swim.  Uh-oh, Tom is afraid of the water, since his parents drowned.  He won't set foot into the water.

More Dickie after the break