"How to Get to Heaven from Belfast": Dark secrets, twisting plots, hunky guys, bulges, and d*cks. And the Irish countryside

Belfast has the reputation of being cold, dark, and grim.  Its main tourist attractions are the Peace Wall,  dedicated to the memory of the Troubles, and a museum showcasing the Titanic.  Not many people's idea of a proper craic, innit?  But I heard that How to Get to Heaven from Belfast (2026), on Netflix, is a must-see, and I liked Lisa McGee's previous series, Derry Girls, so here we go with Episode 1, "The Wake" (a party held after the funeral, usually with a viewing of the body).

Prologue:  Night, with a view of the city.  Three people with flashlights find their way to isolated cabin, where a teenage girl is sitting in a pit.

Scene 1: 20 Years later: In Belfast, the highly butch Dara explains why she hates her mother in a very tight closeup, so tight that it is painful to watch.  The camera pulls away, and she is telling all this to the server at a coffee shop!

Meanwhile, Soccer Mom Robyn is driving while her two bratty preteens squabble in the back seat. She finds them so annoying that she bangs her head repeatedly against the steering wheel until it's bloody -- no, just a fantasy.

In London, Saoirse (pronounced Sheer-Shah), a writer for a hit tv show about a woman solving murders, is at lunch with two women and a man, who tell her that she should write stories with no murders. "But the name of the show is Murder Code!"  She finds the suggestion ridiculous, and storms off, bringing the man with her.  She wanted to be a playwright, but now she's writing crap.  If the man is actually her boyfriend, heterosexual identity established at Minute 7.

All three get emails from the sister-in-law of their friend Greta: she has died.  They decide to go to her village in Donegal County, Ireland: their dear friend from high school has died.

Scene 2: Butch Dara packs for the wake, and gives her sister instructions on how to take care of their super-cranky mother.  She is picked up by Soccer Mom Robyn.  They get all weepy when Greta's favorite song plays on the radio: "Hot in Herre" (2002) by Nelly, whose name is a homophobic slur but is not actually homophobic.

While writer Saoirse flies in from London, she  looking at photos of the Dead Friend and her boyfriend on her phone.  Heterosexual identity established at minute 10.  The flight attendant morphs into the girl in the pit,  probably Greta, and asks "Can I tell you a secret?"  They must have killed the guy who kidnapped Great and put her in the pit.

Scene 3: The two friends pick up Writer Saoirse at the Belfast Airport, and criticize her outfit. They discuss why they want to go to the wake: to assuage their guilt over not contacting their friend for 20 years, and to get break from their current crises (hating their Mom, kids, and job, respectively).  Then on through the scenic countryside to Donegal (100 miles from Belfast, but in another country). 

Back story: Writer Saiorse is getting married, but not to the guy she had lunch with.  Her fiance is Seb (Tom Basden).  The other two are pushing their way into being bridesmaids.

Scene 4: Uh-oh, at a gas station, they put petrol instead of diesel in the tank, so they stall a few miles from their destination, Knockdara (fictional).  The Recovery Service guy, Liam (Darragh Hand), makes a joke about Belfast people being violent and dangerous, which doesn't sit well with two of them.  He flirts with Writer Saoirse.

The car needs its whole fuel system replaced, so Liam tows them in, and the flirting continues.

Turns out that he knew their dead friend, Greta!  Her husband, Owen, is his boss!  Well, it's a small town.

Scene 5: The flamboyant desk clerk at the hotel (maybe Owen Mallon) also knew Greta, and explains how she died: fell down a flight of stairs and broke her neck.

Instead of trying to walk the 2-3 miles to her house, he suggests they spend the night and setting out the morning.  They could go to the 1990s-themed disco, "The Naughty Nineties."  It's so popular that teenagers bus in from Letterkenny (I didn't know that was a real place).

Scene 6: In the hotel room, Writer Saiorse checks Dead Friend Greta's Facebook page. It's been taken down.  This disturbs here.  

And Soccer Mom Robyn gets a phone call that consists of eerie static.

They all take showers (no lady parts).  We see a mysterious tattoo on their back, neck, and wrist.

Scene 7: At dinner, they discuss how "you can't go home again."  Time changes you.  The woman who died was not the girl they knew in high school; she was a stranger.

 Writer Saoirse goes outside to smoke and be depressed, and runs into Liam, now a member of the Garda (a cop).  He explains that he works for his uncle at the auto shop, and for their friend Greta's husband as a cop.  So, are you also the mayor and town veterinarian?  And the car is ready.

They gaze at each other for a long time.  I don't get it.  There were three women in the car.  How did he decide that he was only interested in Saoirse?  Is it recognizing your soul mate?  

He walks away, then returns to give her a slip of paper.  She thinks it's his phone number, but it's the bill for the car service, har har.

More after the break

John Karlen: Vampire's boyfriend, lesbian subtext husband, bi guy shows his stuff. Plus nude Sean Penn and Tim Matheson

 

During the hippie era, what kid didn't run home from school every day to catch the last ten or fifteen minutes of the Gothic soap Dark Shadows (1966-71)?   It wasn't enough time to comprehend most of the plotlines, but you could get a glimpse of the blatant romance between brooding vampire Barnabas Collins (Jonathan Frid) and his boyfriend..um...hired hand, Willie Loomis (John Karlen).  Probably not deliberate in the late 1960s, but since Jonathan Frid and several other cast members were gay, and John Karlen arguably bi, it's a possibility.

I've already covered the romance in detail, but I thought it was high time for a profile of John Karlen.

John was born in Brooklyn in 1933, to Polish immigrant parents.  After high school he served in the Korean War, then attended the American Academy of Dramatic Arts, graduating in 1958.  

Between 1958 and 1965, John made his mark on Broadway with roles in Sweet Bird of Youth, Invitation to a March, Arturo Ui, The Milk Train Doesn't Stop Here, All in Good Time, and Postmark Zero. Wow, Tennessee Williams, Bertolt Brecht...classy.

Plus episodes of those standalone dramas that they broadcast in the early days of television, before they figured out that ongoing situations would draw in more viewers: Kraft Theater, Armstrong Circle Theater, Camera Three.  

The boy was 34 years old, and on his way to a serious dramatic career.  Then, for a reason lost to history, he switched to soap operas.

John appeared in 74 episodes of the CBS soap  Love is a Many Splendored Thing  (1967-68) as "sneering playboy" Jock Porter.  He begins dating Chinese-American medical student Mia while she is "on a break" from her regular boyfriend (without telling him).  But she discovers that Jock paid for his previous girlfriend's illegal abortion, dumps him and returns to Hong Kong.

When he wasn't on the CBS call sheet, John walked three blocks over to ABC, to play con man Jason Maguire's "friend," Willie Loomis on Dark Shadows.  When Barnabas Collins was introduced, he was upgraded to vampire companion, and appeared on 179 episodes (1967-71). 

He also buddy-bonded with the vampire as Desmond Collins in 1840, and as the flamboyant "green carnation" Carl Collins in 1897. 

After Dark Shadows, John's vampire background got him a starring role in the "erotic horror" Daughters of Darkness (1971).  Stefan (John) falls in love with Valerie, and says that they have to elope because his "mother" will disapprove.  Surprise!  He's in a gay relationship with Fons Rademaker, who of course disapproves of being dumped for a girl.

The newlyweds check into a hotel in Belgium, where they meet the famous real-life vampire Elizabeth Báthory and her lesbian lover.  Seductions, three-ways, psychological games, and murder follow.  Only Valerie survives.

I don't recommend it because it's nonstop naked ladies, but there's a gay connection, and we get to see John's butt.

Several times. 

And his dick, but it's too small and blurry for a decent screen capture.  How about Malcolm McDowall instead?  A Clockwork Orange premiered in 1971, also.

More after the break

Jason Maybaum: Is the gay-vague son on "Raven's Home" gay in real life? With some Disney Descendants and Jake Green's goods

 

In 2021, I reviewed an episode of Raven's Home (2017-2023), the Disney channel update of That's So Raven, in which the girl with psychic powers grows up and moves in with her frenemy Chelsea, and they raise their kids together.  I didn't realize at the time that Raven Simone, an out lesbian in a same-sex marriage, refused to make Raven gay!  Disney offered, she refused!  Friggin' Uncle Tom, complicit in the heteronormative erasure of LGBT people -- including lesbians, darn it!

Chelsea's son Levi (Jason Maybaum, left, with costar Isaac Ryan Brown) is a femme boy, an aspiring actor, cast as the gay-subtext Mercutio in Romeo and Juliet.  Mom says "I'm proud of you, no matter what," which is usually what parents say to avoid saying "even if you're gay." And he never expresses any interest in girls in any episode -- I checked.  Due to Raven's insistence on heteronormative erasure, he couldn't be canonically gay, but -- and the writers -- certainly piled on the gay subtexts.  Could Jason be gay in real life?   

Jason was born on August 31, 2007, and began his acting career in commercials in 2014, when he was seven years old.

He played the son in The Perfect Stanleys (2015), about a stay-at-home mom whose life is "perfect."

A bratty kid who criticizes Ders' museum purchases in an episode of Workaholics (2016)

A commercial kid who terrorizes sports great Frank Cushman (Jerry O'Connell) in an episode of the mockumentary series The Fifth Quarter (2016).

Left: Jake Green, who plays the moderator of the mockumentary, if he's the right one.  If not, just relax and look at his abs.  

And now back to Jason:

The son in Bitch (2017), about a woman who snaps and thinks she's a dog (say what?).

The bratty son of Superstore manager Glen (2017).

A student in Teachers (2017), with Ryan Caltagirone (left) as Hot Dad.

The son in Desperate Waters (2019), with Matthew Lawrence taking a male-female couple on a "three hour tour" (not really; reference to Gilligan's Island).

The son in...well, you get the idea.  A lot of sons.  Let's try some of Jason's when he was a teenager, after Raven's Home.

 

Since Raven, Jason has mostly done voiceover work: Wolfboy and the Everything Factory (2021-22), Spidey and his Amazing Friends (2022-23), Ridley Jones (2023).

Plus a lot of singing and dancing.

His only recent live-action role seems to be Cameron in Descendants 3 (2021), which the IMDB says is about competitive dancers in Los Angeles, but Wikipedia says is an animated film featuring the children and grandchildren of Disney villains: Booboo Stewart (descended from Jafar), Mitchell Hope (left, Beauty and the Beast), Dylan Playfair (Gaston --wait, wasn't he gay?)....

More after the break

"Son of a Thousand Men": Magic realism from Brazil with fragmented time and space, but there are gay guys and d*cks

Son of a Thousand Men (2025) popped up on the nude celebrity website with this well-hung trifecta, playing Nude Man 1, Nude Man 3, and Antonino. 

But what is it about?  

Different reviews give us completely different plots:

1. "A lonely fisherman longing for a son is drawn into an ethereal light," and the boy appears.

2. "A gay guy enters a marriage of convenience with a foundling woman" 

3. "An older couple hires an actor to impersonate their gay son."

4. "A elderly man tells his grandson to stay away from gay men and lesbians" (VOD)

Maybe they're all correct.  I suspect that we are looking at magic realism, like 100 Years of Solitude, The House of the Spirits, and Cortazar's Hopscotch, where people merge into other people, time and space are fragmented, and the subconscious manifests in everyday objects.   

Let's try the trailer:

Scene 1:  Sometime in the 19th century, an elderly fisherman (Rodrigo Santoro) is living by himself. That's the beginning of a lot of fairy tales.

He has been driven insane by the isolation, so he makes a creepy boy doll that he pretend is  real.   So is the doll going to come to life, like Pinocchio?  

Scene 2: He puts an ad in the village grapevine, "Elderly man seeks a son."  A teenage boy looks at it, but a preteen boy shows up. I think the teen boy turned into the preteen boy, and both are going to become the Fisherman.

Scene 3: The Boy wants the Fisherman to get a girlfriend, so he won't be lonely.  This might be a problem, since they live in the wilderness, a long, arduous journey from the nearest town. Who does he sell the fish to?   

Fortunately, at that moment the Woman of his Dreams appears, wearing a flowing white robe, sitting alone on the rocks. She must be a supernatural being, maybe an eidetic invocation of the Eternal Feminine.

The Boy doesn't think that the Woman of His Dreams is an appropriate partner for the day-to-day life of a fisherman, maye he can't see her at all, so he continues: "There are plenty of girls in the village."  This to a shot of someone who is definitely not a girl. I think he's Antonino from the n*de photos (Johnny Massaro), so maybe he was hanging out on the gay beach. 

Scene 4: Mom tells Antonino that she needs a grandchild, so get busy.

Scene 5: Antonino's wedding, to a woman trapped in a fishing net. Is this standard for Brazilian weddings, or does it signify that she's a sea creature?   This must be Plot #2: he's a gay guy forced to marry "a foundling woman." 

Scene 6: They settle in for their wedding night in separate beds.

Scene 7: In the morning, she leaves, wanders on to the beach, and says "Love ruins everything," just before the Fisherman sees her and is overcome by Girl of His Dreams fervor.  So she's the Net Lady. I thought there were no other houses -- or hotels -- around for hundreds of miles. Maybe she walked through time and space.

Scene 8: Net Lady and Fisherman bond over screaming therapy, laugh, and swim in an ocean full of people, "all children of different mothers and fathers."  Obviously.

Meanwhile Antonino (I think) has a rather painful masturbation.

Scene 9: The Boy curls into a fetal position as hair drops on him.  So he's been to the barber?

People gaze at the ocean.

Net Lady dies as the Fisherman holds her hand.

There's a giant glowing seashell.

Fisherman: "We're never really alone."

The end.

Still confused?  Me, too.  But I found a complete, detailed plot synopsis, untangled the magic realism fragmentation, and put the events in chronological order.

Unfragmented story after the break.  

"Goosebumps: The Vanishing": Ross from "Friends" as a crazy botanist, some gay teens, a monster, and Sam McCarthy's....

 

Goosebumps: The Vanishing has dropped on Hulu, the second season of the Goosebumps series, based on the popular children's books.  I can't tell if it is episodic or not at this point, so I just clicked on Episode 1, which stars David Schwimmer, Ross from Friends; and teen idol Sam McCarthy.

Scene 1: Brooklyn, 1994. Bill Clinton is in the White House, I'm in West Hollywood, Mariah Carey is topping the charts, and Friends premieres on CBS: 

So no one told you life was gonna be this way

Your job's a joke, you're broke, your love life's D.O.A

 Four teens (Sameer, Matty, and two girls) descend into eerie catacombs, until they come to the room where "they conducted medical experiments."  They're doing a "truth or dare" thing where they have to spend the night.

Sameer: "I'm not scared.  I just like to sleep naked, and it could get a little awkward."  

Uh-oh, Matty's younger brother Anthony followed them!  Mom's going to be furious.  Matty forces him to leave.

Suddenly a machine switches on, gas squirts out, and Matty's face dissolves.   A gruesome image.

Scene 2: Brooklyn, 2024.  Teen twins Devin and Cece (Sam McCarthy, Jaden Bartels) exit the subway and complain about having to leave their friends in Manhattan to live with Dad, the grown-up Anthony (a craggy, dissolute-looking David Schwimmer). He picks them up in a car.  Are you sure this is Brooklyn?

At home, Dad Anthony yells at neighbor Trey, also called James Junior, for blocking his driveway. "But your mom always let me park there."

"She didn't have a car."

Inside, the living room is crowded with boxes.  Back story: Dad has moved into this house after his mother went into assisted living with dementia, and he's going through her stuff.

In other news, "I've really been looking forward to your aunt's brain surgery."  WTF?  Who looks forward to that?  He means because then they can come live with him.  

Wait -- the twins are living with their aunt, not their father?  What's wrong with him?

The micromanager passes out his extensive list of rules, but emphasizes that the main rule is: "Stay out of the basement." He gives them a tour: he's a botanist, working on a lot of plant types that will revolutionalize the botany world.  Shouldn't you be working in a lab somewhere?   But stay out!

Scene 3: Dinner at Gwendolyn's restaurant.  Gay couples at the tables behind and in front of them. Back story: Cece is starting debate camp tomorrow. She hates it, but you need "a thing" to get into college. 

Next up, Devin: He claims to be ok, given "everything that happened," but he was suspended for getting into a fight.  Nope, not gay.  

CJ drives up on his motorcycle.  Dad introduces him to the twins. Back story: he's working here, at his parents' restaurant, for the summer.  Dad suggests that maybe Devin would like to work there, too.  Playing matchmaker, buddy?  I don't have any hope that he'll be gay, but there may be a gay-subtext buddy-bond between him and Devin.

He has to make a delivery, but the guys are all meeting at the park later. "Y'all should come."  Maybe specify which park, and what time?

Scene 4:  On the way home, Dad sends the twins inside so he can chat with a crying woman in a car. She notes that the father of Trey/JJ, the neighbor who Dad argued with, stopped by the police station to file a harassment complaint. According to the Google AI, harassment consists of repeaed acts that cause the victim to "fear for their safety,"  Telling someone to not block your driveway certainly doesn't count.

The woman promised to talk to Trey/JJ's Dad, but "be careful.  He's big on conspiracy theories." 

In other news, she managed to pull some strings and retrieve his brother's things from the night he and his friends dissolved.  . Moldy clothes with dissolved Matty all over them, from 30 years ago? 

The woman has been thinking a lot about that night, but Dad doesn't want to hear it.  He cuts her off and heads inside.

Scene 5: The twins come downstairs while Dad is arguing with his ex wife on the telephone. Wait -- they were living with their aunt, but she's having brain surgery, so they moved in with Dad.  Why weren't they living with their mother?

Dad assures them that although they hate each other, they both love the twins.  He made burnt waffles, which they reject.  It's the next morning. What happened to meeting the guys in the park later?

Left: This show is a little beefcake-light, so here's a photo of Sameer, one of the melted teens (played by the 28 year old Arjun Athalye).

More Sameer after the break

Frederick Koehler: Chip from "Kate and Ally" grows up, shows his d*ck, plays some psychos, and vanishes. With bonus Beau Mirchoff dick

Viewers who saw this in a 2004 episode of the prison drama Oz were shocked.  Not by the nudity -- there were lots of nude guys.

Not because he was Andrew Schillinger, 20-year old son of the white supremacist prisoner Vern Schillinger.

 Not even because he was a heroin addict who would be given a batch by an unscrupulous guard and die of an overdose.

Because we were looking at the dick and butt of a grown-up Chip.

Although he had appeared in Judging Amy, Ally McBeal, Profiler, Gideon's Crossing, Charmed, and A Kiss Before Dying,  Fred Koehler was famous for Kate and Allie (1984-89), a sitcom starring two recognizable 1970s tv stars, Jane Curtin and Susan Saint James, a free spirit-stick in the mud couple living together. Fred Koehler played their 10-15 year old son, Chip

No, they weren't lesbians, although they pretended to be in an early example of a "let's pretend to be gay to get some of their incredible privileges" episode. 

After Kate and Ally -- I have to keep checking, but I'm pretty sure it's "ally," not "allie" -- Fred attended Carnegie-Mellon University, got a degree in theater, changed his stage name to Frederick, and returned to Hollywood.

To quote Sally in Peanuts, isn't the grown-up Frederick "the cutest thing"?   Short, rather husky, with a round, handsome face and a befuddled expression that makes him perfect for roles as oddball outsiders with no heterosexual interests.  Instead, they are gay-vague, yearning for love, acceptance, and family.

Like Ben Sharpless, teenage son of the obsessive sheriff Nolan in Birdseye (2002).

Or the mentally handicapped Pemon in Little Chenier (2006).

More after the break

"No Good Deed": Four lesbians, a gay realtor, a gay son, Oedipus, some murderers, and Phoebe from "Friends"

Braxton Alexander recommended No Good Deed, a tv series on Netflix, so presumably he's in it. The trailer shows Ray Romano (Everybody Loves Raymond) and Lisa Kudrow (Friends) spying on the couples interested in buying their house, no doubt planning something nefarious.  Plus I thought I saw a lesbian couple, so here goes:

Scene 1: Establishing shots of Los Feliz, the gentrified L.A. neighborhood. near Dodger Stadium. A Spanish Colonial house for sale.  The swishy real estate agent (Matt Rogers)  tells various couples that the homeowner is very invested in selling, while Ray Romano and Lisa Kudrow watch on their cell phone.  Uh-oh, they're up to no good.  Are they trying to find the perfect buyer to kill?

There are four stories, not interconnected, so I'll go through each separately:

The Soap Star:A scary unshaven guy with dark glasses signs his name in the register as John Smithe, but he's not a villain, he just plays one on the soap opera Rising Tides.  A shady handyman who cheated on his stepdaughter and was killed off. The first incest reference.  There will be more.

He's played by Luke Wilson, top photo and left.

Later, high-heel shoes enter the house.  I hate that cinematographic cliche.  Then a woman's back, like it will be a big shock when we finally see her face.   Gasp!  It's someone I never saw before!  What a shock!

Swishy Real Estate Agent Greg criticizes her for being a Lookie Louise, looking at houses but never buying one, but her real name is Margo.  

Ray and Lisa, watching from their secret lair, criticize her purse: "She looks like an AI-generated bitch."  Then they discuss the hardness of her nipples.  They definitely don't want to sell to her, unless she pays cash: "Then I will bend over and take the cash up my *ss," Ray says.  Anal sex joke.  There will be others.

Cut to the Soap Star talking to his manager on the phone. Back story: he's so deeply in love with his wife that he bought her an expensive house, some cars, and a boat, and now he's going bankrupt. But he can't help it: she wanted them, so what else can he do?  "Maybe buy a house you can afford?"  So that's why he was looking at the Spanish Colonial.

In bed, John's overbearing, painfully elitist, super-snob wife turns out to be high-heel Margo!  They discuss why Ray and Lisa are selling their house. 

Oedipus: A m-f couple, the man O.T. Fagbenle, the woman an architect and highly pregnant, tour the kitchen.  They discuss how much they love each other and smooch a few dozen times until Mom tells them to knock it off.  Way to go, Mom!  

She also complains that they didn't have a wedding, when her son has been dreaming of it since he was young.  Really?  I thought just girls planned their weddings.  When I was young, I was imagining my future career as an astronaut or Indiana Jones-style archaeologist.

Cut to Oedipus and Mom staking out the house.  Mom complains that they used to spend every moment of the day together, but now she sees him barely twice a year.  He explains: she used to be his whole world, his reason for living, but then he fell in love with someone else.  Be thankful for twice a year, Mom.  Some guys don't want to see their ex-lovers at all.

What's going to happen when the baby comes, and they both need to work?  They'll need someone to stay home with the baby, hint hint.  Dude, don't hire your mother/ex lover as your nanny!  She'll try to murder your wife to get you back.

In their next scene, Oedipus tells his wife that they can't afford the house on his novel royalties and her architecture, so why not have Mom chip in?  She is loaded.  Of course, she'll want to live with them.   Wife hates the idea.  Her husband's ex-lover, right there in the house with them? 

The First Lesbian Couple: Leslie, forceful and practical, and Sarah, quiet and mystical, examine the upstairs.  Sarah thinks it's "more of a family house," and it has a "dark vibe." 

They find a locked door.  It leads to the room where Ray and Lisa are hiding out and spying on everyone.  So, they're going to murder whoever buys the house?

On the way out, Practical Leslie is ready to make an offer, but Mystical Sarah doesn't want to spend all their money.  Besides, the neighborhood has a dark vibe.

Back story: They've been trying to get pregnant with IVF, but it doesn't work.  

That night, Practical Leslie drives through the neighborhood to prove that it is safe.  She sneaks into the garden of the house, planning to climb to the secret room's window and look inside, but instead she sets off the security alarm and the sprinklers.  Hiding in the bushes, she sees Homeowner Ray hide a gun in the piano. 

Meanwhile, at home, Mystical Sarah injects herself with something in secret.  She's either dying or a drug addict.

 The Second Lesbian Couple:  In bed, they discuss the house:  They could fix it up, put in a pool, and make a fortune off it.  They hatch an evil scheme to get it for under market value, and smoochify. 

Ray and Lisa:   While spying on the prospective buyers, they discuss how sad they are to be selling the house where Lisa grew up.  Wait -- I thought they were going to do something sinister to the buyer.  They just want a buyer who will "love the house as much as we do"?  How is that the premise for a tv series?  Somebody better get stabbed to death.

More back story: they're struggling financially; they took out a second mortgage, and now they're in arrears.  Lisa can't work, because she's a concert pianist with some sort of disease that makes her hands tremble.  

Lisa decides to go down and meet some of the prospective buyers, but Ray zooms in on an Old Guy, is horrified, and tells her "Don't go out there!"  Why, is Ted Bundy downstairs?

Later, the open house over, Lisa returns some photos to the mantle, showing her and Ray getting married and having a son and a daughter.  She sees them running through the house, playing "tag."  This memory makes her cry.  I'll bet the son and daughter died.

More secrets after the break