Snakes and Ladders: A teacher and her gay son squabble with a chocolate heir, the Spanish counsul, and a closeted hunk. With Roque and Nico dicks


 I've never played the game "Snakes and Ladders" but apparently you move your piece up by landing on ladders and down by landing on snakes.  It's the title of several tv series and movies, most recently the Mexican Serpientes y Escaleras on Netflix. The promo shows a femme guy with orange hair at a party, heading for the bathroom, encountering a conservative guy ("on the right"), and having a conversation with awesome sexual tension. Ok, so let's go, Episode 1.1.

Scene 1: Some kids playing in a school yard.  A boy with blue eyeglasses and a girl get into a tussle, while the playground monitor looks horrified and the narrator tells us that "ethics" means "moral character," following the norms of the society. 


Cut to the Playground Monitor, aka the Prefect  putting on her prim schoolmarm outfit and walking through her mansion to kiss her pink-haired son.  He promises to come to lunch later.  She writes "I Deserve to Be Headmistress" in her notebook (aha, a micro-authority position, like Vice Principal), drives past the Millenium Arches that identify her city as Guadalajara, and arrives at the Colegio Andes (a grade school), only to find her friend Roque (Alfredo Gatica) passing out fliers for her competitor.

The Prefect yells at him. He responds: "She asked.  What could I do?"

N*de photos of Alfredo after the break.


Scene 2:
She is called to the Headmistress's office to meet the parents of the blue-eyeglassed boy: Dad is the super-handsome Vicente (Martino Rivas, top photo and left) aka His Excellency Don Vicente Garcia, the Spanish Counsul.  Uh-oh, super-powerful.

The girl's father is dorky-looking Mr. Muriel, aka the Chocolate King, the head of Mexico's biggest chocolate company. 

Mr. and Mrs. Counsul claim that the girl grabbed the boy's testicles, which constitutes sexual assault. 

Chocolate King: "No way!  She's six years old,  too young to know about such things!"

The Prefect was there, but couldn't see well enough to affirm or deny that it happened.

Headmistress adjourns the meeting until tomorrow, and then yells at the Prefect: "You will write a statement indicating that you saw exactly what happened, and it will be what the Counsul wants to hear!"

The kids are still friends, but the parents forbid them from seeing each other again. In other news: Mr. Muriel is the ex-lover of Vicente's wife, and thinks that she came back to rekindle their romance. "No, my husband got a job here.".  Maybe he was better looking in the old days.

Scene 3: The Prefect and her friend discuss whether to say that the daughter did it or not.  The Chocolate King is the most popular parent in the school, but the Spanish Counsul!

At home, her bigoted, abusive ex-husband is visiting. There's a problem with their pink-haired son, Antonio: he's been gambling, and owes a lot of people money -- the Mafia!  She doesn't believe him.  They argue about who is the worse parent.  Then Antonio comes in and asks to borrow a little money. They start yelling at him: "I've raised you under the framework of ethics and morality!"

Uh-oh, the Chocolate King arrives in his limo, so Prefect tells them both to go out smiling, as if they're the perfect family.

Scene 4: The Chocolate King wants the Prefect to say that his daughter didn't do it, so she's not stigmatized as a sex offender at age six. 

When the Prefect balks, he gives the back story: Once he was engaged to Mrs. Garcia.  Then he got another girl pregnant, so he had to marry her instead.  She went to Spain, married Counsul Garcia, and now she's back, trying to prove that her husband has a bigger cock.  


"Here's my card. Call me if you have any wish you want me to fulfill.  And believe me, I can fulfill them all."  Whew, this dude is creepy.











Scene 5:
The Prefect consults a Tarot card reader, who says that she's not going to make Headmistress. "But a week ago, they said I would make it.  What happened?"  The cards say: "No matter who you decide on, the other parent will try to destroy you."

Pink-Haired Antonio comes in to ask if she's thought about lending him the money. The Prefect: "I'm tired of trying to make you a good person.  I'm done."

"But I'm in danger."

"Tough. I have my own problems."

Scene 6: The second meeting with the parents, where the Prefect has to tell "what really happened."  Her verdict: it was a minor scuffle.  If the girl did it, she had no malicious intent. So we won't do an expulsion, but we'll transfer the boy to another class.

The Counsul is irate: "This is going to reach the King's ears." He means King Felipe VI of Spain.  Are we going to start a war over a testicle-grab?

The parents storm out.  The Headmistress is irate. 

Outside, the Chocolate King wants to know why the Prefect decided the way she did. "It was the right thing to do."  He promises to help her win over the mothers in her quest to become Headmistress: "I'm popular with the mother. I'm handsome, rich, and widowed."  Handsome?  You're a gargoyle, dude.  He's having a party tonight with a lot of mothers.  Maybe she can come?

More after the break

Modern Family Episode 8.14: Alex is promoted, Cam is injured, and Phil dreams of parking lots. With a dozen gay actors, two short guys, and Fillion butt

 


We've been watching Modern Family, even without Adam Devine as Andy.  Last night's episode was 8.14, "Heavy is the Head" (2017) -- a little dated, but it had a lot of gay representation and beefcake.

The Phil/Jay Plot

Scene 1:  Phil (center) and his father-in-law Jay (right) are at the groundbreaking for his lifelong dream of building his own apartment complex, Dunphy Towers. Corporate guy Jared Cook approaches with an offer to buy the property for 20% more than they paid.  Phil says no, but Jay wants to play with him for a bit and get the offer up.


Left: Jonathan Chase's butt, sexing his boyfriend in Another Gay Movie (2006)








Scene 2: F
oreman Pete (Robert Baker, left) found a sewer line running through Phil/Jay's property, so they can't dig the basement of the new apartment building.  Shouldn't they have checked that first?  Plus there are pockets of methane gas everywhere, bursting into flame at random moments.  The project will have to be scrapped.

Scene 3: Phil and Jay approach Jared Cook, the corporate guy who wanted to buy the property, and accept his offer.  Nope, he heard about the structural problems, and the deal is off the table. 

Scene 4: They decide to turn the space into a parking lot.  Problem solved.  Phil announces that this was his dream all along.  Really?

The Claire/Gloria Plot

Scene 1:  Claire has to be careful around her birthday, because her stepmother Gloria (who is the same age) keeps giving her dumb gifts, then complains that she doesn't appreciate them.  This year Gloria is giving her a spa day, which is ridiculous -- she hates that girly stuff.  So she claims that she's too busy.

Scene 2: Claire is the new CEO at her father's company, Pritchet's Closets and Blinds.  Her marketing manager, Ben (the incredibly cute Joe Mande), complains that the workers are going ballistic about the budget cuts.  No overtime pay?  No bagel?

"We didn't have the Christmas sales we expected."  Do people usually put closets under the tree?

"Maybe we could fire someone, like Kenny in the warehouse."

"No, I love him. He makes fun of you."

Claire holds a staff meeting and claims that she's making sacrifices, too,  like flying coach. And she's taking off her office door to indicate that she's always available.

Ulp, when she enters her office, Gloria is there, with a huge gourmet lunch. Now the staff won't believe that she's cutting corners!

Scene 3: While Ben stands guard, Claire rushes through her caviar-and-champaign lunch.  She thinks she's done, but no, Gloria has arranged for the spa to come to the office.  And Claire can't say anything, or Gloria will get hurt feelings. 

When the swishy masseur Joshua (Artie O'Daly) appears, a worker asks who he is.  "Um..he's applying for a job as a forklift operator.  There are lots of gay forklift operators." 


Joshua:  "I'm not gay!"  

Left: Artie O'Daly is gay in real life. He is currently starring in the youtube sitcom Bad Boy, with Blase Maffia III.

Scene 4: The massage, plus a manicure. Claire is starting to unclench, but assistant Ben is having more and more trouble keeping the workers out: "Your girlfriend's office smells like truffles."

"My girlfriend is your boss, and she is not my girlfriend."

More after the break

Gemstones Episode 2.3: Kelvin topples, Keefe cuddles, and Titus is caged. With bonus semen loads




PreviousEpisode 2.2: Kelvin clenches,Keefe dances, and everybody flirts with Eli. 

Episode 2.3 explores the darkness at the heart of Eli and Kelvin's empires.  

Title: "For He is a Liar and the Father of Lies." In John 8:44, Jesus complains that the Pharisees are children of the Devil, "for he is a liar and the father of lies."  I wonder who the liar is here.

Four guys in the steam showers:  A montage of the God Squad in their compound outside Kelvin's house, working out with wooden equipment, shaving with an axe, growing crops.  Performers that Kelvin hired would have apartments in town and ordinary social lives, with friends and families.  This is a whole society, a homoerotic alternative to the mundane world of men constrained by wives and children, imprisoned in small square houses "made of ticky tacky."  

In literature and film, the adventure ends with marriage.  The hero is domesticated, exchanging his battles and intrigues for a mortgage and a briefcase, his band of brothers for the Eternal Feminine.  The God Squad offers an escape: "no women allowed," either in the Squad or hanging about outside, hoping to "civilize them."

Kelvin congratulates Keefe on his leadership, then says  "I'll meet you in the steam showers, but bring Titus and Odd Chris.  I could smell them during worship."  Every guy working in the hot sun all day will be pungent; in-universe, he is obviously inviting the other men so he and Keefe can each have a sex partner.  The leaders of many messianic cults require sex with random members.  

No one named Odd Chris appears in the cast list, but Titus will be the first God Squad member to rebel. Interestingly, in the Bible the Apostle Paul set Titus to Corinth to deal with a challenge to his authority.

After Keefe leaves to prepare the orgy, Jesse drops by to reveal his theory that Eli murdered Thaniel Block and the other men.  Kelvin refuses to hear it, and wants to defend Eli's honor.  "You ain't as tough as you think, boy!" Jesse exclaims, putting up his fists.  Then he sees the God Squad preparing to defend Kelvin, and backs off.  Messiah Kelvin has some loyal followers!

Junior Threatens Brock:  We cut to Eli at home, putting his bloody pants from last night into the hamper and watching a news report about the murders. Security guard Brock calls to tell him that Junior wants in.  "Tell him I'm not here." Was Junior his partner in the murders, or did he do the job on his own?

Junior blusters and threatens him, but finally he drives away. You may recall that in Season 1, Scotty flirted with Brock to gain access to the Gemstone compound.  But Junior has moved away from his gay-subtext flirting; he is pure threat. 


The Human Pyramid:  
We see the God Squad perform before an audience of teens.  Kelvin introduces the strongest member, Torsten, who dated a "female" in high school before she tried to seduce him, and he had to decide on "his celibacy or his soul."  It is clear that by "celibacy," Kelvin means much more than avoiding sex with women.  You must reject the entire heterosexist trajectory of job, house, wife, and kids, the nuclear family myth, the domestication and civilization threatened by the "female."  The way to salvation lies in the beauty of male bodies, in homoerotic desire unhindered by emotional connection. 

But when they move on to a human pyramid, with Kelvin on top, it topples.  The House of Cards collapses.  Maybe it can't be all about the penis after all.  Keefe behaves like a concerned boyfriend, rushing onto the stage and embracing Kelvin -- to protect him from plummeting musclemen?

Kelvin Wants to Spoon: What follows is very difficult to read. Fans are likely to shake their heads and say WTF?  during their first, second, and third viewing. The showrunners want us to be unsure whether the guys are actually gay, of course, but that's been obvious since Episode 1 to anyone with a basic knowledge of queer codes.  The real question: is Keefe Kelvin's assistant and acolyte, or his romantic partner?  Are they friends with benefits, or are they in love?    

On the surface, it seems easy enough.  Kelvin, in underwear, is looking out the window at the God Squad below. Keefe enters, having drawn him a bath, and tells him that both Liam and Titus were injured in the human pyramid debacle.  Kelvin thinks that it's their own fault for being soft on the fundamentals and skipping leg day.  "Something might have to be done about Titus," he says menacingly, an action-adventure movie villain.  

Keefe: "I completely agree."  Note that he is not an assistant, or his opinion would be irrelevant.  They are equal partners in the God Squad Cult.  "But some of the others have been questioning their place here as well. That's the downside of assembling an entire group of alpha males.  As they grow stronger, they grow more defiant."  The men are not content with being mere objects of desire; they want autonomy and control. 


Kelvin slips off his underwear and hands them to Keefe, who helps him put on his bathrobe -- from behind.   He has to press his body against Kelvin, crotch to butt.  Then he caresses Kelvin's thighs instead of breaking away. It would be much easier from the front.  Why does he go in from the rear?  

When he is finished, Keefe walks over to the mirror, but Kelvin isn't having it, and moves in front of him to get into the butt-to-crotch position again. 

Their gestures and positions are blatantly erotic.  Kelvin is in physical and emotional distress, and wants to be comforted.  In a society where romance is forbidden, this is how lovers cuddle.

"Brother, what's troubling you? " Keefe asks. "Your mind seems dark and black."  It's a secret.  Keefe promises not to tell anyone.

Kelvin turns around to reveal that his Daddy may be a murderer.  Their faces are only a few inches apart, far too close even for lovers, unless they're about to kiss.  One of them must back up to a comfortable conversational distance.  Kelvin is right against the mirror, so it's up to Keefe to back up.  Why doesn't he back up?

We see here Keefe struggling with his desire to move the relationship from "erotic partners" to "boyfriends," struggling with his urge to kiss Kelvin. Notice that he says "Are we in trouble?", not "Are you in trouble."  He is not an employee, who could just find another job if the church went down.  They are romantic partners; they are in this together.

Eli lays down the law: In the next scene, Eli notes that Liam (Peter Kaasa), who was injured during the human pyramid stunt, is suing the Gemstones. They don't need another scandal right now. 


He tells Kelvin to "stop acting like a child" and "grow up."  It's time to "put on your big boy pants, and stop playing with your muscular boys."  Kelvin yells "They're muscle men, Daddy," but he has missed the point.

 Eli thinks that Kelvin's erotic play is immature and childish.  Adults can't be all about desire, about doing things behind closed doors; they need connection to the greater society.  His talk omits the usual "find a girl, get married, and have kids" part of the heteronormative litany, since he knows that Kelvin will never relate to a woman in that way.  But he still needs relationships based on love as well as desire.  He needs to be part of a family.  

Sorry, I ran out of space, so Titus will be caged and do the coming in the next section.  But I included a few photos of guys depositing semen loads to put you in the mood. 

Bonus semen loads after the break.  Warning: explicit.