"The Diplomat": The one set in Barcelona, with a homophobic Brit, a gay assistant, and some Catalan cocks

Netflix was trying to sell The Diplomat, about, but this time I was smart: I looked for gay characters, and  found Dylan Brady, who tells Pink News that the show "talks about his queerness in relation to his job, in quite a nuanced way.”  Plus it's set in Barcelona, one of my favorite cities in Europe!

So I started watching.  It took ten minutes to realize that there would be no Barcelona and no gay character. There are two tv shows called The Diplomat, airing at the same time, both featuring young blond women who become diplomats, one the ambassador to Britain, the other the British consul in Barcelona.  Not confusing at all.  Let's do the British one, on Amazon Prime. I reviewed Episode 5, which the Pink News article praises as centering on Dylan's queerness.

Scene 1: Richard and Amanda, romantic partners, have just visited the Sagrada Familia, the iconic Barcelona cathedral.  He hates it.  They have also lost their "Hola Barcelona" card, so they have to buy regular metro tickets.  Cut to Security seeing Richard getting into an altercation with security guards.  They attack; Richard falls.  I'm guessing that these are not main characters, but this week's case.

Scene 2: Laura gets a phone call from her friend, who is hung over in a cafe. She reveals the Sagrada Familia incident.  One of the cops has broken ribs and a perforated eardrum, and the Brit is in the ICU after a heart attack.  

Another call from downstairs, from Fabian (Philipp Boos).  As she buzzes him in, a mysterious figure watches from behind a tree.  

Scene 3: Fabian criticizes her Serrat CD: "It's for old hippies."  An important composer of Spanish and Catalan music.  He didn't know that the bouncer being set up to take the fall, and he wasn't there when Cabell arranged the girl to be a scapegoat at the party on the yacht.  These episodes are not self-contained. In other news, "I really want to fuck you again."

She says no.  "I have a boyfriend." Tom (Ladi Emeruwa)

"But I'm better in bed, right?"  He walks her out; they smooch, in view of the mysterious figure.  Uh-oh, the British consul is going to be blackmailed.

After the smooching, he calls someone, says that he found the "skinny bitch," and this time there will be no screw-ups.  Uh-oh, he's an enemy.

Scene 4: At the hospital, the Wife explains to Laura and her assistant Carl (Dylan Brady) that the ticket machine wasn't working, so her husband gave it a thump, and the cop came over and started yelling and hitting.   "But you hit the cop hard. He has a major ear injury.  They're considering criminal charges," "Um...well, I'm sorry about that, but he was acting like a mad dog."

It's apparent that these people are highly religious, and bigoted against various groups.  

Meanwhile, in Ibiza, a woman is fiddling with a watch.  

Scene 5: Carl is upset: the wife called him "young man" in a dismissive tone that he feels is racist and homophobic.  Laura did some research and discovered that they are Baptist.  Her parents are progressive Baptists, but these two...not so progressive.

Back in the office, Laura gets a phone call from the Ibiza woman, but she hangs up. 

Cut to La Rambla, where a guy who looks identical to Fabian, but is probably Steven Cree (Sam Henderson) wants to know if the wedding to Mariana is still on.  They discuss the season-long plot.  

Neither Wikipedia nor the IMDB have any details about what's going on here, so I'll skip the discussions of the bouncer and the wedding, and stick to the metro-confrontation plot.

More metro after the break

Pain and Glory: An aging director recalls his first crush and his first boyfriend, with nostalgia and nudity

For forty years, Pedro Almodóvar has been giving us raucous, irreverent, sometimes funny glimpses into the sexual and social freedom of post-Franco Spain: Bad Education; Tie Me Up! Tie Me Down!; A Woman on the Verge of a Nervous Breakdown; What Have I Done to Deserve This? He's not exactly a proponent of essentialist gay identity: his gay men are usually there to have affairs with the female focus character, when she's not busy seducing her stepson.  Or maybe she'll seduce her stepson and his boyfriend, or join her sister in having the affair with the gay man.  There will be male nudity, urination, pop culture references, and kitsch. And these aren't comedies. 

Pedro went through similar machinations in his private life, being closeted, then stating that he was bisexual, and finally coming out as gay.  He's been with his partner, Fernando Iglesias, since 2002.

Dolor y gloria, Pain and Glory, is the 74-year old director's swan song, a summary and perhaps a justification of his work, touching on all of his major themes:  "sentimientos, costumbrismo, reencuentros, homosexualidad, sensibilidad, pasión, familia, drogas… "

Almodóvar stand-in Salvador, played by regular star Antonio Banderas, is an aging director, in physical and mental decline.  His chronic pain has kept him from new projects for several years.

Left: A misty memory of Banderas, fully nude in his first film appearance in 1982.

Asked to speak at the restoration of one of his old films, Flavor, he decides to look up the star, Alberto (Asier Etxeandia, left), whom he hasn't seen since the filming.  They had a falling out over Alberto's use of heroin on the set.

While reconciling, and trying heroin himself to ease his chronic pain, he tells the story of his first boyfriend.  

His First Boyfriend:  Director Salvador was in a relationship with Federico, played by Leonardo Sbaraglia, in the 1980s, but ended it due to his heroin use.  

Federico turned out to be one of Almodovar's temporary gay men: he left the "lifestyle" behind, moved to Argentina, married a woman, and had children.

Flavor star Alberto turns this story into a play that draws the attention of the real life Federico.  He returns to Madrid and wants to start the relationship again, but Director Salvador wants to keep the past in the past. 

More after the break

Alberto Ferreira: Not the gay guy in "The Other Side" or "Bad Education," but at least he has a big one

 

Do you want a profile of Alberto Ferreiro, star of the gay classic Bad Education, 2003?

How about now?

The guy is very difficult to research: no Instagram, no Facebook, no Twitter, a Wikipedia page in Spanish that only goes to 2006. 

Alberto Ferreiro, a professor at Seattle Pacific University, has just died and dominates Google searches with memorials.

Getty Images promises 31 pictures of Alberto, but delivers two.  The others are of a semi-naked woman gyrating.

So we'll have to make do with the IMDB.  

Alberto was born in Madrid in 1983, and began his acting career in 2000 with El Otro Barrio, "The Other Neighborhood" or "The Other Side," about the bond between a delinquent boy and a lawyer. Alberto stars in a boy-meets-girl subplot.

The frontal nudity comes from Nito, 2003, a 17-minute short about a bullied kid with learning disabilities.  He figures that the best way to fight back is to have sex with a lady.

Mala Educacion, Bad Education, 2004, has a filmmaker interviewing a trans woman, who tells the story of two boys, Gabriel Garcia Marquez and Fele Martinez, falling in love in a Catholic school in the 1960s.  Torment, torture, angst, despair, and tragedy follow, as was common in gay relationships in movies in those days.  You gotta punish those gays.

Alberto shows his butt while sexing a lady.  I swear, until this moment, I thought he played the boy who fell in love with Gabriel Garcia Bernal.

Segundo asalto, 2005, released in the U.S. as The Good Boy, features the relationship between a failed boxer and a bank robber.  Alberto has a minor role Dienteputo.

Recurring or starring TV roles followed: Un lugar en el mundo, "A place in the world"

Mis adorables vecinos, "My lovely neighbors"

More after the break