Gemstones Episode 3.3: A Fire dance, a limp wrist, a phallic sword, and Balkan muscle gods. Plus Kelvin tries to say the word.

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Snakes and Ladders: A teacher and her gay son squabble with a chocolate heir, the Spanish counsul, and a closeted hunk. With Roque and Nico dicks

 I've never played the game "Snakes and Ladders" but apparently you move your piece up by landing on ladders and down by landing on snakes.  It's the title of several tv series and movies, most recently the Mexican Serpientes y Escaleras on Netflix. The promo shows a femme guy with orange hair at a party, heading for the bathroom, encountering a conservative guy ("on the right"), and having a conversation with awesome sexual tension. Ok, so let's go, Episode 1.1.

Scene 1: Some kids playing in a school yard.  A boy with blue eyeglasses and a girl get into a tussle, while the playground monitor looks horrified and the narrator tells us that "ethics" means "moral character," following the norms of the society. 

Cut to the Playground Monitor, aka the Prefect  putting on her prim schoolmarm outfit and walking through her mansion to kiss her pink-haired son.  He promises to come to lunch later.  She writes "I Deserve to Be Headmistress" in her notebook (aha, a micro-authority position, like Vice Principal), drives past the Millenium Arches that identify her city as Guadalajara, and arrives at the Colegio Andes (a grade school), only to find her friend Roque (Alfredo Gatica) passing out fliers for her competitor.

The Prefect yells at him. He responds: "She asked.  What could I do?"

N*de photos of Alfredo after the break.

Scene 2: She is called to the Headmistress's office to meet the parents of the blue-eyeglassed boy: Dad is the super-handsome Vicente (Martino Rivas, top photo and left) aka His Excellency Don Vicente Garcia, the Spanish Counsul.  Uh-oh, super-powerful.

The girl's father is dorky-looking Mr. Muriel, aka the Chocolate King, the head of Mexico's biggest chocolate company. 

Mr. and Mrs. Counsul claim that the girl grabbed the boy's testicles, which constitutes sexual assault. 

Chocolate King: "No way!  She's six years old,  too young to know about such things!"

The Prefect was there, but couldn't see well enough to affirm or deny that it happened.

Headmistress adjourns the meeting until tomorrow, and then yells at the Prefect: "You will write a statement indicating that you saw exactly what happened, and it will be what the Counsul wants to hear!"

The kids are still friends, but the parents forbid them from seeing each other again. In other news: Mr. Muriel is the ex-lover of Vicente's wife, and thinks that she came back to rekindle their romance. "No, my husband got a job here.".  Maybe he was better looking in the old days.

Scene 3: The Prefect and her friend discuss whether to say that the daughter did it or not.  The Chocolate King is the most popular parent in the school, but the Spanish Counsul!

At home, her bigoted, abusive ex-husband is visiting. There's a problem with their pink-haired son, Antonio: he's been gambling, and owes a lot of people money -- the Mafia!  She doesn't believe him.  They argue about who is the worse parent.  Then Antonio comes in and asks to borrow a little money. They start yelling at him: "I've raised you under the framework of ethics and morality!"

Uh-oh, the Chocolate King arrives in his limo, so Prefect tells them both to go out smiling, as if they're the perfect family.

Scene 4: The Chocolate King wants the Prefect to say that his daughter didn't do it, so she's not stigmatized as a sex offender at age six. 

When the Prefect balks, he gives the back story: Once he was engaged to Mrs. Garcia.  Then he got another girl pregnant, so he had to marry her instead.  She went to Spain, married Counsul Garcia, and now she's back, trying to prove that her husband has a bigger cock.  

"Here's my card. Call me if you have any wish you want me to fulfill.  And believe me, I can fulfill them all."  Whew, this dude is creepy.

Scene 5: The Prefect consults a Tarot card reader, who says that she's not going to make Headmistress. "But a week ago, they said I would make it.  What happened?"  The cards say: "No matter who you decide on, the other parent will try to destroy you."

Pink-Haired Antonio comes in to ask if she's thought about lending him the money. The Prefect: "I'm tired of trying to make you a good person.  I'm done."

"But I'm in danger."

"Tough. I have my own problems."

Scene 6: The second meeting with the parents, where the Prefect has to tell "what really happened."  Her verdict: it was a minor scuffle.  If the girl did it, she had no malicious intent. So we won't do an expulsion, but we'll transfer the boy to another class.

The Counsul is irate: "This is going to reach the King's ears." He means King Felipe VI of Spain.  Are we going to start a war over a testicle-grab?

The parents storm out.  The Headmistress is irate. 

Outside, the Chocolate King wants to know why the Prefect decided the way she did. "It was the right thing to do."  He promises to help her win over the mothers in her quest to become Headmistress: "I'm popular with the mother. I'm handsome, rich, and widowed."  Handsome?  You're a gargoyle, dude.  He's having a party tonight with a lot of mothers.  Maybe she can come?

More after the break

Kelvin and Keefe have sex, so why can't they kiss?

  

I admit, I'm obsessed with the relationship between Kelvin and Keefe on The Righteous Gemstones, about a family of rich, famous, glitzy televangelists (Season 2 ended in February 2022, but I just signed up for HBO Max, so I just watched.  Season 3 will drop this summer.)

Kelvin (Adam DeVine) is the youngest son, a muscle enthusiast, generally responsible for the youth ministry at the anchor church.  Keefe (Tony Cavalero) is his sweet , slightly-muddled mansion-mate, a former Satanist whom Kelvin saved.  I read reddits and reviews and interviews, watch youtube clips, re-watch episodes, accumulating evidence that they are gay and romantic partners:

Season 1:

1. Neither express any heterosexual interest, nor does anyone ever suggest that they should.  If an event calls for a date, Kelvin always brings Keefe.  

Keefe states that he "never dated (girls) much, saw no need to," and that "Baywatch didn't affect me."  At the Satanist Club, he recoils in literal disgust at the sight of a naked lady (you can see him saying "Ewwww"), but naked men are fine.

2. Keefe used to dance naked in a cage at the Satanist Club.

3. They break up after an argument, and Keefe returns to the Satanist Club.  He is heartily greeted and hugged, but only by men.

4. Kelvin is distraught.  One of the teens surmises that he is upset about his "boyfriend," and helpfully uses social media to find out where Keefe is.  Kelvin stutters: "No...um...we're not gay...we're just two guys who like to hang out...and stuff."  Maybe he didn't want to come out to a teenager? 

5. But he rushes to save Keefe from the Satanists, and finds him in a sensory deprivation tank (with a probably prosthetic arousal).  He jumps in, pulls out the wires, and hugs and holds Keefe, crying, kissing his forehead.  Keefe: "Hold me."  Kelvin: "Hush!  I'm here now."  

Season 2:

6. After an assassination attempt, the family gathers in a safe house.  Kelvin and Keefe are shown running toward the house, holding hands.

7. While Kelvin completes a cross-raising challenge, Keefe is kneeling in prayer.  Kelvin offers him a hand to raise him to his feet, and they hug and press foreheads together.  I am particularly interested in the moment where Keefe changes position to hug Kelvin more tightly.  They should be kissing, but they aren't.

8. The Patriarch Eli (John Goodman)  is shot.  After his recuperation, he thanks "Kelvin and Queef" for administering his physical therapy.  This has proven to him that they are not just goofballs, but assets to the family.  Thus recognizing Keefe as Kelvin's partner?

9. Kelvin has his hands broken, so Keefe has to help him dress.  He stares at Kelvin's naked body, then kneels directly in front of him, in blow-job position. 

Kelvin groans, grimaces, throws back his head, then relaxes and caresses Keefe's hair. Keefe says "Nice!".   Did they just have sex?  There is no other logical reason for Kelvin's reaction, or for Keefe's "Nice!"  Still, the scene lasts for only a second or two, so either there was a time lapse, or Kelvin really, really enjoys putting on his underwear.

As he finishes dressing Kelvin, Keefe nose-boops him (playfully pokes his nose).  According to internet research, a nose-boop is a "substitute for a kiss."

Keefe then hugs him from behind to put on his belt.  Wouldn't it be easier from the front?  But I guess Keefe has already done things with that side.

10. They talk with their faces inches apart.  No one talks that way, not even lovers, unless they are planning to kiss.

11. In the first season, Keefe asked to join the family for their traditional Sunday dinner.  Kelvin said "No, it's just for family."  Now he joins them.  No one questions this.  

The other couples hold hands in slow motion on their way to the dinner; Kelvin holds out his hand, and Keefe cups it.   Keefe looks embarrassed, as if he's not sure how the family will react; Kelvin looks defiant, daring someone to make an issue of it.

12. Patriarch Eli announces a "just for family" vacation at the opening of a new Christian-themed resort.  Apprised that Joe Jonas, the former Disney boy band star, will be there, Kelvin gets excited, nudges Keefe, and exclaims "We're going!"  No one questions that "just for family" now includes Keefe.

13. In church, the three Gemstones are performing "My love for you will never die," and Kelvin points directly at Keefe.  As Keefe sings, he points directly at Kelvin.  No one else uses this gesture.

14. Anytime the family is together with their partners, the camera pans to the eldest son with his wife, the daughter with her husband, and then Kelvin and Keefe.

15. Kelvin hires a "God Squad" of musclemen, who don't seem to do anything at the church.  They spend their time lounging around shirtless on the compound, lifting weights and flexing.  Which is, apparently, what Kelvin wants them to do.

16. On his instagram, Tony Cavalero posts fan art about the two being a couple, and states that he's played John Goodman's son-in-law twice (actually he's dating Dan's granddaughter on The Connors).  And this: "Hold on tight to the one you love the most for the Premiere of The Righteous Gemstones"

So the actors are portraying Kelvin and Keefe as a romantic couple.  Everyone on the show, without exception, assumes that they are a couple.  They hold hands.  They nose-boop.  They have oral sex.  Why not just let them kiss?

Three possibilities:

1. Satire.  Evangelical Christians go to great lengths to sublimate or deny their same-sex interests, so maybe Kelvin and Keefe just aren't ready to admit that they are in love, in spite of their obvious, even over-the-top displays of affection.  This seems unlikely, since several family members have indicated that they are fine with gay people, and everyone already treats them as a couple.  I'm sure that an official coming out would be unnecessary.  "Keefe and I are boyfriends."  "No shit, Sherlock, I've known that ever since he moved in to your mansion."

2. Queer Baiting.  TV Shows often portray two guys as boyfriends in everything but the kissing, so they can back down at the last minute and say "Fooled you!  They're really straight."  This seems unlikely, since the hints go beyond mere hinting to basically shouting.  Their entire story arc is about their romance. If you watched a Season 2 episode without seeing Season 1, you'd assume that they had already been identified as a gay couple..

3. Deniability.  Although The Righteous Gemstones is a satire of evangelical Christian culture, it is immersed in that culture, and so draws a lot of evangelical viewers who believe that God hates gay people.  No kissing means that they can keep telling themselves "Kelvin and Keefe can't be gay.  They are Christians."

"Doctor Who," 2005 Series: Hints, hunks, subtexts, surprise, and off-camera penises

 

Doctor Who has been wildly popular in Britain for 60 years: 26 doctors in 39 seasons (1963-present), plus spin-offs, over 200 novels, and enough tie-in products to rival Star Trek in the U.S.  

I've tried watching at various times, but it's like trying to read a Marvel comic: you're dropped into the middle of a long story, with references to characters and situations from years ago or different series: "But I thought you returned to the sub-galactic empyrion in Episode #1314!  How's Jenna?"  I even bought a history of Doctor Who to try to figure it out, but it was all studio gossip about why this or that doctor was cast.

The 2005-2021 series just dropped on MAX, starring Christopher Eggleston (below) and then David Tennant (top photo and below) as the Doctor (he keeps regenerating). This one is different: most episodes are self-contained, with the occasional call-back to previous series actually explained, instead of assuming that viewers have watched every episode since 1963. We even find out who the doctor is.

The premise: The Doctor is a Time Lord, able to zap through time and space on his Tardis vehicle (which looks like a 1960s British police box from the outside). He has a tragic back story which might be new to this series: he is the only surviving member of his species.  They were all wiped out by the evil ("Exterminate!") Daleks, but he destroyed their species in retaliation (until they return).  

Now he travels around for fun or to seek out and fix time/space anomalies that threaten to destroy London or the universe:

Zombies plague the Victorian London of Charles Dickens.

Evil aliens are masquerading as Members of Parliament

In the year 200,000, an alien is controling the Earth.

The Doctor is in the habit of saying "It's hopeless!  There's no escape!  There's nothing I can do -- we're all going to die!"  Or "the universe will collapse at any moment!  There's no way to stop it!"  Or 'we're stuck forever on this parallel world where Britain has a president instead of a prime minister, and they've invented helicopters but not airplanes!"  Then, after the commercial break: "I've figured it out!  All we have to do is recalibrate the time coordinator and push it backwards through the space-time continnum!"  

I'm reminded of the old Star Trek series, where Captain Kirk says "The odds against us getting out of this jam are a million to one!"  Then he does it easily, and starts deciding what to wear for his promotion to Admiral.

The companion:  In the first episode, the Doctor meets Rose Tyler, a working-class shop girl from 21st century London, and invites her to join him.  Rose has a tragic back story, too: her father was killed in a traffic accident while she was a baby.  Somehow the Doctor's missions often put them in parallel worlds where he's still alive (but she can't see him, or time/space will collapse), or back in time to the moment of the accident (but she can't rescue him, or flying gargoyles will destroy the world).

I don't know if the Doctor fell in love with his previous female companions, or this is a new innovation, but he and Rose are definitely falling in love.  It's a slow burn romance -- we're halfway through Season 2, and they haven't kissed yet.  Of course,  Rose has a boyfriend, and the Doctor is busy falling in love with the lady alien or distant-future babe of the week (even Madame de Pompadour, when he tries to prevent distant-future cyborgs from stealing her brain).   

Occasionally they pick up a second companion, a guy, but the Doctor resents the competition and quickly boots him.

The Guys: While they are in 21st century Utah, investigating an underground museum of alien artifacts, they pick up  "boy genius" Adam Mitchell (Bruno Langley).  He is fired in the next episode, when the Doctor catches him  transmitting technology from the year 200,000 to his Mum's answering machine back home.  Langley also played Todd Grimshaw, the first gay character on the long-running soap Coronation Street, from 2001 to 2003. He is heterosexual in real life.

Next, the Doctor and Rose end up in blitz-besieged World War II London, where alien technology has transformed a dead boy into an "empty boy," wandering around and asking "Are you my Mummy?"  If he touches you, you turn into an "empty boy," too.  During this adventure, they hook up with Captain Jack Harkness (John Barrowman, left and below), a loveable rogue time-traveler, and openly bisexual, flirting with men and women.  Rose is shocked by this -- apparently LGBT people do not exist in 21st century London -- but the Doctor points out that Jack is from the 51st century, when "anything goes."

More hints and hunks after the break