Poltergeist, the Gay Connection: Gay actors, skeletons, AIDS awareness, some dicks, and "They're he-ee-ere"

This week for Movie Night we saw Poltergeist, 1982. which I saw sometime in the 1990s, when you still rented movies at Blockbuster. After so many years, the plot was still familiar, although I forgot a few details, like the last 20 minutes.

You know the plot:  the five-year old Carol Ann talks to "tv people," and one day they burst out of the tv set to the iconic line "They're he-ee-eere."  After some relatively harmless poltergeist activity, she is swallowed into a vortex that opened in her bedroom closet,  occupied by lost souls and a malevolent presence.  The family brings in psychic investigators to help, but things only get worse. Finally they call in diminuitive firecracker psychic Zelda Rubenstein, who sends Mom into the vortex to get Carol Ann back.

Little does she know. Afterwards the stupid family plans to move, but they stick around for a few days so Mom can take a gratuitous-nudity bath, and move Carol Ann and her brother back into the room with the vortex-closet!  It opens again, the malevolent force is stronger, and skeletons start popping up out of the ground.  

Turns out that the evil corporate guy built the housing development on a cemetery.  He moved the headstones, but not the bodies! The souls aren't lost, they're angry over being disturbed!

Finally the whole house implodes.  The family escapes through a maze of coffins and skeletons, drives to a Holiday Inn, and in a kicker, ejects the television set from their room.

The gender-polarized, heterosexual nuclear family myth is pushed as blatantly as the roomful of Star Wars merch that executive producer Steven Spielberg ordered, or the book about Ronald Reagan that Dad reads in bed.  And it only gets worse.

Dad Craig T. Nelson went on to star in Coach, which lasted for nine seasons.  In a 1991 episode, Coach discovers that one of his football players is gay, and is shocked, dismayed, angry, and finally accepting, the standard "friend/brother/ coworker comes out" plotline of the era.

Oliver Robins, who plays the 10 year old son, went on to write and direct heterosexual sleaze such as Dumped and Wild Roommates.

But there is also a critique of the heterosexual nuclear family myth.  The suburb, meant to be bucolic, actually looks awful, little houses "made of ticky-tacky," and it is literally built on the dead -- the bodies of the marginalized and oppressed, the racial minorities, the poor, the LGBT people who are excluded from "Paradise."

The housing development is named "Cuesta Verde," which sounds nice, but "cuesta" means "cost, price."  The price you pay for your cushy suburban lifestyle.

And there are some gay connections.

1. Dirk Blocker, son of Bonanza famed Dan Blocker, plays a benevolent neighbor.  He went on to star in Brooklyn Nine-Nine, which has a gay character.

2. Max Casella plays Marty, in the first trio of paranormal investigators.  He tries to enter the vortex room and gets bit -- rather a bad injury, but he sticks around through the night anyway.  Hungry, he goes into the kitchen and lays a raw steak on the counter -- not even on a plate -- but it gets all maggoty, and his face comes off. It's just a vision, but he's heading for the door...

Poltergeist was the 22-year old Cal Arts grad's first on-screen role.  During the 1980s, he had a few guest spots, playing a yuppie, a lawyer, and a cop, but he was mostly involved in a theater company that he started with some fellow CalArtians. 

He notes that "we hung out, had fun.  We all used to smile a lot more."  West Hollywood in the 80s and 90s, when everything was bright and new, and magical.  The best of times.  

 

In 1993 Martin moved to New York to continue his playwright career.  He and his brother Matt wrote the book on Paper Moon, starring hunk Gregory Harrison -- seen here nude in The Harrad Experiment 

More after the break

"Angels in America": A tearjerker about AIDS, Mormon angels, and some 1950s guy. With dicks and butts to keep your spirits up

 

Angels in America: A Gay Fantasia on National Themes, won numerous awards during its run at the Mark Taper Forum and then on Broadway.  I saw it in 1997.  Well, the first 300 hours, anyway -- it's divided into two parts, Millenial Approaches and Perestroika, each requiring superhuman endurance and thinking about butts and cocks to sit through.  

Very, very depressing: people dying have never been my idea of entertainment, and this dude is dying of AIDS, very slowly, with all of the symptoms displayed in graphic detail.  Meanwhile he thinks he's a Mormon prophet and turns straight, having sex with a female angel with multiple breasts and vaginas, and this guy named Roy Cohn is dying of AIDS, too, and an elderly lady in a 1950s outfit is comforting him although she hates him.

Are we supposed to recognize these people?

Plus the names are bizarre and off-putting, and you never know what's really happening and what's an AIDS fever dream, and people are dying.  Help!

Ok, very slowly, let's try to get through this mishmash of obscure history, with illustrations of actors from the tv miniseries that appeared in 2003:

Part 1: Millenial Approaches. Not the year 2000, the 1000 year reign of Christ on Earth.

1. New York, of course, in the 1980s. the Jewish Louis, played by Ben Shenkman, discovers that his Mormon boyfriend Prior -- prior to what? --  has AIDS, and dumps him.

Prior is played by Justin Kirk, top two photos.  He will have delusions of becoming a Mormon prophet.

2. Prior is comforted in the hospital by an ex-drag queen nurse named Belize.

3. Meanwhile, Joe Pitt (Patrick Wilson, butt and dick left), conservative Republican Mormon politician in Boyfriend Louis's office, becomes interested in him, which causes friction with his crazy wife and conservative mother, and causes him to dream about meeting Prophet Prior. 

Republican Joe comes out to his mom, who travels to New York to coddle him, and to his wife, who flees from the house and believes that she is in Antartica.  Then he starts dating Boyfriend Louis.

4. Joe's boss is Roy Cohn.  Yes, that Roy Cohn, played by Al Pacino.  I had never heard of him at the time, but he was one of the instigators of the Red Scare in the 1950s.  He was gay in real life, but closeted and homophobic. 

In the play, he  claims that he is dying of liver cancer, but actually it's AIDS.  

The elderly lady who is comforting him, although she hates him, is Ethel Rosenberg.  In 1953, Roy prosecuted Ethel and her husband Julius as Soviet spies, and got them the death penalty.  They were widely presumed innocent, being railroaded because they were Jewish. 

5. Prophet Prior has a lot of disturbing fever dreams.  He meets his ancestors, also named Prior, and a Mormon angel with several breasts and vaginas, who has sex with him and tells him to prepare for the Great Work.

Left: Simon Callow, one of the prior Priors

The first play ends there.  Sort of a cliff hanger, innit?

Perestroika after the break

Sylvester Stallone: Nude photos of Rocky, Rambo, Estelle Getty's son, Kurt Russel's boyfriend, and the Italian Stallion

 As Rocky and Rambo, Sylvester Stallone defined the gung-ho cowboy 1980s, singlehandedly defeating the Russian army and winning the Vietnam War.  

His grunting, snarling man-mountains didn't have a lot of sex scenes, but they did manage to get stripped out of their clothes by various cops, prison guards, and torturers.  Here Rambo is fumigated in prison in First Blood (1982).

Tortured in a loincloth in Rambo: First Blood, Part II (1985)

During the 1990s and 2000s, Stallone often got naked while playing grunting man-mountains or parodies of them, as in the cop buddy gay-subtext Tango and Cash (1989).  The guy on the left is his gay-subtext buddy, Kurt Russell.

Or Stop, or My Mom will Shoot (1992), with Estelle Getty as the Mom.  Imagine, Rambo and Dorothy of The Golden Girls as siblings.

But to see the Full Monte, we have to go back to 1970.  

Stallone dick after the break. Warning: it gets explicit.