"28 Days Later: The Bone Temple": A cured zombie, the Devil's son, a Jimmy cult, musclemen, dongs, and 8 gay actors.

 

We just saw 28 Years Later: The Bone Temple (2026), the sequel to 28 Years Later, with 14-year old Spike (Alfie Williams) swept away from his island haven into a mainland Scotland ravaged by a zombie apocalypse.  He unwillingly joins a cult run by Sir Lord Jimmy Crystal (Josh O'Connor), who fancies himself the son of Old Nick.  His Satanic Majesty has given Sir Jimmy the task of roaming his countryside and eliminating the remaining humans.  After torturing them, of course.

Very graphic torture. He begins by forcing Spike into a fight-to-the-death with Jimmy Shite (all of the followers wear blond wigs and are named Jimmy, after early 2000s tv personality Jimmy Saville).  Spike wins by stabbing him in the thigh; the others laugh and jeer as blood spurts out like a fountain.

Then the Jimmies invade a farmhouse, string up the occupants in a barn, and skin them alive.  But a woman who escaped returns, sets the barn on fire, and we see people burning to death.

Meanwhile Dr. Kelson (Ralph Fiennes), who is building the Bone Temple as a monument to the dead, pacifies the gigantic zombie Samson (Chi Parry-Lewis) with morphine and befriends him.  They even dance together.  The gay subtext is so overt that one suspects that it's intentional.  Finally Kelson figures a way to restore Samson to sentience with anti-psychotic drugs.

Spoiler Alert: The Jimmies stumble upon Dr. Kelson, and seeing him surrounded by bones, red in color, and dancing with a demon, assume that he is Old Nick.  Sir Jimmy soon discovers that he is not, but insists that he pretend to be, so he won't lose face with his followers.  So Kelson puts on a sound-and-fire show to Iron Maiden's "Number of the Beast."  He's about to let them leave, but he sees Spike as a Jimmy hostage, and changes his mind: in the old order, God sacrificed his son, so Old Nick wants the same.  Sir Jimmy is crucified upside down.

Bone Temple was definitely made with an eye for masculine beauty.  There are several shirtless musclemen.  Chi-Lewis Parry's prosthetic penis is much more visible, and in some scenes his incredibly muscular body is not covered with muck.

We see some other penises, including Dr. Kelson's (but to be fair, name one of Ralph Fiennes's movies where he doesn't show his dick).

I was worried that Spike would get a girlfriend.  He bonds with a girl, but she is much older, and treats him as a little brother or son rather than a potential boyfriend.

In fact, there is no hetero-romance anywhere, among anyone, except when we get a close-up of a photo of Dr. Kelson's long-dead wife, to heterosexualize him.

And so many of the Jimmies are played by gay actors that one suspects a deliberate casting decision

The Jimmies:

Jack O'Connell as Sir Jimmy Crystal.  Straight, but has played gay men several times.

More after the break

"Mid Century Modern," Episode 1.6: "Golden Girls" with gay guys. Plus Bomer's butt, Adam's cock, and Tommy's bj

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"The Holiday Exchange": Immensely wealthy A-gays look for love at Christmas. Watch with your grandmother

  

It's not even Halloween yet, but the romcoms are started.  

Darn, they all have such interchangeable titles that I forgot which one I'm reviewing. Oh, right, The Holiday Exchange, on Amazon Prime.  

The icon shows a woman torn between two men, and the blurb is about a guy going on a "holiday exchange" that he found on a gay app, so I suspect some "mistaken for gay" jokes as the guy finds the Girl of His Dreams.

Scene 1: A guy wearing an eye mask and a frilly shirt wakes up -- gay. Close-up of a photo of him and his boyfriend -- gay.  He knocks it over, drinks some booze, and shaves and applies femme moisterizer products -- gay. 

A guy texts: "Wilde, call me back," but he ignores it.  Moisturizer guy is named Wilde, like Oscar?  Gay. He's played by Taylor Frey, top photo, who also wrote the screenplay.

Knock on the door: It's femme fashion designer Chase, Colton Tran, and a woman, with ideas for his wedding outfit: "Your Mom told us that your Big Day was coming."

"Nope, you misunderstood, I'm not getting married, I'm selling my company."

"Oh, well, we have ideas for that, too."

Wilde goes annoyingly over the top complementing Fashion Designer Chase; he is an angel, a shining light, goodness personified; he has created everlasting happiness for literally thousands of people by...um...designing their clothes. 

Back story: Wilde just dumped his boyfriend, Sean.

Scene 2:  An idyllic village, over the top idyllic, Currier & Ives idyllic. 

George tells his business partner Oliver, Rick Cosnett, how they met, confesses to drinking too much, and then lays on the over-effusive praise.  

Oliver is also an angel, goodness personified, spearheading drives that raise billions for charity. He's single-handedly wiped out world hunger.  Don't introduce Oliver to Chase the Fashion Designer, or they'll cancel each other out.  

His problems: he is too busy with his day job as a divorce lawyer, his numerous charities, and taking over Dad's business when he retires to get a boyfriend. Coworker George is in favor of being single. This must be the "mistaken for gay" guy.

Wait -- they specifically state that they live in Los Angeles.  The establishing shot was a New England Currier & Ives village. What the fudge?

Out in the elegant party, Saintly Oliver talks to James, who works in his company.  They hedge around the discussion of why their last date was so awful. So Saintly Oliver and Moisturizer Wilde are both gay?  Who's going to hook up with the lady in the middle of the icon?  

No,  James "can't" get together during the holidays: he'll be seeing family, driving up the coast. Dude's not into you. 

I'm watching with subtitles, so I can't hear the accents, but these people are saying "Happy Christmas" to each other.  Could they live in Britain, but be having an elegant party in L.A.?

More after the break.