Revisiting Brideshead Revisited: Does the groundbreaking portrayal of (temporary) gay love hold up after 40 years? With bonus dicks.


A Monday night, the second week of classes in the spring semester of my senior year.  I'm lying on the bed in the attic room my brother and I share, reading a book for my Advanced Spanish class.  Significantly it's Ciro Alegria's El mundo es ancho y ajeno: Broad and Alien is the World.  

I always watch tv while studying, and tonight there's  something called Brideshead Revisited on PBS.  It turns out to be an adaption of the Evelyn Waugh novel about 1920s Oxford undergrad Charles Ryder (Jeremy Irons) falling in love with the flamboyant, decadent, teddy bear-toting, alcoholic Sebastian Flyte (Anthony Andrews).  

They run away to Venice together. They go slumming in Soho, along with Sebastian's sister Julia.  Then Ryder begins a romantic entanglement with Julia, and the outraged Sebastian dumps him and runs off to Morocco. 

 Later Sebastian hooks up with a sleazy German guy named Kurt (Jonathan Coy), and later still he dies.  Ryder can't marry Julia because she's Catholic and he's an atheist, so they just live together.  Later he becomes Catholic.



I'm mesmerized.  In 1982, surrounded by the hetero-horniness of workplace sitcoms, my parents demanding "What girl do you like?", and the preacher at church bellowing about homa-sekshuls, just seeing two men involved in a romance is a revelation.  Sure, no one says "gay," Ryder turns straight, and Sebastian dies, but they walk arm in arm, cuddle, even go nude sunbathing!  And everyone around knows! Even Sebastian's mother.  Even Julia, who tells Ryder that "all our loves are hints and signals," leading us to God.  A same-sex romance leads us to God?  Hear that, Preacher?

40 years have passed.  I've studied a lot of LGBT history and literature, and watched a lot of gay movies, published a lot of books and articles on queering fictional texts, and recently I decided to revisit Brideshead Revisted.


You can't go home again.  Rewatching today, I strongly dislike Brideshead.  Sebastian is a decadent, flamboyant stereotype who ends up dead.  Ryder may fall in love with him, but then he moves on to Julia.  Evelyn Waugh, like Freud, believed that gayness is a phase -- adolescents, newly potent but forbidden access to the opposite sex, turn to each other.  Their brief period of quasi-romance ends when they move on to "mature" heterosexual love.


In 2008, the BBC aired a new version of Brideshead, with Matthew Goode as Charles Ryder and Ben Whishaw as Sebastian.  This time there's no subtext: Sebastian is gay.  But there's also no romance: Ryder is heterosexual but pretending to be interested in Sebastian to gain access to his vast wealth.

 It's more honest -- and there's a lot more nudity -- but nothing can match the joy of seeing same-sex romance on screen for the very first time.

Bonus dicks after the break:

Under the Banner of Heaven: Murder and crisis of faith in a fundamentalist Mormon familiy with five brothers (and five dicks)

 Under the Banner of Heaven, a Hulu series about corruption in the LDS Church, was written and produced by Dustin Lance Black, who is gay, so there's bound to be some gay characters or subtexts.  Besides, who isn't interested in cute Mormon missionaries?  

Scene 1: Establishing shot of Salt Lake City.  Jeb (Andrew Garfield), a super clean-cut nuclear family Dad, is listening to "Let's Hear it for the Boy."  A gay anthem!  So the protagonist is gay?   His preteen daughters, who wear long pioneer dresses, ask him to do loving-father activities, like lasso them.  Wife, who wears a modern t-shirt and cut-off jeans, calls him to the phone.  He has to go to work, so everyone has to do the evening prayers early.

We hear all the prayers: for the Mormon missionaries (how about a visual?), for Church President Kimball, for Grandpa in heaven, and for an Easy-Bake Oven.  "Let's Hear it for the Boy" came out in 1982, and Spencer Kimball died in 1985, 

Scene 2: Continuing to pray, Jeb the Cop puts the siren on his car and heads to a house surrounded by yellow tape and police cars.  Inside: the tv on, bloody footprints, scattered toys, a dead lady, and something in a basinet that makes him say "Evil."  The dead lady's murder was not evil?    He goes out to the yard and arrests the bloody young man who happens to be walking around.


Scene 3:  
At the police station, Jeb the Cop and his Gentile (Non-Mormon) Partner do the good cop-bad cop routine on the blood-splattered suspect, Allen Lafferty (Billy Howle), who happens to belong to one of the most important familiies of the Church.  He claims that for the last year, "peculiar men" dressed like Mormon prophets have been stalking his family, so no doubt they did it.  They are probably after his brothers and their wives and kids, too.

Left: Billie Howle, Dick #1

Scene 4: While they book and strip Allen, Jeb watches, flashing back to someone he saw at church (was this a flash of same-sex attraction?).  They send a squad car out to check on the only brother whose address Allen knows: the others all moved to hide from the humiliation of having a brother who left the Church.


Scene 5: 
Jeb is too disgusted to continue the interrogation, so his Gentile Partner continues alone.  Stunt casting: he's played by Gil Birmingham, a bodybuilder who appeared in Diana Ross's music video "Muscles" in 1982.

Allen: if you want to know who did, check out the Mormon saints.  

Flashback to his future wife Brenda winning runner-up in the Miss Twin Falls, Idaho contest in 1980, then going to Brigham Young University, to stay away from the "Democrats and crazies," and studying broadcast journalism.  She meets Allen at church.  

Back at the interrogation, Allen blames the Church on his wife's death: "My only regret is that I didn't drive her out of Zion (Salt Lake City) to protect her from our people."  

Scene 6:  Jeb the Cop continues to ruminate about how evil Allen is, to do that to a baby (and an adult?).  They're still having trouble tracking down the addresses of his brothers and their wives/kids, so Jeb calls his wife -- they went to church with the Lafferty family, so maybe she has some of the brothers' addresses.  

He returns to the interrogation: Jeb: "So, you despicable monster, was there anyone besides you who hated Brenda enough to do it?"  Allen:  Everyone hated her because she was so perfect."  Yeah, I heard that a lot in high school.


Scene 7:
 Flashback to Allen introducing Brenda to the family at a picnic. "Just don't say much," he warns. Patriarch Ammon (Christopher Heyerdahl, Dick #2) wants to know why she abandoned Twin Falls, Idaho for the evil Big City (Provo, Utah?).  There are an endless number of boisterous brothers, Stepford wives, and staring kids to meet. 



More Lafferty boys after the break

"Solar Opposites": Do Korvo and Terry act like a married couple? Do they call each other 'husbands?' Do they have sex?


Solar Opposites (2020-) is a Hulu animated series about two aliens, their replicants, and their pupa,  who flee from their doomed planet and crash-land on Earth.  During Season 1, showrunner Justin Roiland addressed the question of whether male adults Korvo (Justin Roiland, Dan Stevens) and Terry (Thomas Middleditch, left) were a gay couple.  He said that since their species practices asexual reproduction, they don't have sex, and therefore they can't be gay.  Jerk, thinking that being gay is purely about sex.  What about romantic partnerships? 

Apparently he changed his mind.  The fan wiki states that Korvo and Terry became a romantic couple between Seasons 1 and 2.  But how romantic are they?  Do they say anything?  Do anything?  Or do you have to just infer from gay subtexts? To check, I reviewed some episodes, either because the premise sounded interesting or because there was a hot guest star.


Episode 2.1
: The Solar Opposites discover another refugee group from their home planet, living in London!  But it turns out that they have a disturbing hidden agenda.  No indication that Korvo and Terry are romantic partners.  With the voice of Thomas Lennon, the grotesque gay-stereotype cop in Reno 911 (left: his butt)




Episode 2.2
: Korvo hates dinner parties, so he declares them illegal and starts a police force to seek out forbidden dinner party paraphernalia.  Things turn deadly: people are turned into wine.  During the denouement, Korvo and Terry kiss.

Episode 2,3: Yumyulack, the "teenage boy" replicant, invents a ray that gives him a huge penis -- not for sex, for the power that goes with it.  He makes it bigger and bigger, until it threatens to destroy the world.  No indication that Korvo and Terry are a romantic couple.

Episode 3.2  Korvo wants to take up a hobby, but everything he tries, Terry is already doing, and doing better.  In frustration, he goes into a toy train shop.  The manager thinks that he's just pretending to be interested in trains to beat his "alien husband."




Episode 3.3
 Terry shows Korvo the joy of standing in line, and introduces him to his "line husband," Linus (Adam Pally).  Line husband and regular husband jealously snipe at each other, until Korvo finally wins Terry's heart. (Left: Dan Stevens' butt)








Alien bulge and dick after the break

Fire Island (2023): Myles Clohessy takes off his clothes, erases the LGBT people from a movie set in a gay resort.

  


I'm doing another trailer review, not because I want to see the movie -- the reviews were deplorably bad -- but because I want to demonstrate how deviously they erased the LGBT content.

Context: A 2022 movie, Fire Island, is a romantic comedy about guys looking for love (and sex) at the world-famous gay resort.   In 2023, a horror movie with the same title appeared, for audiences  that have no idea that the 2022 movie exists, or that Fire Island is a gay resort.

The blurb: "The perfect summer vacation quickly spirals out of control for a group of friends on the infamous, picturesque party getaway of Fire Island as they find themselves caught in a web of sex, lies and cold blooded murder."  Any idea that gay people exist here?

First, let's look at the Official Trailer:


Scene 1
: A man and a woman in bed together when they get a phone call.  They climb into the car with another man and woman.  Two heterosexual couples, right?  They shriek loudly with excitement.

Scene 2: Establishing shot of the Fire Island ferry, while sinister music plays.  We see an American flag and a Pride flag. What kinda flag is that, Mabel?  I never seen such a thing.  

Scene 3: They move into their house.  More sinister music.  Late at night, Man #2 says "I have to take care of myself.  This is the best way I can breathe.  This weekend is the last fucking thing I wanted to do, but..."  

Meanwhile, Woman #1 and #2 are kissing.  The wives are having a lesbian affair!

Cut to morning, with everyone dancing around the kitchen, overjoyed to be cooking breakfast.  Man #2 and Woman #2 hug and start to kiss.  Man #1 sits on the porch, talking to Woman #1.  I guess the lesbian affair is over.  They're all back to being heterosexual couples again.


Scene 4
: Uh-oh, the police find a dead guy (nice bulge in his underwear). Detective (Kresh Novakovic) thinks that it has something to do with the murders "out in the Pines."  That's where the two straight couples are staying!

Scene 5: Night.  Woman #2 awakens to an empty bed and calls for Man #2 (I assume, although the name she calls, Dan, is not in the cast list). Lights flash on and off.  

Cut to daytime. Man #2  and Woman #2 go into a house, yelling "Hello?  Hi?"

Now it's night again. Man #1 looks out the window at something scary.  I'll bet he's responsible for the murders.  

Scene 6: Old guy dressed as a hunter, in the woods, saying "Look at all this fucking b.s." or "these fucking deer." (I can't tell which: the dialogue is very soft, and the sinister music very, very loud.)  

Night again.  Man #2 and Woman #2 are in town. They see a figure in a deer mask.  They run on the beach, then into a house.  The detective, who is there for some reason, pulls a gun. Then it's morning, and they're running upstairs.

Scene 7: A split-second shot of a man and a woman dancing (wait...on pause, it's a butch/femme gay couple).  Cut to the femme one in the bathroom, with his throat slashed. 

Woman #1 wakes up in bed, wondering where Man #1 is.  He's on the beach, looking sinister.  Because he just killed a femme gay guy?  She gets up in her underwear and loads a gun.  The end.

Quick, how many of these people are gay?  Man #1 (played by Conor Paolo, top photo) is married to Woman #1.  Man #2 (played by Jonathan Bennett, second photo) is gay, and overcoming a recent tragedy.  Woman #2 is a lesbian, and in a relationship with someone who isn't on the car trip, so you'd think it was two heterosexual couples driving to Fire Island.  Plus her girlfriend looks like Woman #1, so you can't tell from the trailer that she exists.  You think the wives are having a lesbian affair. 




The Official Trailer tries very hard to make you believe that this movie is about two heterosexual couples at a resort that might have one or two gay people being eviscerated.  

But the Showtime Trailer goes even farther,  It cuts the Pride flag, the "I have to take care of myself," and the dancing/eviscerated gay guys, but adds three shots of men and women kissing.  

Left: Jared P-Smith, who plays the Bartender in a scene that doesn't appear in the trailer.

There are also three shots of a drag queen (played by writer/director Myles Clohessy's father) entertaining an audience of heterosexual couples. Each cuts directly to the deer mask person, implying that the drag queen, not Man #1, is the killer.  

The question is, why?  Why make a movie where 3 out of 5 protagonists are gay, then try very hard to hide it?  

Let's check Myles Clohessy.  He has 16 writing and 20 directing credits listed on the IMDB, but most are "upcoming."  Also 41 acting credits,  but only one gay role, in The Last Ferry.  He plays an ex-Marine who murders his boyfriend during a weekend in Fire Island.

 Interestingly, an interview in The Spirit, a local NYC newspaper, asks how he, a heterosexual, played a gay character.  He explains "I approached (the role) in the same way that I would approach any other character."   Actors used to be asked that all the time, but not in 2020.

But it may explain a lot about this movie.     

Nude photos of Myles Clohessy after the break