Showing posts with label Ben Whishaw. Show all posts
Showing posts with label Ben Whishaw. Show all posts

"Black Doves": A very important seedy-looking guy, a deep cover spy, Santa Claus, and a gay hitman. With six bonus butts

 


Netflix thinks that I'm going to "love!" the spy series Black Doves, and I'm too occupied with breakfast to scroll down, so let's have a look.  It will be a reprieve from endless Christmas romcoms, anyhow.

Scene 1: No such luck.  Santa Claus stumbles through a bar, singing "The guys of the NYPD Choir were singing 'Galway Bay'".  Huh?  Heavily intoxicated, he stumbles out into the street, and...um...out of the show. 

A seedy looking guy (Andrew Koji) scopes out the bar -- The Coal House, a famous pub on the Strand in London -- and tries  to call Maggie.  She's out, so he calls a black-haired woman to complain that he's in trouble.  





Left: Andrew Koji's butt

The black haried woman patches him through to Philip. (Thomas Coombes). 

Seedy Looking Guy asks: "Did you talk to anyone?"  Philip says no; then he's strangled to death.  The black-haired woman is stabbed.  

Seedy Looking Guy calls someone else and starts to tell them "I..." -- probably "love you," before he is shot.  Way to kill off all of the introduced characters!  Now who's the focus, Santa Claus?

Scene 2: Rome.  A new seedy-looking guy sits at a bar, smoking. Mrs. Reed calls.  He ignores her, but she keeps calling until he answers. He says "Ok, I understand."  I don't.


Scene 3
: Maybe London.  An old lady with a dog...wait, not a focus character. A nuclear family Mom gets her sons and daughter ready for the Christmas pageant. There's a son and a daughter running up the stairs while squealing in delight and another son in the back yard, but when they appear again, there's only two.  Big continuity error, guys, but they turn out to be just props to demonstrate her nuclear family-ness.  

Then she goes into the study, where her husband (Andrew Buchan),the Minister of Defense, is negotiating with the Saudis and worried about the death of the Chinese ambassador.  The coroner says it was a drug overdose, but you never know. I'm not sure what the Saudis have to do with it.

Scene 4: A swanky party.  Mom greets some people, announces that this party is her light when things seem dark outside.  Then an Elderly Woman pulls her aside and announces that Jason Davies, a Justice Department official whom she was having an affair with, was murdered. 

She flashes back to kissing Jason and playing with his lips -- it's the Seedy Looking Guy from the first scene -- then assures the elderly woman that she wasn't working an angle. It was a real romance.  

"Maggie Jones, who worked in a shop,  and tabloid reporter Phillip Bray were also murdered."  What about the black haired woman?  She can't be Maggie, since Seedy Looking Guy told her "I can't reach Maggie."  

Elderly Woman wants to know if he said anything during their last meeting that might have gotten him murdered, or if he was trying to find out Mom's true identity as a Black Dove.  

Back story: Mom -- finally named Helen -- has been doing deep cover for ten years, courting and marrying the Minister of Defense and feeding them government secrets.  She's in too deep to back out now, and besides, the Minister is on the road to Downing Street! 

Elderly Woman tells her to keep quiet, don't call attention to herself, and especially don't investigate your boyfriend's murder.


Scene 5:
The Elderly Woman approaches the Second Seedy-Looking Guy, now named Sam (Ben Whishaw)

He's retired; he hasn't had a hitman assignment for seven years; but the Elderly Woman insists: find out if someone is planning to murder Helen due to her association with Seedy-Looking Guy, and if so, kill them.  

Later, Sam is drinking in a bar when a guy approaches him.  They chat, and Sam invites him up to his hotel room.  Say what?  

Cut to Helen disobeying orders and going to the Seedy-Looking Guy's apartment.  She snoops around, cuddles with his coat, destroys a bug, tries to open a secret panel....

Wait -- what about the guy Sam invited to his room?

Screwing after the break

Revisiting Brideshead Revisited: Does the groundbreaking portrayal of (temporary) gay love hold up after 40 years? With bonus dicks.


A Monday night, the second week of classes in the spring semester of my senior year.  I'm lying on the bed in the attic room my brother and I share, reading a book for my Advanced Spanish class.  Significantly it's Ciro Alegria's El mundo es ancho y ajeno: Broad and Alien is the World.  

I always watch tv while studying, and tonight there's  something called Brideshead Revisited on PBS.  It turns out to be an adaption of the Evelyn Waugh novel about 1920s Oxford undergrad Charles Ryder (Jeremy Irons) falling in love with the flamboyant, decadent, teddy bear-toting, alcoholic Sebastian Flyte (Anthony Andrews).  

They run away to Venice together. They go slumming in Soho, along with Sebastian's sister Julia.  Then Ryder begins a romantic entanglement with Julia, and the outraged Sebastian dumps him and runs off to Morocco. 

 Later Sebastian hooks up with a sleazy German guy named Kurt (Jonathan Coy), and later still he dies.  Ryder can't marry Julia because she's Catholic and he's an atheist, so they just live together.  Later he becomes Catholic.



I'm mesmerized.  In 1982, surrounded by the hetero-horniness of workplace sitcoms, my parents demanding "What girl do you like?", and the preacher at church bellowing about homa-sekshuls, just seeing two men involved in a romance is a revelation.  Sure, no one says "gay," Ryder turns straight, and Sebastian dies, but they walk arm in arm, cuddle, even go nude sunbathing!  And everyone around knows! Even Sebastian's mother.  Even Julia, who tells Ryder that "all our loves are hints and signals," leading us to God.  A same-sex romance leads us to God?  Hear that, Preacher?

40 years have passed.  I've studied a lot of LGBT history and literature, and watched a lot of gay movies, published a lot of books and articles on queering fictional texts, and recently I decided to revisit Brideshead Revisted.


You can't go home again.  Rewatching today, I strongly dislike Brideshead.  Sebastian is a decadent, flamboyant stereotype who ends up dead.  Ryder may fall in love with him, but then he moves on to Julia.  Evelyn Waugh, like Freud, believed that gayness is a phase -- adolescents, newly potent but forbidden access to the opposite sex, turn to each other.  Their brief period of quasi-romance ends when they move on to "mature" heterosexual love.


In 2008, the BBC aired a new version of Brideshead, with Matthew Goode as Charles Ryder and Ben Whishaw as Sebastian.  This time there's no subtext: Sebastian is gay.  But there's also no romance: Ryder is heterosexual but pretending to be interested in Sebastian to gain access to his vast wealth.

 It's more honest -- and there's a lot more nudity -- but nothing can match the joy of seeing same-sex romance on screen for the very first time.

Bonus dicks after the break: