Christmas on the Square: Be thankful that you haven't seen this movie. With Josh Serrano, Treat Williams, and random nude dudes

Brax Alexander is promoting his 2020 movie, Christmas on the Square.  Usually I stay away from Christmas romcoms that preach how wonderfully fulfilling small towns are, as opposed to those soulless, heartless monstrosities, big cities, because I grew up in a small town.  My parents rhapsodized, almost daily, about my destiny: find The Girl of My Dreams,  get married, go to work in the factory, buy a house, have kids, die.  There were no other options.  

There was no such thing as same-sex desire or romance.  You spent time with boys in order to talk about girls or strategize on how to get girls.  When you found Her, you would abandon male loves, instantly and without hesitation.  They were trivial, steps on the road to the Girl of Your Dreams destiny.

I kept looking for a place where I could escape, where I could go through an entire day without the "What girl?  What girl? What girl?" interrogation.  Where people cared about beauty, wisdom, and love, not just reproduction.  Maybe even recognized the existence of men loving men. 

After college, I lived in West Hollywood, New York, Fort Lauderdale, and Minneapolis: Bookstores, art museums, cathedrals, Ethiopian restaurants, Thai restaurants, stores with rainbow flags in the windows, guys holding hands as they walked down the street: heaven.    

Oh, sorry, you wanted me to review the movie.  

Christmas on the Square was written by gay icon Dolly Parton, and stars gay icon Christine Baranski, plus Josh Segarra (top photo and left), who has played gay characters several time (he even played RuPaul's boyfriend). Furthermore, Dolly promotes the movie in an interview in Pink News, the gay magazine.  Surely this is a gay-positive Christmas romcom.  So here goes:

Scene 1:  A sound-stage town square in the town of Prairie View, with folks making merry.  Some very hot guys rush past, doing a high-step dance number -- but they ruin it by double-taking, en masse, at the hot girl who walks by.  At the end of their dance, they pair off, each guy with a girl.  Yuck!  This is the same brainwashing  I grew up with: "Every boy will fall in love with a girl!  There's no way out, no escape!  You are doomed!" 

A car drives past, with the evil, sunglasses-wearing Christine Baranski.  She sings: "Forget the past, be free at last, gotta get out of this town."  I like her -- she's the voice of thousands of LGBT people growing up in homophobic small towns, longing for a place where they can be free.  Of course, she's the villain. 

Amid the dancing, frolicking characters, the white-haired guy who runs the general store, no doubt Christine's Love Interest (played by Treat Williams, left) sings that "lovers walk in pairs." We only see male-female lovers.

 Focus character Felicity drives up and greets the stereotyped 1950s mailman.  She's the assistant of evil Christine Baranski, who continues to sing: "I know in time I'll lose my mind, if I don't get out of this town."  I had the same thought many times, back in Rock Island amid the "what girl do you like? what girl? what girl? what girl?" interrogation!

I'm getting angry.  They should have a trigger warning for all LGBT people who get trapped into viewing this thing.  I won't last much longer.

Left: Treat Williams' butt.

Christine passes out eviction notices.  She's going to tear down the whole town.  Good! 

 

More nude dudes after the break, if you dare to continue. Caution: Explicit.

Mayfair Witches: Two of them, with interlocking stories, a swishy straight guy, and a demon dick

 

Netflix has just dropped a lot of paranormal tv shows: A Discovery of Witches, Interview with a Vampire, The Preacher...I'll start with Mayfair Witches, which is based on a trilogy of books by Anne Rice, so there's bound to be some gay characters.

Scene 1: A sagging Gothic mansion. A man in a Depression-Era robin's egg blue suit appears on the front porch to give a staring, catatonic woman her Thorazine shot.  He's new, and can't believe that this is the patient: her file is so big, he thought she was elderly.

He reviews her file, and snoops among the weird books and artifacts in her library, including a photo of her as a 1920s flapper.  So she's immortal. Out on the porch, a man is talking to her, but when the doctor comes out, he is gone, and the maid says there was no man.  Eerie!

The rest of the episode juxtaposes stories of two women who look alike, so the only way to tell them apart is by their timelines: the first is contemporary, and the second looks to be in the 1950s. I don't know which is the catatonic one.

The Story of Woman #1: Rowan

Scene 1: Rowan pilots a boat into San Francisco Bay.  Her girlfriend arrives via Uber.  Nope, it's her mother.  

Scene 2:  A surgeon, Rowan is comforting the young boy she'll be operating on. Wait -- a male surgeon, Dr. Keck, took over the case to impress the sexist Board, but he's not operating right. She argues, but to no avail, and the boy almost dies  "Keck is a menace!" she exclaims. 

Scene 3: More tearjerking: Mom's cancer is back!  Plus we've only seen two male characters, neither cute.

Rowan tells the menace Dr. Keck that David Lemle was observing the surgery.  His company does research with stem cells for cancer patients, so could Dr. Keck arrange an introduction, so she can apply for a job as his research associate, so she can get her mother into the trials?  That sounds unethical, and really far-fetched. But Dr. Keck thinks she's arrogant, with a superiority complex.. As he is tearing into her, she hears whispers, something happens inside his brain, and he falls over dead!  

Scene 4: Rowan thinks she caused Dr. Keck's death.  Maybe her powers are genettc, but she's adopted, and there's no way to determine who her birth parents were.  

But the moment she leaves the room, Mom calls a facility and asks who Rowan's case worker is now: Ciprian Grieves, played by Tongayi Chirisa, left. That's a totally made up name.  She leaves a message: "My daughter is hurting people.  I need to know if something has changed."

Scene 5: In a bar, Rowan asks the bartender, Max (Jordan Cox) to have sex with her, but he has a date tonight.  So she goes after a random guy, and he relents.  

After sex, he wants to stick around, cuddle, and discuss their feelings, but she kicks him out: she's only in it for sex, not a relationship.  That's why she never sees the guy a second time.

Scene 6: Caseworker Ciprian Grieves goes to a house in New Orleans and uses his magic powers to look at the spirit world.  A mysterious spirit, played by Jack Huston, is lurking in the back yard.  He calls Rowan's Mom and tells her that He is nowhere near her daughter.  That's a good thing, right?  

Mom notes that she's dying of cancer, so who will protect Rowan when she's gone?  Ciprian volunteers.

More after the break

Fire Island (2023): Myles Clohessy takes off his clothes, erases the LGBT people from a movie set in a gay resort.

  

I'm doing another trailer review, not because I want to see the movie -- the reviews were deplorably bad -- but because I want to demonstrate how deviously they erased the LGBT content.

Context: A 2022 movie, Fire Island, is a romantic comedy about guys looking for love (and sex) at the world-famous gay resort.   In 2023, a horror movie with the same title appeared, for audiences  that have no idea that the 2022 movie exists, or that Fire Island is a gay resort.

The blurb: "The perfect summer vacation quickly spirals out of control for a group of friends on the infamous, picturesque party getaway of Fire Island as they find themselves caught in a web of sex, lies and cold blooded murder."  Any idea that gay people exist here?

First, let's look at the Official Trailer:

Scene 1: A man and a woman in bed together when they get a phone call.  They climb into the car with another man and woman.  Two heterosexual couples, right?  They shriek loudly with excitement.

Scene 2: Establishing shot of the Fire Island ferry, while sinister music plays.  We see an American flag and a Pride flag. What kinda flag is that, Mabel?  I never seen such a thing.  

Scene 3: They move into their house.  More sinister music.  Late at night, Man #2 says "I have to take care of myself.  This is the best way I can breathe.  This weekend is the last fucking thing I wanted to do, but..."  

Meanwhile, Woman #1 and #2 are kissing.  The wives are having a lesbian affair!

Cut to morning, with everyone dancing around the kitchen, overjoyed to be cooking breakfast.  Man #2 and Woman #2 hug and start to kiss.  Man #1 sits on the porch, talking to Woman #1.  I guess the lesbian affair is over.  They're all back to being heterosexual couples again.

Scene 4: Uh-oh, the police find a dead guy (nice bulge in his underwear). Detective (Kresh Novakovic) thinks that it has something to do with the murders "out in the Pines."  That's where the two straight couples are staying!

Scene 5: Night.  Woman #2 awakens to an empty bed and calls for Man #2 (I assume, although the name she calls, Dan, is not in the cast list). Lights flash on and off.  

Cut to daytime. Man #2  and Woman #2 go into a house, yelling "Hello?  Hi?"

Now it's night again. Man #1 looks out the window at something scary.  I'll bet he's responsible for the murders.  

Scene 6: Old guy dressed as a hunter, in the woods, saying "Look at all this fucking b.s." or "these fucking deer." (I can't tell which: the dialogue is very soft, and the sinister music very, very loud.)  

Night again.  Man #2 and Woman #2 are in town. They see a figure in a deer mask.  They run on the beach, then into a house.  The detective, who is there for some reason, pulls a gun. Then it's morning, and they're running upstairs.

Scene 7: A split-second shot of a man and a woman dancing (wait...on pause, it's a butch/femme gay couple).  Cut to the femme one in the bathroom, with his throat slashed. 

Woman #1 wakes up in bed, wondering where Man #1 is.  He's on the beach, looking sinister.  Because he just killed a femme gay guy?  She gets up in her underwear and loads a gun.  The end.

Quick, how many of these people are gay?  Man #1 (played by Conor Paolo, top photo) is married to Woman #1.  Man #2 (played by Jonathan Bennett, second photo) is gay, and overcoming a recent tragedy.  Woman #2 is a lesbian, and in a relationship with someone who isn't on the car trip, so you'd think it was two heterosexual couples driving to Fire Island.  Plus her girlfriend looks like Woman #1, so you can't tell from the trailer that she exists.  You think the wives are having a lesbian affair. 

The Official Trailer tries very hard to make you believe that this movie is about two heterosexual couples at a resort that might have one or two gay people being eviscerated.  

But the Showtime Trailer goes even farther,  It cuts the Pride flag, the "I have to take care of myself," and the dancing/eviscerated gay guys, but adds three shots of men and women kissing.  

Left: Jared P-Smith, who plays the Bartender in a scene that doesn't appear in the trailer.

There are also three shots of a drag queen (played by writer/director Myles Clohessy's father) entertaining an audience of heterosexual couples. Each cuts directly to the deer mask person, implying that the drag queen, not Man #1, is the killer.  

The question is, why?  Why make a movie where 3 out of 5 protagonists are gay, then try very hard to hide it?  

Let's check Myles Clohessy.  He has 16 writing and 20 directing credits listed on the IMDB, but most are "upcoming."  Also 41 acting credits,  but only one gay role, in The Last Ferry.  He plays an ex-Marine who murders his boyfriend during a weekend in Fire Island.

 Interestingly, an interview in The Spirit, a local NYC newspaper, asks how he, a heterosexual, played a gay character.  He explains "I approached (the role) in the same way that I would approach any other character."   Actors used to be asked that all the time, but not in 2020.

But it may explain a lot about this movie.     

Nude photos of Myles Clohessy after the break

"Justified": Episode 1.1: Kentucky cowboy has a gay-subtext romance with an unhinged thug. Lots of thug dick

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