M. Emmet Walsh: Daddy who didn't mind showing his dick. With bonus old guy hotness

 

 M. Emmet Walsh enjoyed one of the longest and most acclaimed careers in Hollywood.  On screen since 1968, Walsh appeared in some of the most iconic films of the 20th century,  including Midnight Cowboy, Alice's Restaurant, and Little Big Man, as well as some of the most beloved tv programs: The Waltons, The Rockford Files, All in the Family, Bonanza.

He grew up in Swanton, Vermont, a few miles from the Canadian border and graduated from Tilton High School in 1954.  His page in the yearbook says that his nickname is "Creep," he "lives with the Gus," and he played football and basketball. So who is this Gus, your boyfriend?

 After studying business administration at Clarkson University (where he roomed with William Devane) and some military service, he hit Hollywood.  

And stayed there for the next 50 years, playing gangsters, beset-upon bureaucrats, cranky businessmen, clueless dads, cops, inventors, workmen of various sorts, bus drivers, and on and on.  His obituary in the  Washington Post praises his work as a sports writer in Slap Shot (1977), a swim coach in Ordinary People (1980), a police chief in Blade Runner (1982), and a "boogie-woogie pianist" in Cannery Row (1982).

No gay roles that I could find by googling, but Emmet never married, so there is a lot of  speculation that he was gay in real life.  (Gay men of his generation would always stay closeted).

He regularly appeared on websites devoted to hot older guys, not only because of his attractiveness, but because he took his shirt off -- a lot. Unusual for actors of his generation, he even appeared nude. A rear shot from Straight Time (1978).  If you look closely, you can see balls.

A frontal from Fast Talking (1982)

One of Emmet's last roles was in The Righteous Gemstones, as Roy Gemstone, megachurch pastor Eli's stern Baptist-preacher Daddy.  In Episode 1.5. the flashback to 1989, he advises his son to avoid ostentatious display and stick to the message of the Gospels. 

 In Episode 2.5, the flashback to 1993, Roy is suffering from dementia.  He appears at the family Christmas in his underwear, asks "Are we going hunting?", and fires randomly into the room.  When he appears again, he accidentally saves the day.

More old dude dick after the break

"I Don't Want to Pretend that We're Just Coworkers": Starring Bert and Ernie, Patrick and David, and Kelvin and Keefe

 

Ernie: I don't want to pretend that we're just coworkers.

Bert: But we are just coworkers. Try a pink block next, and watch your angles.

David:  I don't want to pretend that we're just coworkers.

Patrick: But we are just coworkers. The aloe moisturizer arrived this morning; these are ready to shelve.

More coworkers after the break

Gemstones Episode 3.1: Kelvin collects cocks, the Simpkins smirk, and Dusty Daniels flirts. With a Brazilian beefcake bonus.

Previous: Season 2 Finale: The Godfather, Butch and Sundance, random nude dudes, and "My love for you will never die"

The Season 2 finale of The Righteous Gemstones  aired in February 2022.  Season 3 premieres in June 2023, sixteen months later, but the timeline in the Gemstone universe doesn't fit.  Plus personalities and back stories are different.  As with Season 2, it will be more profitable -- and more fun -- to enter fresh, pretending that we have never seen or heard of these people before.

Title: "For I Know the Plans I Have for You."  Jeremiah 29:11: "For I know the plans I have for you, declares the Lord, plans to prosper you and not to harm you, plans to give you hope and a future." I hope so, because word on the street is that this season gets very dark.

Rogers County Fair, 2000:  The teenage Jesse Gemstone is announcing a demolition derby featuring his monster truck, the Redeemer, while his parents, megachurch pastor Eli Gemstone and his wife Aimee-Leigh, argue: the Redeemer is putting butts in seats, but is this really appropriate for a Christian ministry?   What are we going to do next, sell beer?  At that moment, a muscle hunk comes by selling beer!

Eli and Aimee-Leigh's three kids look very young, but according to the fan wiki, Jesse is 19, Judy is 15, and Kelvin is 9 or 10.

While Aimee-Leigh is off smoking a cigarette, May-May, a shabbily-dressed middle-aged woman, approaches, furious: "You pretend to be all sweet and caring, but I know the truth -- what you done to my family."  She attacks; Aimee-Leigh runs through the crowd, screaming for help, but May-May catches up and hits her with a wrench. As she lies bleeding on the ground, a car hits -- May-May! 

Eli Retires: Present day. Time to introduce the main conflicts of the season.  First up: the now-elderly Eli is hanging out with his Mason-like Cape and Pistol Society. They ask how he's enjoying his retirement.  Actually, he's only semi-retired: he's writing another autobiography and taking speaking engagements, but his kids are running the church. Gulp!  His friend: "You scared your kids are gonna blow it?"  

Cut to Zion's Landing, the Gemstones' Christian-themed resort. The 42-year old Jesse and his crew confront Eli's driver.  In joke: his name is Walker!  He squealed to the press about the dwindling membership and donations since the kids took over, so they beat him up and fire him. Pretending to have never seen these characters before, I am shocked.  Christian ministers are often shady and hypocritical, but violent? What if someone sees?

A Cold Fish Kiss: Eli's second child, Judy, is now a famous singer.  She has just returned from a tour, and her husband BJ wants to snuggle, but she yells at him for pressuring her, gives him a "cold fish kiss," and runs out again.  Uh-oh, marital trouble.

Smut Busters: The primary conflict, judging from the amount of air time it gets: someone named Keefe is showing the youngest son, 32 or 33 -year old Kelvin, a giant novelty dildio.  He exclaims with glee, "That is gonna hurt!"  So he's an anal bottom, and Keefe is his boyfriend, showing him their new toy.

We pan out to see kids examining a pile of sex toys, mostly dildos and butt plugs of various sizes and shapes, intended for gay men.  Notice the "Size Queen" dildo. 

Psych!  Kelvin and Keefe are actually youth ministers, running an anti-sex toy project.  I guess: notice the t-shirts, with the name "Smut Busters" over a splatter of...jizz?   They buy out the inventory of local adult stores, to force them into bankruptcy.  Wait -- anyone know basic economics?  

The youth group kids, also in Smut Busters t-shirts, are just examining the latest haul.  Do they take the kids to the adult stores?  They wouldn't be allowed inside.  Besides,  "exposing children to sex" is a misdemeanor.  

They ask the kids and adult volunteer Taryn to join them in the Smut Buster chant: "No smut (touch nipples),  no lust (feminine hip wiggle), no coconuts (hands to waist, grimace)." No one joins in.  

After extensive research, I conclude that "coconuts" doesn't have a symbolic meaning, except maybe to evoke testicles.  It was chosen for  its near-rhyme. The chant reflects the playground phrase "no butts, no cuts, no coconuts" (no cutting in line), and its variation, "No ifs, no buts, no coconuts" (no disagreeing).

Left: coconuts

Pretending to have never seen these characters before,  I conclude that they are a gay couple: notice how Kelvin plays with Keefe's nipple, an intimacy that platonic pals would not enjoy, how Keefe gets all bitchy around Taryn, and how most of the sex toys they buy are for gay men.  They can't conceive of something used by straight men as erotic: "There's a naked lady on the box.  Keefe, I said sexy, not disgusting!" 

So the main conflicts of the season will involve the transition of power, marital problems, and coming out. 

The Primitive Tribe: At church, the siblings are bragging about their missionary trip, where they brought Lasik Surgery to an isolated tribe in the Amazon.  They are completely clueless; surgery to correct astigmatism must be the most trivial of the group's medical needs.  Plus the depiction of a "primitive tribe" veers uncomfortably close to racism.

Left: An Amazonian.

More after the break