Aaron Taylor-Johnson: Varying levels of hotness and homophobia, but his cock stays the same.

 

I seem to be collecting Aarons. This is Aaron Taylor-Johnson, born in 1990 in the quaintly named High Wycombe, 29 miles west of Charing Cross.  You can't get more English than that. He began acting at the age of six, did local theater and broke into film with a string of gay-subtext relationships: 

Tom and Thomas (2002), about two brothers (both played by Aaron) who find each other after many years apart and embark on an adventure in order to stay together.

The Thief Lord (2006), an adaption of the German novel about two outcasts who find each other on the mean streets of Venice.

The Magic Door (2007), a heroic fantasy with a rather buffed elf helping a human boy defeat a troll.

Then things get very heterosexist very fast.

Nowhere Boy, 2009, a biopic of the teen years of future Beatle John Lennon.  I suppose they couldn't help making the young John hetero-horny, but having a girl give him a blow job to seal the deal?

Kick-Ass (2010) is about a teen nerd who becomes a superhero. Funny, we never see high school A-list jocks getting superpowers.  When his bulgeworthy spandex costume is discovered, he's assumed to be a gay hustler, to the constant teasing of his classmates.  However, the assumption of gayness allows him to win The Girl of His Dreams.

Chatroom (2010) is a rather homophobic drama about a sociopathic teen using social media to encourage bad behavior.   He convinces his friend Jim to commit suicide, and kisses him to "seal the deal."

Next Aaron starred in Savages (2012) as pot grower Ben, who is in a triadic relationship with Chon (Taylor Kitsch) and their shared girlfriend.  It's all subtext, but sometimes subtext is good enough.

At least we get a more explicit butt shot -- while he is sexing the girl.

More homophobia and dicks after the break

Gemstones Episode 2.9 Continued: A Perfect Christian, the Lion King, naked twinks, and lovers in old photographs.

Previous:  Episode 2.9: Who killed Thaniel?  Will Keefe ever get a place at the table?  Can we see some Gemstone alums naked?

Keefe stands alone: Keefe sits next to Kelvin on the way to the Zion's Landing ground-breaking party.  He stands next to BJ while the siblings perform.  But afterwards, he goes off to make new friends: he tries to impress them by doing the Worm, and is upset when he fails.  

Why doesn't he interact with Kelvin, or anyone in the family?  It's as if they told him "You can come, but don't be seen with us.  We don't want people thinking that you and Kelvin are together." 

Baby Billy Returns: As Tiffany sits in a cabana, Baby Billy appears!  He tells her "I'm back for good,"  Judy isn't having it "You've got a lot of nerve coming here after what you did!" 

He ignores Judy and asks Tiffany to take him back.  She refuses to answer, saying that she has to go to the bathroom.

Keefe and the Perfect Christian: Meanwhile, Keefe and Joe Jonas, the world's most perfect Christian, head to the same porta-potty.  They are so busy gazing at the guy who just exited that they both reach for the handle at the same time, and clasp hands.  It is accidental, but still a strangely erotic moment.  

Tiffany pushes them aside and rushes into the porta-potty.  Joe Jonas and Keefe continue to flirt as she goes into labor.   Don't they, like, have to go?

Personal note: Although they were only on stage for a few minutes, I used their budding friendship for a fan fiction, "Keefe's Date with Joe Jonas."  Actually he has the date with a guy on Joe's PR team.

The Lion King: Later, a crowd has gathered around the porta-potty.  Didn't anyone fetch a doctor? 

Baby Billy rushes up and asks Keefe, Pontius, and Abraham if they've seen Tiffany.  They point. She said she was going to the bathroom, you dolt! Why did it take you so long to figure it out?

Tiffany emerges, stating that she had her baby: it fell into the toilet.Gross callback to the "toilet baby" discussion.  Baby Billy reaches down and pulls the baby out.  Then, in a scene reflecting Simba's birth in The Lion King, he holds it over his head for the crowd to see.  Everyone applauds. 

Lyle's Revenge: Eli gets a phone call: Junior has used his underworld connections to trace the origin of the weapons the Cycle Ninjas used. They were sold to some boys in a gang in Texas -- where Lyle Lissons is from!  Don't jump to conclusions, Eli -- Texas is a big state.

On the beach, Jesse, still unaware of Lyle's involvement, is handing over the investment money.  Suddenly a woman appears, yelling at Lyle about the disappearance of her husband: "He was working with you, to get information on the Butterfields!  He told me all about it!"  

Finally Jesse starts to figure it out.  He confronts Lyle, who admits to sending the Cycle Ninjas to kill Eli --  he thought he was "doing you a solid," freeing up some money so Jesse could invest.  Besides, hasn't he often wished that his father would hurry up and die?  No, of course not.  But, now, worried that he might tell, Lyle attacks. They fight, and Jesse hits and kills him with a rock from the David and Goliath slingshot he used to threaten Junior. 

He rushes to his family -- um, hang on for a moment. Check out Kelvin's ultra-femme outfit and mannerisms.  He's really come out loud and proud.  He was the macho Messiah of the Musclemen an episode ago, and now he's my Aunt Sadie. 

And why isn't Keefe there?  He's at the porta-potties, of course, but there isn't even a chair that he vacated.

Jesse announces that he's murdered someone.  The family follows him to the beach, but Lyle is alive, and Lindsey is armed!  She shoots BJ in the femoral artery, and forces the others to swim out into the ocean.  BJ will bleed out in 2-4 minutes unless he gets first aid.  He's doomed!

Lots of Reconciliations: One month later, we see Chad and his wife reconciling at Amber's marital group. I didn't even know that was a plot arc.   

Then Judy and BJ, who has miraculously recovered, say goodbye to Baby Billy, Tiffany, and baby Lionel as they head home. 

Nobody ain't inviting no kids to the steam showers:   Kelvin and Keefe  have started a Youth Squad for 12-15 year olds. "The whole time we've been searching for our calling," Kelvin says, "It's been right under our noses: these beautiful, innocent children."

He continues, evoking a Judean retreat: "We could groom these kids into the next generation of muscle men."  Keefe suddenly realizes that people could get the wrong idea, and suggests getting chaperones and permission slips.But Kelvin isn't ready to start planning yet; he's just brainstorming, thinking of the possibilities.  

I read fan responses to this scene before actually watching it: anger, disgust, and dismay: "Please don't let them be creeps.  Please don't let them be creeps.  Please don't let them be creeps."  The "They're straight buddies" camp was ecstatic, because who would give gay characters lines like that?  When I watched, I was upset by the structure: everyone else gets a heartfelt scene, and the guys get pedophile jokes. But one fan who grew up a queer kid in an Evangelical church set me straight, so to speak.  I paraphrase a bit:

This IS a touching scene!  Friggin' homophobe, thinking that because the guys are gay, they must like little boys!  

The kids are not dressed in revealing outfits, and at least one of them is a girl!  Kelvin and Keefe  do not say one single thing that suggest an erotic interest in the "little angels."  Keefe notes that a particularly muscular boy is popular with other boys, and Kelvin fiddles with his "wedding ring," to let you know that he and Keefe are partners. 

The Youth Squad is a perfectly legitimate way for them to combine their interests in youth ministry and physical fitness.  Note that the kids are not training for bodybuilding, which is not permitted for anyone under age 15.  They are doing strength training exercises, which are recommended for children aged seven and up.   

Plus it makes structural sense.  The heterosexist trajectory includes job, house, wife, and kids.  Baby Billy does not become a man until he holds his infant son.  BJ and Judy have no children of their own, so they adopt Tiffany. Nurturing children is the final step in Kelvin's movement into manhood.

Lovers after the break

"American Gigolo," 1980 and 2022: Frontal nudity and homophobia, or underwear shots and gay erasure. Which do you prefer?

 

In 1980, American Gigolo became famous for Richard Gere's biceps, chest, abs, and penis -- the first  full frontal shot in any mainstream movie!   

Every gay magazine had an article on The Nude Scene, with a screen shot.  This was before you could buy a DVD or stream the movie, so every gay guy in the country, probably in the world, marched down to the Cineplexto see it.  Gere plays Julian, a hustler who specializes in women, and in fact rejects any assignment involving "fag tricks."  The plot involves Julian falling in love with one of his clients (of course), and being framed for murder.  (He was with a client that night, but she refuses to come forward.)

Gay men of the era didn't mind that the hustlers have 100% female clients, while in real life 97% of their clients are closeted gay/bi men.  They were used to being erased.

They didn't consider homophobic slurs a problem. You weren't allowed to mention gay people, even in slurs, before the 1960s, so in the 1970s and 1980s, most movie characters threw in a few "fags" and "fruits" to demonstrate that they were cool.

Nor did they get upset when the villain turned out to be gay: Julian's pimp (Bill Duke), whom he pushes out a window to his death. Straight people hated us; it was a given, a simple fact of life.  You couldn't escape it,  unless you managed to live and work in a gay neighborhood and avoid mainstream media altogether.  The rest of us would hear homophobic jibes, slurs, scandals and jokes from family and friends, from coworkers, from random strangers on the bus, so what difference did a movie make?  You got to see a dick on screen!

Writer/director Paul Schrader has been involved with a number of other homophobic projects, such as Mishima: A Life in Four Chapters, about the gay writer who developed a fixation with bodybuilders.  Again, being gay is all about darkness, destruction, death. Being gay is evil.

But not Richard Gere.  A year before American Gigolo,he  starred in the gay-themed (and not homophobic) Bent on Broadway, about gay men who are sent to a concentration camp in Nazi Germany.  In 1993 he appeared in And the Band Played On, about the first years of the AIDS crisis.

How did he manage all three?  Does he hate gay people, or not?  

In an interview in Entertainment Weekly.  Gere reveals that he took the part because Julian was so different from himself, into fashion and languages (which Gere was not), and with "a gay thing flirting through it," and he knew nothing about "that community."  Good enough explanation, I guess.

In 2022, an American Gigolo tv series appeared.  15 years after the events in the movie, the middle-aged Julian (Jon Bernthal) tries to find out who framed him (I thought Leon confessed?) and to reconnect with The Girl of His Dreams.  

Paul Schrader was not involved, so no homophobic slurs and no gay villain. But gay men are still erased; 100% of the hustlers' clients are women.  There's a lesbian cop, which is not nearly adequate representation.

And no frontal nudity, just a butt shot.

Is that progress?

Richard Gere's dick after the break