Showing posts with label Braxton Alexander. Show all posts
Showing posts with label Braxton Alexander. Show all posts

Christmas on the Square: Be thankful that you haven't seen this movie. With Josh Serrano, Treat Williams, and random nude dudes



Brax Alexander is promoting his 2020 movie, Christmas on the Square.  Usually I stay away from Christmas romcoms that preach how wonderfully fulfilling small towns are, as opposed to those soulless, heartless monstrosities, big cities, because I grew up in a small town.  My parents rhapsodized, almost daily, about my destiny: find The Girl of My Dreams,  get married, go to work in the factory, buy a house, have kids, die.  There were no other options.  

There was no such thing as same-sex desire or romance.  You spent time with boys in order to talk about girls or strategize on how to get girls.  When you found Her, you would abandon male loves, instantly and without hesitation.  They were trivial, steps on the road to the Girl of Your Dreams destiny.

I kept looking for a place where I could escape, where I could go through an entire day without the "What girl?  What girl? What girl?" interrogation.  Where people cared about beauty, wisdom, and love, not just reproduction.  Maybe even recognized the existence of men loving men. 

After college, I lived in West Hollywood, New York, Fort Lauderdale, and Minneapolis: Bookstores, art museums, cathedrals, Ethiopian restaurants, Thai restaurants, stores with rainbow flags in the windows, guys holding hands as they walked down the street: heaven.    

Oh, sorry, you wanted me to review the movie.  


Christmas on the Square was written by gay icon Dolly Parton, and stars gay icon Christine Baranski, plus Josh Segarra (top photo and left), who has played gay characters several time (he even played RuPaul's boyfriend). Furthermore, Dolly promotes the movie in an interview in Pink News, the gay magazine.  Surely this is a gay-positive Christmas romcom.  So here goes:

Scene 1:  A sound-stage town square in the town of Prairie View, with folks making merry.  Some very hot guys rush past, doing a high-step dance number -- but they ruin it by double-taking, en masse, at the hot girl who walks by.  At the end of their dance, they pair off, each guy with a girl.  Yuck!  This is the same brainwashing  I grew up with: "Every boy will fall in love with a girl!  There's no way out, no escape!  You are doomed!" 

A car drives past, with the evil, sunglasses-wearing Christine Baranski.  She sings: "Forget the past, be free at last, gotta get out of this town."  I like her -- she's the voice of thousands of LGBT people growing up in homophobic small towns, longing for a place where they can be free.  Of course, she's the villain. 


Amid the dancing, frolicking characters, the white-haired guy who runs the general store, no doubt Christine's Love Interest (played by Treat Williams, left) sings that "lovers walk in pairs." We only see male-female lovers.

 Focus character Felicity drives up and greets the stereotyped 1950s mailman.  She's the assistant of evil Christine Baranski, who continues to sing: "I know in time I'll lose my mind, if I don't get out of this town."  I had the same thought many times, back in Rock Island amid the "what girl do you like? what girl? what girl? what girl?" interrogation!

I'm getting angry.  They should have a trigger warning for all LGBT people who get trapped into viewing this thing.  I won't last much longer.


Left: Treat Williams' butt.

Christine passes out eviction notices.  She's going to tear down the whole town.  Good! 

 










More nude dudes after the break, if you dare to continue. Caution: Explicit.

Braxton Alexander: three heterosexual boyfriends, three serial killers, one saxophone, and five bare butts




Born in 2007, actor and model Braxton Alexander had a busy child star career. Strangely, although of course he had no control over the scripts at age eight or nine, his movies and tv shows seem overwhelmingly heteronormative, if not downright homophobic.

 


Four episodes of Mr. Mercedes (2017as the young Brady Hartsfield, living through the horrific childhood that would turn him into a homophobic mass murderer with psychic powers.
 
(Left: Harry Treadaway, who plays the adult Brady)


The young Callahan in Tag (2018), about a group of friends who play an elaborate game of tag every year, while not making homophobic jokes and fielding gay panic.  

The young Callahan kisses a girl. So you can have boys and girls sparking at each other from the womb, but heaven forbid depicting a gay kid.

(Left: Jon Hamm, who playes the adult Callahan).

Dolly Parton's Christmas on the Square (2020) is intensely heteronormative: the meaning of life is boys and girls gazing at each other forever. Brax plays a singer.

The Black Phone (2021) is about a gay predator who kidnaps young boys (I'm not kidding).  Brax plays a bully, not one of the victims.



In I Want You Back (2022), a dumped boyfriend and girlfriend try to sabotage their exes' new relationships and get them back.  Brax plays a "middle school boyfriend."

Left: Scott Eastwood, who plays one of the targets.










The Summer I Turned Pretty
 (2022-4) features two brothers in love with a girl named Belly. Brax plays the young Conrad, falling for Belly at the age of 13.

(Left: Brax)





In Black Bird (2022), not to be confused with Blackbird, Jimmy Keane (Taron Egerton, left) is given the task of befriending a suspected serial killer to get a confession out of him. No gay subtext: the guys both display an incessant interest in ladies. 

Brax plays the teenage Jimmy.







More Braxton after the break


Gemstones Episode 3.5: A gay boy's bare butt, castration anxiety, a pukka shell necklace, and three random cocks


Previous: Episode 3.4 Continued: Mistaking dependency for love, two breakups, Kelton's butt, and some Cantonese cocks

Episode 3.4 concludes with the family in disarray. Both BJ and Keefe have broken up with their partners in the aftermath of a betrayal, Jesse and Pontius are sparring, and the Montgomery Boys are secretly planning a violent retribution. 

Title: "Interlude III." The interludes are meant to build suspense by postponing the action for two weeks, plus give us some background on the major characters.  Interlude I centered on Jesse, and Interlude II on Kelvin, so I imagine that this time it will be Judy.



Judy's Back Story
: Rogers High School, 2000.  High school-aged Judy tries to flirt with her crush, art student Trent (Braxton Alexander), by throwing her hair over his desk.  He asks her to stop several times, but she says "You know you like it, Stud," embarrassing him in front of the class.  Finally he gets even by cutting her hair. Wait -- why isn't the super-rich Judy in private school?

She doesn't notice until the girls in the restroom laugh at her.  Then she storms into band practice and smashes his saxophone, yelling "I liked you, asshole!  I loved you!"

Some fans wonder whether Trent is gay.  Of course, lots of straight guys would reject Judy's vulgar come-ons, but Trent wears a pukka shell necklace: according to my research, around 2000, that was a queer code, a way to identify other gay people while leaving the straights oblivious. Plus he's an artist and a musician.  "Artistic" and "musical" are  often code for "gay."

Y2K is Real:  Remember the Y2K panic that Eli and his wife Aimee-Leigh profited from?  A reporter from Time Magazine shows Eli the commercial, telling folks that God wanted them to buy Gemstone Brand survival buckets, first aid kits, commode liners, and so on.  "So...do you think it's ethical to scare people and then benefit from that fear-mongering?" 

"I was trying to help."

"You said that Jesus told you that Y2K was real.  Who was wrong, Jesus or you?"

Wait -- most evangelicals are pre-Dispensationalists, believing that all of the Christians will be caught up to heaven in the Rapture prior to the various seals, trumpets, and bowls of the Tribulation.  Why would they need survival supplies?



Kelvin's Little Tiny Doll Pecker: C
ollege-age Jesse brings his girlfriend Amber home to meet the family. Is she pregnant?  Gideon is going to be born in a year or less.

At dinner, Judy criticizes her for coming from a poor family.   Jesse says "Suck my dick!", and she responds "I want a meal, not a snack."  

Left: not a tiny little doll pecker.

Kelvin laughs: "That was good.  She means you have a tiny little titi" (pronouncced tih-tee).  Jesse then criticizes Kelvin's "tiny little doll pecker."  It is probably perfectly normal for a prepubescent boy, but Kelvin doesn't know that.

Presumably the adult Kelvin is the same size as the well-hung Adam Devine, yet the siblings continue to disparage his penis into adulthood. How, exactly, do they see it?  My sister has never seen mine.  The result is a paralyzing fear of sexual intimacy that jeopardized every potential romantic connection before Keefe.  And only Keefe's superhuman devotion kept him by Kelvin's side as he vacillated between withholding sex and demanding it constantly.

Background Note: "Titi" is a type of shrub, a type of monkey,  your aunt, and an unattractive drag queen. Apparently the writers invented the "penis" meaning to bring to mind the adult Kelvin's obsession with "titty meat."


The Snake Handler.
After a scene where Judy bullies Amber and steals her ring, setting up their squabbles in the present, we cut to a service at Peter Montgomery's Pentecostal-like snake-handling church.  Actually, he's the only one playing with a snake, while his sons play the guitar and violin, and his wife May-May goes into a filled-with-the-Spirit ecstasy. 

Background note: Snake-handling, based upon the injunction to "take up serpents" in Mark 16:17, was introduced by the Church of God with Signs Following during the Great Depression, and spread throughout Appalachia.  Today the practice is illegal in most Southern states, including South Carolina, and there are no more than 100 snake-handling churches left.  

In Them That Follow (2019), Walton Goggins (Baby Billy) plays the pastor of a snake-handling church.

Gemstone-Montgomery Tensions: At the Gemstone Compound,  May-May complains about having to identify herself at the security station, just to put flowers on her father's grave. "You can visit the grave whenever you want," Aimee-Leigh assures her. "We'll have security flag you right on through." But she's not satisfied. Geez, he's been dead since 1995. Haven't you figured out the visitation schedule by now?

Later she bosses Peter around and rejects every effort of Aimee-Leigh to be friendly, suggesting a long-standing feud.  We can see parallels in Amber and Judy in the present.

Gay boys and bare butts after the break