Showing posts with label Scotty Steele. Show all posts
Showing posts with label Scotty Steele. Show all posts

Gemstones Episode 1.3, Continued: Gideon acts like a woman, Kelvin acts like a man, and chubby guys show their d*cks

 

PreviousEpisode 1.3: Kelvin outs himself, Scotty shoves a wiener into Gideon's face, and Jesse gets it all wrong.

God offers one thing:  Eli and Baby Billy attend a service at Locust Grove Baptist Church. where Rev. Seasons preaches.  The sermon: when people pray, they're really asking God to give them stuff.  But God only offers one thing: His love. Yawn -- Baby Billy is bored.  His church offers razzle-dazzle.

Later, at an after-church potluck, Baby Billy tries to mediate between Eli and Rev. Seasons, but it doesn't work: "Get the hell out of my church.  I got nothing to say to you."  Eli counters that he's been spreading lies about the Gemstones.  

Then: "What do you want, Eli?  You've got everything, and you want more.  Why are you so hungry?"  Eli responds by throwing a baked potato through a church window. Baby Billy is here the voice of reason.

As Eli stomps off, followed by a conciliatory Baby Billy, Rev. Seasons makes a throat-cutting gesture at some of his congregants.  We will see their dicks later.

Later, Baby Billy argues with Eli: he has to live in Locust Grove, and Eli is out there making him enemies.  "Well, what could I do about it?" Um...not throw a baked potato through his window?  Eli, increasingly unsympathetic, dismisses Baby Billy as a "two-bit con-man."  He never cared about the family, not even his sister Aimee-Leigh.  

Baby Billy calls him a "righteous Gemstone dick" and quits the Locust Grove job. 


The Family Dinner:
  Next, Gideon goes to work for Martin, ostensibly to learn church operations, but really looking for a new way to steal a million dollars. Jesse disapproves, hurt that they decided on this new job without consulting him.

 Later, the family gathers for a "welcome home" dinner for Gideon at Jesse and Amber's house.  

This is the only time that we will see the family here; later family dinners will be held at Jason's Steak House. Notice that Kelvin sits on the left side, between Pontius and Gideon, as if he is a kid.

Gideon is discussing his stunt work: because of his slim frame, he stunt-doubles for women a lot: it's called "wigging."  Jesse disapproves of him "pretending to be a woman." Amber defends him: it's just for the stunt, because "he's very manly," not feminine, not gay.  Notice Kelvin's reaction: he does not like this conversation at all.  He keeps his head down, worried that someone will apply it to him.


But the industry is moving toward having women stunting for women, so no more wigging.  Jesse mocks him: my son is sad "cause he can't pretend to be a woman for money anymore."  He's really pushing the hegemonic masculinity here: behavior that men are expected to engage in, and punished if they fail: being important/ in charge, aggressive, stoic, politically and socially powerful, muscular, and heterosexual.

BJ thinks that "representation of marginalized peoples is a big deal," so if a script calls for a woman to fall off a building, a woman should do the stunting.  Amber disagrees, promoting stereotypic gender polarization: "only men should jump off buildings."

Finally Kelvin has had enough, and changes the subject: "Wasn't Baby Billy supposed to be here tonight?"

The party devolves into a fight between Jesse and his son Pontius. He blames Pontius's bad behavior on Gideon leaving: "Actions have consequences."


Kelvin's Basketball:
  After things calm down, Judy and Kelvin find Jesse in the back yard, crying, the super-masculine guy exhibiting "feminine" emotion.  He asks if they have come to make fun of him.  Judy: "Well, Kelvin has."  

Notice that Kelvin is carrying a basketball. Where did he get it?  Did he bring it with him, as a "welcome home" gift for his adult nephew?  Did he pick it up from an off-camera basketball court?

This is the only time in the series that Kelvin exhibits an interest in any team sport, or any athletic activity other than acrobatics and bodybuilding.  I wonder if he is trying to project a stereotypic masculine image in response to the talk about "acting like a woman."  

Dicks after the break

Gemstones Episode 1.2: Thai ladyboys, Italian shoes, Palestinian dicks, and the Devil's kiss.



Episode 1.2 continues the plot arc of Jesse confronting the blackmailers who have a video of his sex-and-drugs party. 
 
Title: "Is this the man who made the Earth tremble?" From Isaiah 14.15: Everyone is amazed at the fall of the King of Babylon. Here we're looking at the fall of Eli Gemstone.

The Ladyboys of Thailand:  The red van in the deserted parking lot.  The head blackmailer, Scotty, wearing a scary devil mask, is talking with his companions, a woman named Lucy and an unidentified man.  He dismisses the  misconception that Thailand is all about ladyboys "hanging out of windows with their cocks in their panties." But: Thailand also has great food, great beaches, "and we're going to be taller than everyone else." 


The ladyboys or kathoey of Thailand have male-coded sexual characteristics but present as feminine.  They were traditionally called a third gender, but with the globalization of Western LGBT identities, they are more likely today to identify as femme gay men or trans women.  Scotty's statement suggests that he is into ladyboys, but his companions are not, so he is trying to convince them that Thailand has other attractions, too.

The siblings arrive and drop the bags of money in front of the van.  Scotty gets out to pick it up and -- Jesse attacks!  Lucy, wearing a scary baby mask, shoots at them.  They jump back into their car and run over Scotty, and then Lucy, when she rushes to his aid. The third blackmailer takes off his mask: it's a young man played by Skyler Gisondo.  


The Young Man yells "Scotty!" and runs up and cuddles him like a lover!  They are obviously boyfriends.He helps Scotty up, and they carry Lucy to the van and drive away. 

Scotty thinks that Lucy is dead, so they try to throw the corpse down a hill.  But she's alive!

Did it really happen?:  The next day, the siblings return to the parking lot.  There is no evidence of the blackmailers.  Jesse suggests that it was never real to begin with, and Judy, "a spiritual test that we had to overcome."  Kelvin thinks it was real, but the others criticize him for "projecting negativity."  

The next order of business: how should they divvy up the money Judy stole from the church: give it all back (Kelvin) or give half back and split the rest (Jesse). Why do these people need money?  Aren't they, like, rich? Maybe Daddy controls everything, and gives them an allowance.

Suddenly Kelvin jumps out of the car.  Jesse scoffs that he wants to buy a new pair of 22s, custom shoes hand-crafted by Gabe Apodaca in Italy, keying into his gay-coded fashion obsession.  But he's actually noticed a security camera: they could get the van's license plate number!



Lucy has what Scotty needs:
At the hospital, Scotty and the Young Man discuss what to tell Lucy about the hill  She's "all fucked up," but Scotty  wants to see her anyway, because she can make him cum. 

He waits for the Young Man to offer a blow job instead, but he doesn't. 

Psych!  Scotty isn't planning on sex after all: he puts her in a wheelchair, and exclaims "We're getting out of here.!"  (Butt shot: his hospital gown is open in the back) Why did Scotty tell the Young Man that he wanted sex with Lucy?  Apparently to make him jealous, but of who?  Lucy, Scotty, or both?

"Did you just blow a kiss at me?": Cut to Jesse discovering that his wife and kids are still in contact with the runaway Gideon.  They even have good news: he just got cast in a Netflix movie; "he's doing well in LA, following his dreams."  Pontius repeats "Hollywood" in a sultry voice, then blows Jesse a kiss, teasing that Gideon is gay.  

Jesse wants to know how they dare to contact him when he "snipped our nuts." Why is moving to California like castrating your father?  

More threats after the break

Is There Sex After Death?: A Gideon and Scotty story, with heartwarming scenes and oral sex


This story takes place after Righteous Gemstones Episode 1.8, when Scotty Steele dies.


April 21, 2019. Easter Sunday.


Light. Intense, golden light, surrounding him. Not bright, like sunlight, just warm, comfortable, loving -- how can light be loving? -- like sitting on your mother's lap when you are a kid. Scotty wonders if he is a kid. Maybe he has gone back to the womb?

No, there are others around him, some that he once knew, and loved or hated, some who are strangers. Except they aren't strangers now -- he sees the most important moments of their lives, and they, in turn, see Scotty's. At random, not in chronological or thematic order:


1. Going out to dinner at the Shem Creek Restaurant in Mount Pleasant -- pizza and beer -- and Scotty calls Gideon "Little Lord Fauntleroy." They smile and joke, and hold hands under the table, and the song on the radio, or in his mind, is "You Knock Me Out.” :

The way you talk when you say what you see

Your smile breaking my words – you knock me out.

The way you shake it, baby, the way you get when you get down -- you knock me out 


The memory of the song, of his smile, fills Scotty with so much joy that he he feels like he will burst. He looks around -- or the equivalent when you don't have a body -- and feels the others sharing his joy.


2. The Old Man, Jesse Gemstone,  takes them all out on his yacht, and in the glittering of the waves, while the kids sit in the wading pool -- a pool on a yacht? -- Jesse offers to become his Daddy, and they hug.  

He eases into the hug, actually considering the crazy idea for a moment.  They could just walk away from the scheme to steal the Easter offering from the Salvation Center, $3,000,000, and settle into lives as a good Christian Gemstone and his boyfriend.  


Then he laughs to himself.  No way will the Old Man ever admit Scotty to the family, knowing that his cock  has been down his son's throat or up his ass...sorry, Mom....the fact that Scotty has been intimate with his son every night. Evangelicals hate gay sex even more than they hate thinking for yourself. The Easter Offering plan is the only way they can walk side by side into the future.


3. Driving from California to South Carolina so they can blackmail his father, the world-famous Jesse Gemstone, with a video of his sex-and-drugs party, get even for a childhood of neglect and abuse, and fund their happily-ever-after life in Thailand. They spend the night in a Motel 6 somewhere in New Mexico. Lucy is snoring.  Scotty opens his eyes and sees Gideon, propped up in the other bed, playing on his cell phone, his face illuminated, as if he is already in the plane of endless light.  He must be an angel -- nothing in this shithole world -- sorry, Mom -- could be so beautiful.

He knows that he's going to do it, he's known since the moment they met, but still, Scotty is terrified as he climbs out of his own bed and slides in next to Gideon.  He doesn't look surprised -- maybe he has always known, too.  He puts his cell phone away and scoots down so Scotty can hold him in his arms and kiss him.  

Suddenly the world changes.  Scotty has never been kissed before, not like this. Minutes pass, hours, months, a lifetime. He doesn't even think about doing something more intimate -- is there anything more intimate? -- but eventually Gideon takes the lead rolls him over onto his back, and moves down....he moves down...

To give him the blow job of his life. Well, until later that night.  And the next. With Gideon, his orgasms are so intense that his yells wake half the county, and he has to lie there, panting, exhaused, not sure where he is or who he is, knowing only that they are together.

Cause you and me were meant to be. One heart, one soul, one mind, two of a kind. 

Whoever said that love is blind?  We're partners in crime.

Scotty retreats into himself, embarrassed, but the others draw him back. There's nothing to be embarrassed about now. They've seen the moments of his life, and he's seen theirs.

One of the others has taken on form -- not really a corporeal form, more like a recognizable presence: a young woman with 1980s helmet hair and circular glasses, a little girl in pigtails standing on a country road, a middle-aged woman holding baby Gideon on her lap. She is singing, or music is playing:

We've come so very far, just look at where we are -- What once was a dream is now a sweet memory.

I'll see you again with the valley's warm wind, I'll see you some way, but it's toodles today

Scotty knows who she is -- Aimee-Leigh Gemstone, the Gospel singer that his mom liked so much. Eli Gemstone's wife, Jesse's mother, Gideon's grandmother!

More memories emerge, and with them the joy turns to pain.  Scotty never hit Gideon, except for two fights where he got worse than he gave, and the sex was always consensual -- he was forced, by his cousin, by his tenth grade teacher, by a crazy chick in a dive bar. so he always made sure that the cocksucker -- sorry, gay guy -- was into it.  But he wasn't always loving.  He belittled Gideon, called him names, yelled, even threatened.  He thought that the only way to keep someone with him was by making them feel small and scared.


Creeper got mad and angry eyes – one look from him can paralyze.

Upon his lips the taste of pain, venom kiss of love insane

He got a rod beneath his coat – he gonna ram it right down your throat.

Make you grovel on the floor, spit up and scream and beg for more

Scotty retreats into himself, hating himself for hurting so many people, fearful that Gideon's grandmother has come to judge him. But all he feels from Aimee-Leigh is love.  She nods -- or its equivalent -- and the memory continues.

 On Easter morning, Gideon comes down the elevator alone and says "It's over." He chose the ritzy Gemstone world over the dream of Thailand, the Old Man over the love of his life. The smiles, holding hands under the table, the kissing, the orgasms that burst across the universe -- all ignored.  But Gideon isn't the one who ignored it -- Scotty could have said "It's ok, I don't want the money, all I need is to be by your side."  He didn't.  

After that Scotty sees nothing but red rage.  He retrieves his van, beats up Granddad Eli, forces Gideon and Jesse to open the vault, ties them up. He yells "You made your choice, and you broke my heart!" Then he zooms away from the estate, not sure where he is going, nowhere, anywhere, into the abyss. He doesn't care; his life is over already.

Aimee-Leigh waits patiently for his despair to wash through the others.  Then she asks "Are you ready to go, darlin?  We've got work to do."

Calling him "darlin'," as if she is really his grandmother! Wait -- of course she is.  There are no lies in the endless light. "But how?  He must hate me.  There's no coming back from what I've done to him."

"He's already forgiven you.  But you need to forgive him."

More after the break

Gemstones Season 1 Finale: Judy and Kelvin begin to heal, Scotty joins the family, and we say goodbye with some random dicks



Previous: Episode 1.9, Continued: Kelvin goes dark, Keefe goes down, and Captain America saves the day
 
Showrunner Danny McBride has stated that he wants every season of his programs to tell a complete story: no callbacks to previous seasons, and no cliffhangers.  By the finale, every plotline has been resolved and every character development arc has been concluded.  He also hates downbeat endings, so the season finale tells us that "they lived happily ever after"  

The Season 1 primary plot featured Gideon betraying the family, first by blackmailing Jesse over the tape of his sex-and-drugs party, then by planning to steal the Easter offerings from the church. He also betrayed Scotty by failing to acknowledge their romantic bond.  Secondary plots involved Eli butting heads with Rev. Seasons over his church expansion, and Kelvin and Judy dealing with obstacles in their relationships.  The finale ties all of the plotlines into a single theme: forgiveness.


Back in Freeman's Gap 
:  Church. In his sermon, Eli describes his visit to Aimee-Leigh's childhood home, where he interacted with her spirit.  Cut to a flashback of the siblings collecting the money that Baby Billy and Tiffany stole from Scotty's van.

He continues: "We move through this world, crossing paths with friends, family...and I believe that the goal of all that colliding is to make us appreciate one another, to find empathy." Shots of Martin, Mandy (Chad's wife), and Chad, sitting far away from her. 

Rev. Seasons is redeemed: Cut to a flashback of Rev. Seasons  (Dermot Mulroney) working in a hardware store (Baptist churches are autonomous, so if one closes you don't automatically get placed elsewhere). Eli offers him a job as pastor of the satellite church that Baby Billy abandoned. Rev. Seasons was a secondary Big Bad, but Eli stole his flock, so we are not sure who needs forgiveness more.

"If you're not rooting for your enemy's salvation, you are not in line with what the Spirit wants."  Shots of Dot Nancy and her parents, BJ, Keefe (working security again), Martin's wife, a couple I don't recognize, and Jesse's crew (Matthew, Gregory, and Levi).  Notice that BJ and Keefe are linked, structurally presented as the partners of Judy and Kelvin.  They won't begin sitting together until Season 3. 


Scotty is redeemed
: "Aimee-Leigh knew this. That's why she wanted to help, no matter what."  Shot of the spirit of Aimee-Leigh sitting in the congregation, glowing in ethereal light, with Scotty beside her. 

He looks more bemused than happy, surprised that he has been forgiven, wondering how he came to be sitting here, after all the pain he caused Gideon and the Gemstone family.  Remember that both BJ and Keefe had to suffer symbolic deaths before they could unite with their partners.  Did Scotty, in death, become Gideon's partner?  

Maybe, in spite of his machinations, posturing, criticism, and threats, in spite of the hints of abuse, this is what Scotty wanted all along.  After all, the goal of the two schemes was to draw Gideon away from his family so they could spend their lives together. Maybe he couldn't admit it to himself, so it came out in random bursts, like calling Gideon "cute," taking him out on dates, and finally admitting, just before his death, that "you broke my heart."  Aimee Leigh helped him understand what he needed, what he wanted, and she has made him a Gemstone.

Baby Billy grifts: "For when you forgive other people when they sin against you, your Heavenly Father will forgive you."  Cut to Baby Billy and Tiffany selling their new gimmick, pictures of his trip to heaven. I guess they haven't been redeemed yet. 


Kelvin and Judy start to heal: "How we navigate this life,  and each other, is what defines us, and what leads us on the path to healing."  Cut to Judy and Kelvin in makeup, getting ready to perform, smiling. 

Before this season, the siblings spend their lives crippled by the traumas of their past. Unable to believe that they were worthy of being loved, they sabotaged every potential relationship, Judy by defining herself soley as a sexual being, and Kelvin by denying that he was a sexual being at all.  In this season they found partners who loved them in spite of their spitefulness, selfishness, and general craziness, in spite of Judy's obsession with the phallus and Kelvin's fear of it.  Forgiven, redeemed, they have started on the road to healing.   

The conclusion and cocks after the break

Gemstones Episode 1.7, Continued: Bisexual fish, Thai brothers, and Scotty with a broken heart. With a Thai dick bonus



Previous:  Episode 1.7, Keefe is in love, Scotty is hard, and everybody s*ks dick. With photos of guys doing it

Earlier in this episode, BJ left Judy due to her constant abuse, and Gideon left Scotty...for the same reason?  He also abandoned the plot to steal the Easter Sunday offerings. . 

Exclusively Female Fish: That night, Jesse and Amber are congratulating each other on his performance, when Gideon appears, fortunately with no scrapes or bruises from his fight with Scotty.

He tells them that Scotty had to leave town unexpectedly, and Jesse praises him for helping a guy who was "down on his luck."  Then he encourages Gideon to share his "special news" with Amber.

He says: "I'm not in love with Scotty."

 "In love with Scotty?" Amber repeats, confused.  I'm confused, too.  That wasn't the special news. Jesse just finished saying that he was helping the guy, not dating him.  Is Gideon trying to convince himself?

He clamps down: "I'm not.  I'm just your son, regular."  

Now Jesse seems to be convinced that they were dating after all, and encourages Gideon to bounce back: "there's a lot of handsome fish in the sea."  Gideon says that he's looking for "female fishes exclusively.  It was just a...."  


Just a what, Gideon?
  Just a one-time thing?   It's impossible not to conclude that Gideon and Scotty had a sexual relationship.      

"Ok, so you're bi," Jesse concludes. 

Gideon protests that he's not bi, but his parents are so supportive, or he is so uncomfortable with the conversation, that he just lets it go, leaving the question open.

I suspect that the showrunners were unsure, when they planned the scene, if Gideon was going to be bisexual or not. They fudged by giving him no expressed romantic or erotic interest in anyone in Seasons 2 and 3,  The Kelvin/Keefe and BJ/Judy relationship plotlines were enough. 

You made your choice:  Later that night, Scotty returns to the compound.  Security chief Brock waves him through (Gideon really should have told him that Scotty is no longer welcome.)  Remember that his blackmail van is in Kelvin's garage?  He breaks the van through the garage door.  Keefe sees him but thinks it's just one of Jesse's car pranks.  The partners were kept completely in the dark.  If only Kelvin had been a little more forthcoming, Keefe could have called security.

Scotty then kidnaps Jesse and Gideon and takes them to Eli's house, where Eli  hands over the key to the church vault.  Wait -- how do they get past security guard Brock?


At the church, after they load up the money, Scotty ties Jesse and Gideon back-to-back in the church vault, where they'll be rescued Monday morning,  and punches them.  "We could have been a killer team, the pussy brothers of Thailand," he tells Gideon. "Coordinating low-budget kung fu pics during the day, slammin' ass at night."  Presumably he means girls, but you never know.  

"But you made your choice, and you broke my fuckin' heart."  Remember, Jesse said earlier that betrayal by a "loved one" can break your heart.  

It appears that Scotty had romantic feelings for Gideon..  He just didn't know how to express or experience. love without manipulation, threat, and control.

Despondent,  he drives away, while the background song describes precisely the sexual acts they engaged in, and why Gideon didn’t “just leave.” 

Creeper got mad and angry eyes – one look from him can paralyze.

Upon his lips the taste of pain, venom kiss of love insane

He got a rod beneath his coat – he gonna ram it right down your throat.

Make you grovel on the floor, spit up and scream and beg for more




 Bonus Thai dicks:

I've been to Thailand  Some fascinating historical and cultural sites temples, museums.  Plus wall-to-wall gay clubs.

More after the break

Gemstones Episode 1.7: Keefe is in love, Scotty is hard, and everyone s*ks dick. With pictures of guys doing it.

 

PreviousEpisode 1.6: Kelvin sees Keefe's cock, and gets a big head.

In Episode 1.6, after the blackmail plot fell through, Gideon and Scotty came up with a plan to steal the $3,000,000 in offerings that the church receives during the Easter service.  Gideon had doubts, but then Scotty showed up at his parents' house, pretending to be a friend visiting from California! 

Title: "And yet one of you is a devil."  From John 6.70. Jesus is complaining that he chose 12 disciplines, and one will betray him.  I guess we know who the devil is.

Prayer Power: A flashback to the Prayer Power Convention in Atlanta.  Gideon comes into the hotel room, upset: he was planning to have dinner with his Dad, but Jesse ditched him to play drinking games with his crew.  Jesse insults him, ridicules his upcoming internship and "California dreams," and orders him out.  On the way, Gideon sets his camera to take the video he would use for blackmailing.  So he didn't run away; the family knew that he had an intership set up. Why did Jesse act as if it was a big mystery.

Gideon the soul-winner: In the present, Scotty is having dinner with the family.  He explains that he came to South Carolina for a stunt job, but he "got banged up" and had to drop out.  Then he says that he came to see Gideon, who brought him to Christ. The family is so overjoyed that the "prodigal son" has become a soul-winner that no one notices the contradictions.


Uh-oh, Jesse recognizes Scotty from somewhere!  His cover is almost blown, but Scotty claims that he had a recurring role as a rapist on CSI Miami.  Rapist -- interesting choice, since CSI is about murder (you gather forensic evidence from the crime scene).  Scotty is painting himself as a sexual predator.  I wonder if Gideon is his latest victim.

Amber insists that he stay with them. Gideon protests, but Scotty touches his hand, and he consents.  So, Scotty, do you want a guest room, or would you prefer to share Gideon's bed?

We cut to a scene of Eli giving the siblings their Easter assignments; Judy will sing during the collection, Jesse will preach the sermon, and Kelvin has to lead a youth group song and dance number, which angers him (he's the youth minister; what did he expect?)

Shirt on, shirt off:  In the morning, Scotty and Gideon stop at the security station on their way out of the compound.  Hey, Scotty has his arm on Gideon's shoulder.   Everybody who sees them will think that they are a romantic couple.   Scotty flirts with security guard  Brock: "If you get to L.A., I'll get you an agent."  But he needs head shots, shirtless shots, and so on.  This is way more than Scotty needs to get access to the compound.  He just wants to see Brock naked.  


I'm gonna be rock-hard: 
Cut to the guys having dinner (score: three dinners for Scotty/Gideon, none for Kelvin/Keefe).  They discuss the plan: on Sunday morning, after the offering is counted, Gideon and Martin will take it down the service elevator to the vault.  Scotty will be waiting, wearing his devil's mask, and rob them.  How will he get out of the church, with thousands of people milling about?

"As soon as the elevator door opens," he promises, "I'm gonna be rock-hard."  

"Nothing too big," Gideon cautions.  He can't help his size, dude.

To make it believable and not implicate Gideon, Scotty suggests tying him up, and using a few P-whips. This term is not defined online.  Could it mean penis-whip?

Scotty has more news: He got the sex tape fixed, so he can do the original blackmail plan in addition to robbing the church. "This is what you always wanted," he says. "We destroy your old man."  Gideon is not so sure that he wants Jesse destroyed.

Tell TJ to walk out: Cut to Judy announcing to Baby Billy that they will be performing during the Easter service. But Baby Billy doesn't want to: "too little, too late."  BJ protests, and Billy orders him to leave.  Judy agrees: "You're making me look like an idiot.  Go outside!"  Uh-oh, disrespecting your boyfriend.  Since the Kelvin/Keefe plot runs parallel, we should be expecting some discord in their relationship soon.

Billy continues: "Your Daddy is a fame whore.  He'd suck a man's cock in the middle of town square if he thought it would make him famous forever. He'd suck ten men's cocks."  Being outed as gay or bi is the most embarrassing thing Billy can think of. This may suggest a general attitude of homophobia that will make Kelvin's coming out difficult.


Part of the Family: 
Jesse takes everyone  out on his yacht.  Scotty complements the family on how close they are,  His own dad is in prison.  Jesse offers to be his Daddy, and hugs him.  Eli never once hugged Keefe.  Of course, it's just an act; Scotty waggles his tongue at Gideon over Jesse's shoulder, a vulgar gesture similar to what Keefe experienced at the sports bar.  Wait -- is he teasing Gideon, or offering to have oral sex with him?

Is it all an act?  Scotty seems to like being part of the family.  The background song tells him: 

The days are getting brighter – the sunlight feels like gin.

Juices punch and cider shiver deep within

You don’t have to be alone, when we’re having so much fun.

Don’t be alone

The Prayer Circle: Just before the Easter service (17,000 people in the Salvation Center, six million world wide), Eli, the siblings, their partners, and Martin have a prayer circle, Kelvin/Keefe are holding hands and praying.  Scotty is holding Keefe's hand and glaring.  Why isn't he standing next to Gideon, his "friend"? 


I Have to Be a Man: 
We see a few moments of Levi's Christian rock number, then switch to Kelvin leading the teens in their song-and-dance.    Keefe, working security in the bleachers, seems to be making an "I love you" gesture. 

Meanwhile, Gideon is in the bathroom, throwing up, and Judy rejects Eli's offer of singing during the offertory.

Cut to Judy's dressing room.  She criticizes BJ for asking if she's ok.  He counters that he is not even religious, but he has always been there for her.  She continues to berate him for attempting emotional support until he's had enough and leaves: "I have to stand up for myself.  I have to be a man." He starts crying and runs away. Judy throws her engagement ring after him.  .

"What is a man?" is an ongoing question of the season.  It was discussed in Gideon's "welcome home" dinner.  Kelvin declares that he is "a man" frequently.  The definitions are contradictory: being muscular; controlling your emotions; being in charge; standing up for yourself; being heterosexual.  Maybe we'll get a resolution when the episode continues.

Guys doing it after the break.  Warning: explicit.

Gemstones Episode 1.6 Continued: Scotty flirts, BJ is spanked, and Kelvin says "Let's hook up." With bonus Kenya cock




Previous:
 Episode 1.6: Kelvin sees Keefe's cock, and gets a big head.  Sounds like a fun evening

Earlier in this episode we saw a lot of innuendos about Kelvin and Keefe's relationship going to the next level.  Now it's time to concentrate on Gideon and Scotty.

They are very rude: Since the van is gone, Scotty has to live in a tent. Why doesn't Gideon spring for a cheap hotel?   Gideon tries to help him set it up, but he goes dark again: "I'm tired of this shit, and I'm tired of your fucking family! They are very rude people!"  But at least he looks hot in a black vest with no shirt.

"The van in my uncle's garage," Gideon tells him.  Completely ransacked, with all of Scotty's stuff taken.  Scotty is irate: he needed that stuff!

Cut to Jesse and Kelvin informing the crew that they have the van. Inside they found a sleeping bag, tongs, a copy of L. Ron Hubbard's Dianetics (so Scotty is a Scientologist?), some potato chips, some beans, soiled Q-Tips, and yellow, crusty paper towels. Conclusion: the blackmailers are "fucking amateurs."

Suddenly all of them get a phone call from Scotty.  He wants his van and his stuff back, or "I'm a fuck your life in the ass."  I'm surprised no one riffed on that.  "I'm a release the video."  

Back at the campsite, Scotty and Gideon clasp hands.

Jesse doesn't think he has the video, and tells him to fuck off.

My Slim 3: After scenes with Baby Billy and Judy at the Salvation Center, rehearsing. and Jesse and his crew (without Kelvin) throwing their ceremonial coins into the swamp, we return to the campground.  Gideon has brought lunch for the two of them (Subway-type hoagies). but Scotty goes beserk, destroys his sandwich, and yells that he's going over to the Compound right now to kill Jesse.  Gideon points out that this will keep them from getting the three million dollars from the church's Easter offerings.  Scotty gives up the plan, and grabs Gideon's sandwich, a "Slim 3."

Kelvin comes out on top: Meanwhile, no doubt as a reward for his success with Dot Nancy, Eli has assigned  Kelvin the job of learning enough Swahili to greet the Kenyan refugees who will be welcomed into the church on Sunday   He's already learned fuju karibu, which means "mess around," "have sex."  (He wanted karibu, "welcome."   Uh-oh.)  Judy disapproves, and physically assaults Kelvin. 

Why Kenya, when it's a haven for refugees, not a source  (it's the 13th largest asylum country in the world, with 650,000 refugees)?  Maybe because Swahili is the most well-known African language (viewers might not recognize Hausa or Xhosa). Or because it's 60% Protestant, so joining the Salvation Center makes sense. 

Jambo instead of Karibu: After a scene where Jesse tries to reconcile with Gideon (they admit that they "like" each other), we cut to the church.  As the Kenyan refugees file onto the stage. Kelvin says "Jambo!" and tries to make small talk ("I like your outfit!"). Keefe hands each a white rose.  Two takeaways here: Kelvin is pushing up the flamboyance, and he and Keefe are already inseparable. 

Meanwhile, Eli yells at Baby Billy for stealing his daughter ("Just like you took Aimee-Leigh").  


Spank that ass:  
Judy is in her dressing room, preparing to perform with Baby Billy at the satellite church.   BJ offers her some tea to calm down, but instead she pulls down his pants and wants to spank his bare butt.  He refuses, so she slaps his dick: "Let's see that snowy white dick!  I need a release, dude!'  

He refuses again,  but he does gift her with a soda machine (a parallel to Kelvin's), and retreats to the car so she can masturbate.

This scene is parallel to the "mushroom head" scene earlier in the episode. Both partners become nude, BJ by design, Keefe by accident.  Judy's response is aggressive, masculine-coded, while Kelvin's is passive, feminine-coded. Judy's attempt to make everything about sex, and Kelvin's attempt to ignore his erotic desires, create the conflicts with their partners that will lead to their breakup and reconciliations.

More spanking after the break

Cullen Moss: Two drag queens, two homophobes, a security guard, a fairy, and a frontal

 

Cullen Moss is one of those actors who you've seen in a dozen tv shows and movies, but he is so completely immersed in the role that when you see him again, you don't recognize him.  

Born in Brooklyn but raised in North Carolina, he graduated from Mount Tambor High School in 1993 and moved immediately into local North Carolina theater.  A lot of iconic and gay-positive roles:


Stanley in A Streetcar Named Desire
Puck in A Midsummer Night's Dream
Alan Strang, the one who gets naked on stage in Equus
Clifford Bradshaw, the Christopher Isherwood character, in Cabaret
The drag queen Albin in La Cage aux Folles
The closeted, homophobic Roy Cohn in Angels in America


His tv career began with some voiceovers in the 90s, followed by a starring role in One Tree Hill, 2003-2012, as Junk Moretti, a high school boy with a "girlfriend who lives in Canada" (gay kids have all been there; mine lived in Paris). 

Later Cullen has played a detective in Your Honor, a cop in The Walking Dead, and ..his list of credits on IMDB goes on like that.



In a two-episode story arc on Eastbound & Down in 2013, Cullen played Mark, "the smarmy, slow-motion punching, donut-gifting smuck of a rental car company manager," boss of Danny McBride's washed-up baseball player.





This led to a role as Brock, head security guard of the Gemstone Compound in Righteous Gemstones Episodes 1.6 and 1.7.  Scotty, Gideon's "friend from California" and co-conspirator in the blackmail scheme, flirts with him to get easy access to compound, even asking for shirtless photos.

Brock returns in Episode 1.9, to deny BJ admission after he and Judy break up, criticize his name, and act like a macho jerk.

He returns in Episode 2.3, to announce that Eli's friend Junior is at the front gate.  Eli says to not admit him, and they argue.

More Cullen after the break