Chi Lewis-Parry: The "28 Years Later" zombie, kickboxer, gladiator, and Gelf has gay fans and a lot of inches.

 Now that 28 Years Later is streaming, we can get better screen shots of Samson, an Alpha: a bigger, stronger, more sentient, and well-nigh indestructable zombie, who strides across the ruins of Scotland with his semi-sentient pack,  tearing off survivors' heads, chasing Jamie and his son Spike (Aaron Taylor-Johnson, Alfie Williams) and being studied by Dr. Kelson (Ralph Fiennes). 

Did you notice the homoerotic energy in the interactions between Samson and Dr. Kelson? A definite appreciation of the muscleman beneath the zombie.  Under other circumstances, they might have become boyfriends.

Samson caused a lot of pearl-clutching among skittish heterosexuals because he was naked, with his gigantic Samson penis swinging around. Um...he pulls people's heads right out of their bodies, and you're traumatized by a penis?

The gays loved it, of course.  Even Erik (Edvin Ryding) seems impressed.  Under other circumstances, he would be giving Samson head (so to speak). 

 

Left: Edvin getting head as Prince Wilhelm in Young Royals (2021-24).

Actor Chi Lewis-Parry notes that he used a prosthetc.  There's a British law that, when there are kids on the set, you can't show your real willie.  Besides, he's "always hugging people," and you can hardly do that "fully in the nip." 

But in real life he's "Six foot eight inches."

Funny, according to the biography on Tapology, Chi is only 6'7", not 6'8"...oh, right.  Wink, wink, nudge, nudge, say no more. 

Chi was born in 1983 in Hitchin, Hertfordshire, and began his career as basketball player before moving on to kickboxing  and MMA (mixed martial arts).  Using the stage name Chopper,  he competed with the United Arab Emirates Warriors before signing on with the American UFC (Ultimate Fighting Championship).  Here he fights the Egyptian Hulk, Mahmoud Hassen, for an eight-second knockout.

In 2015, he posted "I am tenacious, I'm unanimous, I'm infamous, I'm superb, dashing, marvelous, gargantuan, heroic, furious, greatness, fearsome, a winner! Well, that's what my mum told me growing up, so it must be true."

More after the break

Nhut Le: Gay activist, potter, model, superhero. With a n*de Thai guy bonus.

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Hunter Revealed: Does Fred Dryer, the epitome of 1980s macho muscle, have gay photos in his past?

Hunter (1984-91) starred Fred Dryer as Rick Hunter, a "renegade cop who bends the rules and takes justice into his own hands" (that's like every cop on tv).  He is partnered with the "stunning"  Sgt. McCall (Stefanie Kramer) for cases involving serial killers, gangs, drug dealers, and guys who murder their wives.  Just the thing for the the 1980s, when the rhetoric changed from "let's rehabilitate them" to "lock'em up."  

We didn't watch in West Hollywood, of course.  After Moonlighting, Remington Steele, The Scarecrow and Mrs. King, and Cheers, who wants to see yet another "will they or won't they?" straight-subtext couple? Besides, it aired on Saturday night, for old people moaning about how great life was in the old days, then on Monday opposite Murphy Brown and Designing Women.  Which would you watch?

But we knew about Fred Dryer: 6'6" (enough about the six foot, let's hear about the six inches), brawny, hirsute, with muscles that hardened on the street, not in some sissy gym.  

He grew up in Hawthorne, California, was a football star at Lawndale High and San Diego State, then played for the New York Giants and Los Angeles Rams in a career that lasted for 13 years (1969-81) and won him 104 sacks, 1 pro-bowl, and 1 all-bowl.

Ok, we didn't know all of those details -- I don't even know what a sack is.

We may have seen Dryer when he switched from football to acting, guesting as hunks on Laverne and Shirley (1980),  Lou Grant (1981), CHIPS (1982), and  Hart to Hart (1984).

 Not to mention  four episodes of Chips (1982-87), playing focus character Sam Malone's former teammate on the Boston Red Sox, now a flashy, hetero-horny sports reporter.

We may even have tuned in to Hunter on occasion, or to Land's End (1995-96), about another renegade cop with a "stunning" partner, just to catch a glimps of Dryer's incredible bulge.

Dryer never played a gay character or expressed the tiniest feminine-coded interest, on screen or in real life.  He scowled and smirked through the world, never doubting for a moment that there were buddies to watch the game with and babes to kiss in the moonlight, that no man in human history had ever wanted to kiss a man.  

Until the nude photo appeared on some of the protypical 1990s nude celebrity websites.

It showed someone who looked like a young Dryer in an early 1960s haircut, showing off his physique and his dick.  Black and white, like  Physique Pictorial and other early gay-coded physique magazines, which just started publishing nudes in 1964. When Dryer was 18 years old.

We were entranced.  The icon of heteronormativity had a gay past.  Or a gay-for-pay past.  

Nitpickers pointed out that this guy doesn't look 18, and his hairstyle is appropriate for the 1950s, not the shaggy hippie 1960s, but tiny details couldn't get in the way of a good story: Fred Dryer was, or had been, one of us.

More after the break

"House of Guinness": Heirs to a beer empire in 1868 Ireland. With a gay brother, shirtless hunks, Irish hiphop, and a heck of a lot of dicks

 

I've been having trouble recently, beginning reviews of movies and tv shows and then not liking them, or when I like them, there's no gay representation or nude photos, so I can't review them here. So this time I cheated by checking in advance: there's a gay character in House of Guinness, and lots of the actors have appeared nude.  Here's a dick now.

Episode 1 Prologue: Closeup of the beer-making process, with the ingredients, water, hops, and so on.  A sweaty bare-chested bloke adds the fire.  I like this tv series already.  Then comes family, money, and rebellion.  

Scene 1: St. James Gate, Dublin, 1868:  As As Foreman Rafferty (James Norton, left) walks through the factory, a dude asks if there will be trouble today. Of course, there's always trouble with the Guinness Family.  

Outside, someone throws a beer bottle at the logo, and a gang of Prohibitionists burn an effigy of Benjamin Guinness: "A brewer of sin and debauchery!"  His funeral is today, and they are intent on preventing his procession from making it to the church.

The Temperance Movement was nearly as popular in 19th century Ireland as in the U.S., attributing almost all crime, poverty, disease, and insanity to alcohol consumption.  

Meanwhile, Fenian Leader Patrick (Seamus O'Hara) tells his followers than the Guinness heirs  are weak and divided, so this is a perfect time to free Ireland -- by attacking the funeral procession!  "Grab whatever weapons you can find, but spare the horses -- all horses are Catholic."

England occupied Ireland until 1922, forbidding the use of the Irish language, discriminating against Catholics, and promoting stereotypes that are still common today.  There were lots of revolts, rebellions, and terrorists acts, notably from the Fenian Brotherhood.

In the factory (very impressive set, lots of workers), Foreman Rafferty tells the men to arm themselves.  They have to fight to get the boss's corpse through to the church.

The battle is accompanied by the hiphop song "Get Your Brits Out," by Kneecap. Ordinarily I dislike contemporary music in a historical drama, but not when it's mostly in Irish:

Ach Stalford agus an DUP 

Gach lá, taobh amuigh de mo theach

"Go back to Dublin if you want to rap"

Anois éist, I’m gonna say this once

Yous can all stay just don’t be c*nts

 

Scene 2: Iveagh House, the Guinness family home (built 1736, now the headquarters of the Department of Foreign Affairs and Trade).  Femme, decadent Edward (Louis Partridge) complains that his button-down conservative brother Arthur (Anthony Boyle) has been in London so long, he's lost his Irish accent.

The third brother, Benjamin (Finn O'Shea, top photo) is asleep on the couch, still hung over from one of his benders.

They discuss the hypocrisy of everyone pretending to grieve, when the Irish hated him, and the English are happy that he is gone: now they can manipulate the children.  

Sister Anne tells them to shush their bickering; it's time for the funeral, and they have to act like a civilized Christian family: "Decadent Edward, change your shirt. Drunken Benjamin, change into some clothes you haven't slept in. Conservative Arthur, just change." 

Left: Louis Partridge's butt.

Scene 3: More of the battle, while inside the church the minister praises Old Man Guinness, who brought the Catholics and Protestants together, and represented Dublin in Parliament.  The children keep eyeing each other and other people in the congregation, with whom they no doubt have a history.

Scene 4:  In a pub, Fenian leader Patrick congratulates his men on their performance in the battle.  He tells his sister about their next step: they're going to break into the cooperage and burn all of the barrels, so the beer can't be shipped out and the brewery will go under!  

Sister has a better idea: she's been talking to the maids and other staff, and three of the four children have secrets that could destroy them. One of them will be taking the seat in Parliament vacated by their father; they can blackmail him into pushing for Irish independence!

What those secrets are (and an *roused penis) after the break. Caution: Explicit.