"House of Guinness": Heirs to a beer empire in 1868 Ireland. With a gay brother, shirtless hunks, Irish hiphop, and a heck of a lot of dicks

 

I've been having trouble recently, beginning reviews of movies and tv shows and then not liking them, or when I like them, there's no gay representation or nude photos, so I can't review them here. So this time I cheated by checking in advance: there's a gay character in House of Guinness, and lots of the actors have appeared nude.  Here's a dick now.

Episode 1 Prologue: Closeup of the beer-making process, with the ingredients, water, hops, and so on.  A sweaty bare-chested bloke adds the fire.  I like this tv series already.  Then comes family, money, and rebellion.  

Scene 1: St. James Gate, Dublin, 1868:  As As Foreman Rafferty (James Norton, left) walks through the factory, a dude asks if there will be trouble today. Of course, there's always trouble with the Guinness Family.  

Outside, someone throws a beer bottle at the logo, and a gang of Prohibitionists burn an effigy of Benjamin Guinness: "A brewer of sin and debauchery!"  His funeral is today, and they are intent on preventing his procession from making it to the church.

The Temperance Movement was nearly as popular in 19th century Ireland as in the U.S., attributing almost all crime, poverty, disease, and insanity to alcohol consumption.  

Meanwhile, Fenian Leader Patrick (Seamus O'Hara) tells his followers than the Guinness heirs  are weak and divided, so this is a perfect time to free Ireland -- by attacking the funeral procession!  "Grab whatever weapons you can find, but spare the horses -- all horses are Catholic."

England occupied Ireland until 1922, forbidding the use of the Irish language, discriminating against Catholics, and promoting stereotypes that are still common today.  There were lots of revolts, rebellions, and terrorists acts, notably from the Fenian Brotherhood.

In the factory (very impressive set, lots of workers), Foreman Rafferty tells the men to arm themselves.  They have to fight to get the boss's corpse through to the church.

The battle is accompanied by the hiphop song "Get Your Brits Out," by Kneecap. Ordinarily I dislike contemporary music in a historical drama, but not when it's mostly in Irish:

Ach Stalford agus an DUP 

Gach lá, taobh amuigh de mo theach

"Go back to Dublin if you want to rap"

Anois éist, I’m gonna say this once

Yous can all stay just don’t be c*nts

 

Scene 2: Iveagh House, the Guinness family home (built 1736, now the headquarters of the Department of Foreign Affairs and Trade).  Femme, decadent Edward (Louis Partridge) complains that his button-down conservative brother Arthur (Anthony Boyle) has been in London so long, he's lost his Irish accent.

The third brother, Benjamin (Finn O'Shea, top photo) is asleep on the couch, still hung over from one of his benders.

They discuss the hypocrisy of everyone pretending to grieve, when the Irish hated him, and the English are happy that he is gone: now they can manipulate the children.  

Sister Anne tells them to shush their bickering; it's time for the funeral, and they have to act like a civilized Christian family: "Decadent Edward, change your shirt. Drunken Benjamin, change into some clothes you haven't slept in. Conservative Arthur, just change." 

Left: Louis Partridge's butt.

Scene 3: More of the battle, while inside the church the minister praises Old Man Guinness, who brought the Catholics and Protestants together, and represented Dublin in Parliament.  The children keep eyeing each other and other people in the congregation, with whom they no doubt have a history.

Scene 4:  In a pub, Fenian leader Patrick congratulates his men on their performance in the battle.  He tells his sister about their next step: they're going to break into the cooperage and burn all of the barrels, so the beer can't be shipped out and the brewery will go under!  

Sister has a better idea: she's been talking to the maids and other staff, and three of the four children have secrets that could destroy them. One of them will be taking the seat in Parliament vacated by their father; they can blackmail him into pushing for Irish independence!

What those secrets are (and an *roused penis) after the break. Caution: Explicit.

The cringe cock of "Angels and Insects"

 I don't usually use the contemporary term "cringe" as an adjective.  It's from a later generation, so it feels weird, but it is completely appropriate to describe the famous penis scene in Angels and Insects (1995).

Everyone in West Hollywood saw Angels and Insects when it premiered, due to the rumor of the penis.  Male frontal nudity was vanishingly rare in mainstream movies in the 1990s, and rumor had it that this guy was actually aroused!

After 30 years, I've forgotten everything about the movie except for the cringe penis and people actually being insects, so I looked up a plot synopsis.

In Victorian England, entomologist William Addison (Mark Rylance, top photo) gets a job cataloging the insect collection of baronet Sir Harold Alabaster (Jeremy Kemp).  

The name Alabaster makes me cringe.

When you search for n*de photosof Jeremy Kemp, this pops up.  I doubt that it's the same one.

Yes, I'm stalling.

William, of course, falls in love with Sir Harold's daughter Eugenia, an insect-obsessed young lady who dresses like a bug.  Actually, all of the women do, for a symbolic reason that I don't quite understand, but the movie won an Oscar for best costumes.

Eugenia and William get married and have some kids, but he is bewildered by her bedroom behavior, coldly rejecting him one moment and being voracious the next, so he starts an affair with a servant girl named Matty.

Left: Mark Rylance has shown his d*k on screen several times, but in this movie he just gets aroused under the sheets.

More after the break, including the cringe p*enis

Sherlock & Daughter: A late Victorian red thread case, with gay actors, a lesbian subtext, Dougray bum, and Kasper cock

 

Since Arthur Conan Doyle began publishing stories of the Baker Street detective and his...um...roomate, hundreds of movie and tv adaptions of the Sherlock Holmes mythos have appeared.  Many depict Sherlock and Watson as gay-subtext buddies or even boyfriends, but I don't hold much hope out for Sherlock & Daughter, now streaming on MAX. Having a daughter pegs him as heterosexual, and with those two sorting through clues, Dr. Watson is bound to be relegated to a few walk-on "Hello, old chap" lines.  

But David Thewlis (Sherlock) played gay poet Paul Verlaine against Leonardo DiCaprio's Rimbaud, and almost-gay Lupus in the Harry Potter movies. And he has shown us his d*ck several times on screen, so I'm reviewing the first episode anyway.

Scene 1: London, 1896 (Sherlock is in his mid 40s). He takes a hansom cab through a late-Victorian cityscape to the crime scene, a giant mansion, and greets Inspectors Bullivant and Whitlock (Aidan McArdle, left early photo).  The kidnappers dragged the boy from his room, but the maid intervened, and they fled.

Uh-oh, Sherlock finds a red string on the boy's wrist, refuses the case, and rushes out.  

"But his father is the Italian Ambassador." 

"Tough, I'm out."

Scene 2: New York, still 1896.  Amelia bursts into a cheap hotel, past the prostitutes, and gets a room.  A bellhop named Cooper (Kasper Andreasen) offers to carry her luggage, but he actually leads her to the alley and tries to rob her.  She pulverizes him, but he takes her purse anyway.

Left: Kasper Andreason, from Banbridge, Northern Ireland, hit the newspapers in 2017, when the 12--year old raised thousands of pounds for children with cancer with a paperclip swap.  In 2020, he flew to London to interview the stars of the movie 1917.  

Age 21 as of this writing, Kasper has 5 acting credits on the IMDB, including the paranormal teen Silverpoint and Mordlichter - Tod auf den Färöer Inseln, so I'm guessing that he's fluent in German.

A more...um...intimate portrayal after the break

At the steamship ticket office, Amelia has no more money, but she offers a blueprint for a machine that pasteurizes milk, so you can bring it on ships.  You're offering that to a ticket agent?  How about a CEO?  He doesn't want it, so how about her mother's watch?

Scene 3: Back on Baker Street, Sherlock looks at a mysterious letter he received, while his housekeeeper, Mrs. Halligan, brings his dinner.  He rejects it: the egg is overcooked. 

She scoffs: she only agreed to help out because he's taken the case of the kidnapping of her sister, Mrs. Hudson, and Dr. Watson.  Why would that require you to take a job as his housekeeper? 

"Tough, it's simple instructions. 4 minutes 12 seconds to boil an egg for toast soldiers.  Go find someone with the brains to do it properly." Toast soldiers must be a Victorian thing.

When she storms out, he looks at the message: "Lamp in the window tonight to show you will observe the thread or Watson and Hudson (the housekeeper) will pay like your maid."  Next he opens a box with a red thread and severed finger.

Scene 4: On the steamer en route to London, Amelia is also playing with a red thread.  A rich girl in a pink cape approaches and starts flirting voraciously.  Careful, ladies: Oscar Wilde's trial just ended.

Oh, well, what the heck: let's change course for "Lesbos, where kisses, languishing or joyous, burning as the sun's light, cool as melons,  adorn the nights and the glorious days" (Baudelaire).

Back stories: Amelia's father lives on Baker Street (hint, hint), and the Girl's father is the new U.S. Ambassador to the U.K.  "By the way, Papa is throwing me a ball to celebrate my coming out. Won't you come as my date?" You're quite an ally, Dad.  Yes, I know she means coming out into society.

Uh-oh, the girl's chaperone, Lady Violet, aka the Wicked Witch of the West, appears, drags her away, and warns Amelia to back off, or she'll put her in the brig. The Girl is going to marry the aristocrat that her parents choose; she doesn't have time for indulgences like lesbian romance!  

Scene 5: Amelia stays out of sight until they reach New York.  Then the Girl spots her, rushes up, and assures her that class distinctions are meaningless, they should become very close friends.  "Call on me anytime.  Anytime." 

Native American actress Blu Hunt (left) identifies as "super queer," and played a queer character on "The Originals."

Amelia makes her way through London's Chinatown, gets cruised by a prostitute (what, is she wearing a Pride flag?), barters food from an African lady, and finds a secluded park bench to sleep on.  Why not go directly to Baker Street and reunite with your Dad?

More after the break. Caution: Explicit.