"A hot groin and a tricep": Nude photos of Peter Hinwood, the original Rocky Horror. With Ian McShane, Morgan Jackson, and Chord Overstreet.

 

A deltoid and a bicep
A hot groin and a tricep 
Makes me --- shake.
Makes me want to take Charles Atlas by the...hand

Every gay man of a certain age had a coming out or "I'm not alone in the world" moment while watching  The Rocky Horror Picture Show (1975), a science fiction-horror pastiche with the "sweet transvestite" alien mad scientist Dr. Frank-n-Furter  unwrapping his creation, muscleman Rocky (technically named Rocky Horror).

Give yourself over to absolute pleasure

Swim the warm waters of sins of the flesh

Erotic nightmares beyond any measure

And sensual daydreams to treasure forever

Gay men of a certain age have seen Peter Hinwood and his "hot groin" many, many times, in the midnight shows, on VHS, DVD, Blu-Ray, and streaming on Netflix every Halloween.  But you may not know that there are nude photos of the muscle god out there.

Born in Bromley, about 10 miles south of London, in 1946, Peter Hinwood began his career as a photographer's assistant, but soon began modeling for English Boy Ltd.  By 1970 he was at the top of the industry, driving fancy cars, going on expensive vacations to Tangier, and hanging out with celebrities like director Derek Jarman and Mick Jagger of The Rolling Stones.

Not just fashion -- he also appeared in the physique magazines of the closeted gay subculture of the era.  He made the cover of Man's World in March 1967.

Peter began his acting career as a muscleman, naturally, playing the God Hermes in an Italian adaption of The Odyssey (1968)

Next he played Guy in Tam Lin, an adaption of the old Scottish folksong (1970).  Also appearing were British stalwarts Ian McShane (Charlie in If It's Tuesday, This Must Be Belgium) and Joanna Lumley (Patsy in Absolutely Fabulous), and the director was Tab Hunter's boyfriend Roddy McDowall.

In the original Rocky Horror Show performed in London (1973) and Los Angeles (1974), Rocky was played by svelte, feminine, androgynous men, but for the 1975 movie director Jim Sharman wanted a muscle god, massive and inarticulate, speaking only in grunts (his singing voice provided by Trevor White).  Peter was cast after showing his...um...porfolio.

Patsy: He wanted to show me his portfolio.

Edina: How was it?

Patsy: Fantastic!

The result: 50 years of ab-so-lute pleasure.  And more to come.

I am just seven hours old

Truly beautiful to behold

But somebody should be told

My libido hasn't been controlled

Now the only thing I've come to trust

Is an orgasmic rush of lust

Rose tints my world

Keeps me safe from my trouble and pain

After Rocky Horror, Peter had a small part in Sebastiane (1976), Derek Jarman's gay adaption of the St. Sebastian mythos, with Leonardo Treviglio as the Christian seduced by and then martyred by the Emperor Diocletian.

Then he left acting, and, valuing his privacy, refused to participate in Rocky Horror events.  Also, he admittedly can't act, and "cringes" whenever he sees himself on film. He became an antiques dealer, along with his "partner in life and business" Christopher Gibbs.  They divided their time between London and Tangier.

More after the break.  Caution: Explicit.

Denny Miller: Gilligan's Island, Tarzan, Quark, frontal nudity, and moments of gay promise

 

Picture it: a blustery October day sometime in the 7th or 8th grade. I am sitting in the living room after school with my brother and sister, drinking hot chocolate and watching a rerun of Gilligan's Island (1964-67), the sitcom about "seven stranded castaways" on a tropical island.  Visitors from the outside world drop by in almost every episode, and promise to help, but something always goes wrong.  This time, in the episode "Big Man on Little Stick" (February 20, 1965), the visitor is Duke Williams, a blond muscleman in bulging cut-off jeans -- he was caught in a tsunami and surfed the 250 miles from Hawaii (just go with it).  

I am overwhelmed by joy.  I have seen shirtless men in comic books, and in Tarzan movies, but never on tv, and Duke Williams is beautiful!  I can't take my eyes off him.

It gets better: Duke could surf back to Hawaii and send help, but he doesn't want to, because he likes the girls, Ginger and Mary Anne.  So the castaways have to convince him that they already have boyfriends.  The Professor has no trouble kissing Ginger, but Gilligan doesn't like girls; Mary Anne has to grab him by the ears to force a kiss.    

(Spoiler alert: when he gets back to Hawaii, Duke hits his head on a rock and forgets about the castaways, so they're still stranded.)

Wait -- my parents, teacher, Sunday school teacher, everyone tells me again and again that someday soon, I will "discover" girls, drop my same-sex pals and pictures of musclemen instantly and without hesitation, and devote the rest of my life to the pursuit of feminine curves and smiles.  It happens to every boy.  There is no escape. Yet  Gilligan -- played by Bob Denver, a thirty year old man -- has escaped. 

Duke Williams, played by Denny Miller, becomes an icon of hope.

I don't remember seeing Denny Miller in anything else, but I probably did.  He has a very full biography on the IMDB: Born in Bloomington, Indiana in 1934 as Scott Miller, grew up in Silver Spring, Maryland and Baldwin, New York, and Los Angeles.  He received a full scholarship to play basketball for UCLA.  He was discovered by a talent scout during his senior year (1956), and cast in Some Came Running (1958) with Dean Martin.

Next came a modern, up-to-date beach boy Tarzan the Ape Man (1959). It was apparently a poor knockoff that he filmed in eight weeks, with most of the jungle scenes grabbed from Johnny Weissmuller movies.  Still, he bragged that he was the sixth in the grand tradition of movie Tarzans.

Including the silent era, it's Elmo Lincoln (1918), Gene Pollar ( 1920), Dempsey Tablar (1920), James Pierce (1927), Frank Merrill (1928-29), Johnny Weissmuller (1932-1948), Lex Barker (1949-1953), and Gordon Scott (1955-1960), so Denny was #9.

At some point he changed his name to Denny Miller, and got a string of guest spots, mostly in tv Westerns:  Overland Trail, Have Gun -- Will Travel, Riverboat, Laramie, The Rifleman. He may have also made ends meet with physique photography in the burgeoning early 1960s gay subculture.

More after the break. Caution: Explicit.

Hunter Revealed: Does Fred Dryer, the epitome of 1980s macho muscle, have gay photos in his past?

Hunter (1984-91) starred Fred Dryer as Rick Hunter, a "renegade cop who bends the rules and takes justice into his own hands" (that's like every cop on tv).  He is partnered with the "stunning"  Sgt. McCall (Stefanie Kramer) for cases involving serial killers, gangs, drug dealers, and guys who murder their wives.  Just the thing for the the 1980s, when the rhetoric changed from "let's rehabilitate them" to "lock'em up."  

We didn't watch in West Hollywood, of course.  After Moonlighting, Remington Steele, The Scarecrow and Mrs. King, and Cheers, who wants to see yet another "will they or won't they?" straight-subtext couple? Besides, it aired on Saturday night, for old people moaning about how great life was in the old days, then on Monday opposite Murphy Brown and Designing Women.  Which would you watch?

But we knew about Fred Dryer: 6'6" (enough about the six foot, let's hear about the six inches), brawny, hirsute, with muscles that hardened on the street, not in some sissy gym.  

He grew up in Hawthorne, California, was a football star at Lawndale High and San Diego State, then played for the New York Giants and Los Angeles Rams in a career that lasted for 13 years (1969-81) and won him 104 sacks, 1 pro-bowl, and 1 all-bowl.

Ok, we didn't know all of those details -- I don't even know what a sack is.

We may have seen Dryer when he switched from football to acting, guesting as hunks on Laverne and Shirley (1980),  Lou Grant (1981), CHIPS (1982), and  Hart to Hart (1984).

 Not to mention  four episodes of Chips (1982-87), playing focus character Sam Malone's former teammate on the Boston Red Sox, now a flashy, hetero-horny sports reporter.

We may even have tuned in to Hunter on occasion, or to Land's End (1995-96), about another renegade cop with a "stunning" partner, just to catch a glimps of Dryer's incredible bulge.

Dryer never played a gay character or expressed the tiniest feminine-coded interest, on screen or in real life.  He scowled and smirked through the world, never doubting for a moment that there were buddies to watch the game with and babes to kiss in the moonlight, that no man in human history had ever wanted to kiss a man.  

Until the nude photo appeared on some of the protypical 1990s nude celebrity websites.

It showed someone who looked like a young Dryer in an early 1960s haircut, showing off his physique and his dick.  Black and white, like  Physique Pictorial and other early gay-coded physique magazines, which just started publishing nudes in 1964. When Dryer was 18 years old.

We were entranced.  The icon of heteronormativity had a gay past.  Or a gay-for-pay past.  

Nitpickers pointed out that this guy doesn't look 18, and his hairstyle is appropriate for the 1950s, not the shaggy hippie 1960s, but tiny details couldn't get in the way of a good story: Fred Dryer was, or had been, one of us.

More after the break

Bill Cable: 1980s nude model and gay porn performer, boyfriend of Elvira and Pee-Wee Herman, rock star in "Basic Instinct"

If you grew up in a heteronormative desert, like most gay boys in the 1970s, with nude and even shirtless guys vanishingly rare in magazines, movies, and tv, West Hollywood in the 1980s was a Paradise.  You could buy a dozen glossy, full-color magazines aimed at gay men with every conceivable taste and interest:

Drummer for leather and BDSM

Blueboy for dating advice

Mandate for muscle

In Touch for humor 

Inches for...well, you get the idea.

All of them were illustrated by full-page and centerfold photos of men, artistic and raunchy, always naked, sometimes aroused.  

You saw this guy everywhere, but probably didn't realize that Cable, Stoner, and Bigg John were all the same model.  Now we know.

He was Bill Cable, born William  Laurence Cumpanas in northern Indiana in 1946.  His grandparents were from Dalmatia (now part of Croatia), and he grew up with a strong sense of his Croatian identity,   

His family moved to Los Angeles in 1950.  He played football at North Hollywood High School and the University of Nevada, but a  massive head injury forced him to quit.  In 1970, he returned Los Angeles to pursue a new career as a model.

Bill modeled in all of the famous gay magazines of the 1970s and 1980s, plus gay porn pictorials for Colt Studios and The Athletic Model Guild.  

He also appeared in straight porn pictorials, mainstream fashion ads, and the influential After Dark magazine.  And in gay postcards, which you bought with no intention of actually mailing.

He posed nude in Playgirl three times, for:

"Long Cool Summer" (July 1973)

Victoriana (November 1974)

"Beauty and the Beast" (May 1975)

Bill's movie career began with a non-speaking role as a leatherman with a whip in the gay porn Bijou (1972).  Next came some collaborations with straight pornographer Carlos Tobalina: Last Tango in Acapulco (1973), Jungle Blue (1978), and Flesh and Bullets (1985).

Sometime in the early 1970s, Bill and Carlos wrote, directed, and starred in  What's Love (restored in 1987), "which deals with the themes of romantic obsession and Christian blasphemy."  From the various synopsses, it appears that, Carlos plays a cop who gets in touch with a magical self.  Bill as Jesus seduces him and his wife. 

More after the break

Joe Canoli's canoli: frontal nudity and erotic promise from the groovy 1960s

Readers were asking about Joe Canoli, one of the random hunks in the Season 2 Gemstone Memes. 

Walter Kudzincz, born in 1925, began photographing his well-hung buddies and boyfriends, establishing a catalog of guys in skimpy outfits pretending to be cowboys, pirates, or gladiators, trying to avoid being overtly homoerotic, as was required by the strict censorship and intense homophobia of 1950s society.    You could get them via mail order, or in "fitness" magazines like Physique Pictorial and Tomorrow's Man.  

In 1952 Walt met Jim Stryker, an 18-year old recent high school graduate, pranking his friend by urinating on him from a tree branch.  Stryker became his friend, lover, and the top-selling model in the gay male subculture for the next ten years.

In 1962, the U.S. Supreme Court ruled that male nudity was not necessarily obscene, and in 1965, magazines began printing frontal nudity, allowing Walt to challenge the "chaste," closeted gay models of the earlier generation.  It was the era of the psychedelics revolution, the sexual revolution, the youth counterculture, and the more open, out gay subcultures that would culminate in Stonewall and the Gay Rights Movement.  The modern gay man was willing to admit that he liked to look at cocks as well as muscles.

So Walt's Champion Studio models got naked.  Sometimes their photos were campy and cool, brightly colored, "mod," groovy.  Sometimes they made fun of the posing-strap cowboys and football players of the uptight 1950s.  Sometimes they were unabashedly erotic.  

I'm covering a lot about the life of Walt Kudzincz because I have found almost nothing about Joe Canoli.  This  is the earliest photo I could find, taken between 1962 , when rear nudity was permitted, and 1965, when you were allowed to go frontal. 

More after the break