Showing posts with label magic realism. Show all posts
Showing posts with label magic realism. Show all posts

"Son of a Thousand Men": Magic realism from Brazil with fragmented time and space, but there are gay guys and d*cks


Son of a Thousand Men
 (2025) popped up on the nude celebrity website with this well-hung trifecta, playing Nude Man 1, Nude Man 3, and Antonino. 

But what is it about?  

Different reviews give us completely different plots:

1. "A lonely fisherman longing for a son is drawn into an ethereal light," and the boy appears.

2. "A gay guy enters a marriage of convenience with a foundling woman" 

3. "An older couple hires an actor to impersonate their gay son."

4. "A elderly man tells his grandson to stay away from gay men and lesbians" (VOD)

Maybe they're all correct.  I suspect that we are looking at magic realism, like 100 Years of Solitude, The House of the Spirits, and Cortazar's Hopscotch, where people merge into other people, time and space are fragmented, and the subconscious manifests in everyday objects.   

Let's try the trailer:


Scene 1
:  Sometime in the 19th century, an elderly fisherman (Rodrigo Santoro) is living by himself. That's the beginning of a lot of fairy tales.

He has been driven insane by the isolation, so he makes a creepy boy doll that he pretend is  real.   So is the doll going to come to life, like Pinocchio?  

Scene 2: He puts an ad in the village grapevine, "Elderly man seeks a son."  A teenage boy looks at it, but a preteen boy shows up. I think the teen boy turned into the preteen boy, and both are going to become the Fisherman.

Scene 3: The Boy wants the Fisherman to get a girlfriend, so he won't be lonely.  This might be a problem, since they live in the wilderness, a long, arduous journey from the nearest town. Who does he sell the fish to?   

Fortunately, at that moment the Woman of his Dreams appears, wearing a flowing white robe, sitting alone on the rocks. She must be a supernatural being, maybe an eidetic invocation of the Eternal Feminine.

The Boy doesn't think that the Woman of His Dreams is an appropriate partner for the day-to-day life of a fisherman, maye he can't see her at all, so he continues: "There are plenty of girls in the village."  This to a shot of someone who is definitely not a girl. I think he's Antonino from the n*de photos (Johnny Massaro), so maybe he was hanging out on the gay beach. 

Scene 4: Mom tells Antonino that she needs a grandchild, so get busy.


Scene 5: Antonino's wedding, to a woman trapped in a fishing net. Is this standard for Brazilian weddings, or does it signify that she's a sea creature?   This must be Plot #2: he's a gay guy forced to marry "a foundling woman." 

Scene 6: They settle in for their wedding night in separate beds.

Scene 7: In the morning, she leaves, wanders on to the beach, and says "Love ruins everything," just before the Fisherman sees her and is overcome by Girl of His Dreams fervor.  So she's the Net Lady. I thought there were no other houses -- or hotels -- around for hundreds of miles. Maybe she walked through time and space.

Scene 8: Net Lady and Fisherman bond over screaming therapy, laugh, and swim in an ocean full of people, "all children of different mothers and fathers."  Obviously.

Meanwhile Antonino (I think) has a rather painful masturbation.



Scene 9:
The Boy curls into a fetal position as hair drops on him.  So he's been to the barber?

People gaze at the ocean.

Net Lady dies as the Fisherman holds her hand.

There's a giant glowing seashell.

Fisherman: "We're never really alone."

The end.

Still confused?  Me, too.  But I found a complete, detailed plot synopsis, untangled the magic realism fragmentation, and put the events in chronological order.

Unfragmented story after the break.