Saturday, November 25, 2023

Bloomington's Adult Bookstore


Bloomington, Indiana, fall 1982


I "figured it out" during my senior year in high school, but my real "coming out" was at the beginning of my first year in grad school at Indiana University.

As an undergraduate at Augustana College, I had worked hard, very hard, to find gay people, and I found a few -- my ex boyfriend Fred; an Episcopal priest in Des Moines; Prfessor Burton, who held handcuff parties for campus hunks.  You had to go through word of mouth, through a friend of a friend of a friend.

Now I was at a vast university with 40,000 students, and as far as I could tell from conversations and signals and interests, every single one of them was heterosexual.

My friends, classmates, and coworkers all, without exception, maintained the "what girl do you like?" whine of my childhood.  I had to leave Playboy magazines in my room, and think of logical reasons why I didn't have a girl on my arm every second.

My classes were as empty of gay references as they had been at Augustana.  Every writer who had ever lived was heterosexual.  Every poem ever written was written from man to women.  The Eternal Feminine infused all our lives.

And, as far as I knew, this was the way life was everywhere and for everyone.  A vast emptiness, hiding, pretending, unyielding silence.

That Saturday night I had been watching Silver Spoons and Mama's Family in the 13th floor tv lounge of Eigenmann Hall.  At 9:00, my roommate Jon said "Let's go to the grad student mixer.  I'm hot to get laid tonight."

I had no interest in getting laid.  At least, not as Jon understood it.  But I walked with him across the vast, silent campus, past empty buildings, past towers of Indiana limestone erected by heterosexuals long ago, to the Memorial Union, where a party for heterosexual grad students was in session.

Then I said goodbye and went to the campus library.  There were uncountable millions of books in the vast stacks, rooms as long as a football field, but only two listed under "homosexuality" in the card catalog: the memoirs of Tennessee Williams, and Nothing Like the Sun, by Anthony Burgess, about Shakespeare's romance with the Dark Lady of the sonnets.

I walked alone down Kirkwood Avenue, past student bars and little Asian restaurants and hamburger stands.  Just before the Baskin Robbins closed at 10:00, I stopped in and bought an ice cream cone.  Two scoops, strawberry on the bottom and Rocky Road on the top.  30 years later, I still remember that ice cream cone.

There was a gay bar in Rock Island, a dark closet bar with a nondescript name and no windows, where you entered through the back so no one could see you.  But surely Bloomington was too small for such a place.

 I stopped into a weird eclectic bookstore called the White Rabbit. No gay books -- it was illegal to display them openly, as Fred told me when I found his secret bookshelf two years ago.  So I bought a novelization of the 1980 Popeye musical starring Robin Williams, set in the port town of Sweethaven:

Sweet Sweethaven!  God must love us.
Why else would He have stranded us here?


A church tower had a cross that lit up white at night, and I looked up it and prayed "Why did you strand me here?"

I wandered for a long time through quiet residential streets, houses where heterosexual husbands and wives were asleep, their children in the next room surrounded by "what girl do you like?" brainwashing toys and games.  I walked past a public park, but was afraid to go in.  After dark, monsters roamed through the dark swaying trees.

It occurred to me that I was one of the monsters.  After all, being gay was illegal in the United States.  I was a criminal.  (Actually, Indiana's sodomy law was repealed in 1976.)

Somehow I found myself at a small, nondescript building on College Avenue.  The sign on the marquee advertised "Adult Books."

They probably wouldn't stock any gay porn.  But it wouldn't hurt to check.  The most they could do is call me a "fag."

More after the break

Kyle Hawk,: gay or gay-ally wrestler and Las Vegas resident, with a nude Native American bonus


Kyle Hawk grew up in Carlsbad, New Mexico and studied at the Southwest Indian Polytechnic Institute, near Albuquerque.  After the army, he worked as a fitness instructor and freelance wrestler.  He  has appeared in wrestling movies, the Impact Xplosion wrestling tv series on Netflix, and The Righteous Gemstones:  In the opening sequence of Episode 2.1, a flashback to 1968 Memphis, John Big Cloud (Kyle Hawk) is wrestling the young Eli Gemstone (Jake Kelley). 
 

After winning the match, Eli hugs John, then throws him out of the ring, illustrating his persona as "The Maniac Kid." His Facebook page also mentions Barracuda: The Movie: "A Marine and a tech mogul embark on an road trip across legendary Route 66." Sounds like there are some gay subtexts.

Kyle's wrestling persona keys into Native American culture and stereotypes.  His entry on his merch page reads: 

 Representing the reservation, The Savage is amongst the few indigenous wrestlers. He’s on a warpath of destruction using his tomahawk chops, Scalper, and Dreamcatcher to punish anyone who stands in his way.


Kyle regularly tags himself at drag brunches, underwear parties, and other  events at the Phoenix, "the best gay bar in Las Vegas."  So I'm concluding gay or at least gay-allied. 






I couldn't find any nude photos of Kyle, so there are some random nude Native American photos after the break


Euphoria Episode 2.3: Two high school boys in love in the 1990s, followed by gay/bi affairs. penises, and Brock O'Hurn

 


I went in Euphoria Episode 2.3 cold, with no prior research.  All I knew was that Brock O'Hurn had a nude frontal (fully aroused, not a prosthetic).  And I had a vague impression that the show was about paranormal events in a quirky small town. 

Scene 1: A woman named Rue narrates.  "When Cal was a senior in high school...."  Holy cow, the screen fills with his butt as he puts on his underwear!   

Cal (Elias Kacavas) calls his friend Derek (Henry Eikenberry), insults him by implying that he's a woman ("put your bra and panties on"), and then drives over to pick him up.


Scene 2: 
Cut to wrestlng practice.  The coach insults them with a homophobic slur. They go into paroxyms of ecstasy over a hot girl in the bleachers, then hit the shower...holy cow, cock shots of both of them,then a close-up of Derek's butt and cock in the locker room!





Scene 3:
They get a milkshake while Rue the Narrator explains how close they are.  While they are driving, Derek starts to masturbate through his jeans. Cal watches. 


Scene 4
: Cal starts dating Marsha, who gives him a hand job with her foot, then a blow job.  He tells Derek, who congratulates him profusely, then gets a girl of his own.  They have a make-out and skinny-dipping party.  Holy cow -- more cock!

After graduation, they're going to separate colleges, so they have to part.  On their last night together, they go to a redneck honky-tonk gay bar, where they slow-dance and kiss a lot.  Then next morning, Cal gets a call from his girlfriend: she's pregnant! So the preacher in my old church was right: homa-sekshuls cause teen pregnancy.


Darn, yet another plotline about gayness as something for adolescents, to be abandoned for heterosexual destiny!  Well, at least we saw a lot of cocks, and Brock O'Hurn's aroused frontal is coming up.










More after the break