Showing posts with label Sweden. Show all posts
Showing posts with label Sweden. Show all posts

"Getaway": Nick Frost and his gay son vs. a creepy Swedish ritual and a transphobic stereotype. With Kit Conner and a stunt d*ck




Getaway
or Get away, either "a holiday" or "someone is chasing you!" is a 2024 vanity project, written by, directed by, and starring Nick Frost, who has played the sidekick in several Simon Pegg movies.  But it also stars Sebastian Croft of Heartstopper: he plays the closeted boyfriend that Charlie (Joe Locke) has before he starts dating Nick (Kit Connor, below).  












Sebastian is "not into labels," but he supports queer causes: his line of Queer Past clothing supports LGBT refugees.  So maybe his character will be gay.

Scene 1:  Dad Richard (Nick), Mom Susan, teenage son Sam (Sebastian), and teenage daughter Jessie are heading on a holiday (vacation) through Sweden, with Finland as a stand-in.  Their destination is the island of Svalta, where in 1824 the islanders quarantined themselves for fear of a deadly flu pandemic. Two and a half years later, when British soldiers checked, most of the islanders had died of starvation, or turned to cannibalism. The soldiers were murdered.  Why are the British checking on an island in Sweden? 

They mention that it's near Kristianstad in northern Sweden.

Every ten years the islanders commemorate the event with an eight-hour long play, Karantan.  Really? Not every year?  Jews have yahrzeits to remember their dead loved one every year.  

Scene 2: Two Days Until Karantan.  They arrive at a horrible cafe at the port.  The surly owner snarls and mocks their weird menu requests, like cheese on a hamburger  (well, the Ugly Americans didn't even try to speak Swedish.  Wait, they're Brits).

Like every horror movie ever, he warns them not to go to the island. There are no hotels -- "no worries, we have a B&B" -- and the islanders hate outsiders, especially during Karantan.  

Then why is there a ferry several times a day?  And why do they have a tourism brochure?  Oh, wait, I know why.  I've seen "Midsommer" and "The Ritual"

Son and Daughter find a decapitated bird, but that's not a sign or anything.  Off they go. Whoops, Dad left his wallet on the bar.


Scene 3: 
The ferry lady has never heard of outsiders going to Svalta before, and warns that they'll be stuck for three days.  Dad goes to fetch his wallet.  Why did they bother with the "leaving it" bit?






Left: Nick's dick, actually a stunt cock. Not from this movie.

Cut to the ferry, with islanders glaring like they want to attack.   When they dock, a crowd of islanders is staring at them and growling.  Finally Commune Leader Klara asks what they are doing there.

"We've come to see your play."

"Billy Elliot is a play.  Grease: the Musical is a play.  Karantan is our life."  The isolated islanders get around.

She orders them to go back to the mainland: "You are not welcome here."  I'd be outta there, but Mom insists on staying. Otherwise be lousy story.

Mom tells them that one of her ancestors died here: he was one of the British soldiers murdered by the islanders during the quarantine.  So that's why they are so adamant about staying?  She wants revenge or something?


Scary lady licks her face to force her to leave, but at that moment Matts (Eero Milanoff) appears and tells the islanders that it's ok, he rented them his mother's house. They growl, but what can you do?  

Scene 4: At the house, Matts tells a long story about his mother walking across the ice to get married in 1974, and dying 10 years ago at the age of 91, beheaded in her favorite chair. So she was 50 when she married?

Then he creepily sneaks up on Teenage Daughter.  I can't tell if she likes him or not. 

Scene 5: While Mom and Dad cook dinner, and Teenage Son complains about the lack of cell phone service, Teenage Daughter takes a bath (five minute long closeup of her boobs).  She hears a shuffling noise, and investigates, but finds nothing.

More after the break

"Love and Anarchy": A prank war at a Stockholm publishing house, with gay teases and Bjorn Mosten's penis

 

 Love and Anarchy appeared on my Netflix recommendations.  I clicked to see what it was about, forgetting that on Netflix, "click" means "start."  And since I was eating a bowl of Cheerios, I let it continue.

Scene 1: A harried middle-aged man and woman in a fancy house coordinating their calendars and telling their preteen son "No gaming at the breakfast table."  Dad is played by Johannes Bah Kuhnke, sweating below.

The woman chugs some espresso, talking about how this is her first day on the job. Teenage daughter comes in, not wearing the coat Dad bought for her.  This causes a crisis. Nuclear family squabbles.  Yawn. 


The woman goes upstairs, locks herself in the bathroom, and masturbates to porn on her cell phone.  Are we supposed to be titilated or judgmental, or are we to assume that she's having marital problems?  Everybody masturbates, but nobody admits that they do.

Scene 2: She is walking through a square in downtown Stockholm, at dusk or pre-dawn, checking her cell phone.  An older guy welcomes her to his publishing house.   He shows her to her new office, which is a disaster-area of books and manuscripts: the former senior editor was a bit of a hoarder.  





The older guy may be Ronni, the Publishing Company CEO, played by Bjorn Kjellman. He didn't have much of a physique in the 1990s, but he was rather well hung.

Scene 3: The woman -- Sofie -- giving a speech to the staff.  She's an independent consultant who saves publishing companies from bankruptcy by pushing them into the digital age, whether they like it or not. As she is ignoring a question about layoffs, a hot young guy comes in late and accidentally spills his drink over his crotch.  While he is dabbing at his bulge with a napkin, Sofie stares, mesmerized.



Scene 4:
 Sofie in her office, grimacing at the clutter.  Books --- ugh -- they might as well be stone tablets! As someone with a library of about 4,000 books, I am not amused.

 She piles some armloads of the relics outside her door to be trashed, and sees the hot young guy (Bjorn Mosten, top photo, left, and below) on a ladder drilling (and drilling...and drilling).  Receptionist tells her that he's Max, the IT Guy.  

"He doesn't usually do much drilling." 

 "Well, tell him to drill quietly!"

Max scoffs.  "How am I supposed to do my job?"  Receptionist doesn't answer; she's staring at his butt.  He storms out.

Max nude after the break