Gemstones Episode 2.4, Continued: Patricide, cake, and frolicking muscleboys. With a n*de wrestler bonus.



Previous: Gemstones Episode 2.4: BJ gets baptized, Baby Billy gets Funyons, Kelvin gets dissed, and Harmon gets a cat.  With Israeli and Egyptian men

The Baptism After-Party: An elaborate affair, with many humorous set-pieces that reveal the inner state of the characters:
 
Levi, the only single member of Jesse's crew, dances joyously by himself amid dozens of pink balloons.

A life-sized BJ cake, so you have to cut slices out of his head. 

The outraged Kelvin chooses two cupcakes, carefully removes the pins, places a napkin on top of them, and splat!

Jesse and Amber seethe with rage as Eli dances with a lady.

Eli tries to be friendly to BJ's family, but Judy interrupts him: "They're from Asheville.  They hate God."  "Yes, but God loves them."

When BJ enters in his shiny pink "romper with a cummerbund," his family criticizes him for being feminine, but he counters that men can wear one-pieces.  Then they complain that he is a child, a little baby, not a man at all. (Notice the parallel with Kelvin constantly trying to prove that he is a "fully-grown adult man.").  He's ridiculous, the Gemstones are ridiculous, he's ruining his life.   BJ rushes back to his dressing room and tears off the outfit (some momentary beefcake).

Since when does Eli Gemstone like ladies?;.  As the party is winding down, Kelvin and Jesse meet at the baptistry and discuss how Eli always ruins their plans, "I wish I could fight that man!" Kelvin exclaims.  "I'd destroy him...make him look like a fool."  Eavesdropping, Baby Billy notes that he's wanted to fight Eli many times over the years.

Kelvin tells him that Eli has been having sexual encounters with "multiple somebodies"  Jesse continues: "Dude fancies himself a damn cocksmith...trying to make himself into a big character for the ladies." Interesting that Jesse specifies women, but Kelvin does not.  Women just don't pop into his head when he thinks of sex. 

Baby Billy finds this hard to believe. "Eli Gemstone...with the ladies?"  Why, when you were young, was he just into guys?

All women want to screw their brothers: Judy accosts BJ's sister KJ in the ladies' room, claiming that "siblings have to hate siblings' spouses."  Jesse and Kelvin hate BJ, because he "took her off the market," made her unavailable: "They may be my brothers, but that don't mean they're not sitting in their room at night, thinking they might someday get to hook up with me." Does she not know that Kelvin is gay, or does it not matter?  

KJ protests that Judy's theory is "disgusting": she would never hook up with her brother.  "Well, what if I held a gun to your head?"  Then she might consider it. "I knew it!" Judy exclaims in triumph. "BJ is mine!  Stop fighting me for him!"  


The Fist Fight: 
As Keefe passes out the food he stole, Kelvin seethes and bursts balloons,  and KJ complains that the Gemstones are a "train wreck" of a family, BJ throws a piece of cake at her -- which hits Eli just as he is schmoozing with a senator!  "You kids are an embarrassment!" he exclaims.  

As Eli leaves the party, Kelvin appears to yell  him about the Judean desert trip: "You made me look like a fool in front of my men." 

"I'm not spending one cent so you and your muscle boys can frolick in the desert!'   Frolick is feminine: Eli believes that Kelvin is planning an homoerotic orgy in the desert.  Referring to them as muscle boys, not men, enrages Kelvin, and he attacks.  

The two have a fist fight in the foyer of the church, with everyone watching, Keefe and the musclemen doing a chest-pound display of loyalty.  Kelvin throws one of BJ's gifts at Eli: he ducks, and it smashes a picture of Aimee-Leigh.

"You could have killed me!"

"I wish I had!" Kelvin cries.  Wait -- killing your father, hooking up with your siblings.  This episode is overloaded with Freudian symbolism. 

Eli pins him in the thumb-breaking position and demands an apology.  Kelvin refuses, and taunts that he doesn't have "the balls" to actually follow through. A call back to Eli's testicle injury in Episode 2.3, a symbolic castration that has rendered him impotent. 

But Eli does it!  I suppose I don't need to point out that in Freudian theory, the thumb is a stand-in for the penis, so Kelvin's broken thumbs represent  yet another symbolic castration.  But this time it is the father who performs the castration, rendering his own son impotent. 

More after the break

Glenn Scarpelli: the star of "One Day at a Time" and "Jennifer Slept Here" grown up, out, and married

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"Go Ahead, Brother": Organized crime, shirtless hunks, a lot about fiduciary investments, and Michel Filipiak. With bonus Polish d*cks

  


I was interested in Michal Filipiak, the Fat Thug in The Hooligan, so I checked his projects available in the U.S., and found Go Ahead, Brother (2024), a "thriller" tv series which as an added bonus has some very muscular guys.

Scene 1: Night. Soldiers with guns drawn approach a middle-class home. They enter and find the drug lab.  

Cut to Oskar (Piotr Witkowski, left) trying to explain to his superior what happened that night.  He was supposed to be guarding Sokol, but he let his guard down, and his partner died.  

"There was a high-pitched hum...the room was spinning...I blacked out."

The superior officer doesn't believe him: "You ran away, you cowardly little p*ssy!"

This angers Oskar. who attacks his superior officer and almost kills him, before other soldiers rush in to pull him away.  His military career is over.

Scene 2: Oskar a at home, smoking a cigarette and being morose, when his Dad comes in.  He asks how much Dad lost (at gambling) tonight, but actually he won some.  It doesn't matter: he lost his job, so he can't support Dad's habit anymore, or pay off the creditors: "You're a cancer.  You've ruined my life."  I'd say attacking your superior officer did that.

"What should I do, then?  Kill myself?"


Scene 3
: Cut to Oskar's room, with close-ups of a drawing of Oskar and Daddy, his military friends, and a lot of weapon parts.  Oskar gets up, starts to exercise, but remembers his dead friend and stops. 

He goes downstairs, but Dad isn't around, and his cell phone is broken!  He rushes down to the garage, where 





Dad is sitting in the running car, trying to die of carbon  monoxide poisoning.  Oskar rips off his shirt, rushes him outside, and performs CPR while screaming. 

The police arrive, along with Marta, a middle-aged blond woman with a man's haircut.  "This time he was serious," she says as she hugs another guy Sister?  Mother? Ex-Wife? 





More after the break

David Naughton: The cutest guy of the Disco Era, telling us to "Be a Pepper" and showing us his d*ck

 


Is this not the cutest guy you've ever seen?  Other than Wes Stern (sigh) and Adam Devine, of course.

Between 1977 and 1981, the recent University of Pennsylvania graduate David Naughton could be seen in dozens of tv commercials, prancing about in a white shirt, black vest, and bulging jeans, selling Dr. Pepper.

"I'm a Pepper -- wouldn't you like to be a Pepper, too?"

I don't like the soft drink, but the spokesman was one of my first crushes.


David's fame from the commercials led to an invitation to star in Makin' It (1979), a rip-off of Saturday Night Fever with David and Greg Antonacci as disco-dancing brothers.  He also recorded the theme song:

Makin' it, oo makin' it, I'm solid gold.

I've got the goods

They stand when I walk through the neighborhoods

I'm makin' it

"Hit tv series" was a little premature: Makin' It was canned after nine episodes.




Next came Midnight Madness (1980), with teams of college students on an all-night scavenger hunt.  David's team, the good guys, includes his younger brother (Michael J. Fox before Family Ties).  There are also teams of jocks, spoiled rich kids, and girls.  I didn't notice any gay subtexts.

But American Werewolf in London (1981) has one.






College students David and Griffin Dunne are hiking through the Scottish highlands, when they are attacked by a werewolf.  Griffin is killed, and David turns, in scenes that emphasize his physique and penis.

More after the break