M. Emmet Walsh: Daddy who didn't mind showing his dick. With bonus old guy hotness

 

 M. Emmet Walsh enjoyed one of the longest and most acclaimed careers in Hollywood.  On screen since 1968, Walsh appeared in some of the most iconic films of the 20th century,  including Midnight Cowboy, Alice's Restaurant, and Little Big Man, as well as some of the most beloved tv programs: The Waltons, The Rockford Files, All in the Family, Bonanza.

He grew up in Swanton, Vermont, a few miles from the Canadian border and graduated from Tilton High School in 1954.  His page in the yearbook says that his nickname is "Creep," he "lives with the Gus," and he played football and basketball. So who is this Gus, your boyfriend?

 After studying business administration at Clarkson University (where he roomed with William Devane) and some military service, he hit Hollywood.  

And stayed there for the next 50 years, playing gangsters, beset-upon bureaucrats, cranky businessmen, clueless dads, cops, inventors, workmen of various sorts, bus drivers, and on and on.  His obituary in the  Washington Post praises his work as a sports writer in Slap Shot (1977), a swim coach in Ordinary People (1980), a police chief in Blade Runner (1982), and a "boogie-woogie pianist" in Cannery Row (1982).

No gay roles that I could find by googling, but Emmet never married, so there is a lot of  speculation that he was gay in real life.  (Gay men of his generation would always stay closeted).

He regularly appeared on websites devoted to hot older guys, not only because of his attractiveness, but because he took his shirt off -- a lot. Unusual for actors of his generation, he even appeared nude. A rear shot from Straight Time (1978).  If you look closely, you can see balls.

A frontal from Fast Talking (1982)

One of Emmet's last roles was in The Righteous Gemstones, as Roy Gemstone, megachurch pastor Eli's stern Baptist-preacher Daddy.  In Episode 1.5. the flashback to 1989, he advises his son to avoid ostentatious display and stick to the message of the Gospels. 

 In Episode 2.5, the flashback to 1993, Roy is suffering from dementia.  He appears at the family Christmas in his underwear, asks "Are we going hunting?", and fires randomly into the room.  When he appears again, he accidentally saves the day.

More old dude dick after the break

"I Don't Want to Pretend that We're Just Coworkers": Starring Bert and Ernie, Patrick and David, and Kelvin and Keefe

 

Ernie: I don't want to pretend that we're just coworkers.

Bert: But we are just coworkers. Try a pink block next, and watch your angles.

David:  I don't want to pretend that we're just coworkers.

Patrick: But we are just coworkers. The aloe moisturizer arrived this morning; these are ready to shelve.

More coworkers after the break

Ride Share: Skyler Gisondo's Bar Mitzvah, Beau Mirchoff nude, and Andy Favreau just because

 

Ride Overshare was a nine-episode tv series about a rideshare driver named Morgan (Morgan Philips) getting involved in the lives of his passengers.

 

 Skyler Gisondo appears as Ben in Episode 1.2 (2017), "Lox of Love": Morgan "does a mitzvah for a young boy about to become a young man."  "Mitzvah" just means good deed, but from the description it's obvious that Morgan is getting him to his bar mitzvah on time. 

I haven't been able to find the 4-minute episode, or the series, anywhere online, but does this look like a 13-year old to you?  Skyler was 18 or 19 in 2017.

Skyler's companion, Moishe, is played by Sam Lerner, best known for The Goldbergs.

The internet says that this is Sam nude.  I'm not so sure.

More after the break

"Cruising": Homophobic classic about sin, degradation, and dicks in a doomed gay world. With a nude Mr. Big.

During the 1970s and 1980s, gay men appeared in movies almost exclusively as limp-wristed hairdressers and drag queens with murderous split personalities.  Cruising, 1980, promised something different: gay men with apartments, jobs, and hangouts; and who were masculine, actually super-macho, with muscles, club bulges, and leather chaps.

Sounds like fun, right?  Wrong.

The tv promo said only that Al Pacino would play a cop who "disappears into the darkness," and the theatrical trail showed him putting on makeup, plus men dancing together, and brief flashes of the words "homosexual,"  "violence," "murder," "fear," and "sex").  
The movie wasn't playing in Rock Island, so one cold Saturday my boyfriend Fred and I drove an hour west to the college town of Iowa City to see our first gay movie, ever.

The plot: in sleazy, decadent gay bar, a "homosexual" played by Arnaldo Santana cruises a mysterious stranger.  After discussing what turned them gay, they go home together, where the stranger politely asks the "homosexual," to lie still while he stabs him to death.  Santana complies!

During the 1970s, criminologists often theorized about why gay men would pick up total strangers for sex.  Some said that they were unable to control their "deviant" sexual desires, and others, that they were looking for a quick, easy way to destroy society by "wasting their seed" instead of making a baby. But most said that they felt so guilty over being gay that they wanted to be murdered.

More bar pickups, more murders. There's a gay serial killer out there "targeting his own!"  Police detective Steve Burns (Al Pacino) is asked to go undercover and catch him.  

So he moves into a sleazy apartment in the bad part of town, puts on a leather vest, applies makeup, and goes cruising.

He befriends his next door neighbor (Don Scardino), but runs afoul of Ted's effeminate, histrionic dancer-boyfriend (James Remar).

Occasionally Steve sees his girlfriend, but he becomes less and less interested in her as he is infected by the "gay lifestyle."

More sin, degradation, and dicks after the break