"Love and Anarchy": A prank war at a Stockholm publishing house, with gay teases and Bjorn Mosten's penis

 

 Love and Anarchy appeared on my Netflix recommendations.  I clicked to see what it was about, forgetting that on Netflix, "click" means "start."  And since I was eating a bowl of Cheerios, I let it continue.

Scene 1: A harried middle-aged man and woman in a fancy house coordinating their calendars and telling their preteen son "No gaming at the breakfast table."  Dad is played by Johannes Bah Kuhnke, sweating below.

The woman chugs some espresso, talking about how this is her first day on the job. Teenage daughter comes in, not wearing the coat Dad bought for her.  This causes a crisis. Nuclear family squabbles.  Yawn. 


The woman goes upstairs, locks herself in the bathroom, and masturbates to porn on her cell phone.  Are we supposed to be titilated or judgmental, or are we to assume that she's having marital problems?  Everybody masturbates, but nobody admits that they do.

Scene 2: She is walking through a square in downtown Stockholm, at dusk or pre-dawn, checking her cell phone.  An older guy welcomes her to his publishing house.   He shows her to her new office, which is a disaster-area of books and manuscripts: the former senior editor was a bit of a hoarder.  





The older guy may be Ronni, the Publishing Company CEO, played by Bjorn Kjellman. He didn't have much of a physique in the 1990s, but he was rather well hung.

Scene 3: The woman -- Sofie -- giving a speech to the staff.  She's an independent consultant who saves publishing companies from bankruptcy by pushing them into the digital age, whether they like it or not. As she is ignoring a question about layoffs, a hot young guy comes in late and accidentally spills his drink over his crotch.  While he is dabbing at his bulge with a napkin, Sofie stares, mesmerized.



Scene 4:
 Sofie in her office, grimacing at the clutter.  Books --- ugh -- they might as well be stone tablets! As someone with a library of about 4,000 books, I am not amused.

 She piles some armloads of the relics outside her door to be trashed, and sees the hot young guy (Bjorn Mosten, top photo, left, and below) on a ladder drilling (and drilling...and drilling).  Receptionist tells her that he's Max, the IT Guy.  

"He doesn't usually do much drilling." 

 "Well, tell him to drill quietly!"

Max scoffs.  "How am I supposed to do my job?"  Receptionist doesn't answer; she's staring at his butt.  He storms out.

Max nude after the break

Gavin's Cute/Cool Photos Part 1: Biking, boating, fishing, turning 15. Plus a random naked guy with no connection to his older brother


This is a collection cute/cool photos of Gavin Munn, who plays Jonathan on Raising Dion and Abraham on The Righteous Gemstones.  He's under 18, so no beefcake or nude photos, but I may have included a few of his family and friends.


1. The Big 15.  Time for your learner's permit, buddy.









2. Father's Day with Dad and Big Bro.
















3. Gavin and Dad in jungle prints.


















4. A boy and his boat



















5. A dad and his fish


















6. A random rear with no connection to Gavin's dad

More Gavin and friends after the break

History of the World, Part II: Homophobic jokes, gay subtexts, and Brock O'Hurn. With Ike and Nick nude


History of the World, Part I
(1981) was a Mel Brooks vehicle involving sketches parodying various historic periods, from the Stone Age to the Spanish Inquisition, featuring nearly every comedian in the business.  To the infinite confusion of audiences, no Part II was intended.

Until 2022, when Part II appeared as a tv series on Hulu, again (mostly) produced, written, directed, and narrated by the 96 year old Mel Brooks -- who appears "swole," borrowing the body of Brock O'Hurn.  Three or four time periods are parodied, but I'm going to review only the Civil War.


Episode 1
: 1865. In the waning days of the War, President Lincoln asks the drunken Ulysses S. Grant (Ike Barinholtz, left) to take charge of his son, Robert Todd (Nick Robinson): the 22-year old Harvard student has been begging to enlist, and now that the war is nearly over, he can do so safely. This is historically accurate: Robert Todd did serve on Grant's staff for several months in 1865.  But he was a "dandy," and Lincoln was gay; both are closeted here. 

Every soldier in Virginia has been ordered to deny Grant alcohol, so he decides to take RT on a "dangerous mission."

"I would follow you to the gates of Hell," RT says. Awww, how sweet.

"It's worse than that.  We're going to West Virginia."  Har, har. 


Episode 2: 
 In Rock Ridge, West Virginia, stylized as an Old West town out of Blazing Saddles, RT and Grant try to fit in because "They don't like our kind." He means Yankees, of course, but.... In  a tavern, we get a shot of the two holding hands as they both look at the same menu.  That's a queer code.

Left: Ike nude

Their cover is blown when Grant tries to use Union currency, and his face is on the bill!  Grant is on the $50 bill today, but of course he wasn't during the Civil War. "We hate Yankees!"  The scene dissolves when a Red Sox fan starts to complain (the baseball team opposed to the New York Yankees).  


The mob (led by Scotty McArthur) leads them out to be hanged. Actually, West Virginia was almost entirely Union-occupied through the war.

Episode 3: Three expendable Union soldiers  are sent to rescue them. Lt. Henry Honeybeard (Tim Baltz), being white, is made their leader.  The others are the black Mason Dixon (Tyler James Williams) and the Native American Mingoes  (Zahn McClarnon).  As they leave, we see two pairs of legs protruding from a tent (guys having sex, har har).  

They are all dumb as a stump, and can't figure out which way West Virginia is. They end up the Underground Railroad, which is actually a subway run by Harriet Tubman, going the wrong direction.

More gay subtexts after the break