Gemstones Episode 4.7, Continued: Teenjus meets the Devil. So does Kelvin. With a gay Christian, Jordanian junk, and Dustin's d*ck

 

Previous: Gemstones Episode 4.7: Kelvin and Pontius have their nards threatened, Gideon finds his voice, and skaters show their d*cks

Earlier in the episode, we saw Eli and Lori breaking up, Kelvin hiding in his treehouse after the roundtable debacle, Judy jealous of a monkey, and Gideon finding a way to be true to himself.  Now it's time for a Baby Billy plotline.

Teenjus Meets the Devil:  The TV the studio in Goose Creek, about 30 miles from Charleston, which Baby Billy characterizes as the "middle of nowhere."  (And there is a Middle of Nowhere Bar and Grill in town). 

 Complaining about having to "babysit" his own kids,  Baby Billy directs a scene where teenage Jesus/Teenjus (Matthew Garbacz) is tempted by the Devil.  He doesn't project enough and he can't remember his line, so Baby Billy fires him and decides to play Teenjus himself.

The Devil points out that he's not a teen, but "You ain't the Devil.  It's called acting."

Tiffany and the Nanny arrive late.  He lambasts them, which upsets Tiffany: "You got time for everything but us."  She suggests that he quit the Teenjus project, so he can spend more time with the family.  They have enough money.    Nope, it's not enough, and he still needs to become famous (again).  "I been on this stardom train before, and you got to get it while you can."  The writers, directors, and showrunners don't become famous, the actors do...oh, is that why you want to play a teenager at age 70?

"Is that all that matters to you?" Tiffany asks, reflecting Lori asking if money is all Eli cares about earlier in the episode.  Baby Billy: "My job is very important to me. Now stop being difficult and take these kids to get some ice cream."  She snarls. What will he finally choose, fame or family?

An Eight Ball and $2 Million:  The Board Room.  Baby Billy yells at Judy and Jesse for cutting his Teenjus budget by 29%,   Instead of a cement factory in Goose Creek, he should be in Jordan "filming in some Muslim tombs."  

Top photo and left: Jordanian guys.

And by the way, since he's playing Teenjus now, he needs $2 million for reshoots, plus an 8-Ball (3.5 grams) of cocaine.  They scoff.

"Where's Kelvin?" he asks.  "I can usually talk some sense into him."

They're not speaking to him, after he insulted them earlier.

Now Baby Billy yells at them for squabbling, not being a family.  They should reconcile with their brother.  

That's Amber, BJ, and Baby Billy telling you to check in on Kelvin.  I suggest that you do it.

Family Visitors:  Jesse is going through Kelvin's house, looking for him.  He checks the foyer, a hallway with baseball-sized gummi bears mounted on the wall,  the bedroom, and then back to the foyer.  Nitpick: The bedroom is on the ground floor.  In Season 2, it was on the second floor.

Judy appears, claiming that she had to poop, and Kelvin's house was the closest.

They discuss how bad they feel about his debacle, how scared he looked -- and holy sh*t, Keefe is the next room, hanging upside down on a harness! "My word, family visitors!" he exclaims.

Some fans have pointed out that he's using a BDSM swing for yoga.  This is the room with the massage table -- which can double as a bondage table.  So we know what kind of games the guys play.

He brings them to the treehouse where Kelvin is hiding, but it's hopeless:  "I've tried for days.  There's no way to get up there."  

   Jesse knows a way.  A ladder? 

Cut to Kelvin lying on blankets in his tree house, eating Fiddle Faddle and Bugles and playing with his monster movie toys, when Jesse and Judy knock on the door.  They flew up in jetpacks!  

They ask why he's not going to the Night of Testimonies, the last event in the Top Christ-Following Man Contest:  "I'm not a brave, strong leader.  I'm a coward."  

"So what?  You are mean. You are extremely goodback with snitty retorts.  You can demolish Vance Simkins."

Suddenly Keefe bursts in, breaking down the door. Well, he's never used a jetpack before.

"We just put that door in," Kelvin complains.

Check out the cool prop photo of Kelvin and Keefe hugging.  It will be used as the cover of their wedding announcement.  Don't complain about spoilers, we all know that it's going to happen.

More after the break

Arabic and Class Rings: Cruising at West Point during my junior year in high school

It's the beginning of my junior year in high school, time to register for the ACT and the SAT, the college entrance exams.  But my parents are vehemently opposed to the idea of college.

They can't afford it.

It's unnecessary -- I'm already smart enough to go to work in the factory.

It's un-Christian, full of Catholics and atheists.

But I've been insistent, littering the house with catalogs and brochures, and finally Dad gives in:  "Ok, you can go to college, as long as it's Olivet.  Or West Point."

A dull, Sunday school-like Bible  college on the prarie or the U.S. Military Academy?  "I understand why you want me to go to Olivet," I tell him, "But why West Point?"

"I'll tell you why: full tuition, room and board, plus a stipend.  All you have to do is sign up for five years of active duty afterwards."

"Five years in the Army!  That sounds awful!"

Dad's eyes narrow.  "I was in the Navy for four years.  It was the best time of my life.  A real man's world.  You don't know what real friends are until you've fought side by side."

"Um...a man's world?  Real friends?"  I imagine sitting in class surrounded by hunky collegiate athletes, the cream of the crop, the most muscular in America, stripping down next to them in the locker room, sleeping beside them in the dorms...  "But...um... I'm not big on military science.  I want to major in Arabic."

"They have Arabic," Dad says, leafing through the catalog.  "And Chinese.  You can major in both, if you're that into languages.  Plus, it's only an hour from Manhattan.  You like all that Broadway musical stuff, right?"

Arabic, Broadway musicals, and army hunks?  It wouldn't hurt to apply....

The application process begins during your junior year, with the SAT, a medical exam, and a physical fitness test: push-ups, pull-ups, sit-ups, a 400-yard dash, a mile run, and a basketball throw (you don't actually have to make a basket).

In April, I receive a letter stating that I've passed the first set of requirements.  Now I have to get a nomination from my Senator, Representative, or the President of the United States.

No problem: I already know Tom Railsback,  the representative from the 19th district for as long as I can remember.  He is a local boy, and a counterculture hero, having drafted the articles of impeachment against President Richard Nixon.

He says that there are four guys in the 19th district asking to be nominated, the most in a decade.

Just to be on the safe side, I approach our senator, Charles H. Percy, too, even though he's a Republican and I'm a staunch Democrat.

In June, my acceptance into the official applicant pool arrives.  Now I have to fill out some more forms, submit some letters attesting to my moral character, get a psychological evaluation, and come in for an interview.

 "More hoops to jump through, just to join the army!" I complain.  "You know, Olivet offered me a scholarship, and I'll bet I could get one at Augustana, too."

"Do they offer Arabic?" Dad asks. 

I keep silent and continue the application process.

The psychological evaluation is  administered by the school counselor: MMPI, with several questions designed to weed out the gay prospects, some blatant ("I am attracted to members of my own sex") and some keying into gay stereotypes ("I am closer to my mother than to my father.").

This actually comes as a relief.  I have not yet figured "it" out, and I am immersed in the homophobic Evangelical subculture.  I am literally afraid of gay men. If a feminine guy appears on tv, I leave the room..  No way could I go to any college that allows gays in!

Admissions interviews are being held in Chicago and Des Moines. but Dad insists that we go to West Point itself, so I can see how great it is.

In July, we leave Mom and my brother and sister visiting our family in Indiana, and drive out with my Uncle Paul: twelve hours on the highway, a very long trip even with the three of us sharing the driving.  Then a day at West Point, and another very long day driving back.

The campus is very beautiful, stately Gothic architecture on a bluff overlooking the Hudson River.  Some of the buildings date from the Revolutionary Era.

 But soon I notice some problems:

Arabic is no longer offered as a major.  You can take two years of classes while you major in something else.

More after the break.  Caution: explicit

Pasolini's "Arabian Nights": The less well-known tales told with penises and homophobia

Between 1971 and 1974, Italian filmmaker Piers Paolo Pasolini produced and directed three adaptions of famous Medieval stories.  The Arabian Nights (Il fiore delle Mille et una Notte) was the last, and the most ambitious, with filming locations in Yemen, Iran, and Nepal.  

If you've seen the other two (The Decameron and The Canterbury Tales), this one will be familiar; most of the same actors, especially Pasolini's lover Ninetto Davoli (left) and his protege Franco Merli, below, whom he discovered working at a gas station in Sicily.

Don't worry, he's 21 in this scene.

Some of the same annoying bits as in the previous movies: dozens of people sitting around singing for no reason; lengthy closeups of random people with bad teeth grinning idiotically at the camera; stories that merge into other stories, so you're never sure what you're watching.

Pasolini eschews the more familiar stories, like Aladdin and Ali Baba, to concentrate on Nur Ed Din (Franco Merli) who loses his favorite slave girl, and wanders around, crying and having erotic adventures while searching for her.

Inside that story is another, about Aziz (Ninetto Davoli), who depends on his girlfriend for advice on how to win The Girl of His Dreams.  It ends badly.

And a few others.  Prince Tagi (Francesco Paolo Governale) falls in love with a girl through hearing a story about her, but she doesn't like men. 

More after the break