Gemstones Episode 2.3: Kelvin topples, Keefe cuddles, and Titus is caged. With bonus semen loads




PreviousEpisode 2.2: Kelvin clenches,Keefe dances, and everybody flirts with Eli. 

Episode 2.3 explores the darkness at the heart of Eli and Kelvin's empires.  

Title: "For He is a Liar and the Father of Lies." In John 8:44, Jesus complains that the Pharisees are children of the Devil, "for he is a liar and the father of lies."  I wonder who the liar is here.

Four guys in the steam showers:  A montage of the God Squad in their compound outside Kelvin's house, working out with wooden equipment, shaving with an axe, growing crops.  Performers that Kelvin hired would have apartments in town and ordinary social lives, with friends and families.  This is a whole society, a homoerotic alternative to the mundane world of men constrained by wives and children, imprisoned in small square houses "made of ticky tacky."  

In literature and film, the adventure ends with marriage.  The hero is domesticated, exchanging his battles and intrigues for a mortgage and a briefcase, his band of brothers for the Eternal Feminine.  The God Squad offers an escape: "no women allowed," either in the Squad or hanging about outside, hoping to "civilize them."

Kelvin congratulates Keefe on his leadership, then says  "I'll meet you in the steam showers, but bring Titus and Odd Chris.  I could smell them during worship."  Every guy working in the hot sun all day will be pungent; in-universe, he is obviously inviting the other men so he and Keefe can each have a sex partner.  The leaders of many messianic cults require sex with random members.  

No one named Odd Chris appears in the cast list, but Titus will be the first God Squad member to rebel. Interestingly, in the Bible the Apostle Paul set Titus to Corinth to deal with a challenge to his authority.

After Keefe leaves to prepare the orgy, Jesse drops by to reveal his theory that Eli murdered Thaniel Block and the other men.  Kelvin refuses to hear it, and wants to defend Eli's honor.  "You ain't as tough as you think, boy!" Jesse exclaims, putting up his fists.  Then he sees the God Squad preparing to defend Kelvin, and backs off.  Messiah Kelvin has some loyal followers!

Junior Threatens Brock:  We cut to Eli at home, putting his bloody pants from last night into the hamper and watching a news report about the murders. Security guard Brock calls to tell him that Junior wants in.  "Tell him I'm not here." Was Junior his partner in the murders, or did he do the job on his own?

Junior blusters and threatens him, but finally he drives away. You may recall that in Season 1, Scotty flirted with Brock to gain access to the Gemstone compound.  But Junior has moved away from his gay-subtext flirting; he is pure threat. 


The Human Pyramid:  
We see the God Squad perform before an audience of teens.  Kelvin introduces the strongest member, Torsten, who dated a "female" in high school before she tried to seduce him, and he had to decide on "his celibacy or his soul."  It is clear that by "celibacy," Kelvin means much more than avoiding sex with women.  You must reject the entire heterosexist trajectory of job, house, wife, and kids, the nuclear family myth, the domestication and civilization threatened by the "female."  The way to salvation lies in the beauty of male bodies, in homoerotic desire unhindered by emotional connection. 

But when they move on to a human pyramid, with Kelvin on top, it topples.  The House of Cards collapses.  Maybe it can't be all about the penis after all.  Keefe behaves like a concerned boyfriend, rushing onto the stage and embracing Kelvin -- to protect him from plummeting musclemen?

Kelvin Wants to Spoon: What follows is very difficult to read. Fans are likely to shake their heads and say WTF?  during their first, second, and third viewing. The showrunners want us to be unsure whether the guys are actually gay, of course, but that's been obvious since Episode 1 to anyone with a basic knowledge of queer codes.  The real question: is Keefe Kelvin's assistant and acolyte, or his romantic partner?  Are they friends with benefits, or are they in love?    

On the surface, it seems easy enough.  Kelvin, in underwear, is looking out the window at the God Squad below. Keefe enters, having drawn him a bath, and tells him that both Liam and Titus were injured in the human pyramid debacle.  Kelvin thinks that it's their own fault for being soft on the fundamentals and skipping leg day.  "Something might have to be done about Titus," he says menacingly, an action-adventure movie villain.  

Keefe: "I completely agree."  Note that he is not an assistant, or his opinion would be irrelevant.  They are equal partners in the God Squad Cult.  "But some of the others have been questioning their place here as well. That's the downside of assembling an entire group of alpha males.  As they grow stronger, they grow more defiant."  The men are not content with being mere objects of desire; they want autonomy and control. 


Kelvin slips off his underwear and hands them to Keefe, who helps him put on his bathrobe -- from behind.   He has to press his body against Kelvin, crotch to butt.  Then he caresses Kelvin's thighs instead of breaking away. It would be much easier from the front.  Why does he go in from the rear?  

When he is finished, Keefe walks over to the mirror, but Kelvin isn't having it, and moves in front of him to get into the butt-to-crotch position again. 

Their gestures and positions are blatantly erotic.  Kelvin is in physical and emotional distress, and wants to be comforted.  In a society where romance is forbidden, this is how lovers cuddle.

"Brother, what's troubling you? " Keefe asks. "Your mind seems dark and black."  It's a secret.  Keefe promises not to tell anyone.

Kelvin turns around to reveal that his Daddy may be a murderer.  Their faces are only a few inches apart, far too close even for lovers, unless they're about to kiss.  One of them must back up to a comfortable conversational distance.  Kelvin is right against the mirror, so it's up to Keefe to back up.  Why doesn't he back up?

We see here Keefe struggling with his desire to move the relationship from "erotic partners" to "boyfriends," struggling with his urge to kiss Kelvin. Notice that he says "Are we in trouble?", not "Are you in trouble."  He is not an employee, who could just find another job if the church went down.  They are romantic partners; they are in this together.

Eli lays down the law: In the next scene, Eli notes that Liam (Peter Kaasa), who was injured during the human pyramid stunt, is suing the Gemstones. They don't need another scandal right now. 


He tells Kelvin to "stop acting like a child" and "grow up."  It's time to "put on your big boy pants, and stop playing with your muscular boys."  Kelvin yells "They're muscle men, Daddy," but he has missed the point.

 Eli thinks that Kelvin's erotic play is immature and childish.  Adults can't be all about desire, about doing things behind closed doors; they need connection to the greater society.  His talk omits the usual "find a girl, get married, and have kids" part of the heteronormative litany, since he knows that Kelvin will never relate to a woman in that way.  But he still needs relationships based on love as well as desire.  He needs to be part of a family.  

Sorry, I ran out of space, so Titus will be caged and do the coming in the next section.  But I included a few photos of guys depositing semen loads to put you in the mood. 

Bonus semen loads after the break.  Warning: explicit.

Portugal: Braga beefcake, Porto penises, a gay couple, and a duke

 


When I visited Switzerland for the Nazarene World Youth Conference in high school, I met two guys from Portugal.  We didn't stay in contact, but I've visited Portugal three times since, and met (or seen) more hot/hung Portuguese guys.

An actor in Porto




Selfie










Arab guy from Porto











Closeup







Braga castle










Hot workman with wheelbarrow outside the art museum.

More hunks after the break





Obliterated: Do you want a review of "the worst movie of the year," or should I skip directly to the penises?




Netflix has been pushing Obliterated as must-watch tv.  The premise: an elite team of CIA operatives, spies, and ladies in bikinis, must deactivate a nuclear bomb set to destroy Las Vegas.  When they succeed, they have a wild party with naked girls, blow jobs, and drugs (but no one bothered to research the effects of various drugs, so ketamine and Ecstasy are hallucinogens).  Then they discover that it was a fake bomb; the real one is set to go off in a few hours, so they have to find and deactivate it while hallucinating and naked (well, the ladies, anyway).

 I have rarely seen such split reviews:

"A triumphant blend of exhilerating action, sharp writing, and humor"

"The worst movie of the year"

"A nearly unwatchable hodgepodge of nonsense littered with penises and explosives."  Well, the penises sound ok

"A lot of fun to watch.  The girls are gorgeous."  So maybe it's only fun to watch if you're a horny hetero guy?

"Female characters are leered at in incongruous shower scenes; they undertake missions in string bikinis."  Double yuck.

There are two gay characters: Marine Sniper Angela Gomez is a butch lesbian stereotype; and Trunk, a "big black guy" stereotype who beats people up with lines like "Smell my dick, motherfucker!"  Apparently he is outed in one scene, as a joke: "The big black guy is a pansy, har har." 

I know you don't want me to do a scene by scene review.  Let's just skip to the penises.


1. Army explosives technician Haggerty, played by C. Thomas Howell, looks like a sleazy, effete gay stereotype, but he's actually straight.









2. Jeremy, played by Johann Fitch,   His job is not specified.  







More dicks after the break