Vice Principals, Episode 3.5: Gamby dates a high school boy, and gay rumors destroy your life

 I'm reviewing Vice Principals Episode 3.5 because a casual viewing revealed a strong, if rather discomforting, gay subtext and a lot of homophobia.

Scene 1: Lee (Walton Goggins), scheming principal of North Jackson High, and his wife Christine are having dinner in a restaurant. He is being dismissive and controlling.  Suddenly Kevin Yoon (Keong Sim, below) appears -- they haven't seen him since college!  He barely acknowledges Lee while gazing with absurdly overacted "girl of my dreams" longing at Christine.  He explains: "I had a bit of a rough time in college, with the rumors, but after counseling I got my life together.  I have a wife and kids."  What rumors destroy your life and require counseling? Sexual assault of a minor?

Christine promises to "friend" him on Facebook and keep in touch, which makes Lee roil with jealousy.

Scene 2: On the way home in the car, we learn that Christine was dating Kevin Yoon, so Lee told her that he was gay, and she dumped him. Why didn't she ask Kevin about it? Maybe Lee was lying, or maybe Kevin was bi and still interested in her.  

The rumor spread around and destroyed his life. Christine is upset because "wife and kids" -- he's straight! Or bi, girlfriend.   She could have married him and had a happy life, instead of being stuck with a man she hates. This is utterly ridiculous.  Did they go to college in 1958?  Was it Hate-Gays University?  How homophobic does McBride think that American society is?

Scene 3:  Vice Principal Gamby (Danny McBride) in the high school parking lot, trying to figure out who shot him in the Season 1 finale.  Jen (Edi Patterson), a teacher with an absurdly unstable crush on him, asks him to be her date at Lee's big birthday party.  He refuses. The lesbian security guard comments that she has a nice body: "I'd fuck her."

Scene 4: The guys on exercise bikes.  Lee suggests that Gamby bring "a hot-ass woman" to his big birthday party, to make his crush jealous and get her to fall in love with him. That strategy usually works in junior high.   But Gamby has another strategy: he's going to prove that he's "a charitable man."

Scene 5: Gamby marches into the restroom, where the delinquent Robin is smoking with his buds.  Earlier he was expelled for having drugs in his locker (which Gamby planted), but now he's back, and Gamby wants to redeem him (for his own selfish ends).  He orders Robin to come to the party as his date: "you're going to show everyone there that I made a positive impact on your life and made you a better human being." 

"But I don't want to go to your stupid pedo party!"  Well, technically it's ephebophile, adult erotic interest in adolescents.

Gamby calls him a "whore," and offers to pay him. Adolescent male prostitution.  This gets worse and worse. "You will be polite, you will be cordial, and you will wear this nice outfit I bought you."

Scene 6: Before the party, Lee is ordering around the caterers and being a jackass to Christine, while she forlornly scrolls through Kevin Yoon's social media, thinking of the life she could have had if only she hadn't dumped him the moment Lee said the g-word.  Imagine that conversation: "Your boyfriend is gay." "WHAT? I'm so disgusted, I never want to see him again! Are you free tomorrow night?"

Lee catches her scrolling and shoves a pill in her mouth without her consent.  

Scene 7: Gamby arrives at Robin's slovenly hovel to pick him up for their date.  His mother is nonchalant about it. Apparently adult men often drop by the house to take Robin out on dates.  Robin isn't wearing the outfit Gamby bought him.  He lays down the law:   "If you embarrass me tonight, I will snap your fucking neck.  Now let's go have fun at this party."  Aww, they're already acting like a couple.

Scene 8:  The party.  Extremely heteronormative: the lesbian security guard is dancing with a man, and the gay-vague drama teacher is dancing with a woman. No same-sex couples, except of course Gamby and Robin:  Arm-on-back affection and calling Robin "handsome" as Gamby introduces him around.  They're really making this look like a real date. 

Robin, who appears in seven episodes, is played by Alexandra McVicker.  She transitioned after Vice Principals, so some of her other work and the VP fan wiki still list her as "Conner."  A trans woman playing a possibly-gay high school boy?  Interesting dynamic. 

Scene 9:  Lee orders Christine around; she passively-aggressively ignores him and gets drunk  Wait -- he drugged you.  If it was an opiate, you could die.   He wants to know why she is acting so weird.  Then Kevin Yoon shows up.  Lee has a fit, but Christine invited him, so he's not leaving.  Lee asks the lesbian security guard to kick him out (sorry, her name is never given, and she is not listed on the wikipedia cast list).  

So she accosts him in the bathroom and threatens to rough him up unless he leaves.

Scene 10:  Looking for a secluded spot to smoke marijuana, Robin finds the master bedroom.  Christine is there, sitting on the floor, drunk and miserable because she's married to Lee instead of Kevin Yoon.  They share a joint.  Are they going to make out to demonstrate that Robin is actually straight?

More after the break

The American Society of Magical Negroes: criticizing white entitlement, or erasing gay people from the world?

 

Members of marginalized groups -- racial minorities, religious minorities, women, and LGBT people -- are often stereotyped as mystical.  They may be presented as superstitious (the Italian "evil eye") or psychic (women's intuition), but sometimes they have fully-formed paranormal powers. like the "magical Negro" who zaps around time and space to help the white protagonist. There's a helpful Wikipedia page with dozens of recent examples: Bruce Almighty, Hitch, Sex and the City, The Dark Knight, The Matrix, The Martian, The Green Book, La La Land and Aladdin.   According to the conflict theory of criminology, the ruling class promotes these stereotypes deliberately, to justify the groups' lack of power and wealth -- they "can't function" in the hard, logical, materialistic world of goverment and business.

The American Society of Magical Negroes (2024) presents this stereotype as real. Aren (Justice Smith) is recruited into an Illuminati-like society of African-Americans with paranormal powers, which they use to control world events.  He is assisted by his white best friend (Drew Tarver).  Justice Smith is gay and Drew Tarver is bi, so this movie has to be LGBTQ-friendly.  

But, whenever possible, I watch trailers and read plot synopses before watching a movie, to check for nasty surprises like queerbaiting or deathbed scenes. 

Scene 1: Aren sees a lot of people standing in line outside a building, and is zapped into a magical space.  A woman says "I know you can feel their discomfort," as he sees a half-naked white girl looking at him.   He walks through a giant gallery space while white people stare at him.  The woman: "Watching you walk through a roomful of white people is the most painful thing I've ever seen."

Scene 2: David Alan Grier recruits him into the American Society of Magical Negroes.  We see a lot of classrooms where students are learning to use their powers, sort of like Hogwarts. Then Grier transports him to a streetcorner and asks "What's the most dangerous animal on the planet?"  The answer: "White people, when they feel uncomfortable."  Gemstone connection: Tim Baltz plays a white cop who feels uncomfortable upon encountering two black guys.

Grier continues: The job of the society is fight white discomfort, because the happier they are, the safer we are."  I thought they were like the Illuminati, controlling governments. 

I can see not wanting to get shot, but is it really the black person's responsibility to make white people feel comfortable?  If they feel uncomfortable, isn't it on them?  Maybe I'm being over-optimistic, but shouldn't the society be fighting the institutional racism that internalizes the stereotypes and results in perceiving the black person as a potential threat?

Scene 3: Aren becomes the coworker of his first client, Jason (Drew Tarver).  They bond over pingpong and video games.  He also meets his Love Interest. Unfortunately, Jason thinks that he is trying to set them up.  Drama! Hey, Drew Tarver is bi, and plays gay guys all the time.  Why is he straight here?  Boo!

The boss gets mad, too, because Aren won't be able to concentrate on making Jason comfortable with black people if he's busy courting Love Interest.  They're already best friends; he looks pretty comfortable.  

Scene 4: Well, Love Interest is white, so why take on her as a client instead  She seemed fine, too.  Aren goes all out on his courtship.  Scenes of the two falling in love, while the boss warns that he could have his memory erased for breaking society rules.  Meanwhile the motto of the movie splashes across the screen: "Some connections are stronger than magic." 

Will I Watch:  Heck no.  I'm interested in the political implications of "making white people comfortable" as a social movement agenda, but this movie is actually just a regular heterosexist heterosexual romance, with the magical stuff just added to create a "forbidden love" drama.   And it's heterosexuals all the way down, to make sure that straight viewers don't feel uncomfortable. How ironic is that?

Bonus dicks after the break

Kelvin and Keefe, Matchmakers: A Cousin Karl Story

As Kelvin waited for Percy at one of the little blue tables outside the Lost Dog Cafe, he couldn't help flashing back to the first time they met, when Jesse hired him to design the church's executive board room.  Kelvin wasn't out to anyone yet, not even to himself, really, and seeing the flashy, unapologetic, loud-and-proud interior designer was a revelation. Percy became his best friend, and his go-to guy for anything about gay history and culture, from the Stonewall Riots to GLAAD Awards.  But today Kelvin had a different kind of request.  He wasn't sure that a guy who came out at age ten could understand.

They chatted about ordinary things, rated a few bulges, and then Kelvin got down to business. "Percy, I had an ulterior motive in inviting you to lunch today.  Remember my Cousin Karl?  You met him at the wedding reception."

"Big guy, black beard, baby face, smile that lights up the whole state?  Sure, he's hard to miss."

"He came out to Keefe and I last night."  

"Wait -- out as gay? Isn't he over 30?"

"36.  But don't look so surprised.  I was 34 when I figured it out, remember, and Karl has been even more sheltered than me.  He's known for a long time, but he thought it was just him.  He didn't know that 'gay' was a thing until he saw Keefe and I kissing one night."

"He's got a lot of catching up to do."

"Karl wants a boyfriend, but he's so soft and sweet, a little kid, really, that we don't trust him on Grindr, or Gay Christian Mingle .  And you're like the gay expert of South Carolina. You belong to every club, you know everybody, and so..."

"So you want me to play matchmaker?  Sure, glad to do it.  Off the top of my head, I can think of four or five candidates.  Let's start with Brett.  He goes to my gym -- built like a bodybuilder, chest for days! He'll be able to appreciate Karl's muscles."

First Date: The Bodybuilder

 Keefe and Kelvin were sitting on the couch in the parlor, kissing, when Percy and Karl’s date knocked on the door.  The Bodybuilder shook their hands (Kelvin forgot his name almost immediately), and Percy tried to hug them both while balancing a large white box.  "I brought tiramisu for dessert. I hope it fits with the menu.  What are we having?"

"We don't know.  Cousin Karl is cooking, and he won't let anyone in the kitchen."

"Tiramisu fits with anything, though," Keefe said.  "I'll bring it in to him." He took the box from Percy's hands and headed back into the house.

More after the break