With new content still limited by the writers' and actors' strikes, we're watching old shows that we missed back in the day, like Northern Exposure (1990-95), about a young doctor forced to relocate from New York City to Cecily, Alaska, population 814. It received 39 Emmy nominations and two Golden Globes, but I never watched back then because I figured it was just another "disease of the week" drama, and because of the opening: an ear-grating harmonica plays while a baby moose ambles down Main Street.
Three episodes in, and it turns out I was correct: it's a "disease of the week" drama with laconic jokes. Trigger warning: the first three episodes feature gunshot wounds, cancer, death, and suicide. And two different old guys who refuse to follow the doctor's instructions because they've always been independent. The jokes are mostly of the "this town is so small!" and "it's so isolated!" sort.
Joel (Rob Morrow, left) thought he was being sent to Anchorage, and complains bitterly about being tricked into moving to a "hellhole" where you have to chop your own firewood and no one has ever heard of a bagel. He does this in front of townsfolk, but it's ok, many of them are refugees from the Lower 48. Some came to escape from big cities, and some came for a visit and got stuck. It's like "Hotel California": you can check out any time you like, but you can never leave.
Episode 2 does something unheard of in 1990, in the heart of the AIDS pandemic and homophobic backlash: it mentioned LGBT people! Actually, 18 tv episodes in 1990 featured gay characters, but they were usually AIDS patients, murderers, or making a pass at a straight person. This episode was praised for its "progressive, gay-positive" message. Let's see how well it holds up in 2024.
Plot 1 features Ed (Darren E. Burroughs), an Indian youth, who is trying to be Joels' best friend, even though Joel treats him with unabashed contempt (but Joel treats everyone in town with unabaslhed contempt, so how could he tell?).. His problem: Uncle Anku has blood in his urine, but refuses to see a Western doctor. He was a medicine man for 40 years; he believes in traditional Indian medicine.
Ed invites Joel over for dinner (KFC, flown in from Anchorage) and a sauna, hoping that he can convince Uncle Anku to get an examination. Nope. Joel visits several more times -- maybe he just likes being half-naked in the sauna with other guys? Still no. Finally he lays down the law: come in for an examination, or no more visits. Psych! Uncle Anku has seen a specialist in Anchorage! Why keep it a secret, and put Joel and your family through so much anxiety?
This plotline has some gay subtexs. Ed's interest in Joel seems more profound than "I'm lonely, and need a friend."
Plot 2: features Joel's toilet. It doesn't work, but his landlord/love interest Maggie is still in the "I hate you! You're arrogant!" stage, and refuses to fix it because what idiot doesn't know how to fix a toilet? Oh yeah, prissy, elite, entitled, arrogant, sexy...um I mean arrogant New York snobs. Joel tries to hire someone, reads a book on plumbing, and so on. Eventually Maggie gives in. Tenant law: you have to provide a working toilet.
Plot 3: Chris in the Morning (John Corbett, left), the radio DJ, tells us that when he was 15, he broke into a house intending to steal stuff, and found a book that changed his life: Walt Whitman's poetry. Later, in juvenile hall, a guard beat him up for reading it, yelling that "unnatural, pornographic, homoerotic poetry" was forbidden. Chris hadn't realized that Whitman "enjoyed the pleasures of other men," and had to rethink his habit of beating up "queers."
Minnefield (Barry Corbin), who literally owns the town, hears the broadcast, and is irate. Making disgusting accusations about America's greatest poet! He throws Chris through a plate glass window and fires him. Hey, that's criminal assault!. He takes over the morning radio himself, and devotes it to "normal" music, like the soundtrack to Kiss Me, Kate (hey, Cole Porter was gay!). Then Oklahoma! and Carousel. The townspeople hate it; they prefer Chris's philosophical musings. So the macho, homophobic guy likes gay-coded show tunes, har har.
Interestingly, a review of the episode calls Barry Corbin a "Broadway Superstar," but I can't find him listed in anything but Henry V.
At a town meeting to complain about the new radio format, Minnefield stands his ground: "Chris made a mistake, and he has to pay for it. A breach is a breach." Seriously, why doesn't anyone call Minnefield out on his homophobia? Do they all agree that it's wrong to mention gay people on the radio? They demand that Chris be re-hired. Nope!
After consulting with Joel, Minnefield gets back on the radio to explain. "Whitman was a pervert, but he was the greatest poet America ever produced," and we shouldn't try to destroy him. He mentions several other American heroes with personality faults: alcoholic, gambler, crossdresser...but we aren't allowed to discuss the terrible things they did. We need to concentrate on the positive. We need heroes. "If Whitman were standing here today, and someone called him a fruit or a queer, that person would have to answer to me." So you're saying that it's ok to know that he was gay, but not to disrespect him by aying that he was gay?
This, by the way, is a heartfelt speech, telling the audience what they should take away from the episode: being gay is horrible, but we should ignore it, because "we need heroes." From the vantage point of 2024, it seems incredibly homophobic, but in 1990 it was a plea for tolerance.
Chris in the Morning apologizes. He didn't mean to defame Walt Whitman, but now he understands that it was wrong to mention that he was gay. He gets his job back.
And the town library/general store has a run on requests for Walt Whitman's poetry.
Beefcake: Joel, Ed, and Uncle Anku in the sauna. Joel in the shower.
Gay Characters: Of course not, although in a few years, the town will host the second gay wedding on network television.
Homophobia: Everyone seems to agree that calling someone gay is a defamation. Even Joel the New Yorker.
My Grade: Even taking into account its historic context, this was a very difficult episode to watch. And that grating harmonica solo opening! D.
Above: Rob Morrow's butt in Private Resort. Left; Grant Goodeve, who plays Maggie's boyfriend (before she dumps him).
Set in the same time period: