History of the World, Part II: Homophobic jokes, gay subtexts, and Brock O'Hurn. With Ike and Nick nude

History of the World, Part I (1981) was a Mel Brooks vehicle involving sketches parodying various historic periods, from the Stone Age to the Spanish Inquisition, featuring nearly every comedian in the business.  To the infinite confusion of audiences, no Part II was intended.

Until 2022, when Part II appeared as a tv series on Hulu, again (mostly) produced, written, directed, and narrated by the 96 year old Mel Brooks -- who appears "swole," borrowing the body of Brock O'Hurn.  Three or four time periods are parodied, but I'm going to review only the Civil War.

Episode 1: 1865. In the waning days of the War, President Lincoln asks the drunken Ulysses S. Grant (Ike Barinholtz, left) to take charge of his son, Robert Todd (Nick Robinson): the 22-year old Harvard student has been begging to enlist, and now that the war is nearly over, he can do so safely. This is historically accurate: Robert Todd did serve on Grant's staff for several months in 1865.  But he was a "dandy," and Lincoln was gay; both are closeted here. 

Every soldier in Virginia has been ordered to deny Grant alcohol, so he decides to take RT on a "dangerous mission."

"I would follow you to the gates of Hell," RT says. Awww, how sweet.

"It's worse than that.  We're going to West Virginia."  Har, har. 

Episode 2:  In Rock Ridge, West Virginia, stylized as an Old West town out of Blazing Saddles, RT and Grant try to fit in because "They don't like our kind." He means Yankees, of course, but.... In  a tavern, we get a shot of the two holding hands as they both look at the same menu.  That's a queer code.

Left: Ike nude

Their cover is blown when Grant tries to use Union currency, and his face is on the bill!  Grant is on the $50 bill today, but of course he wasn't during the Civil War. "We hate Yankees!"  The scene dissolves when a Red Sox fan starts to complain (the baseball team opposed to the New York Yankees).  

The mob (led by Scotty McArthur) leads them out to be hanged. Actually, West Virginia was almost entirely Union-occupied through the war.

Episode 3: Three expendable Union soldiers  are sent to rescue them. Lt. Henry Honeybeard (Tim Baltz), being white, is made their leader.  The others are the black Mason Dixon (Tyler James Williams) and the Native American Mingoes  (Zahn McClarnon).  As they leave, we see two pairs of legs protruding from a tent (guys having sex, har har).  

They are all dumb as a stump, and can't figure out which way West Virginia is. They end up the Underground Railroad, which is actually a subway run by Harriet Tubman, going the wrong direction.

More gay subtexts after the break

Daniel Benson: The gay-vague Disney Channel teen hunk finds a new career showing gay guys his dick

 

You may see a hundred dicks a day, in porn or real life, but there's a unique pleasure to seeing one of your childhood fave raves grow up, bulk up, and post pics of his penis. It's like solving a mystery: now we know what he was packing all along.

Dan Benson became a fave rave on The Wizards of Waverly Place, a gay-subtext heavy Disney Channel teencom about a family of wizards who have to keep their secret from the world.

Dan (in the back) played Zeke, the goofy best friend of teenage son Justin Russo, although later he started hanging out with younger son Max instead.  He displayed no heterosexual interest until later seasons ,when Disney suits got worried about the barely-hidden gay subtexts and gave him a girlfriend.

There were so many gay subtexts on Wizards that Dan's stories tended to get lost.  And bulking up didn't help to differentiate him: every single male character was a muscle-hunk. So fans tended to forget about him.

After Wizards, Dan appeared in an episode of Smoky Knights and its spin-off Killing Diaz,  and voiced Ethan, the on-off boyfriend of Summer in Rick and Morty. Then he was stung by an invasion of his privacy.

Turns out that some fans didn't forget him after all: during Wizards, "attractive women" kept asking for nude photos and videos, which he obligingly sent.  Then he found them posted on the internet!  He told E Online that it was a "pretty traumatic experience."  He became obsessed with taking them down, and retired from acting altogether.

But then he thought, "Why not?  If people want to see my penis, why not show them?  For a fee, of course."  He changed to the grown-up sounding Daniel Benson, and started an OnlyFans page, with subscriptions running at $20 per month.  He not only shows his dick, he reviews adult products, like this dildo.

And a penis-shaped waffle.

More Dan after the break. Note: the explicit pictures are samples that Dan posted to advertise his pay site.

Gemstones Episode 1.3, Continued: Gideon acts like a woman, Kelvin acts like a man, and chubby guys show their dicks

 

Previous: Episode 1.3: Kelvin outs himself, Scotty shoves a wiener into Gideon's face, and Jesse gets it all wrong.

God offers one thing:  Eli and Baby Billy attend a service at Locust Grove Baptist Church. where Rev. Seasons preaches.  The sermon: when people pray, they're really asking God to give them stuff.  But God only offers one thing: His love. Yawn -- Baby Billy is bored.  His church offers razzle-dazzle.

Later, at an after-church potluck, Baby Billy tries to mediate between Eli and Rev. Seasons, but it doesn't work: "Get the hell out of my church.  I got nothing to say to you."  Eli counters that he's been spreading lies about the Gemstones.  

Then: "What do you want, Eli?  You've got everything, and you want more.  Why are you so hungry?"  Eli responds by throwing a baked potato through a church window. Baby Billy is here the voice of reason.

As Eli stomps off, followed by a conciliatory Baby Billy, Rev. Seasons makes a throat-cutting gesture at some of his congregants.  We will see their dicks later.

Later, Baby Billy argues with Eli: he has to live in Locust Grove, and Eli is out there making him enemies.  "Well, what could I do about it?" Um...not throw a baked potato through his window?  Eli, increasingly unsympathetic, dismisses Baby Billy as a "two-bit con-man."  He never cared about the family, not even his sister Aimee-Leigh.  

Baby Billy calls him a "righteous Gemstone dick" and quits the Locust Grove job. 

The Family Dinner:  Next, Gideon goes to work for Martin, ostensibly to learn church operations, but really looking for a new way to steal a million dollars. Jesse disapproves, hurt that they decided on this new job without consulting him.

 Later, the family gathers for a "welcome home" dinner for Gideon at Jesse and Amber's house.  

This is the only time that we will see the family here; later family dinners will be held at Jason's Steak House. Notice that Kelvin sits on the left side, between Pontius and Gideon, as if he is a kid.

Gideon is discussing his stunt work: because of his slim frame, he stunt-doubles for women a lot: it's called "wigging."  Jesse disapproves of him "pretending to be a woman." Amber defends him: it's just for the stunt, because "he's very manly," not feminine, not gay.  Notice Kelvin's reaction: he does not like this conversation at all.  He keeps his head down, worried that someone will apply it to him.

But the industry is moving toward having women stunting for women, so no more wigging.  Jesse mocks him: my son is sad "cause he can't pretend to be a woman for money anymore."  He's really pushing the hegemonic masculinity here: behavior that men are expected to engage in, and punished if they fail: being important/ in charge, aggressive, stoic, politically and socially powerful, muscular, and heterosexual.

BJ thinks that "representation of marginalized peoples is a big deal," so if a script calls for a woman to fall off a building, a woman should do the stunting.  Amber disagrees, promoting stereotypic gender polarization: "only men should jump off buildings."

Finally Kelvin has had enough, and changes the subject: "Wasn't Baby Billy supposed to be here tonight?"

The party devolves into a fight between Jesse and his son Pontius. He blames Pontius's bad behavior on Gideon leaving: "Actions have consequences."

Kelvin's Basketball:  After things calm down, Judy and Kelvin find Jesse in the back yard, crying, the super-masculine guy exhibiting "feminine" emotion.  He asks if they have come to make fun of him.  Judy: "Well, Kelvin has."  

Notice that Kelvin is carrying a basketball. Where did he get it?  Did he bring it with him, as a "welcome home" gift for his adult nephew?  Did he pick it up from an off-camera basketball court?

This is the only time in the series that Kelvin exhibits an interest in any team sport, or any athletic activity other than acrobatics and bodybuilding.  I wonder if he is trying to project a stereotypic masculine image in response to the talk about "acting like a woman."  

Dicks after the break