Gemstones Episode 3.8, Continued: Kelvin's tender bits, Peter's van, Chuck's butt, and coming out to the world.

Previous: Episode 3.8: Is Peter a woman?  Are Kelvin and Keefe lovers?  Does Jesse dye his sideburns?

More Militia Squabbles: Under the highway overpass, the militia men get more chicken, this time from Fancy Nancy's, but the portions are still too small.  Plus they've accomplished none of their goals due to Peter's mismanagement.  Instead of Brotherhood of Tomorrow's Fires, referring to an Apocalypse that isn't happening, they're going to call themselves the Keepers of Yesterday's Monuments, to key into their interest in (Confederate) monuments.  

They kick Uncle Peter and Chuck out of the group, taking all of their money, but letting them keep the truck full of explosives.  

Top photo: The tender bits of Steve Zahn, who plays Uncle Peter.

Left: The tender bits of Lukas Haas, who plays Chuck Montgomery. 

Hating on Eli:  In the Executive Board Room, the siblings speak to Eli only through Baby Billy, expressing anger that he refused to pay the ransom.  

Judy: "You left us to die! Uncle Peter would have killed any one of us, or all three, or he'd just mutilate us and send you our body parts."

Kelvin specifies: "Nipples, penis, butthole shavings -- all our tender bits."  Interesting --the three body parts he finds erotic. We can also divide it up by sibling: Judy's nipples, Jesse's penis, Kelvin's butthole.  We all know that Kelvin is a bottom, so he's concerned about that.

Left: The tender bits of Adam Devine

Jesse states that he's always known that Eli doesn't love him, but he figured that it was all about the church.  But he was wrong -- it's all about the money.

Eli protests: it's not about the money.  It's always been about his children.  

Hah!  They're not buying it. 

Suddenly Eli is happy because the siblings are working together, cooperating, not competing.  If it takes hating on him for them to work as a team, fine.   

Showtime:  The Sunday of the siblings' return to the church.  Crowds waiting to greet them.  A woman holds a sign: "The Gemstone 3 -- we missed you."  The ticket booth announces: "The return of the Gemstone children -- praise be!"  At the ministers' meeting earlier in the season, the siblings tried the "We Three and Thee" catchphrase, with disastrous results.  Now the congregation is embracing The Three. 

In the hallway outside their dressing rooms, the siblings say goodbye to their partners.  Jesse/Amber and BJ/Judy kiss.  Keefe moves in for a kiss, but Kelvin blocks him with a forehead press.  Keefe looks very amorous, as if still caught up in the afterglow from whatever they did last night.  Kelvin looks apologetic: "Sorry, dude, not in front of my family and the gossipy church staff."  

This scene received a lot of misdirection in the trailers.  First you didn't see who Kelvin was saying goodbye to, so you would think it might be Taryn.  Then the lighting makes a square white patch appear on Keefe's face, as if he was injured during the rescue attempt.

Jesse signals "Showtime!", and the siblings join him to walk down the hall to the stage.  Amber at the other end of the hallway, waiting for the partners to join her in the sanctuary. Keefe and BJ stand there, watching.

Suddenly Kelvin backs up, then turns around and walks quickly back to Keefe.  What's going on?  He's holding his dressing room key -- maybe he forgot something?  He wraps his arm around Kelvin's shoulders, slams him forcefully against the wall, and kisses him.  We cut to BJ grinning, and Judy grabbing at Jesse's arm in surprise. 

 In the second take, or maybe a second kiss, the dressing room key is gone, and Kelvin has moved his hand to Keefe's face. 

They break, and Kelvin walks back to the siblings, grinning, pleased with himself.  Keefe looks proud of him, too.   Jesse and Judy give him congratulatory grins.  He adjusts his glasses, as if to say "Well, that's that."  

More after the break

Dead Boy Detectives: Ghost buddies, one gay, one bi, solve afterlife mysteries. With Luke Gage and WW1 soldier bonus

 

A growling, snarling World War I soldier -- played by Chris Pereira -- chases two teenage boy ghosts through the British Museum.  The intellectual Edwin surmises that his gas mask is cursed: they'll have to destroy it to restore him to wholeness, so he can go on to the afterlife.  They'll need the Minor Arcana, Volume 4, but the athletic Charles can't find it in his magic bookbag.  

With the ghost-monster in hot pursuit, they run through a mirror, but end up in a hotel, not back in the office.  Edwin explains that it's hard to locate the right mirror-dimension when you're being chased by a gas mask monster.  

Flashback to the Dead Boy Detectives office a few days ago: A World War I nurse explains that she's been hanging aroud the British Museum long after her death to help the many lost souls from her era enter the afterlife.  But one has been cursed and turned into a monster.  She hires the boys to help him.

Left: Chris's butt

Back in the present, the boys rush through the hotel, find another mirror, and end up in their office.  The monster follows!   Charles manages to tear his gas mask off -- the snarling monster underneath spews blood all over and tries to stab him. Meanwhile Edwin finds the right book, says the incantation, and the gas mask bursts into flames.  Back in human form, the ghost is calm, but confused.  The boys tell him that he 's dead, still fighting a war that ended over 100 years ago. 

Left: Chris's cock.  I know he only appears in this episode, but where else are you going to see it?

Uh-oh, Death is coming to guide him to the afterlife.  The boys have to hide, or she'll take them, too!

That's a lot of world-building in five minutes, but it comes while the boys are being chased, assaulted, threatened, and zapped about, so it goes down easily.  

The Dead Boy Detectives, a paranormal take on the common British "boy detective" genre, appeared in a number of comics and limited edition graphic novels during the 1990s and 2000s, all taking place in Neil Gaiman's Sandman universe.  Edwin, the intellectual one, died in 1916, when some boarding school bullies tried to scare him by pretending to offer him as a sacrifice to Satan.  The spell worked, and he was sent to hell.  

He stayed until 1989, when some of the residents of hell escaped and laid waste to a boarding school. The athletic Charles was killed in the ruckus.  He would be going to the Sandman-world version of Heaven, but he decided to wait and hang out with his new ghost-buddy.  Now they are detectives, helping lost souls with unfinished business, lost memories, or curses that prevent them from moving on. They must keep a low profile and not perform much magic, to avoid detection from Death and an afterlife "Missing Souls" bureacracy.

Spoiler alert: In the comics, Edwin is gay, and Charles is bisexual.  They don't date each other, however: who said any two random gay/queer dudes must automatically be into each other? 

I watched the first episode of the tv series to see if the pair, now played by the considerably older George Rexstrew and Jayden Revri, were heterosexualized.

The answer after the break

Arthur Napiontek: Comedian, model, geographer, heterosexist man-candy

 

In Pineapple Express (2008),  mild-mannered process server Dale (Seth Rogen), his dealer (James Franco), and their supplier (Danny McBride) must flee from thugs trying to kill them. At one point Dale goes to the high school to tell his underage girlfriend that he won't be able to have dinner her parents, because of that fleeing thing.

But then a hot guy named Clark (Arthur Napiontek) approaches.  She praises his performance in drama class.  He returns the gym shorts that she left in his car when they worked out last week, assures Dale that he will protect her in college next year, and heads out to home economics class: "It's time to suck today's dick!"   Obviously gay, but Dale is still jealous and agrees to go to the dinner after all. 

I'm not sure if the phrase "It's time to suck today's dick" is gay-positive or homophobic.

This was Art Napiontek's first major movie role.  Although the 21 year old was cast for his comedic talent, not his physique, he took his clothes off in The Brotherhood V (2009), one of those David DeCouteau movies where straight guys bond in their underwear.  

Oddly, most of his later movie and tv roles do not involve flexing.  He did manage to take his clothes off for a gig on Conan (the talk show, not the Barbarian), but otherwise he has played a series of fully-clothed frat boys and hot guys, usually in comedies. 

Occasionally with gay content but usually not: Looking is a gay-themed series, but Boys from the Bar (2011) is about straight bartenders in a gay bar who just want to watch the game, and Switch Hitter (2015) is not about bisexuals,

In real life, Art has a wife and child and posts about how much he likes vaginas, so I'll assume that he's heterosexual. This photo spread in OK Magazine assumes that only ladies are interested in "Man Candy." 

More Arthur after the break